Copper

#173 The NAMM Show 2022, Part Two by Harris Fogel Oct 08, 2022 #173 Pat Metheny: Versatile Jazz Guitar Virtuoso by Anne E. Johnson Oct 08, 2022 #173 Dracula and the Dancing Plagues by Don Kaplan Oct 08, 2022 #173 The History of A&M Records, Part Eight: Jazz on A&M by Rudy Radelic Oct 08, 2022 #173 Buffalo Springfield: Progenitors of Psychedelic Folk-Rock by Anne E. Johnson Oct 08, 2022 #173 Geometric Progression by James Whitworth Oct 08, 2022 #172 Redemption Song Sep 26, 2022 #172 Piper Payne: A Mastering Engineer for Next-Generation Music, Part One by John Seetoo Sep 24, 2022 #172 Beyoncé In the Perfect Tense by Wayne Robins Sep 24, 2022 #172 David Libert: A Rock and Roll Warrior Tells All In His New Book by Ray Chelstowski Sep 24, 2022 #172 Classical Music for a Desert Island, Part One by Ted Shafran Sep 24, 2022 #172 Reel-to-Reel Roots, Part 23: Better Than Rice Krispies by Ken Kessler Sep 24, 2022 #172 Hearing Aid by Peter Xeni Sep 24, 2022 #172 Pilgrimage to Sturgis, Part 30: Limited Identity by B. Jan Montana Sep 24, 2022 #172 Musica Universalis by James Whitworth Sep 24, 2022 #172 Tubes to Go Sep 24, 2022 #172 Can’t Get Enough (of Your Pressings) by Larry Jaffee Sep 24, 2022 #172 Take a Walk in Wonderland: Revisiting the Musical Instrument Museum by Jeff Weiner Sep 24, 2022 #172 A Visit to The 2022 New York Audio Show, Part One by Tom Methans Sep 24, 2022 #172 Around the World In 80 Lathes, Part 22 by J.I. Agnew Sep 24, 2022 #172 Theatrical Display by James Schrimpf Sep 24, 2022 #172 Born to Rock: Graham Whitford of Tyler Bryant & The Shakedown by Andrew Daly Sep 24, 2022 #172 What’s in a Name? MIRTAS – The Music Instrument Retail Training Apprenticeships Scheme by Russ Welton Sep 24, 2022 #172 An Octave Records Trifecta: Augustus, Thom LaFond and Clandestine Amigo Now Available On Vinyl Sep 24, 2022 #172 The History of A&M Records, Part Seven: A&M Goes Latin by Rudy Radelic Sep 24, 2022 #172 Ralph Vaughan Williams: A Master of Orchestration Turns 150 by Anne E. Johnson Sep 24, 2022 #172 Martina McBride: Empowered By Country Music by Anne E. Johnson Sep 24, 2022 #172 The NAMM Show 2022, Part One by Harris Fogel Sep 24, 2022 #171 Long Live Excellent Customer Service by Russ Welton Sep 08, 2022 #171 The Beacon Theatre’s Sphere Immersive Sound in Action by Tom Methans Sep 08, 2022 #171 Jazz Producer Creed Taylor: In Memoriam by Rudy Radelic Sep 08, 2022 #172 Collective Soul: Rocking On With Limitless Passion by Ray Chelstowski Sep 08, 2022 #171 Audio Nirvana (I Found It!) by Rich Isaacs Sep 08, 2022 #171 First Look (and Listen): A Hi-Def Live Concert Audio Experience for the 21st Century by Jay Jay French Sep 08, 2022 #171 Talking With Dan Mackta of Qobuz Sep 08, 2022 #171 The Meanings of Life Sep 08, 2022 #171 Analyze This Sep 08, 2022 #171 Around the World In 80 Lathes, Part 21 by J.I. Agnew Sep 08, 2022 #171 Pilgrimage to Sturgis, Part 29 by B. Jan Montana Sep 08, 2022 #171 Lemons Rally: Rust Belt Ramble, Part Three by Rudy Radelic Sep 08, 2022 #171 Back to