Copper Magazine · Issue 160 · A free PS Audio publication
Issue 160 New Vistas

Pilgrimage to Sturgis, Part 18

Pilgrimage to Sturgis, Part 18

 

The roads in the Black Hills are scenic and twisty, but during bike week, they are also crowded and slow. Sometimes it feels like spending a week in Walmart – interesting but claustrophobic. By comparison, getting my motorcycle back on I-90 felt like riding a horse on the open range. The BMW R90S is a thoroughbred sired for the autobahn; it needs to stretch its legs. It relishes trotting at 90 MPH. There’s something about punching through the air at speed while the big sky country scrolls by that makes everything feel right with the world.

I thought back to the night before. Melody’s dad had closed the saloon as soon as the doctors staggered to their cabins. He was pleased the bar had done well, and credited me with bringing in much of the day’s income. Melody smiled. She wandered back with me to my cabin. Although we were both exhausted, we spent the evening cherishing each other.

After breakfast the next morning, I took my leave of the family and thanked them for the hospitality. Melody urged me to return on Friday for another visit to the Bhagwan, and I told her I’d like that. The doctors didn’t make an appearance before I hit the road.

As I rolled by Wall Drug near the Badlands, I couldn’t help but remember fondly the luminous afternoon I’d spent there with Melody. It’s only been an hour and already I’m missing her, I thought to myself. She wouldn’t be a bad catch for a guy like me. She has an excellent role model in her parents, which the psychologist said was important, she identifies with the philosophy of Bhagwan, which we share in common, she’s delightful company, and she’s cute. What’s not to like?

I remembered the Bhagwan’s Ten Commandments his assistant had given us, and wondered where they went. I hadn’t even read them yet. Did I remember to take them out of my jeans before Melody’s mother washed them? I felt both hip pockets and there weren’t any pulpy lumps. They must be in my luggage somewhere.

My mind wandered to thoughts about what the psychologist said regarding making a woman feel as cherished as she did when she was a little girl bouncing on her father’s knee. I couldn’t remember ever trying to make my ex-wife feel that way: it had never even occurred to me. She was a grown person with adult responsibilities; why would I want to make her feel like a child? I was holding down two jobs in an effort to get the mortgage paid before we’d even had any children. Once they appeared, there’d be plenty to worry about other than finances.

My childhood was dominated with financial worries. We didn’t just live on the wrong side of the tracks, we lived directly across from the switchyard. My mother’s laundry was always covered in carbon specks from the steam locomotives upwind. I developed bronchitis from the pollution. I remember going to the store with my mother to buy a week’s groceries with only $8. Were it not for corn flakes, pancakes and pasta, we’d have starved. I was dying to take piano lessons in third grade, but didn’t even ask because I knew we couldn’t afford it. Our activities were always curbed by a lack of money. Our family car was a rusted-out wreck. I was determined not to subject my kids to any of that.

As the miles rolled on, I was struck by a disturbing thought. Maybe it wasn’t my ex-wife’s lack of foresight and strategizing that caused our divorce; maybe it was my poverty phobia? I remembered the psychologist’s words about seeking a mate with similar backgrounds. Her dad was an electrical engineer, they lived in a nice part of town and he drove a Buick Electra 225 – which was akin to a private jet in our eyes. She’d never experienced poverty!

I passed a billboard with a large image of a building which looked like something from a Moroccan travel poster. Why advertise a vacation to Morocco in the middle of the Great Plains? A few miles later, another billboard with the same image read, “Visit the Mitchell Corn Palace.” When I came to a road sign which read, “Mitchell – 24 Miles,” I knew where I’d stop for lunch.

I pulled into a mom and pop service station on the edge of town with an attached restaurant/convenience store. After gassing up, I sat down at the counter and asked the waitress, “is the corn palace worth the trouble?”

“It’s a block down the street!” she spoke, in a manner that implied, “you idiot.”

“It’s worth a visit,” a rancher two stools over said. “It was built in the 1890s to draw settlers into town, but when every other town in the area did the same thing, it ceased to be very effective. Now that it’s the only one left, it draws tourists because it’s interesting. The entire exterior is covered in grains and grain products like corn husks. Every year, it gets a new and different exterior, so tourists keep coming back. Inside there is a big auditorium. Johnny Cash and the Beach Boys have played there. These concerts draw big crowds.”

