COPPER

A PS Audio Publication

Issue 188 • Free Online Magazine

Issue 188 May 2023

In This Issue

I’m delighted to say that the ability to add comments to articles is back. Readers really missed this, as did I. However, since Copper is using a new platform, Disqus, you will have to do a one-time registration as a user (if you aren’t already registered). Let the conversations resume!

In this issue: Roy Hall meets a most interesting man. Harris Fogel saw a lot of people and gear at the CanJam 2023 headphone show. J.I. Agnew looks at the importance of good AC power. I review Octave Records’ latest, Conversations by composer Gustav Hoyer (and have quite a conversation with him), and Impex Records’ 1Step 2-LP 45 RPM release of Patricia Barber’s Nightclub. B. Jan Montana visits the automotive 2023 La Jolla Concours d’Elegance. We feature FIDELITY magazine’s visit to D’Agostino Master Audio Systems. Larry Jaffee is happy about the rebirth of Tower Records.

Noted audio writer Brent Butterworth sits in and asks: does surround sound have a future in jazz? Andrew Daly chats with noted Americana artist Dan Montgomery and his return to his rock roots. Anne E. Johnson looks at the career of Latin music titan Tito Puente, and new recordings of medieval vocal music. John Seetoo talks with George LaGrange and Joe Vitale of rockers American Nomads. Howard Kneller sits in The Listening Chair to enjoy an integrated amplifier from Tsakiridis Devices. We conclude the issue with pipedreams, a heap of audio bargains, and a copper audio experience.

Staff Writers:
J.I. Agnew, Ray Chelstowski, Andrew Daly, Harris Fogel, Jay Jay French, Tom Gibbs, Roy Hall, Rich Isaacs, Anne E. Johnson, Don Kaplan, Ken Kessler, Don Lindich, Stuart Marvin, Tom Methans, B. Jan Montana, Rudy Radelic, Tim Riley, Wayne Robins, Alón Sagee, Ken Sander, John Seetoo, Dan Schwartz, Russ Welton, Adrian Wu

Contributing Editors:
Ivan Berger, Steven Bryan Bieler, Steve Kindig, Ed Kwok, Ted Shafran, David Snyder, Bob Wood

Cover:
“Cartoon Bob” D’Amico

Cartoons:
James Whitworth, Peter Xeni

Parting Shots:
James Schrimpf, B. Jan Montana, Rich Isaacs (and others)

Audio Anthropology Photos:
Howard Kneller, Steve Rowell

Editor:
Frank Doris

Publisher:
Paul McGowan

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

 

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Past Issues

225 issues and counting

Showing issues 185-187. Click "Load More" to see earlier issues.

All Articles

#188 Can You Dig It? by Peter Xeni May 15, 2023 #188 An Amp for the Eons: Tsakiridis Devices’ Aeolos Ultra Integrated Amplifier by Howard Kneller May 15, 2023 #188 A Dream Goes On Forever by Frank Doris May 15, 2023 #188 Singer/Songwriter Dan Montgomery Returns to His Rock Roots by Andrew Daly May 15, 2023 #188 A Copper Audio Experience by Mike Van Hoe May 15, 2023 #188 CanJam New York 2023: Getting Enthusiastic About Headphones by Harris Fogel May 15, 2023 #188 Does Surround Sound Have a Future In Jazz? by Brent Butterworth May 15, 2023 #188 The Brooklyn-Canton Roots-Rock Digital Highway of George LaGrange, Joe Vitale, and American Nomads by John Seetoo May 15, 2023 #188 Contemporary Classical Music from Octave Records: Conversations by Composer Gustav Hoyer by Frank Doris May 15, 2023 #188 The 2023 La Jolla Concours: A Bucket List Event by B. Jan Montana May 15, 2023 #188 The Return of Tower Records: Welcome Back, You’ve Been Missed! by Larry Jaffee May 15, 2023 #188 Tales of Power in the Dark Ages by J.I. Agnew May 15, 2023 #188 Impex Records Invites Me to Patricia Barber’s Nightclub by Frank Doris May 15, 2023 #188 A Visit to Dan D'Agostino Master Audio Systems by Carsten Barnbeck May 15, 2023 #187 Restoring and Repairing A Rek-O-Kut Model V Record Cutting Lathe by J.I. Agnew May 01, 2023 #187 A View From the Sky by Harris Fogel May 01, 2023 #187 AXPONA 2023: Accessories Make the (Audio) Outfit by Rudy Radelic May 01, 2023 #187 Off the Meter by Frank Doris May 01, 2023 #187 Impressions of AXPONA 2023 by Frank Doris May 01, 2023 #187 Some Thoughts On AXPONA 2023 by Jay Jay French May 01, 2023 #187 Ivan Neville: Carrying on the Family Musical Torch by Ray Chelstowski May 01, 2023 #187 Waversa Systems’ WBridge Standard: A Different Kind of Digital Signal Processor by Howard Kneller May 01, 2023 #187 You Don’t Know What You’ve Got ’Till It’s Gone: Appreciating Specialist Retailers by Russ Welton May 01, 2023 #187 Up-and Coming Guitarist Nick Lisanti of Sticks N' Stones by Andrew Daly May 01, 2023 #187 A Visit to an Audio Engineering Society (AES) Convention by Harris Fogel May 01, 2023 #187 Alternate Reality by Peter Xeni May 01, 2023 #187 Still Alive and Well by James Whitworth May 01, 2023 #187 Producer/Engineer Bill Schnee: Talking With the Chairman at the Board by John Seetoo May 01, 2023 #187 Back to My Reel-to-Reel Roots, Part 29: Tonbridge AudioJumble 2023 by Ken Kessler May 01, 2023 #187 Darlene Love: Blossoming Into R&B Greatness by Anne E. Johnson May 01, 2023 #186 Singin' in the Studio by Frank Doris Apr 17, 2023 #186 Classic and Post-Modern Jazz Meet: Octave Records Releases Bishop’s Lair by the Tom Amend Octet by Frank Doris Apr 17, 2023 #186 An Audio Crime Scene Investigation by J.I. Agnew Apr 17, 2023 #186 A Visit to Wilson Audio: Tour of an American Hi-Fi Legend by Carsten Barnbeck Apr 17, 2023 #186 Parallel Lineup by Ryan Schrimpf Apr 17, 2023 #186 Beyond Face Value: The True Cost of Ticket Pricing by Tom Methans Apr 17, 2023 #186 xDuoo's Versatile TA-30 Headphone Amp/DAC by Howard Kneller Apr 17, 2023 #186 Atomic Transmutation: Australian Guitar Alchemist Luke Stamenkovich by Andrew Daly Apr 17, 2023 #186 Stereo Buying for Audio Idiots: Three Quick Tips by Steven Bryan Bieler Apr 17, 2023 #186 The Musical Instrument Museum: Another Trip Around the World by Jeff Weiner Apr 17, 2023 #186 A One, and a Two...