COPPER

A PS Audio Publication

Issue 192 • Free Online Magazine

Issue 192 July 2023

In This Issue

This just in: Stop Making Sense, the iconic Talking Heads live concert film, will be re-released on August 18 in a restored 4K version courtesy of A24, in tandem with 2-LP, digital, and Dolby Atmos releases from Rhino. That’s news in itself, but there’s more: these versions will for the first time include the complete concert, with two previously-unreleased songs, “Cities” and “Big Business/I Zimbra.” Heaven is a place where something sometimes happens.

In this issue: Don Lindich has another look at AXPONA 2023. I cover Octave Records’ The Art of Hi-Fi Volume 02: Soundstage, and talk with Paul McGowan about the topic. Andrew Daly talks with indie rocker Joe Cannon of Resurrectionists, and Gideon King of New York City’s soulful Gideon King & City Blog. Russ Welton asks: can we expand the ways in which we listen to music? J.I. Agnew pushes the limits of recording audio.

Harris Fogel visits high-end headphones maker Audeze. We run Part One of FIDELITY magazine’s Munich HIGH END 2023 show report. Howard Kneller dreams about an $8,200 power cord. Anne E. Johnson grooves to jazz bass legend Ron Carter, and recent recordings of pre-Baroque composer Tomaso Albinoni. We close the issue with a seal of approval, heavenly blues, and a stairway to knowledge.

Staff Writers:
J.I. Agnew, Ray Chelstowski, Andrew Daly, Harris Fogel, Jay Jay French, Tom Gibbs, Roy Hall, Rich Isaacs, Anne E. Johnson, Don Kaplan, Ken Kessler, Don Lindich, Stuart Marvin, Tom Methans, B. Jan Montana, Rudy Radelic, Tim Riley, Wayne Robins, Alón Sagee, Ken Sander, John Seetoo, Dan Schwartz, Russ Welton, Adrian Wu

Contributing Editors:
Ivan Berger, Steven Bryan Bieler, Steve Kindig, Ed Kwok, Ted Shafran, David Snyder, Bob Wood

Cover:
“Cartoon Bob” D’Amico

Cartoons:
James Whitworth, Peter Xeni

Parting Shots:
James Schrimpf, B. Jan Montana, Rich Isaacs (and others)

Audio Anthropology Photos:
Howard Kneller, Steve Rowell

Editor:
Frank Doris

Publisher:
Paul McGowan

Advertising Sales:
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Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

