COPPER

#168 Grupo Rebolú's Afro-Colombian Breakthrough by Wayne Robins Jul 29, 2022 #168 The A&M Records Story, Part Six: The 1980s into the 1990s by Rudy Radelic Jul 29, 2022 #168 Where To Buy (High-Quality) Classical Downloads by Ted Shafran Jul 29, 2022 #168 Big Sky by Jay Jay French Jul 29, 2022 #168 Kitty Wells: Queen of Country Music by Anne E. Johnson Jul 29, 2022 #168 Giovanni Battista Pergolesi’s Stabat Mater: Glorious Music by Anne E. Johnson Jul 29, 2022 #167 Why I Quit Buying New Vinyl by Rudy Radelic Jul 15, 2022 #167 Cats and Dogs…Well, Mostly Cats (Part Two) by Rich Isaacs Jul 15, 2022 #167 Sitting Down and Listening Jul 15, 2022 #167 Around the World In 80 Lathes, Part 17 by J.I. Agnew Jul 15, 2022 #167 A Hard Day's Night by Peter Xeni Jul 15, 2022 #167 Eico Eico Jul 15, 2022 #167 Talking With Larry Jaffee of Making Vinyl, Part One Jul 15, 2022 #167 Pilgrimage to Sturgis, Part 25 by B. Jan Montana Jul 15, 2022 #167 Audio Art in NYC: Devon Turnbull’s Listening Exhibition by Tom Methans Jul 15, 2022 #167 Richie Furay: Buffalo Springfield and Poco Founder Gets Back In the Country by Ray Chelstowski Jul 15, 2022 #167 Memoirs by Roy Hall Jul 15, 2022 #167 Getting the Most from an A/V Receiver: Yamaha’s Web Editor SetUp Tool, Part Two by Russ Welton Jul 15, 2022 #167 When Domestic Bliss is an Audio Miss by Jay Jay French Jul 15, 2022 #167 Experimental Musician Billy Yfantis Explores Intergalactic Sounds by Andrew Daly Jul 15, 2022 #167 The Los Angeles and Orange County Audio Society Visits Sunny Components by Harris Fogel Jul 15, 2022 #167 Reconsider Baby: Elvis, the Movie by Tim Riley Jul 15, 2022 #167 Back to My Reel-to-Reel Roots, Part 19: Reports of Its Demise Are Premature 2 by Ken Kessler Jul 15, 2022 #167 AES Europe Spring 2022, Part Three by John Seetoo Jul 15, 2022 #167 Hooked on Earworms by Don Kaplan Jul 15, 2022 #167 Bottled Up by James Whitworth Jul 15, 2022 #167 The Exotic Sounds of Madagascar by Steve Kindig Jul 15, 2022 #167 Paul Butterfield: Rockin’ the Blues by Anne E. Johnson Jul 15, 2022 #167 Toshiko Akiyoshi: Founder of Big Band’s Rebirth by Anne E. Johnson Jul 15, 2022 #167 Play It Like You Mean It Jul 15, 2022 #167 Play It Like You Mean It by Alón Sagee Jul 14, 2022 #167 Saturday Night in San Francisco on 180-Gram LP and SACD from Impex Records by Tom Gibbs Jul 14, 2022 #166 XTC: Steven Wilson Remix/Remasters on CD and Blu-ray, Part Two by Tom Gibbs Jul 01, 2022 #166 Around the World In 80 Lathes, Part 16 by J.I. Agnew Jul 01, 2022 #166 Summer Concerts: Who to See and Where? by Stuart Marvin Jul 01, 2022 #166 The Latest from Octave Records: Mini Brazilian Beasts by Pianist Carmen Sandim by Frank Doris Jul 01, 2022 #166 A Visit to Legendary Jazz Club Arthur’s Tavern by Ray Chelstowski Jul 01, 2022 #166 150 Favorite Rock Albums: More Mini-Reviews Jul 01, 2022 #166 A Loudspeaker Company Grows in Brooklyn by Tom Methans Jul 01, 2022 #166 Five Rhythm Guitarists Who Changed Rock Music by Andrew Daly Jul 01, 2022 #166 