I thanked the rancher, paid the waitress, and rode a block down Main Street. Mitchell is a town much like a thousand other unremarkable towns on the Plains. The Corn Palace wasn’t hard to find as it dominated the downtown area. I parked across the street and admired the agricultural murals. They were really creative. A plaque noted that each year, a different artist is invited to decorate the building.

 

Mitchell Corn Palace. From Travel South Dakota.com.

Mitchell Corn Palace. From Travel South Dakota.com.

 

Just as I got on my bike to head out, a Harley pulled up. It was painted in John Deere colors with yellow wheels, green bodywork, and John Deere stickers on the tank and saddlebags.

“That’s hilarious,” I blurted out laughing. “Who paints their bike in tractor colors?”

“You laughing at my bike?” the rider responded.

“Yah, it’s great. How’d you ever get the idea to do that?”

He smirked and said, “My wife, she hates Harleys and once told me it rides like a tractor. So, I painted it like a tractor. Now I’m a rock star.”

“She likes the bike now?”

“Hell no, she still hates it, but I’m a rock star with farmers and ranchers. Every time I stop in a town like this, somebody says, ‘I didn’t know John Deere made motorcycles!’ I’ve heard it so many times, I’ve started making up stories to answer the inevitable questions.”

“Like what?”

“Well, my favorite one goes like this,” he continued; “John Deere in Australia commissioned 12 Sportsters to herd sheep in the outback. They figured the ranchers would love them as they would be cheaper and faster than horses. Turns out the bikes were too heavy and kept getting bogged down in the loose sand, so Harley took them back and sold them in their Australian dealerships. I bought it from a Californian who rode it all over Australia and New Zealand and imported it to the States. When it broke down in Sturgis, I bought it cheap and trucked it home.”

“What a great tale!” I laughed, “and they buy that?”

“It gets better,” he smirked. “Then I tell them there are only three known examples left in existence; two are in museums and this is the only one still on the road.”

“Check this out, Mabel,” I parodied, “this is the only bike like it still on the road!”

“Exactly.”

“Well, that’s a terrific tale,” I chuckled. “Do you mind if I take a photo?”

He stood behind the bike, posed like Crocodile Dundee, and when he was ready, snarled, “Awl Rat Mite.”

I thanked him and as I rode away, determined that one day I’d paint one of my bikes like his. Two decades later, I did.

 

The author's "John Deere" motorcycle, as featured in Issue 154's Parting Shot.

The author’s “John Deere” motorcycle, as featured in Issue 154’s Parting Shot.

 

A couple of highway patrol cruisers were parked in the mom and pop gas station, facing the road. The occupants were talking to each other through rolled-down windows. I rode by at the speed limit, but we all knew that once I hit the highway, the speed limit would be little more than a suggestion. I waved and they waved back. Somehow, we were brothers of the road.

I had no problems with police, the bike, or the weather the rest of the way down I-90. The I-36 junction popped up surprisingly fast and I turned north to Minneapolis. I called Chip for directions at the edge of town. He sounded happy that I’d made it. It was barely five pm and there was lots of light left. After some quick calculations, I learned that I’d covered the 577 miles from South Dakota to Minnesota in under eight hours, including stops. Most bikers get some satisfaction from making good time.

I was more concerned about nightfall. I hate riding in the dark because it’s so much harder to see road obstacles. A friend once experienced a major crash during an early ride to work. He hit a step ladder which had probably fallen off a truck. If he’d been in his car, it would have been little more than a bump. On his bike, it was a week in the ICU.

Chip lived in an older neighborhood full of narrow, two-story brick buildings closely spaced together and covered in soot. An alley ran alongside his house and it was lined on both sides with probably 30 Harleys. Half of the renegades poured out of Chip’s two-car garage to greet me as I pulled up. I was delighted to recognize most of them: Gimp, Tina, Spider, KP, Chip, and of course, the delightful Candy. We shared handshakes and hugs. Spider handed me a beer. I was made to feel like the Prodigal Son.

 

Previous installments appeared in Issues 143, 144, 145, 146, 147, 148, 149, 150, 151, 152, 153, 154, 155, 156, 157, 158 and 159.