My Reel-to-Reel Roots, Part 22: Reel-to-Real, or, Noodge and Ye Shall Receive by Ken Kessler Sep 08, 2022 #171 Amy Winehouse: Soulful Supernova by Anne E. Johnson Sep 08, 2022 #171 The Colors of Music: Synesthetic Artist Sees and Paints What She Hears, Part Two by Alón Sagee Sep 08, 2022 #171 Finding Balance Between Artistry and Academia: New Artist Sophia Marie by Andrew Daly Sep 08, 2022 #171 Silent Movie Fan by James Schrimpf Sep 08, 2022 #171 Tapped Out by Peter Xeni Sep 08, 2022 #171 Astrud Gilberto: The Essence of Bossa Nova by Anne E. Johnson Sep 08, 2022 #171 Diagnosing Audiophilia by Stuart Marvin Sep 08, 2022 #171 Trying to Connect by James Whitworth Sep 08, 2022 #171 All That Jazz, Part Two by Don Kaplan Sep 08, 2022 #170 World Music by Frank Doris Aug 26, 2022 #170 Under My Skin: An Interview With Journalist Elise Krentzel by Andrew Daly Aug 26, 2022 #170 The Colors of Music: Synesthetic Artist Melissa McCracken Sees and Paints What She Hears, Part One by Alón Sagee Aug 26, 2022 #170 The Times They Are a-Changin’! by Tom Gibbs Aug 26, 2022 #170 Confessions of a CD Addict, Circa 1986 by Larry Jaffee Aug 26, 2022 #170 Breaking News: HD Vinyl Enters Bankruptcy (and Some Thoughts On Vinyl Manufacturing) by J.I. Agnew Aug 26, 2022 #170 High-Quality Audio In Clubland by Tom Methans Aug 26, 2022 #170 T.H.E. Show 2022 Report, Part Two by Harris Fogel Aug 26, 2022 #170 Back to My Reel-to-Reel Roots, Part 21: The Best Private Members Club…Ever by Ken Kessler Aug 26, 2022 #170 Duncan Sheik: From Barely Breathing to Broadway and Beyond by Ray Chelstowski Aug 26, 2022 #170 Floating Over CES by Ken Sander Aug 26, 2022 #170 On The Road: Recording The Stars in a Golden Era of Live Music, By David W. Hewitt by John Seetoo Aug 26, 2022 #170 Digital in an Analog World Aug 26, 2022 #170 Pure Distortion by Peter Xeni Aug 26, 2022 #170 Timing Error by James Whitworth Aug 26, 2022 #170 Where the Streets Have No Name by Rich Isaacs Aug 26, 2022 #170 My Retail Customers: Of Chalk and Cheese by Russ Welton Aug 26, 2022 #170 Octave Records Releases The Complete Bach Cello Suites by Zuill Bailey on Vinyl LP Aug 26, 2022 #170 Pilgrimage to Sturgis, Part 28 by B. Jan Montana Aug 26, 2022 #170 Around the World In 80 Lathes, Part 20 by J.I. Agnew Aug 26, 2022 #170 Talk Talk Talking About the Psychedelic Furs by Anne E. Johnson Aug 26, 2022 #170 Lemons Rally: Rust Belt Ramble, Part Two by Rudy Radelic Aug 26, 2022 #170 Orlande de Lassus: Magnificent Music for Voice by Anne E. Johnson Aug 26, 2022 #170 Tape Versus Vinyl by Adrian Wu Aug 26, 2022 #169 Blue In Green by Frank Doris Aug 12, 2022 #169 Musical Roots: A Trip Around the World by Jeff Weiner Aug 12, 2022 #169 Around the World In 80 Lathes, Part 19 by J.I. Agnew Aug 12, 2022 #169 Back and Revitalized: T.H.E. Show 2022, Part One by Harris Fogel Aug 12, 2022 #169 Confessions of a Setup Man, Part 15: Avoiding Burnout by Frank Doris Aug 12, 2022 #169 Tommy Emmanuel: Casting a Spell on Guitar by Ray Chelstowski Aug 12, 2022 #169 Kloss Encounter