AES Europe Spring 2022, Part Two by John Seetoo Jul 01, 2022 #166 Going to the Consumer Electronics Show: The Early Years by Ken Sander Jul 01, 2022 #166 Pilgrimage to Sturgis, Part 24 by B. Jan Montana Jul 01, 2022 #166 Getting the Most From an A/V Receiver: Yamaha’s Web Editor Setup Tool, Part One by Russ Welton Jul 01, 2022 #166 Seeking Enlightenment Jul 01, 2022 #166 Nightmare at 20,000 Feet by Peter Xeni Jul 01, 2022 #166 The Incredible Shrinking Man by James Whitworth Jul 01, 2022 #166 Back to My Reel-to-Reel Roots, Part 18: Reports of Its Demise Are Premature 1 by Ken Kessler Jul 01, 2022 #166 The History of A&M Records, Part Five by Rudy Radelic Jul 01, 2022 #166 Favorite Venues, Part Three: Madison Square Garden by Jack Flory Jul 01, 2022 #166 Cataloging a Classical Music Collection by Ted Shafran Jul 01, 2022 #166 Far Above Cayuga's Waters by Howard Kneller Jul 01, 2022 #166 Marin Marais’s Works for Viola da Gamba by Anne E. Johnson Jul 01, 2022 #166 Rufus Wainwright: Personal Songs With Universal Truths by Anne E. Johnson Jul 01, 2022 #166 Plug and Play Jul 01, 2022 Musical Realism and the Performance of Our (Aging) Ears, Part Two by Craig Burgess Jun 15, 2022 #165 Here Comes the Sun Jun 15, 2022 #165 Deflation by Peter Xeni Jun 15, 2022 #165 She Had a Hat Jun 15, 2022 #165 The Zombies: As Alive as Ever by Ray Chelstowski Jun 15, 2022 #165 The Lasting Memories of Hit Summer Songs by Jay Jay French Jun 15, 2022 #165 AES Europe Spring 2022, Part One by John Seetoo Jun 15, 2022 #165 My Favorite Venues, Part Two: Colorado by Jack Flory Jun 15, 2022 #165 John Cooper Clarke: Bard of the People by Tom Methans Jun 15, 2022 #165 Cats and Dogs…Well, Mostly Cats (Part One) by Rich Isaacs Jun 15, 2022 #165 How Does a Vinyl Record Even Sound Good at All? Talking With Lewis Hopkin, Vinyl Mastering Engineer, Part Two by Russ Welton Jun 15, 2022 #165 XTC: Steven Wilson Remix/Remasters on CD and Blu-ray by Tom Gibbs Jun 15, 2022 #165 Back to My Reel-to-Reel Roots, Part 17: Stalking the Wild Revox II by Ken Kessler Jun 15, 2022 #165 Reincarnation by James Whitworth Jun 15, 2022 #165 The Beatles or the Stones: Who’s Better? by Andrew Daly Jun 15, 2022 #165 Your Move by Alón Sagee Jun 15, 2022 #165 Around the World In 80 Lathes, Part 15 by J.I. Agnew Jun 15, 2022 #165 The Secret History of Tribute Albums, Part Two by Steven Bryan Bieler Jun 15, 2022 #165 Play it Again, Sam by Don Kaplan Jun 15, 2022 #165 The History of A&M Records, Part Four: R&B and Funk! by Rudy Radelic Jun 15, 2022 #165 The Staple Singers: Soul Originators by Anne E. Johnson Jun 15, 2022 #165 Zoot Sims: A Saxophonist’s Saxophonist by Anne E. Johnson Jun 15, 2022 #165 Pilgrimage to Sturgis, Part 23 by B. Jan Montana Jun 15, 2022 #164 Into the Heavens by Michael Walker Jun 04, 2022 #164 Nick Drake’s Albums in 24/96 Digital Sound by Tom Gibbs Jun 04, 2022 #164 Countertenors: New Takes on an Old Tradition by Anne E. Johnson Jun 04, 2022 #164 Rallying With Lemons, Part Two by Rudy Radelic