Editor’s Note: we are aware that “gimp” can have a derogatory meaning and mean no insult to anyone disabled. In the story, the person with that nickname doesn’t consider it as such, and we present the story in that context.

Header image: taken at the Needles Highway in the Black Hills of South Dakota. Courtesy of Wikimedia Commons/Runner1928.

More from Issue 160

View All Articles in Issue 160

Search Copper Magazine

Favorites From T.H.E. Show SoCal 2026 by Cam Martin Oct 05, 2026 #235 Singer/Songwriter John David Schrader: On the Need to Create, Part Two by Joe Caplan Oct 05, 2026 #235 A Life in High-End Audio: The Roy Hall Interview, Part Two by Frank Doris Oct 05, 2026 #235 Grammy-Winning Producer, Songwriter, and Guitarist John Leventhal Goes Instrumental With National Drift by Ray Chelstowski Oct 05, 2026 #235 From Swimming Pool to New Listening Room—to Founding an Accidental Audio Company by Gilles Laferrière Oct 05, 2026 #235 The Vinyl Beat’s Size Matters Edition by Rudy Radelic Oct 05, 2026 #235 The Sublime Complexities of Nature by B. Jan Montana Oct 05, 2026 #235 How to Play In a Rock Band, 28: Growing Older and Dealing With It by Frank Doris Oct 05, 2026 #235 Young Rascals: From Bar Band to Stardom by Wayne Robins Oct 05, 2026 #235 Duncan Sheik: In Memoriam by Ray Chelstowski Oct 05, 2026 #235 From The Listening Chair: The Meze Audio 105 Silva Headphones by Howard Kneller Oct 05, 2026 #235 Checking Out Some NOLA Loudspeakers – and Some Thoughts About Audio Writing by Frank Doris Oct 05, 2026 #235 The Kanazawa Phonograph Museum: Music from a Time Capsule by Sebastian Polcyn Oct 05, 2026 #235 PS Audio in the News by PS Audio Staff Oct 05, 2026 #235 From The Audiophile’s Guide: Making the Most Critical Choice by Paul McGowan Oct 05, 2026 #235 Evolutionary Growth by Frank Doris Oct 05, 2026 #235 Speed Racer by Peter Xeni Oct 05, 2026 #235 Happy Halloween! by James Schrimpf Oct 05, 2026 #234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026 #234 Rags for Solo Piano and a Dog: David Chesky's Ragtime Music for the Modern Age by Frankly Speaking Sep 07, 2026 #234 HIGH END 2026, Vienna: Here to Stay by Carsten Barnbeck Sep 07, 2026 #234 From The Audiophile’s Guide: The Two Main Types of Loudpeakers – Box and Panel by Paul McGowan Sep 07, 2026 #234 Letting it Slide by Frank Doris Sep 07, 2026 #234 PS Audio in the News by PS Audio Staff Sep 07, 2026 #234 Long Playing by Peter Xeni Sep 07, 2026 #234 La Mer by B. Jan Montana Sep 07, 2026 #233 A Report From The Total Hi-Fi Experience Show SoCal 2026 by B. Jan Montana Aug 03, 2026 #233 Bluegrass Meets Country, Folk, Jazz and More in All That We Carried by The Squid City Slingers by Frank Doris Aug 03, 2026 #233 Corey Glover and One Tribe Nation: A Variegated Musical Collective by Ray Chelstowski Aug 03, 2026 #233 Excursions with Clive: The Late Clive Davis, A Personal History by Wayne Robins Aug 03, 2026 #233 AI, Art, and Music: A Conversation With Synthography Art by Joe Caplan Aug 03, 2026 #233 New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work by Frank Doris Aug 03, 2026 #233 The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More by Rudy Radelic Aug 03, 2026 #233 How to Play in a Rock Band, 26: When It's Time to Record Your Music by Frank Doris Aug 03, 2026 #233 More From T.H.E. Show 2026, and the People Who Made it Happen by Harris Fogel Aug 03, 2026 #233 Underappreciated Artists, Part Three: Icehouse by Rich Isaacs Aug 03, 2026 #233 The Surprisingly Rich and Varied Music of Somalia by Steve Kindig Aug 03, 2026

Pilgrimage to Sturgis, Part 18

Pilgrimage to Sturgis, Part 18

 

The roads in the Black Hills are scenic and twisty, but during bike week, they are also crowded and slow. Sometimes it feels like spending a week in Walmart – interesting but claustrophobic. By comparison, getting my motorcycle back on I-90 felt like riding a horse on the open range. The BMW R90S is a thoroughbred sired for the autobahn; it needs to stretch its legs. It relishes trotting at 90 MPH. There’s something about punching through the air at speed while the big sky country scrolls by that makes everything feel right with the world.