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All Articles

#193 Which Audio System is Best? by B. Jan Montana Jul 24, 2023 #193 The Beach Boys’ Sunflower Revisited by Jay Jay French Jul 24, 2023 #193 Another Copper Audio Experience: Loudspeakers With Enchantment by Mike Van Hoe Jul 24, 2023 #194 Restoring a Thorens TD160 and the Quest for Accurate Record Reproduction by J.I. Agnew Jul 24, 2023 #193 Raphael Saadiq: “It’s Just Soul” by Anne E. Johnson Jul 24, 2023 #192 Dreaming With a Stealth Audio Cables Power Cord by Howard Kneller Jul 10, 2023 #192 Gideon King & City Blog’s Splinters Defies Pop Trends With Musical Soul by Andrew Daly Jul 10, 2023 #192 Seal of Approval by Frank Doris Jul 10, 2023 #192 Still More from AXPONA 2023 by Don Lindich Jul 10, 2023 #192 Octave Records Expands The Art of Hi-Fi Series with Volume 02: Soundstage (And an Interview With Paul McGowan) by Frank Doris Jul 10, 2023 #192 Pushing the Limits, Part One by J.I. Agnew Jul 10, 2023 #192 A Visit to Audeze, Maker of High-End Headphones by Harris Fogel Jul 10, 2023 #192 How Do You Listen to Music? by Russ Welton Jul 10, 2023 #192 Stairway to Knowledge by James Schrimpf Jul 10, 2023 #192 Heavenly Blues by Peter Xeni Jul 10, 2023 #192 Munich HIGH END 2023, Part One: Analog Hi-Fi by Michael Vrzal Jul 10, 2023 #192 Now That We Are All Ghosts: Joe Cannon of Resurrectionists Talks About Their New Album by Andrew Daly Jul 10, 2023 #192 Bassist Ron Carter: 60 Years of Jazz – and Counting by Anne E. Johnson Jul 10, 2023 #192 Tomaso Albinoni: Recent Recordings of the Pre-Baroque Composer by Anne E. Johnson Jul 10, 2023 #191 Matrix Audio’s X-SABRE 3 Digital-to-Analog Converter by Howard Kneller Jun 26, 2023 #191 Restoring Vintage SME Tonearms by J.I. Agnew Jun 26, 2023 #191 A Chat About Audio Writing by Frank Doris Jun 26, 2023 #191 STOP PRESS: A Copper Sneak Preview! Back to My Reel-to-Reel Roots, Part 32 by Ken Kessler Jun 26, 2023 #191 Thom LaFond Goes Into Musical Orbit With Lawless, His Latest for Octave Records by Frank Doris Jun 26, 2023 #191 PLAYBILL For an Imaginary Musical in One Act With Three Scenes by Don Kaplan Jun 26, 2023 #191 Barb Hendrickson and Allan Vest of Indie Duo doubleVee by Andrew Daly Jun 26, 2023 #191 Trixie the Ticket Taker by Rich Isaacs Jun 26, 2023 #191 The Midnight Callers: A New York City Call to Rock by Ray Chelstowski Jun 26, 2023 #191 Surrealistic Audio Zone by Frank Doris Jun 26, 2023 #191 The Cable Doctor Calls On Miloš Forman by Ken Sander Jun 26, 2023 #191 Some Old Jazz Guy: Exploring Michael Franks, Part 1 by Rudy Radelic Jun 26, 2023 #191 Solitary Listening by Peter Xeni Jun 26, 2023 #191 Reel Life by James Whitworth Jun 26, 2023 #191 T.H.E. Show SoCal 2023: Bigger Demo Rooms, Better Location by B. Jan Montana Jun 26, 2023 #191 Living Colour: Rocking Past Stereotypes by Anne E. Johnson Jun 26, 2023 #191 The Munich High End Audio Show 2023, Part Two by Adrian Wu Jun 26, 2023 #190 Octave Records Releases Ancient Rhythms By Guitarist Bill Kopper: Timeless Music With a Modern Flavor by Frank Doris Jun 12, 2023 #190 Astral Plane by Peter Xeni Jun 12, 2023 #190 Original Vinyl Pressings or Re-pressings – How Do You Choose? by J.I. Agnew Jun 12, 2023 #190 Made to Measure