Jun 04, 2022 #164 Pilgrimage to Sturgis, Part 22 by B. Jan Montana Jun 04, 2022 #164 Mary Gauthier: Songs in Motion by Anne E. Johnson Jun 04, 2022 #164 Around the World In 80 Lathes, Part 14 by J.I. Agnew Jun 04, 2022 #164 Bascom H. King: In Memoriam by Ivan Berger Jun 04, 2022 #164 Nothing Short of a Miracle Jun 04, 2022 #164 The Space Between the Notes Jun 04, 2022 #164 Undercover Listening Devices by Peter Xeni Jun 04, 2022 #164 Styx: 50 Years and Still Going Strong by Ray Chelstowski Jun 04, 2022 #164 How AXPONA Got Its Groove Back, Part Three Jun 04, 2022 #164 Spending Time With the Grado RS1x Headphones by Tom Methans Jun 04, 2022 #164 Octave Records’ New Releases: TIERRO Band with Bridget Law, and Audiophile Masters, Volume VI Jun 04, 2022 #164 My Favorite Venues, Part One: Colorado by Jack Flory Jun 04, 2022 #164 Offering Solace: An Interview With Held By Trees by Andrew Daly Jun 04, 2022 #164 How Does a Vinyl Record Even Sound Good at All? Talking With Lewis Hopkin, Vinyl Mastering Engineer, Part One by Russ Welton Jun 04, 2022 #164 Back to My Reel-to-Reel Roots, Part 16: Stalking the Wild Revox by Ken Kessler Jun 04, 2022 #164 Who are WE? Jun 04, 2022 #164 The Secret History of Tribute Albums, Part One by Steven Bryan Bieler Jun 04, 2022 #164 The Joys of Monophonic Recordings, Part Two by Adrian Wu Jun 04, 2022 #164 Shelby Lynne – An American Original, Part Two by John Seetoo Jun 04, 2022 #164 A Pressing Decision by James Whitworth Jun 04, 2022 #163 Rallying With Lemons, Part One by Rudy Radelic May 18, 2022 #163 Around the World In 80 Lathes, Part 13 by J.I. Agnew May 18, 2022 #163 Shelby Lynne: An American Original, Part One by John Seetoo May 18, 2022 #163 The Muffs’ Ronnie Barnett: Really Really Happy Again by Ray Chelstowski May 18, 2022 #163 How AXPONA Got Its Groove Back, Part Two by Frank Doris May 18, 2022 #163 Back to My Reel-to-Reel Roots, Part 15 by Ken Kessler May 18, 2022 #163 Ambient Music May 18, 2022 #163 Pristine Classical: Preserving Priceless Historical Recordings, Part Two by Ted Shafran May 18, 2022 #163 Lightning Strikes by Peter Xeni May 18, 2022 #163 Customer Relationship Management: Give it Some Stick! by Russ Welton May 18, 2022 #163 Public Access TV, Part Two: Ken Gets Pranked by Ken Sander May 18, 2022 #163 Octave Records Releases The Audiophile Reference Disc and Foxfeather’s The Nature of Things on Vinyl LP May 18, 2022 #163 Across the Great Divide by Rudy Radelic May 18, 2022 #163 Live Versus Recorded Music by Rich Isaacs May 18, 2022 #163 Cathal Coughlan: From Microdisney to Telefís, Always Progressing by Andrew Daly May 18, 2022 #163 The Big Bang Theory by Don Kaplan May 18, 2022 #163 The Everly Brothers: In and Out of Harmony by Anne E. Johnson May 18, 2022 #163 James Reese Europe: Jazz Rhythm in Army Boots by Anne E. Johnson May 18, 2022 #163 Gazing Back Into the Abyss by Tom Methans May 18, 2022 #163 Pilgrimage to Sturgis, Part 21 by B. Jan Montana May 18, 2022 #163 We All Belong... May 18, 2022 #163 Running Hot and Cold by James Whitworth May 18, 2022 #162 95 Tears by Jeff Weiner May 06, 2022 #162 In Search of the Real Nick Drake by Tom Gibbs May 06, 2022 #162 A Pre-Entry-Level Analog MP3 Killer by Alón Sagee May 06, 2022 #162 Beethoven Trios: Beyond Archduke by Anne E. Johnson May 06, 2022 #162 Warren Zevon: Exceptional Boy by Anne E. Johnson May 06, 2022 #162 The Joys of Monophonic Recordings, Part One by Adrian Wu May 06, 2022 #162 How AXPONA Got Its Groove Back, Part One May 06, 2022 #162 Crowning Achievements May 06, 2022 #162 Pristine Classical: Preserving Priceless Historical Recordings, Part One by Ted Shafran May 06, 2022 #162 Mickey Finn of Jetboy: Glam Metal Lives! by Andrew Daly May 06, 2022 #162 Hearing Loss - Now It’s Getting Personal by Russ Welton May 06, 2022 #162 Tiny Dancer by Michael Walker May 06, 2022 #162 Showgazing May 06, 2022 #162 The A&M Records Story, Part Three by Rudy Radelic May 06, 2022 #162 Back to My Reel-to-Reel Roots, Part 14: Original Box and Papers? by Ken Kessler May 06, 2022 #162 Paying the Price by Peter Xeni May 06, 2022 #162 Separation Anxiety by James Whitworth May 06, 2022 #162 Phil Ramone: Making Records: The Scenes Behind the Music by John Seetoo May 06, 2022 #162 Around the World In 80 Lathes, Part 12 by J.I. Agnew May 06, 2022 #162 Jack Tempchin: Songwriter to the Stars by Ray Chelstowski May 06, 2022 #162 Pilgrimage to Sturgis, Part 20 by B. Jan Montana May 06, 2022 #161 The A&M Records Story, Part Two by Rudy Radelic Apr 20, 2022 #161 The Year Was 1977 by Rich Isaacs Apr 20, 2022 #161 The Global Supply of Vacuum Tubes: What Happens Now? by Tom Methans Apr 20, 2022 #161 Lester Young: President of Jazz by Anne E. Johnson Apr 20, 2022 #161 Pilgrimage to Sturgis, Part 19 by B. Jan Montana Apr 20, 2022 #162 Emerson, Lake & Palmer: Lucky Men by Anne E. Johnson Apr 20, 2022 #161 Fest for Beatles Fans Gets Back by Larry Jaffee Apr 20, 2022 #161 From Small Things, Big Things One Day Come by Jay Jay French Apr 20, 2022 #161 Still Singing! A Bit of Talking! A Little More Dancing! by Don Kaplan Apr 20, 2022 #161 Back to My Reel-to-Reel Roots, Part 13: Re-Education by Ken Kessler Apr 20, 2022 #161 Geoff Emerick’s Here, There and Everywhere: Recording the Music of the Beatles by John Seetoo Apr 20, 2022 #161 Like a Picasso: Bonnie Pointer’s Lost Album, Rediscovered by Ray Chelstowski Apr 20, 2022 #161 Grazing in the Grass by Paul McGowan Apr 20, 2022 #161 Take Me to the Pilot by Frank Doris Apr 20, 2022 #161 Chris Haddox: A Decades-in-the-Making Debut by Andrew Daly Apr 20, 2022 #161 Outstanding Digital Downloads, Recently Added to My Collection from Qobuz by Tom Gibbs Apr 20, 2022 #161 More Speaker Setup Tips From Audio Advice's Scott Newnam by Russ Welton Apr 20, 2022 #161 Around the World In 80 Lathes, Part 11 by J.I. Agnew Apr 20, 2022 #161 On With the Show Apr 20, 2022 #161 Reality Check by Peter Xeni Apr 20, 2022 #161 Wardrobe Malfunction by James Whitworth Apr 20, 2022 #160 We C What You Did