I thought back to the night before. Melody’s dad had closed the saloon as soon as the doctors staggered to their cabins. He was pleased the bar had done well, and credited me with bringing in much of the day’s income. Melody smiled. She wandered back with me to my cabin. Although we were both exhausted, we spent the evening cherishing each other.

After breakfast the next morning, I took my leave of the family and thanked them for the hospitality. Melody urged me to return on Friday for another visit to the Bhagwan, and I told her I’d like that. The doctors didn’t make an appearance before I hit the road.

As I rolled by Wall Drug near the Badlands, I couldn’t help but remember fondly the luminous afternoon I’d spent there with Melody. It’s only been an hour and already I’m missing her, I thought to myself. She wouldn’t be a bad catch for a guy like me. She has an excellent role model in her parents, which the psychologist said was important, she identifies with the philosophy of Bhagwan, which we share in common, she’s delightful company, and she’s cute. What’s not to like?

I remembered the Bhagwan’s Ten Commandments his assistant had given us, and wondered where they went. I hadn’t even read them yet. Did I remember to take them out of my jeans before Melody’s mother washed them? I felt both hip pockets and there weren’t any pulpy lumps. They must be in my luggage somewhere.

My mind wandered to thoughts about what the psychologist said regarding making a woman feel as cherished as she did when she was a little girl bouncing on her father’s knee. I couldn’t remember ever trying to make my ex-wife feel that way: it had never even occurred to me. She was a grown person with adult responsibilities; why would I want to make her feel like a child? I was holding down two jobs in an effort to get the mortgage paid before we’d even had any children. Once they appeared, there’d be plenty to worry about other than finances.

My childhood was dominated with financial worries. We didn’t just live on the wrong side of the tracks, we lived directly across from the switchyard. My mother’s laundry was always covered in carbon specks from the steam locomotives upwind. I developed bronchitis from the pollution. I remember going to the store with my mother to buy a week’s groceries with only $8. Were it not for corn flakes, pancakes and pasta, we’d have starved. I was dying to take piano lessons in third grade, but didn’t even ask because I knew we couldn’t afford it. Our activities were always curbed by a lack of money. Our family car was a rusted-out wreck. I was determined not to subject my kids to any of that.

As the miles rolled on, I was struck by a disturbing thought. Maybe it wasn’t my ex-wife’s lack of foresight and strategizing that caused our divorce; maybe it was my poverty phobia? I remembered the psychologist’s words about seeking a mate with similar backgrounds. Her dad was an electrical engineer, they lived in a nice part of town and he drove a Buick Electra 225 – which was akin to a private jet in our eyes. She’d never experienced poverty!

I passed a billboard with a large image of a building which looked like something from a Moroccan travel poster. Why advertise a vacation to Morocco in the middle of the Great Plains? A few miles later, another billboard with the same image read, “Visit the Mitchell Corn Palace.” When I came to a road sign which read, “Mitchell – 24 Miles,” I knew where I’d stop for lunch.

I pulled into a mom and pop service station on the edge of town with an attached restaurant/convenience store. After gassing up, I sat down at the counter and asked the waitress, “is the corn palace worth the trouble?”

“It’s a block down the street!” she spoke, in a manner that implied, “you idiot.”

“It’s worth a visit,” a rancher two stools over said. “It was built in the 1890s to draw settlers into town, but when every other town in the area did the same thing, it ceased to be very effective. Now that it’s the only one left, it draws tourists because it’s interesting. The entire exterior is covered in grains and grain products like corn husks. Every year, it gets a new and different exterior, so tourists keep coming back. Inside there is a big auditorium. Johnny Cash and the Beach Boys have played there. These concerts draw big crowds.”

I thanked the rancher, paid the waitress, and rode a block down Main Street. Mitchell is a town much like a thousand other unremarkable towns on the Plains. The Corn Palace wasn’t hard to find as it dominated the downtown area. I parked across the street and admired the agricultural murals. They were really creative. A plaque noted that each year, a different artist is invited to decorate the building.