by Frank Doris Jun 12, 2023 #190 Personality Crisis: The Story of David Johansen by Tom Methans Jun 12, 2023 #190 Technics EAH-A800 Wireless Noise-Cancelling Headphones: Standing Out in the Crowd by Howard Kneller Jun 12, 2023 #190 The 2023 NAMM Show: Craftsmanship and Artistry by B. Jan Montana Jun 12, 2023 #190 Another AXPONA 2023 Show Report by Don Lindich Jun 12, 2023 #190 Pushing Jazz and Funk Frontiers: An Interview with Bassist Mitchell Coleman Jr. by Andrew Daly Jun 12, 2023 #190 A Visit to Jean Hiraga and the Munich High End Audio Show 2023, Part One by Adrian Wu Jun 12, 2023 #190 Back to My Reel-to-Reel Roots, Part 31 by Ken Kessler Jun 12, 2023 #190 Loudspeaker Phenomena – The Result: A Gap by Carsten Barnbeck Jun 12, 2023 #190 Boogie With Canned Heat: Thank You Henry by Jay Jay French Jun 12, 2023 #190 Talking With Dr. Sean Olive of Harman International, Part Two by Russ Welton Jun 12, 2023 #190 Walking in Bisbee by James Schrimpf Jun 12, 2023 #190 Reconsidering Conductor James Levine by Ted Shafran Jun 12, 2023 #190 Maurice Ravel’s Piano and Chamber Works by Anne E. Johnson Jun 12, 2023 #190 Kurt Elling: Vocalese Virtuoso by Anne E. Johnson Jun 12, 2023 #189 Disconnected by Peter Xeni May 26, 2023 #189 Audio Shelving by Frank Doris May 26, 2023 #189 Paul Simon’s Seven Psalms: Matters of Life and Death by Wayne Robins May 26, 2023 #189 Remembering Copper’s Dan Schwartz: A Friendship That Went Deep by Frank Doris May 26, 2023 #189 Engaging and Enthralling Music for All: Talking With Dr. Sean Olive of Harman International, Part One by Russ Welton May 26, 2023 #189 David Heatley: What If… an Album Really Grabs You? by Andrew Daly May 26, 2023 #189 The Kinks Begin a Retrospective Journey by Frank Doris May 26, 2023 #189 A Road Rally for Lemons: the 2023 Rocky Mountain Breakdown by Rudy Radelic May 26, 2023 #189 Singer/Songwriter Parker Millsap Explores the Wilderness Within You by Ray Chelstowski May 26, 2023 #189 From SACD Bust to Native DSD Boom With the Topping E70 Velvet DAC by Tom Gibbs May 26, 2023 #189 Back to My Reel-to-Reel Roots, Part 30 by Ken Kessler May 26, 2023 #189 Modifying a Presto 1-D Cutter Head for Better Performance by J.I. Agnew May 26, 2023 #189 Linn Makes Majik by Howard Kneller May 26, 2023 #189 Please Be Seated by James Whitworth May 26, 2023 #189 Desert Island Discs? Pfft! Here’s a Real Challenge, Part Two by Rich Isaacs May 26, 2023 #189 Give Me That Old Time(r) Rock and Roll by Frank Doris May 26, 2023 #189 Alan Jackson: Keeping It Country by Anne E. Johnson May 26, 2023 #188 A Most Interesting Man by Roy Hall May 15, 2023 #188 Tito Puente: El Rey de la Percusión Latina by Anne E. Johnson May 15, 2023 #188 Medieval Vocal Polyphony: Modern Recordings of Ancient Music by Anne E. Johnson May 15, 2023 #188 Can You Dig It? by Peter Xeni May 15, 2023 #188 An Amp for the Eons: Tsakiridis Devices’ Aeolos Ultra Integrated Amplifier by Howard Kneller May 15, 2023 #188 A Dream Goes On Forever by Frank Doris May 15, 2023 #188 Singer/Songwriter Dan Montgomery Returns to His Rock Roots by Andrew Daly May 15, 2023 #188 A Copper Audio Experience by Mike Van Hoe May 15, 2023 #188 CanJam New York 2023: Getting Enthusiastic About Headphones by Harris Fogel