by Steven Stone Aug 12, 2022 #169 Tale of the Tape by Peter Xeni Aug 12, 2022 #169 Thieves, Golden Boys, and Trust in the Retail Sector by Russ Welton Aug 12, 2022 #169 Same Space, Different Time: A Visit to Van Gelder Studio by Sameer Verma Aug 12, 2022 #169 Adventures In Hi-Fi – Read All About It by Ken Kessler Aug 12, 2022 #169 Amoeba Music: What’s In My Bag? by Tom Methans Aug 12, 2022 #169 Pilgrimage to Sturgis, Part 27 by B. Jan Montana Aug 12, 2022 #169 Talking With Folk/Americana Artist Lilli Lewis by Andrew Daly Aug 12, 2022 #169 Back on the Lemons Rally, Part One by Rudy Radelic Aug 12, 2022 #169 The Night Sergio Mendes Came to Town by Rich Isaacs Aug 12, 2022 #169 Stepping Out of the Limelight by John Seetoo Aug 12, 2022 #169 Dead & Company at Citi Field, July 15, 2022: A Review by Jay Jay French Aug 12, 2022 #169 Uh Oh! by James Whitworth Aug 12, 2022 #169 All That Jazz by Don Kaplan Aug 12, 2022 #169 Trumpeter Roy Eldridge: Nifty Cat by Anne E. Johnson Aug 12, 2022 #169 Oh No, It’s Devo! by Anne E. Johnson Aug 12, 2022 #169 Issue 169 Aug 12, 2022 #168 The Musical Instrument Museum: A National Treasure by Jeff Weiner Jul 29, 2022 #168 Under the Same Sky Jul 29, 2022 #168 High Fi by Peter Xeni Jul 29, 2022 #168 Octave Records Releases Nightmares by Country/Americana/Rock Band Gasoline Lollipops Jul 29, 2022 #168 Around the World In 80 Lathes, Part 18 by J.I. Agnew Jul 29, 2022 #168 Resolute by James Whitworth Jul 29, 2022 #168 Pet Sounds: My Dogs Explained by Album Titles by Steven Bryan Bieler Jul 29, 2022 #168 Pilgrimage to Sturgis, Part 26 by B. Jan Montana Jul 29, 2022 #168 Talking With Larry Jaffee of Making Vinyl, Part Two by Frank Doris Jul 29, 2022 #168 Back to My Reel-to-Reel Roots, Part 20: (Not) Labeled With Love by Ken Kessler Jul 29, 2022 #168 Listening With Dog's Ears Jul 29, 2022 #168 The Evolution of In-Ear Monitors by John Seetoo Jul 29, 2022 #168 Women Who Rock: Some of My Favorites by Andrew Daly Jul 29, 2022 #168 The Harlequins: A Cincinnati Band Has Plenty to Say by Ray Chelstowski Jul 29, 2022 #168 Play it Again, Steinway: the Spirio Player Piano by Tom Methans Jul 29, 2022 #168 More CES History, and Technomania by Ken Sander Jul 29, 2022 #168 Vinyl and the World’s Best Stereo System by Russ Welton Jul 29, 2022 #168 Grupo Rebolú's Afro-Colombian Breakthrough by Wayne Robins Jul 29, 2022 #168 The A&M Records Story, Part Six: The 1980s into the 1990s by Rudy Radelic Jul 29, 2022 #168 Where To Buy (High-Quality) Classical Downloads by Ted Shafran Jul 29, 2022 #168 Big Sky by Jay Jay French Jul 29, 2022 #168 Kitty Wells: Queen of Country Music by Anne E. Johnson Jul 29, 2022 #168 Giovanni Battista Pergolesi’s Stabat Mater: Glorious Music by Anne E. Johnson Jul 29, 2022 #167 Why I Quit Buying New Vinyl by Rudy Radelic Jul 15, 2022 #167 Cats and Dogs…Well, Mostly Cats (Part Two) by Rich Isaacs Jul 15, 2022 #167 Sitting Down and Listening Jul 15, 2022 #167 Around the World In 80 Lathes, Part 17 by J.I. Agnew Jul 15, 2022 #167 A Hard Day's Night by