 

Mitchell Corn Palace. From Travel South Dakota.com.

Mitchell Corn Palace. From Travel South Dakota.com.

 

Just as I got on my bike to head out, a Harley pulled up. It was painted in John Deere colors with yellow wheels, green bodywork, and John Deere stickers on the tank and saddlebags.

“That’s hilarious,” I blurted out laughing. “Who paints their bike in tractor colors?”

“You laughing at my bike?” the rider responded.

“Yah, it’s great. How’d you ever get the idea to do that?”

He smirked and said, “My wife, she hates Harleys and once told me it rides like a tractor. So, I painted it like a tractor. Now I’m a rock star.”

“She likes the bike now?”

“Hell no, she still hates it, but I’m a rock star with farmers and ranchers. Every time I stop in a town like this, somebody says, ‘I didn’t know John Deere made motorcycles!’ I’ve heard it so many times, I’ve started making up stories to answer the inevitable questions.”

“Like what?”

“Well, my favorite one goes like this,” he continued; “John Deere in Australia commissioned 12 Sportsters to herd sheep in the outback. They figured the ranchers would love them as they would be cheaper and faster than horses. Turns out the bikes were too heavy and kept getting bogged down in the loose sand, so Harley took them back and sold them in their Australian dealerships. I bought it from a Californian who rode it all over Australia and New Zealand and imported it to the States. When it broke down in Sturgis, I bought it cheap and trucked it home.”

“What a great tale!” I laughed, “and they buy that?”

“It gets better,” he smirked. “Then I tell them there are only three known examples left in existence; two are in museums and this is the only one still on the road.”

“Check this out, Mabel,” I parodied, “this is the only bike like it still on the road!”

“Exactly.”

“Well, that’s a terrific tale,” I chuckled. “Do you mind if I take a photo?”

He stood behind the bike, posed like Crocodile Dundee, and when he was ready, snarled, “Awl Rat Mite.”

I thanked him and as I rode away, determined that one day I’d paint one of my bikes like his. Two decades later, I did.

 

The author's "John Deere" motorcycle, as featured in Issue 154's Parting Shot.

The author’s “John Deere” motorcycle, as featured in Issue 154’s Parting Shot.

 

A couple of highway patrol cruisers were parked in the mom and pop gas station, facing the road. The occupants were talking to each other through rolled-down windows. I rode by at the speed limit, but we all knew that once I hit the highway, the speed limit would be little more than a suggestion. I waved and they waved back. Somehow, we were brothers of the road.

I had no problems with police, the bike, or the weather the rest of the way down I-90. The I-36 junction popped up surprisingly fast and I turned north to Minneapolis. I called Chip for directions at the edge of town. He sounded happy that I’d made it. It was barely five pm and there was lots of light left. After some quick calculations, I learned that I’d covered the 577 miles from South Dakota to Minnesota in under eight hours, including stops. Most bikers get some satisfaction from making good time.

I was more concerned about nightfall. I hate riding in the dark because it’s so much harder to see road obstacles. A friend once experienced a major crash during an early ride to work. He hit a step ladder which had probably fallen off a truck. If he’d been in his car, it would have been little more than a bump. On his bike, it was a week in the ICU.

Chip lived in an older neighborhood full of narrow, two-story brick buildings closely spaced together and covered in soot. An alley ran alongside his house and it was lined on both sides with probably 30 Harleys. Half of the renegades poured out of Chip’s two-car garage to greet me as I pulled up. I was delighted to recognize most of them: Gimp, Tina, Spider, KP, Chip, and of course, the delightful Candy. We shared handshakes and hugs. Spider handed me a beer. I was made to feel like the Prodigal Son.

 

Previous installments appeared in Issues 143, 144, 145, 146, 147, 148, 149, 150, 151, 152, 153, 154, 155, 156, 157, 158 and 159.

Editor’s Note: we are aware that “gimp” can have a derogatory meaning and mean no insult to anyone disabled. In the story, the person with that nickname doesn’t consider it as such, and we present the story in that context.

Header image: taken at the Needles Highway in the Black Hills of South Dakota. Courtesy of Wikimedia Commons/Runner1928.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: