COPPER

A PS Audio Publication

Issue 181 • Free Online Magazine

Issue 181 Complete Recovery

Unusual Takes On Others' Songs, Part Four

Unusual Takes On Others' Songs, Part Four

This edition of Complete Recovery includes more than a few novelty acts and parodies. Here are some more of my favorites that are distinctly different from the originals:

Abbatoir (not the original Death Metal band) – “Voulez-Vous” (Abba)

Admit it, you do want to hear Abba songs done Death Metal style.


Peter Bence – “Thunderstruck” (AC/DC)

Hungarian pianist Peter Bence is wild and supremely talented. He once held the title of “World’s Fastest Pianist” according to Guinness World Records, but that should be tempered by the fact that the record is achieved not by playing music, but by the rapid two-handed hammering of a single key. In his case, it was a staggering 765 key hits in 60 seconds.

AC/DC meets Beethoven in this performance on the grand piano augmented with a bit of looped synthesizer and a bass drum pedal.


Boiling Point – “Battle Hymn of the Republic” (written by Julia Ward Howe)

This is not a song that comes to mind when I think “jazz,” and I was surprised to find that there are actually quite a number of jazz versions. This one comes from a Japanese direct-to-disc recording of guitarist Shoji Yokouchi’s ensemble, Boiling Point. The instrumental work is credible, and the sound is quite good, but if you listen beyond this first track, you’ll hear a couple of, shall we say, “less satisfying” vocal outings (“My Funny Valentine” and “Misty”) by singer Mari Nakamoto.


Broken Peach – “Tainted Love” (Soft Cell)

A friend turned me on to this wild Spanish outfit doing covers of mostly ’80s hits. They performed on Spain’s version of the Got Talent franchise in 2016. This one comes from a Halloween special that also included a heavy version of Human League’s hit “Don’t You Want Me.” Their choreography and hard rock energy are impressive.


Mac Sabbath – “Sweet Beef” (Black Sabbath – “Sweet Leaf”)

This is one of the coolest parody tribute bands around. Black Sabbath songs re-done with food-oriented lyrics performed by a very competent quartet (Ronald Osbourne – vocals, Slayer MacCheeze – guitar, Grimalice - bass guitar, The Catburgler – drums) dressed in full McDonald’s character costumes. (There is another Black Sabbath tribute band – Slack Babbath –with great stage names: Ozzy Ouseburn, Phonet Iommi, Beezer Scuttler, and Bill Fraud, but they play the music straight.)


Postmodern Jukebox – “Creep” (Beck)

How about a smoky nightclub version of Beck’s first hit? Postmodern Jukebox’s slogan is “Today’s Hits Yesterday.” They cover artists as diverse as Kate Bush, The Pixies, Huey Lewis, Leonard Cohen, The Weeknd, and many more.


Shut Up and Kiss Me – “Bohemian Rhapsody” (Queen)

Shut Up and Kiss Me is a Romanian ensemble with two (sometimes three) female vocalists, two male acoustic guitarists and a young woman on standup bass. They specialize in acoustic covers of well-known rock songs.


Shirley Serban – “Bohemian Catsody” (Queen – “Bohemian Rhapsody”)

Two covers of the same Queen song in one article? This one’s just too good to miss. Cat lovers as well as cat haters should get a kick out of it. The parody lyrics are pretty spot-on. Having done quite a few comedic covers of pop songs, Shirley Serban could be reasonably described as New Zealand’s female Weird Al Yankovic.


The Surfrajettes – “Heart of Glass” (Blondie)

This Canadian all-female instrumental quartet (think The Ventures) specializes in ’60s surf-style covers of hit songs along with original material. They certainly look the part, with white go-go boots, beehive hairdos, and miniskirts, all the while wielding Fender and Creston guitars with an extra dose of reverb. The Surfrajettes have performed on numerous music-themed cruises and are currently touring the US.