(Part Two) by Don Kaplan Apr 17, 2023 #186 CTI Records, Part Six: The Keys to CTI by Rudy Radelic Apr 17, 2023 #186 An Exciting and Inexpensive Device to Improve SACD Playback – Well, Maybe Not! by Tom Gibbs Apr 17, 2023 #186 Confessions of a Tube Collector, Part Two by Adrian Wu Apr 17, 2023 #186 Christian McBride: A Master of Jazz Bass and Beyond by Anne E. Johnson Apr 17, 2023 #186 Exploring Rossini’s Works for Small Ensembles by Anne E. Johnson Apr 17, 2023 #186 Meeting of the Minds by Peter Xeni Apr 17, 2023 #163 Octave Records Debuts Audiophile Masters, Volume VI Compilation Apr 17, 2023 #185 The Bangles: Hitmakers from the Paisley Underground by Anne E. Johnson Apr 03, 2023 #185 Between the Buttons, UK Version: The Rolling Stones Hit Their Stride Without the Hits by Wayne Robins Apr 03, 2023 #185 The DAM NYC Conference: Why Digital Asset Management Matters to Audiophiles by Harris Fogel Apr 03, 2023 #185 Sierra Levesque: Up-and-Coming Canadian Guitarist by Andrew Daly Apr 03, 2023 #185 Tailor-Made Listening Pleasure by Frank Doris Apr 03, 2023 #185 Signature Style by Howard Kneller Apr 03, 2023 #185 Remembering Producer Phil Ramone, 10 Years Later by Larry Jaffee Apr 03, 2023 #185 Eric D. Johnson of Fruit Bats: Pushing the Music Forward by Ray Chelstowski Apr 03, 2023 #185 A Window Into the Past by James Schrimpf Apr 03, 2023 #185 Vestibular Vertigo by James Whitworth Apr 03, 2023 #185 Scott Smith and Tadd Swanlund of Comply: High-Tech for Headphones, Part Two by Russ Welton Apr 03, 2023 #185 Repairing a Westrex Record Lathe Cutter Head by J.I. Agnew Apr 03, 2023 #185 Eccentric Records (and How to Fix Them) by Rich Isaacs Apr 03, 2023 #185 Dave Rusan of Rusan Guitarworks: Builder of Prince’s Cloud Guitars and Audio Enthusiast, Part Two by Frank Doris Apr 03, 2023 #185 CanJam New York 2023: The Audiophile and Pro Audio Worlds Blur More Deeply by John Seetoo Apr 03, 2023 #185 Boxed In by Peter Xeni Apr 03, 2023 #182 Always Something There to Remind Us by Frank Doris Mar 27, 2023 #184 Issue 184 by Frank Doris Mar 19, 2023 #184 Octave Records Releases Gabriella by Miguel Espinoza Fusion, a Blend of Flamenco, World Music and More by Frank Doris Mar 19, 2023 #184 Dave Rusan of Rusan Guitarworks: Builder of Prince’s Cloud Guitars, Part One by Frank Doris Mar 19, 2023 #184 And a One, and a Two…(Part One) by Don Kaplan Mar 19, 2023 #184 Tár (This Is Spinal Tárp)… a Movie Review by Jay Jay French Mar 19, 2023 #184 Pilgrimage to Europe, Part One: Good Luck by B. Jan Montana Mar 19, 2023 #184 Precise Vinyl Record Centering for Turntables by J.I. Agnew Mar 19, 2023 #184 Heinrich Schütz: Composing the Foundation for German Classical Music by Anne E. Johnson Mar 19, 2023 #184 Eddie “Lockjaw” Davis: A Firm Grasp on Saxophone Greatness by Anne E. Johnson Mar 19, 2023 #184 Last of the Free Birds by Tom Methans Mar 19, 2023 #184 A Visit to the Florida Audio Expo 2023, Part Two by Tom Gibbs Mar 19, 2023 #184 Wordplay by Peter Xeni Mar 19, 2023 #184 An