May 15, 2023 #188 Does Surround Sound Have a Future In Jazz? by Brent Butterworth May 15, 2023 #188 The Brooklyn-Canton Roots-Rock Digital Highway of George LaGrange, Joe Vitale, and American Nomads by John Seetoo May 15, 2023 #188 Contemporary Classical Music from Octave Records: Conversations by Composer Gustav Hoyer by Frank Doris May 15, 2023 #188 The 2023 La Jolla Concours: A Bucket List Event by B. Jan Montana May 15, 2023 #188 The Return of Tower Records: Welcome Back, You’ve Been Missed! by Larry Jaffee May 15, 2023 #188 Tales of Power in the Dark Ages by J.I. Agnew May 15, 2023 #188 Impex Records Invites Me to Patricia Barber’s Nightclub by Frank Doris May 15, 2023 #188 A Visit to Dan D'Agostino Master Audio Systems by Carsten Barnbeck May 15, 2023 #187 Restoring and Repairing A Rek-O-Kut Model V Record Cutting Lathe by J.I. Agnew May 01, 2023 #187 A View From the Sky by Harris Fogel May 01, 2023 #187 AXPONA 2023: Accessories Make the (Audio) Outfit by Rudy Radelic May 01, 2023 #187 Off the Meter by Frank Doris May 01, 2023 #187 Impressions of AXPONA 2023 by Frank Doris May 01, 2023 #187 Some Thoughts On AXPONA 2023 by Jay Jay French May 01, 2023 #187 Ivan Neville: Carrying on the Family Musical Torch by Ray Chelstowski May 01, 2023 #187 Waversa Systems’ WBridge Standard: A Different Kind of Digital Signal Processor by Howard Kneller May 01, 2023 #187 You Don’t Know What You’ve Got ’Till It’s Gone: Appreciating Specialist Retailers by Russ Welton May 01, 2023 #187 Up-and Coming Guitarist Nick Lisanti of Sticks N' Stones by Andrew Daly May 01, 2023 #187 A Visit to an Audio Engineering Society (AES) Convention by Harris Fogel May 01, 2023 #187 Alternate Reality by Peter Xeni May 01, 2023 #187 Still Alive and Well by James Whitworth May 01, 2023 #187 Producer/Engineer Bill Schnee: Talking With the Chairman at the Board by John Seetoo May 01, 2023 #187 Back to My Reel-to-Reel Roots, Part 29: Tonbridge AudioJumble 2023 by Ken Kessler May 01, 2023 #187 Darlene Love: Blossoming Into R&B Greatness by Anne E. Johnson May 01, 2023 #186 Singin' in the Studio by Frank Doris Apr 17, 2023 #186 Classic and Post-Modern Jazz Meet: Octave Records Releases Bishop’s Lair by the Tom Amend Octet by Frank Doris Apr 17, 2023 #186 An Audio Crime Scene Investigation by J.I. Agnew Apr 17, 2023 #186 A Visit to Wilson Audio: Tour of an American Hi-Fi Legend by Carsten Barnbeck Apr 17, 2023 #186 Parallel Lineup by Ryan Schrimpf Apr 17, 2023 #186 Beyond Face Value: The True Cost of Ticket Pricing by Tom Methans Apr 17, 2023 #186 xDuoo's Versatile TA-30 Headphone Amp/DAC by Howard Kneller Apr 17, 2023 #186 Atomic Transmutation: Australian Guitar Alchemist Luke Stamenkovich by Andrew Daly Apr 17, 2023 #186 Stereo Buying for Audio Idiots: Three Quick Tips by Steven Bryan Bieler Apr 17, 2023 #186 The Musical Instrument Museum: Another Trip Around the World by Jeff Weiner Apr 17, 2023 #186 A One, and a Two...(Part Two) by Don Kaplan Apr 17, 2023 #186 CTI Records, Part Six: The Keys to CTI by Rudy Radelic Apr 17, 2023 #186 An Exciting and Inexpensive Device to Improve SACD Playback – Well, Maybe Not! by Tom Gibbs Apr 17, 2023 #186 Confessions of a Tube Collector, Part Two by Adrian Wu Apr 17, 2023 #186 Christian McBride: A Master of Jazz Bass and Beyond by Anne E. Johnson Apr 17, 2023 #186 Exploring Rossini’s Works for Small Ensembles by Anne E. Johnson Apr 17, 2023 #186 Meeting of the Minds by Peter Xeni Apr 17, 2023 #163 Octave Records Debuts Audiophile Masters, Volume VI Compilation Apr 17, 2023 #185 The Bangles: Hitmakers from the Paisley Underground by Anne E. Johnson Apr 03, 2023 #185 Between the Buttons, UK Version: The Rolling Stones Hit Their Stride Without the Hits by Wayne Robins Apr 03, 2023 #185 The DAM NYC Conference: Why Digital Asset Management Matters to Audiophiles by Harris Fogel Apr 03, 2023 #185 Sierra Levesque: Up-and-Coming Canadian Guitarist by Andrew Daly Apr 03, 2023 #185 Tailor-Made Listening Pleasure by Frank Doris Apr 03, 2023 #185 Signature Style by Howard Kneller Apr 03, 2023 #185 Remembering Producer Phil Ramone, 10 Years Later by Larry Jaffee Apr 03, 2023 #185 Eric D. Johnson of Fruit Bats: Pushing the Music Forward by Ray Chelstowski Apr 03, 2023 #185 A Window Into the Past by James Schrimpf Apr 03, 2023 #185 Vestibular Vertigo by James Whitworth Apr 03, 2023 #185 Scott Smith and Tadd Swanlund of Comply: High-Tech for Headphones, Part Two by Russ Welton Apr 03, 2023 #185 Repairing a Westrex Record Lathe Cutter Head by J.I. Agnew Apr 03, 2023 #185 Eccentric Records (and How to Fix Them) by Rich Isaacs Apr 03, 2023 #185 Dave Rusan of Rusan Guitarworks: Builder of Prince’s Cloud Guitars and Audio Enthusiast, Part Two by Frank Doris Apr 03, 2023 #185 CanJam New York 2023: The Audiophile and Pro Audio Worlds Blur More Deeply by John Seetoo Apr 03, 2023 #185 Boxed In by Peter Xeni Apr 03, 2023 #182 Always Something There to Remind Us by Frank Doris Mar 27, 2023 #184 Issue 184 by Frank Doris Mar 19, 2023 #184 Octave Records Releases Gabriella by Miguel Espinoza Fusion, a Blend of Flamenco, World Music and More by Frank Doris Mar 19, 2023 #184 Dave Rusan of Rusan Guitarworks: Builder of Prince’s Cloud Guitars, Part One by Frank Doris Mar 19, 2023 #184 And a One, and a Two…(Part One) by Don Kaplan Mar 19, 2023 #184 Tár (This Is Spinal Tárp)… a Movie Review by Jay Jay French Mar 19, 2023 #184 Pilgrimage to Europe, Part One: Good Luck by B. Jan Montana Mar 19, 2023 #184 Precise Vinyl Record Centering for Turntables by J.I. Agnew Mar 19, 2023 #184 Heinrich Schütz: Composing the Foundation for German Classical Music by Anne E. Johnson Mar 19, 2023 #184 Eddie “Lockjaw” Davis: A Firm Grasp on Saxophone Greatness by Anne E. Johnson Mar 19, 2023 #184 Last of the Free Birds by Tom Methans Mar 19, 2023 #184 A Visit to the Florida Audio Expo 2023, Part Two by Tom Gibbs Mar 19, 2023 #184 Wordplay by Peter Xeni Mar 19, 2023 #184 An Interview With Guitarist Michael Jurin, Formerly of Stellastarr by Andrew Daly Mar 19, 2023 #184 Magnetic Attraction by Frank Doris Mar 19, 2023 #184 Bache Audio’s Elegant Sonata EX2 Speakers by Howard Kneller Mar 19, 2023 #184 Slow Ride by James Schrimpf Mar 19, 2023 #183 I Can See Clearly Now by Frank Doris Mar 06, 2023 #183 Kenny Wayne Shepherd: Revisiting His Landmark Blues Album Trouble Is… at 25 by Ray Chelstowski Mar 06, 2023 #183 Octave Records Releases Its First Live Album: Jazz Trumpeter Gabriel Mervine’s Live at Nocturne by Frank Doris Mar 06, 2023 #183 CTI Records, Part Five: Guitar Greatness by Rudy Radelic Mar 06, 2023 #183 DeFord Bailey: The Harmonica Wizard by Anne E. Johnson Mar 06, 2023 #183 Artificial Reverberation in the Analog World, Part Three by J.I. Agnew Mar 06, 2023 #183 Confessions of a Tube Collector, Part One by Adrian Wu Mar 06, 2023 #183 Desert Island Discs? Pfft! Here’s a Real Challenge by Rich Isaacs Mar 06, 2023 #183 A Visit to the Florida Audio Expo 2023, Part One by Tom Gibbs Mar 06, 2023 #183 Sound Effect by Peter Xeni Mar 06, 2023 #183 Scott Smith and Tadd Swanlund of Comply: High-Tech for Headphones, Part One by Russ Welton Mar 06, 2023 #183 The Beach Boys’ Al Jardine and His Rediscovered Album, A Postcard from California by Andrew Daly Mar 06, 2023 #183 A HiFi Rose in Bloom by Howard Kneller Mar 06, 2023 #183 Noteworthy by Frank Doris Mar 06, 2023 #183 Audioplasty by James Whitworth Mar 06, 2023 #183 Living on the Edge by Michael Walker Mar 06, 2023 #182 On the Road Again by James Schrimpf Feb 12, 2023 #182 The Ears Have It by Frank Doris Feb 12, 2023 #182 Connecting With Hemingway Audio’s Z-Core Power Cords by Howard Kneller Feb 12, 2023 #182 Lexii Lynn Frazier: A Young Guitarist’s Career Takes Off by Andrew Daly Feb 12, 2023 #182 Elevated Response by Peter Xeni Feb 12, 2023 #182 Don Leslie’s Whirling Dervish Speaker Contraption by Stuart Marvin Feb 12, 2023 #182 The Chamber Music of Gabriel Fauré by Anne E. Johnson Feb 12, 2023 #182 CTI Records Part 4: Sax (and Violins) by Rudy Radelic Feb 12, 2023 #182 Ulrike Schwarz, Jim Anderson, and Their New Paradigm for Remote Interactive Recording (With Jane Ira Bloom), Part Two by John Seetoo Feb 12, 2023 #182 Clickbait Articles Belie Reality: The Vinyl Manufacturing Industry’s Resiliency by Larry Jaffee Feb 12, 2023 #182 Lounging with In-Ear Monitors, Part Three by Russ Welton Feb 12, 2023 #182 Artificial Reverberation in the Analog World, Part Two by J.I. Agnew Feb 12, 2023 #182 The Cranberries: Time Was Ticking Out by Anne E. Johnson Feb 12, 2023 #182 An Audio Journey, and More Photos from Capital Audiofest 2022 by Harris Fogel Feb 12, 2023 #182 NRBQ: Not Playing Around With Tiddlywinks by Ray Chelstowski Feb 12, 2023 #182 Blues Master Otis Taylor Releases Banjo… on Octave Records In High-Resolution Audio by Frank Doris Feb 12, 2023 #182 Treehaus Audiolab: Striking Design, Performance, and Style by Tom Methans Feb 12, 2023 #181 Heaven is a Place Jan 30, 2023 #181 Ulrike Schwarz, Jim Anderson, and Their New Paradigm for Remote Interactive Recording (with Jane Ira Bloom) – Part One by John Seetoo Jan 27, 2023 #181 Spending Time With the Esoteric Grandioso G1X Master Clock Generator by Howard Kneller Jan 27, 2023 #181 Capital Audiofest: Up Close and Personal, Part Two by Harris Fogel Jan 27, 2023 #181 Lounging with in Ear Monitors, Part Two by Russ Welton Jan 27, 2023 #181 My Favorite Yes Album: Drama by Tom Methans Jan 27, 2023 #181 An Interview with Kelly Hansen of Foreigner: Feels Like the Last Time by Ray Chelstowski Jan 27, 2023 #181 Octave Records’ Artist Clandestine Amigo Returns with Pinnacle Jan 27, 2023 #181 That Empty Feeling by James Whitworth Jan 27, 2023 #181 The Road Not Easily Taken by Rudy Radelic Jan 27, 2023 #181 Unusual Takes On Others' Songs, Part Four by Rich Isaacs Jan 27, 2023 #181 Spaced Out by Peter Xeni Jan 27, 2023 #181 Jutta Hipp: The Jazz Piano Virtuoso Who Disappeared by Anne E. Johnson Jan 27, 2023 #181 The Byrds: Folk-Rock Originators by Anne E. Johnson Jan 27, 2023 #180 Decisions, Decisions by Frank Doris Jan 15, 2023 #180 You Don’t Own Me by Peter Xeni Jan 15, 2023 #180 Around the World In 80 Lathes, Part 30 by J.I. Agnew Jan 15, 2023 #180 Capital Audiofest 2022: Up Close and Personal, Part One by Harris Fogel Jan 15, 2023 #180 Jeff Beck: In Memoriam by Jay Jay French Jan 15, 2023 #180 Stephen Stills’ Manassas: An Album, A Band, A Way of Life by Wayne Robins Jan 15, 2023 #180 Octave Records Debuts The Art of Hi-Fi Series with Volume 01: Bass (And We Interview Paul McGowan) by Frank Doris Jan 15, 2023 #180 Goodbye to Jeff Jan 15, 2023 #180 Checking Out xDuoo's Affordable MT-604 Headphone Amplifier by Howard Kneller Jan 13, 2023 #180 Celebrating the Linn Sondek LP12 Turntable, Part Two by Ken Kessler Jan 13, 2023 #180 Back to Analog – Academy Award-Winning Songwriter John DeNicola is Having The Time of His Life by John Seetoo Jan 13, 2023 #180 Ryan Hamilton: A Wicked Cool Rocker by Ray Chelstowski Jan 13, 2023 #180 Lounging with In-Ear Monitors, Part One by Russ Welton Jan 13, 2023 #180 Home Entertainment Formats Over the Past 50 Years and How They Influenced Each Other by Larry Jaffee Jan 13, 2023 #180 Dig This: Philadelphia’s Vibrant Vinyl Scene by Tom Methans Jan 13, 2023 #180 Talking With Producer/Musician Butch Vig of Garbage, Part One by Andrew Daly Jan 13, 2023 #180 Miles and Miles, Part Two by Ken Sander Jan 13, 2023 #180 Daft Punk: They Were the Robots by Anne E. Johnson Jan 13, 2023 #180 Exploring CTI Records, Part 2: The Subsidiaries by Rudy Radelic Jan 13, 2023 #180 Bach’s St. Matthew Passion: New Interpretations of a Masterwork by Anne E. Johnson Jan 13, 2023 #180 Highway 61 Revisited — And a New Beginning In the Lowcountry! by Tom Gibbs Jan 13, 2023 #180 Lord Knows I Try by Ken Sander Jan 13, 2023 #180 Issue 180 Jan 13, 2023 #180 What's In A Name? by James Whitworth Jan 13, 2023 #179 Issue 179 Jan 01, 2023 #179 Celebrating the Linn Sondek LP12 Turntable, Part One by Ken Kessler Dec 30, 2022 #179 The Doppler Effect Dec 30, 2022 #179 Allnic Audio's Striking H-5500 Phono Stage by Howard Kneller Dec 30, 2022 #179 Mixed Signals by Peter Xeni Dec 30, 2022 #179 Lucky Men by James Schrimpf Dec 30, 2022 #179 Around the World In 80 Lathes, Part 29 by J.I. Agnew Dec 30, 2022 #179 New Year's Resolution by James Whitworth Dec 30, 2022 #179 The Many Sides of David Chesky by Tom Methans Dec 30, 2022 #179 In the Room With Miles by Ken Sander Dec 30, 2022 #179 Tim Riley’s Best Albums of 2022 by Tim Riley Dec 30, 2022 #179 The Life and Times of a Sony Audio Engineer: Talking with Aston Sharman by Russ Welton Dec 30, 2022 #179 The Cowsills: The Family That Plays Together, Stays Together by Ray Chelstowski Dec 30, 2022 #179 Borrowing (Stealing?) from the Classics by Rich Isaacs Dec 30, 2022 #179 Nearly $400 Poorer, Here Are My 2022 Black Friday Record Store Day Purchases by Larry Jaffee Dec 30, 2022 #179 Confessions of a Record Collector, Part Three Dec 30, 2022