There by Alón Sagee Apr 08, 2022 #160 Trust the Experts by Frank Doris Apr 08, 2022 #160 Envy of None: Alex Lifeson of Rush Joins a New Band by Andrew Daly Apr 08, 2022 #160 Musical Realism and the Performance of Our (Aging) Ears by Craig Burgess Apr 08, 2022 #160 All You Need Is Love…and Maybe a Shiny Suitcase Full of Money! by Tom Gibbs Apr 08, 2022 #160 Three Days with Frank Sinatra, Part Three: The Cole Porter Suite by Tom Methans Apr 08, 2022 #160 The Audiophile’s Opinion, Or, Why You Should Join (Or Start) an Audiophile Club by Alón Sagee Apr 08, 2022 #160 Semele: It’s Not Just an Opera by Handel by Anne E. Johnson Apr 08, 2022 #160 Around the World In 80 Lathes, Part Ten by J.I. Agnew Apr 08, 2022 #160 Pilgrimage to Sturgis, Part 18 by B. Jan Montana Apr 08, 2022 #160 Marty Stuart: His Superlative Country Music Career by Anne E. Johnson Apr 08, 2022 #160 Back to My Reel-to Reel-Roots, Part 12: The Sins of the Fathers by Ken Kessler Apr 08, 2022 #160 Audio Advice’s Home Theater Designer Speaker Setup Software by Russ Welton Apr 08, 2022 #160 The Handcuffs: This Band Just Might Save Rock And Roll by Ray Chelstowski Apr 08, 2022 #160 Public-Access TV: A Perfect Soapbox by Ken Sander Apr 08, 2022 #160 The A&M Records Story, Part One by Rudy Radelic Apr 08, 2022 #160 Al Schmitt On the Record: The Magic Behind the Music by John Seetoo Apr 08, 2022 #160 Octave Records Releases Audiophile Masters, Volume I On Vinyl LP by Frank Doris Apr 08, 2022 #160 Chairman At The Board: Bill Schnee On The Making of Some Iconic Records by John Seetoo Apr 08, 2022 #160 Octave Records Debuts Dreams of You: Classic Swing by Jeremy Mohney by Frank Doris Apr 08, 2022 #160 Two is Better Than One Apr 08, 2022 #160 Tweeter Evaluation by Peter Xeni Apr 08, 2022 #160 Second Thoughts by James Whitworth Apr 08, 2022 #155 X Marks the Sweet Spot Apr 04, 2022 #155 Uncle Influencer by Tom Methans Apr 04, 2022 #155 Around the World in 80 Lathes, Part Five by J.I. Agnew Apr 04, 2022 #155 Audio Pioneer Mel Schilling: In Memoriam by Ken Kessler Apr 04, 2022 #157 La Música de Puerto Rico by Tom Methans Apr 03, 2022 #157 Octave Records Releases Hothouse Flower by Scabaret Apr 02, 2022 #159 John Sloman: Rocking With Lone Star, Uriah Heep, UFO, and On His Own by Andrew Daly Mar 25, 2022 #159 A Music Lover’s Journey by Craig Evans Mar 25, 2022 #159 10 More Great Music Documentaries by Rich Isaacs Mar 25, 2022 #159 The Day the Music Died by Jack Flory Mar 25, 2022 #159 The SweetVinyl SugarCube SC-1 Plus, Part Two by Rudy Radelic Mar 25, 2022 #159 Back to My Reel-to Reel-Roots, Part 11 by Ken Kessler Mar 25, 2022 #159 Using EQ With Speakers: Some Limitations by Russ Welton Mar 25, 2022 #159 Still Got the Knack: Rock Bassist Prescott Niles by Ray Chelstowski Mar 25, 2022 #159 Around the World In 80 Lathes, Part Nine by J.I. Agnew Mar 25, 2022 #159 Jim Anderson and Ulrike Schwarz: Immersive Audio’s Power Couple, Part Four by John Seetoo Mar 25, 2022 #159 Octave Records Releases Audiophile Masters, Volume V Mar 25, 2022 #159 The Murky Landscape of Music Creation and Ownership by Stuart Marvin Mar 25, 2022 #159 Three Days With Frank Sinatra, Part Two: Graduation Day by Tom Methans Mar 25, 2022 #159 Time Passages Mar 25, 2022 #159 No Turning Back by Peter Xeni Mar 25, 2022 #159 Pilgrimage to Sturgis, Part 17 by B. Jan Montana Mar 25, 2022 #159 "Time," Part Two by Andy Schaub Mar 25, 2022 #159 Head Land by Russ Welton Mar 25, 2022 #159 Something for Everyone Mar 25, 2022 #159 Clarinetist Don Byron: You Can't Pin Him Down by Anne E. Johnson Mar 25, 2022 #159 Copper and PS Audio's WL "Woody" Woodward: In Memoriam Mar 25, 2022 #159 The Mystery of the New York Acoustics Nova 1 Loudspeakers – Solved by Tom Gibbs Mar 25, 2022 #159 Impatient Audiophile by James Whitworth Mar 25, 2022 #159 Everything but the Girl: British Sophisti-Pop by Anne E. Johnson Mar 25, 2022 #158 Kevin Whelan of the Wrens and Aeon Station by Andrew Daly Mar 14, 2022 #158 Jim Anderson and Ulrike Schwarz: Immersive Audio’s Power Couple, Part Three by John Seetoo Mar 14, 2022 #158 The Florida Audio Expo 2022 – A Bold Step Towards a Return to Audio Normalcy by Tom Gibbs Mar 14, 2022 #158 Three Days with Frank Sinatra, Part One by Tom Methans Mar 14, 2022 #158 Around the World In 80 Lathes, Part Eight by J.I. Agnew Mar 14, 2022 #158 Nero Fiddles While Rome… by Jay Jay French Mar 14, 2022 #158 Sometimes I Sit and Listen to Courtney Barnett by Wayne Robins Mar 14, 2022 #158 Confessions of a Setup Man, Part 14: The Reluctant Reviewer by Frank Doris Mar 14, 2022 #158 The Ups and Downs of Touring by Ken Sander Mar 14, 2022 #158 How Do You Q? Adjusting A Speaker’s Frequency Response Curve by Russ Welton Mar 14, 2022 #158 Ann Wilson: From Heart to Fierce Bliss by Ray Chelstowski Mar 14, 2022 #158 Springtime Solace Mar 14, 2022 Stairway to Fremer Mar 11, 2022 #158 Pilgrimage to Sturgis, Part 16 by B. Jan Montana Mar 11, 2022 #158 Back to My Reel-to Reel-Roots, Part 10 by Ken Kessler Mar 11, 2022 #158 Spring Is in the Airwaves Mar 11, 2022 #158 Disconnect by James Whitworth Mar 11, 2022 #158 Speak, Friend, and Enter by Rich Isaacs Mar 11, 2022 Primal Music Mar 11, 2022 #158 Who's Afraid of the Big Bad Wolf? by Don Kaplan Mar 11, 2022 #158 Francisco Guerrero: Catching On Again, Five Centuries Later by Anne E. Johnson Mar 11, 2022 #158 Yusuf/Cat Stevens: Soundtrack of the Seventies, Still Vital Today by Anne E. Johnson Mar 11, 2022 #158 My First Speakers by Jack Flory Mar 11, 2022 #158 John Klemmer, Part Two: The Saxophone Touch by Rudy Radelic Mar 11, 2022 Choosing New Speakers: Not Left on the Shelf by Russ Welton Mar 01, 2022 The Two Sides of Billy Preston by Stuart Marvin Mar 01, 2022 #157 Jim Anderson and Ulrike Schwarz: Immersive Audio’s Power Couple, Part Two by John Seetoo Feb 25, 2022 #157 Timeless Elegance Feb 25, 2022 #157 Michael Jackson and MJ: The Musical by Jay Jay French Feb 25, 2022 #157 CES 2022, Part Three Feb 25, 2022 #157 McGowan Park by Andy Schaub Feb 25, 2022