Interview With Guitarist Michael Jurin, Formerly of Stellastarr by Andrew Daly Mar 19, 2023 #184 Magnetic Attraction by Frank Doris Mar 19, 2023 #184 Bache Audio’s Elegant Sonata EX2 Speakers by Howard Kneller Mar 19, 2023 #184 Slow Ride by James Schrimpf Mar 19, 2023 #183 I Can See Clearly Now by Frank Doris Mar 06, 2023 #183 Kenny Wayne Shepherd: Revisiting His Landmark Blues Album Trouble Is… at 25 by Ray Chelstowski Mar 06, 2023 #183 Octave Records Releases Its First Live Album: Jazz Trumpeter Gabriel Mervine’s Live at Nocturne by Frank Doris Mar 06, 2023 #183 CTI Records, Part Five: Guitar Greatness by Rudy Radelic Mar 06, 2023 #183 DeFord Bailey: The Harmonica Wizard by Anne E. Johnson Mar 06, 2023 #183 Artificial Reverberation in the Analog World, Part Three by J.I. Agnew Mar 06, 2023 #183 Confessions of a Tube Collector, Part One by Adrian Wu Mar 06, 2023 #183 Desert Island Discs? Pfft! Here’s a Real Challenge by Rich Isaacs Mar 06, 2023 #183 A Visit to the Florida Audio Expo 2023, Part One by Tom Gibbs Mar 06, 2023 #183 Sound Effect by Peter Xeni Mar 06, 2023 #183 Scott Smith and Tadd Swanlund of Comply: High-Tech for Headphones, Part One by Russ Welton Mar 06, 2023 #183 The Beach Boys’ Al Jardine and His Rediscovered Album, A Postcard from California by Andrew Daly Mar 06, 2023 #183 A HiFi Rose in Bloom by Howard Kneller Mar 06, 2023 #183 Noteworthy by Frank Doris Mar 06, 2023 #183 Audioplasty by James Whitworth Mar 06, 2023 #183 Living on the Edge by Michael Walker Mar 06, 2023 #182 On the Road Again by James Schrimpf Feb 12, 2023 #182 The Ears Have It by Frank Doris Feb 12, 2023 #182 Connecting With Hemingway Audio’s Z-Core Power Cords by Howard Kneller Feb 12, 2023 #182 Lexii Lynn Frazier: A Young Guitarist’s Career Takes Off by Andrew Daly Feb 12, 2023 #182 Elevated Response by Peter Xeni Feb 12, 2023 #182 Don Leslie’s Whirling Dervish Speaker Contraption by Stuart Marvin Feb 12, 2023 #182 The Chamber Music of Gabriel Fauré by Anne E. Johnson Feb 12, 2023 #182 CTI Records Part 4: Sax (and Violins) by Rudy Radelic Feb 12, 2023 #182 Ulrike Schwarz, Jim Anderson, and Their New Paradigm for Remote Interactive Recording (With Jane Ira Bloom), Part Two by John Seetoo Feb 12, 2023 #182 Clickbait Articles Belie Reality: The Vinyl Manufacturing Industry’s Resiliency by Larry Jaffee Feb 12, 2023 #182 Lounging with In-Ear Monitors, Part Three by Russ Welton Feb 12, 2023 #182 Artificial Reverberation in the Analog World, Part Two by J.I. Agnew Feb 12, 2023 #182 The Cranberries: Time Was Ticking Out by Anne E. Johnson Feb 12, 2023 #182 An Audio Journey, and More Photos from Capital Audiofest 2022 by Harris Fogel Feb 12, 2023 #182 NRBQ: Not Playing Around With Tiddlywinks by Ray Chelstowski Feb 12, 2023 #182 Blues Master Otis Taylor Releases Banjo… on Octave Records In High-Resolution Audio by Frank Doris Feb 12, 2023 #182 Treehaus Audiolab: Striking Design, Performance, and Style by Tom Methans Feb 12, 2023 #181 Heaven is a Place Jan 30, 2023 #181 Ulrike Schwarz, Jim Anderson, and Their New Paradigm for Remote Interactive Recording (with Jane Ira Bloom) – Part One by John Seetoo Jan 27, 2023 #181 Spending Time With the Esoteric Grandioso