Peter Xeni Jul 15, 2022 #167 Eico Eico Jul 15, 2022 #167 Talking With Larry Jaffee of Making Vinyl, Part One Jul 15, 2022 #167 Pilgrimage to Sturgis, Part 25 by B. Jan Montana Jul 15, 2022 #167 Audio Art in NYC: Devon Turnbull’s Listening Exhibition by Tom Methans Jul 15, 2022 #167 Richie Furay: Buffalo Springfield and Poco Founder Gets Back In the Country by Ray Chelstowski Jul 15, 2022 #167 Memoirs by Roy Hall Jul 15, 2022 #167 Getting the Most from an A/V Receiver: Yamaha’s Web Editor SetUp Tool, Part Two by Russ Welton Jul 15, 2022 #167 When Domestic Bliss is an Audio Miss by Jay Jay French Jul 15, 2022 #167 Experimental Musician Billy Yfantis Explores Intergalactic Sounds by Andrew Daly Jul 15, 2022 #167 The Los Angeles and Orange County Audio Society Visits Sunny Components by Harris Fogel Jul 15, 2022 #167 Reconsider Baby: Elvis, the Movie by Tim Riley Jul 15, 2022 #167 Back to My Reel-to-Reel Roots, Part 19: Reports of Its Demise Are Premature 2 by Ken Kessler Jul 15, 2022 #167 AES Europe Spring 2022, Part Three by John Seetoo Jul 15, 2022 #167 Hooked on Earworms by Don Kaplan Jul 15, 2022 #167 Bottled Up by James Whitworth Jul 15, 2022 #167 The Exotic Sounds of Madagascar by Steve Kindig Jul 15, 2022 #167 Paul Butterfield: Rockin’ the Blues by Anne E. Johnson Jul 15, 2022 #167 Toshiko Akiyoshi: Founder of Big Band’s Rebirth by Anne E. Johnson Jul 15, 2022 #167 Play It Like You Mean It Jul 15, 2022 #167 Play It Like You Mean It by Alón Sagee Jul 14, 2022 #167 Saturday Night in San Francisco on 180-Gram LP and SACD from Impex Records by Tom Gibbs Jul 14, 2022 #166 XTC: Steven Wilson Remix/Remasters on CD and Blu-ray, Part Two by Tom Gibbs Jul 01, 2022 #166 Around the World In 80 Lathes, Part 16 by J.I. Agnew Jul 01, 2022 #166 Summer Concerts: Who to See and Where? by Stuart Marvin Jul 01, 2022 #166 The Latest from Octave Records: Mini Brazilian Beasts by Pianist Carmen Sandim by Frank Doris Jul 01, 2022 #166 A Visit to Legendary Jazz Club Arthur’s Tavern by Ray Chelstowski Jul 01, 2022 #166 150 Favorite Rock Albums: More Mini-Reviews Jul 01, 2022 #166 A Loudspeaker Company Grows in Brooklyn by Tom Methans Jul 01, 2022 #166 Five Rhythm Guitarists Who Changed Rock Music by Andrew Daly Jul 01, 2022 #166 AES Europe Spring 2022, Part Two by John Seetoo Jul 01, 2022 #166 Going to the Consumer Electronics Show: The Early Years by Ken Sander Jul 01, 2022 #166 Pilgrimage to Sturgis, Part 24 by B. Jan Montana Jul 01, 2022 #166 Getting the Most From an A/V Receiver: Yamaha’s Web Editor Setup Tool, Part One by Russ Welton Jul 01, 2022 #166 Seeking Enlightenment Jul 01, 2022 #166 Nightmare at 20,000 Feet by Peter Xeni Jul 01, 2022 #166 The Incredible Shrinking Man by James Whitworth Jul 01, 2022 #166 Back to My Reel-to-Reel Roots, Part 18: Reports of Its Demise Are Premature 1 by Ken Kessler Jul 01, 2022 #166 The History of A&M Records, Part Five by Rudy Radelic Jul 01, 2022 #166 Favorite Venues, Part Three: Madison Square Garden by Jack Flory Jul 01, 2022 #166 Cataloging a Classical Music Collection by Ted Shafran Jul 01, 2022 #166 Far Above Cayuga's Waters by Howard Kneller Jul 01, 2022 #166 Marin Marais’s Works for Viola da Gamba by Anne E. Johnson Jul 01, 2022 #166 Rufus Wainwright: Personal Songs With Universal Truths by Anne E. Johnson Jul 01, 2022 #166 Plug and Play Jul 01, 2022 Musical Realism and the Performance of Our (Aging) Ears, Part Two by Craig Burgess Jun 15, 2022 #165 Here Comes the Sun Jun 15, 2022 #165 Deflation by Peter Xeni Jun 15, 2022 #165 She Had a Hat Jun 15, 2022 #165 The Zombies: As Alive as Ever by Ray Chelstowski Jun 15, 2022 #165 The Lasting Memories of Hit Summer Songs by Jay Jay French Jun 15, 2022 #165 AES Europe Spring 2022, Part One by John Seetoo Jun 15, 2022 #165 My Favorite Venues, Part Two: Colorado by Jack Flory Jun 15, 2022 #165 John Cooper Clarke: Bard of the People by Tom Methans Jun 15, 2022 #165 Cats and Dogs…Well, Mostly Cats (Part One) by Rich Isaacs Jun 15, 2022 #165 How Does a Vinyl Record Even Sound Good at All? Talking With Lewis Hopkin, Vinyl Mastering Engineer, Part Two by Russ Welton Jun 15, 2022 #165 XTC: Steven Wilson Remix/Remasters on CD and Blu-ray by Tom Gibbs Jun 15, 2022 #165 Back to My Reel-to-Reel Roots, Part 17: Stalking the Wild Revox II by Ken Kessler Jun 15, 2022 #165 Reincarnation by James Whitworth Jun 15, 2022 #165 The Beatles or the Stones: Who’s Better? by Andrew Daly Jun 15, 2022 #165 Your Move by Alón Sagee Jun 15, 2022 #165 Around the World In 80 Lathes, Part 15 by J.I. Agnew Jun 15, 2022 #165 The Secret History of Tribute Albums, Part Two by Steven Bryan Bieler Jun 15, 2022 #165 Play it Again, Sam by Don Kaplan Jun 15, 2022 #165 The History of A&M Records, Part Four: R&B and Funk! by Rudy Radelic Jun 15, 2022 #165 The Staple Singers: Soul Originators by Anne E. Johnson Jun 15, 2022 #165 Zoot Sims: A Saxophonist’s Saxophonist by Anne E. Johnson Jun 15, 2022 #165 Pilgrimage to Sturgis, Part 23 by B. Jan Montana Jun 15, 2022 #164 Into the Heavens by Michael Walker Jun 04, 2022 #164 Nick Drake’s Albums in 24/96 Digital Sound by Tom Gibbs Jun 04, 2022 #164 Countertenors: New Takes on an Old Tradition by Anne E. Johnson Jun 04, 2022 #164 Rallying With Lemons, Part Two by Rudy Radelic Jun 04, 2022 #164 Pilgrimage to Sturgis, Part 22 by B. Jan Montana Jun 04, 2022 #164 Mary Gauthier: Songs in Motion by Anne E. Johnson Jun 04, 2022 #164 Around the World In 80 Lathes, Part 14 by J.I. Agnew Jun 04, 2022 #164 Bascom H. King: In Memoriam by Ivan Berger Jun 04, 2022 #164 Nothing Short of a Miracle Jun 04, 2022 #164 The Space Between the Notes Jun 04, 2022 #164 Undercover Listening Devices by Peter Xeni Jun 04, 2022 #164 Styx: 50 Years and Still Going Strong by Ray Chelstowski Jun 04, 2022 #164 How AXPONA Got Its Groove Back, Part Three Jun 04, 2022 #164 Spending Time With the Grado RS1x Headphones by Tom Methans Jun 04, 2022 #164 Octave Records’ New Releases: TIERRO Band with Bridget Law, and Audiophile Masters, Volume VI Jun 04, 2022 #164 My Favorite Venues, Part One: Colorado by Jack Flory Jun 04, 2022 #164 Offering Solace: An Interview With Held By Trees by Andrew Daly Jun 04, 2022 #164 How Does a Vinyl Record Even Sound Good at All? Talking With Lewis Hopkin, Vinyl Mastering Engineer, Part One by Russ Welton Jun 04, 2022 #164 Back to My Reel-to-Reel Roots, Part 16: Stalking the Wild Revox by Ken Kessler Jun 04, 2022 #164 Who are WE? Jun 04, 2022 #164 The Secret History of Tribute Albums, Part One by Steven Bryan Bieler Jun 04, 2022 #164 The Joys of Monophonic Recordings, Part Two by Adrian Wu Jun 04, 2022 #164 Shelby Lynne – An American Original, Part Two by John Seetoo Jun 04, 2022 #164 A Pressing Decision by James Whitworth Jun 04, 2022 #163 Rallying With Lemons, Part One by Rudy Radelic May 18, 2022 #163 Around the World In 80 Lathes, Part 13 by J.I. Agnew May 18, 2022 #163 Shelby Lynne: An American Original, Part One by John Seetoo May 18, 2022 #163 The Muffs’ Ronnie Barnett: Really Really Happy Again by Ray Chelstowski May 18, 2022 #163 How AXPONA Got Its Groove Back, Part Two by Frank Doris May 18, 2022 #163 Back to My Reel-to-Reel Roots, Part 15 by Ken Kessler May 18, 2022 #163 Ambient Music May 18, 2022 #163 Pristine Classical: Preserving Priceless Historical Recordings, Part Two by Ted Shafran May 18, 2022 #163 Lightning Strikes by Peter Xeni May 18, 2022 #163 Customer Relationship Management: Give it Some Stick! by Russ Welton May 18, 2022 #163 Public Access TV, Part Two: Ken Gets Pranked by Ken Sander May 18, 2022 #163 Octave Records Releases The Audiophile Reference Disc and Foxfeather’s The Nature of Things on Vinyl LP May 18, 2022 #163 Across the Great Divide by Rudy Radelic May 18, 2022 #163 Live Versus Recorded Music by Rich Isaacs May 18, 2022 #163 Cathal Coughlan: From Microdisney to Telefís, Always Progressing by Andrew Daly May 18, 2022 #163 The Big Bang Theory by Don Kaplan May 18, 2022 #163 The Everly Brothers: In and Out of Harmony by Anne E. Johnson May 18, 2022 #163 James Reese Europe: Jazz Rhythm in Army Boots by Anne E. Johnson May 18, 2022 #163 Gazing Back Into the Abyss by Tom Methans May 18, 2022 #163 Pilgrimage to Sturgis, Part 21 by B. Jan Montana May 18, 2022 #163 We All Belong... May 18, 2022 #163 Running Hot and Cold by James Whitworth May 18, 2022 #162 95 Tears by Jeff Weiner May 06, 2022 #162 In Search of the Real Nick Drake by Tom Gibbs May 06, 2022 #162 A Pre-Entry-Level Analog MP3 Killer by Alón Sagee May 06, 2022 #162 Beethoven Trios: Beyond Archduke by Anne E. Johnson May 06, 2022 #162 Warren Zevon: Exceptional Boy by Anne E. Johnson May 06, 2022 #162 The Joys of Monophonic Recordings, Part One by Adrian Wu May 06, 2022 #162 How AXPONA Got Its Groove Back, Part One May 06, 2022 #162 Crowning Achievements May 06, 2022 #162 Pristine Classical: Preserving Priceless Historical Recordings, Part One by Ted Shafran May 06, 2022 #162 Mickey Finn of Jetboy: Glam Metal Lives! by Andrew Daly May 06, 2022 #162 Hearing Loss - Now It’s Getting Personal by Russ Welton May 06, 2022 #162 Tiny Dancer by Michael Walker May 06, 2022