G1X Master Clock Generator by Howard Kneller Jan 27, 2023 #181 Capital Audiofest: Up Close and Personal, Part Two by Harris Fogel Jan 27, 2023 #181 Lounging with in Ear Monitors, Part Two by Russ Welton Jan 27, 2023 #181 My Favorite Yes Album: Drama by Tom Methans Jan 27, 2023 #181 An Interview with Kelly Hansen of Foreigner: Feels Like the Last Time by Ray Chelstowski Jan 27, 2023 #181 Octave Records’ Artist Clandestine Amigo Returns with Pinnacle Jan 27, 2023 #181 That Empty Feeling by James Whitworth Jan 27, 2023 #181 The Road Not Easily Taken by Rudy Radelic Jan 27, 2023 #181 Unusual Takes On Others' Songs, Part Four by Rich Isaacs Jan 27, 2023 #181 Spaced Out by Peter Xeni Jan 27, 2023 #181 Jutta Hipp: The Jazz Piano Virtuoso Who Disappeared by Anne E. Johnson Jan 27, 2023 #181 The Byrds: Folk-Rock Originators by Anne E. Johnson Jan 27, 2023 #180 Decisions, Decisions by Frank Doris Jan 15, 2023 #180 You Don’t Own Me by Peter Xeni Jan 15, 2023 #180 Around the World In 80 Lathes, Part 30 by J.I. Agnew Jan 15, 2023 #180 Capital Audiofest 2022: Up Close and Personal, Part One by Harris Fogel Jan 15, 2023 #180 Jeff Beck: In Memoriam by Jay Jay French Jan 15, 2023 #180 Stephen Stills’ Manassas: An Album, A Band, A Way of Life by Wayne Robins Jan 15, 2023 #180 Octave Records Debuts The Art of Hi-Fi Series with Volume 01: Bass (And We Interview Paul McGowan) by Frank Doris Jan 15, 2023 #180 Goodbye to Jeff Jan 15, 2023 #180 Checking Out xDuoo's Affordable MT-604 Headphone Amplifier by Howard Kneller Jan 13, 2023 #180 Celebrating the Linn Sondek LP12 Turntable, Part Two by Ken Kessler Jan 13, 2023 #180 Back to Analog – Academy Award-Winning Songwriter John DeNicola is Having The Time of His Life by John Seetoo Jan 13, 2023 #180 Ryan Hamilton: A Wicked Cool Rocker by Ray Chelstowski Jan 13, 2023 #180 Lounging with In-Ear Monitors, Part One by Russ Welton Jan 13, 2023 #180 Home Entertainment Formats Over the Past 50 Years and How They Influenced Each Other by Larry Jaffee Jan 13, 2023 #180 Dig This: Philadelphia’s Vibrant Vinyl Scene by Tom Methans Jan 13, 2023 #180 Talking With Producer/Musician Butch Vig of Garbage, Part One by Andrew Daly Jan 13, 2023 #180 Miles and Miles, Part Two by Ken Sander Jan 13, 2023 #180 Daft Punk: They Were the Robots by Anne E. Johnson Jan 13, 2023 #180 Exploring CTI Records, Part 2: The Subsidiaries by Rudy Radelic Jan 13, 2023 #180 Bach’s St. Matthew Passion: New Interpretations of a Masterwork by Anne E. Johnson Jan 13, 2023 #180 Highway 61 Revisited — And a New Beginning In the Lowcountry! by Tom Gibbs Jan 13, 2023 #180 Lord Knows I Try by Ken Sander Jan 13, 2023 #180 Issue 180 Jan 13, 2023 #180 What's In A Name? by James Whitworth Jan 13, 2023 #179 Issue 179 Jan 01, 2023 #179 Celebrating the Linn Sondek LP12 Turntable, Part One by Ken Kessler Dec 30, 2022 #179 The Doppler Effect Dec 30, 2022 #179 Allnic Audio's Striking H-5500 Phono Stage by Howard Kneller Dec 30, 2022 #179 Mixed Signals by Peter Xeni Dec 30, 2022 #179 Lucky Men by James Schrimpf Dec 30, 2022 #179 Around the World In 80 Lathes, Part 29 by J.I. Agnew Dec 30, 2022 #179 New Year's Resolution by James Whitworth Dec 30, 2022 #179 The Many Sides of David Chesky by Tom Methans Dec 30, 2022 #179 In the Room With Miles by Ken Sander Dec 30, 2022 #179 Tim Riley’s Best Albums of 2022 by Tim Riley Dec 30, 2022 #179 The Life and Times of a Sony Audio Engineer: Talking with Aston Sharman by Russ Welton Dec 30, 2022 #179 The Cowsills: The Family That Plays Together, Stays Together by Ray Chelstowski Dec 30, 2022 #179 Borrowing (Stealing?) from the Classics by Rich Isaacs Dec 30, 2022 #179 Nearly $400 Poorer, Here Are My 2022 Black Friday Record Store Day Purchases by Larry Jaffee Dec 30, 2022 #179 Confessions of a Record Collector, Part Three Dec 30, 2022 #179 Exploring CTI Records, Part One: 1969 – 1971 by Rudy Radelic Dec 30, 2022 #179 Why I'll Stick with FM Radio and Won't be Streaming My Music Anytime Soon by Paul Boon Dec 30, 2022 #179 Hear, There, Everywhere: Part One by Don Kaplan Dec 30, 2022 #179 Andrew Daly's 15 Best Rock Albums of 2022 by Andrew Daly Dec 30, 2022 #179 Chet Baker: A Rough Life Full of Smooth Trumpet Playing and Singing by Anne E. Johnson Dec 30, 2022 #179 Dwight Yoakam: Country Music, His Way by Anne E. Johnson Dec 30, 2022 #179 An Interview With Mobile Recording Innovator David W. Hewitt, Part Two by John Seetoo Dec 30, 2022 #178 Audio Up Close: the Magico A3 Loudspeaker by Howard Kneller Dec 16, 2022 #178 Sincere Flattery Dec 16, 2022 #178 Holiday Warmth Dec 16, 2022 #178 An Interview With Mobile Recording Innovator David W. Hewitt, Part One by John Seetoo Dec 16, 2022 #178 Around the World In 80 Lathes, Part 28 by J.I. Agnew Dec 16, 2022 #178 Lou Reed’s Spirit Remains in New York, On Record, and On Stage by Larry Jaffee Dec 16, 2022 #178 Back to My Reel-to-Reel Roots: The Cassette Strikes Back by Ken Kessler Dec 16, 2022 #178 Wrapping Presence by Peter Xeni Dec 16, 2022 #178 How I Learned to Stop Kvetching and Make Nice With Handel’s Messiah by Steven Bryan Bieler Dec 16, 2022 #178 Lossless Audio by James Whitworth Dec 16, 2022 #178 Eric Gales: A Blues Guitar Force of Nature by Ray Chelstowski Dec 16, 2022 #178 Pilgrimage to Sturgis: Epilogue by B. Jan Montana Dec 16, 2022 #178 Some Holiday Music Favorites by Rudy Radelic Dec 16, 2022 #178 Stuffy Shmitt: Portrait of an Artist by Tom Methans Dec 16, 2022 #178 Buy The Audio Gear Your Room Needs: Some Thoughts by Russ Welton Dec 16, 2022 #178 The Rock & Roll Hall of Fame Is Not Rock and Roll by Tom Methans Dec 16, 2022 #178 Even More Rock Album Mini-Reviews Dec 16, 2022 #178 Jack Daley: Rockin’ the Bass for Lenny Kravitz and Spin Doctors by Andrew Daly Dec 16, 2022 #178 Can’t You Hear Me Knockin’? by Jay Jay French Dec 16, 2022 #178 Pietro Locatelli: Rediscovering a Master of Violin Music by Anne E. Johnson Dec 16, 2022 #178 Barbara Lynn: Electrifying R&B Pioneer by Anne E. Johnson Dec 16, 2022 #178 Ascension by John Allen Flory Dec 16, 2022 #177 London’s Klooks Kleek: A Sixties Music Breeding Ground by Stuart Marvin Dec 02, 2022 #177 A Look At Ravel’s Works for Orchestra by Adrian Wu Dec 02, 2022 #177 A Most Dedicated Record Collector by Rich Isaacs Dec 02, 2022 #177 The Revolver Remix Project: Producer Giles Martin Talks to Jay Jay French by Jay Jay French Dec 02, 2022 #177 Small-Room Acoustics, Part Three by Russ Welton Dec 02, 2022 #177 The Grand Opening of the Long Island Music and Entertainment Hall of Fame by Frank Doris Dec 02, 2022 #177 A Safe Bet Dec 02, 2022 #177 John Lodge: Days of Future Passed and Present by Ray Chelstowski Dec 02, 2022 #177 Around the World In 80 Lathes, Part 27 by J.I. Agnew Dec 02, 2022 #177 Never Say Never: Rocker Dean Ortega of Neverland and Revolution Child by Andrew Daly Dec 02, 2022 #177 AES Fall 2022 New York – The Live Event Returns, Part Two by John Seetoo Dec 02, 2022 #177 Water Works by James Schrimpf Dec 02, 2022 #177 The Great River Road Lemons Rally by Rudy Radelic Dec 02, 2022 #177 Back to My Reel-to-Reel Roots: Noodge and Ye Shall Receive, Part Two by Ken Kessler Dec 02, 2022 #177 You Made Listening Fun Dec 02, 2022 #177 Money for Nothing by Peter Xeni Dec 02, 2022 #177 Pilgrimage to Sturgis, Part 35 by B. Jan Montana Dec 02, 2022 #177 The Heart of the Matter by James Whitworth Dec 02, 2022 #177 Diana Krall: Finding the Perfect Song by Anne E. Johnson Dec 02, 2022 #177 The Earth's Heartbeat: Native American Music, Redux by Don Kaplan Dec 02, 2022 #177 Opera for Operaphiles by Ted Shafran Dec 02, 2022 #177 Pet Shop Boys: The Pulse of Electronic Pop by Anne E. Johnson Dec 02, 2022 #176 The A&M Records Story, Part Nine: CTI Records by Rudy Radelic Nov 18, 2022 #176 A Visit to The University of Rhode Island Guitar Festival by Tom Methans Nov 18, 2022 #176 Around the World In 80 Lathes, Part 26 by J.I. Agnew Nov 18, 2022 #176 Pilgrimage to Sturgis, Part 34 by B. Jan Montana Nov 18, 2022 #176 AES Fall 2022 New York – The Live Event Returns, Part One by John Seetoo Nov 18, 2022 #176 Revolver Returns: Remixed and Reloaded, Part One by Jay Jay French Nov 18, 2022 #176 Michael Jackson’s Thriller: Mobile Fidelity’s 40th Anniversary Edition LP by Ken Kessler Nov 18, 2022 #176 Glen Phillips of Toad the Wet Sprocket: There Is So Much Here by Ray Chelstowski Nov 18, 2022 #176 Talking With Elliot Goldman of Bending Wave USA, Part Two by Frank Doris Nov 18, 2022 #176 Press Events and Junkets: Some Work, Some Play by Ken Sander Nov 18, 2022 #176 Bob Dylan: The Philosophy of Modern Song by Wayne Robins Nov 18, 2022 #176 City Scene by Howard Kneller Nov 18, 2022 #176 Getting Nowhere by James Whitworth Nov 18, 2022 #176 Nora O’Connor: Singing from My Heart by Andrew Daly Nov 18, 2022 #176 An Unexpected Return to the Dungeon by Tom Gibbs Nov 18, 2022 #176 Stay Focused Nov 18, 2022 #176 Small-Room Acoustics, Part Two by Russ Welton Nov 18, 2022 #176 The Long and Short of It Nov 18, 2022 #176 That's The Way I Wanna Rock and Roll by Peter Xeni Nov 18, 2022 #176 A Trip to Eindhoven’s Philips Museum: Like a Kid in a Candy Store by Larry Jaffee Nov 18, 2022 #176 William Grant Still: Forging a New American Music by Anne E. Johnson Nov 18, 2022 #176 Lou Reed: Street Poet by Anne E. Johnson Nov 18, 2022 #175 Setting the Scene Nov 07, 2022 #175 Fast and Bulbous by B. Jan Montana Nov 04, 2022 #175 And Now For Something Completely Different: Singer Lyn Stanley’s Christmas Album by Don Kaplan Nov 04, 2022 #175 Unfaithful by Peter Xeni Nov 04, 2022 #175 Dave Mason: Timeless Music in a World of Changes by Ray Chelstowski Nov 04, 2022