Various Artists (featuring John Paul Jones) – “When the Levee Breaks” (Led Zeppelin)

Led Zeppelin bassist John Paul Jones put together this international collaboration as a part of Playing for Change/Songs Around the World, a project that is based on the idea that music can be a unifying force in the world. This track features an incredible cast of musicians, gorgeously photographed in their home environments, both indoor and outdoor.


I hope you’ve enjoyed this selection of unusual cover versions of popular songs.

Header image: The Surfrajettes, courtesy of Hi-Tide Recordings.

More from Issue 181

View All Articles in Issue 181

Search Copper Magazine

#227 Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters by Frank Doris Feb 02, 2026 #227 Passport to Sound: May Anwar’s Audio Learning Experience for Young People by Frank Doris Feb 02, 2026 #227 Conjectures on Cosmic Consciousness by B. Jan Montana Feb 02, 2026 #227 The Big Takeover Turns 45 by Wayne Robins Feb 02, 2026 #227 Music and Chocolate: On the Sensory Connection by Joe Caplan Feb 02, 2026 #227 Singer/Songwriter Chris Berardo: Getting Wilder All the Time by Ray Chelstowski Feb 02, 2026 #227 The Earliest Stars of Country Music, Part One by Jeff Weiner Feb 02, 2026 #227 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part Two by Rudy Radelic Feb 02, 2026 #227 How to Play in a Rock Band, 20: On the Road With Blood, Sweat & Tears’ Guitarist Gabe Cummins by Frank Doris Feb 02, 2026 #227 From The Audiophile’s Guide: Audio Specs and Measuring by Paul McGowan Feb 02, 2026 #227 Our Brain is Always Listening by Peter Trübner Feb 02, 2026 #227 PS Audio in the News by PS Audio Staff Feb 02, 2026 #227 The Listening Chair: Sleek Style and Sound From the Luxman L3 by Howard Kneller Feb 02, 2026 #227 The Los Angeles and Orange County Audio Society Celebrates Its 32nd Anniversary, Honoring David and Sheryl Lee Wilson and Bernie Grundman by Harris Fogel Feb 02, 2026 #227 Back to My Reel-to-Reel Roots, Part 26: Half Full – Not Half Empty, Redux by Ken Kessler Feb 02, 2026 #227 That's What Puzzles Us... by Frank Doris Feb 02, 2026 #227 Record-Breaking by Peter Xeni Feb 02, 2026 #227 The Long and Winding Road by B. Jan Montana Feb 02, 2026 #226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026 #226 From The Audiophile’s Guide: Active Room Correction and Digital Signal Processing by Paul McGowan Jan 05, 2026 #226 PS Audio in the News by Frank Doris Jan 05, 2026 #226 Back to My Reel-to-Reel Roots, Part 25: Half-Full, Not Empty by Ken Kessler Jan 05, 2026 #226 Happy New Year! by Frank Doris Jan 05, 2026 #226 Turn It Down! by Peter Xeni Jan 05, 2026 #226 Ghost Riders by James Schrimpf Jan 05, 2026 #226 A Factory Tour of Audio Manufacturer German Physiks by Markus "Marsu" Manthey Jan 04, 2026 #225 Capital Audiofest 2025: Must-See Stereo, Part One by Frank Doris Dec 01, 2025 #225 Otis Taylor and the Electrics Delivers a Powerful Set of Hypnotic Modern Blues by Frank Doris Dec 01, 2025 #225 A Christmas Miracle by B. Jan Montana Dec 01, 2025 #225 T.H.E. Show New York 2025, Part Two: Plenty to See, Hear, and Enjoy by Frank Doris Dec 01, 2025 #225 Underappreciated Artists, Part One: Martin Briley by Rich Isaacs Dec 01, 2025 #225 Rock and Roll is Here to Stay by Wayne Robins Dec 01, 2025 #225 A Lifetime of Holiday Record (and CD) Listening by Rudy Radelic Dec 01, 2025 #225 Little Feat: Not Saying Goodbye, Not Yet by Ray Chelstowski Dec 01, 2025 #225 How to Play in a Rock Band, Part 18: Dealing With Burnout by Frank Doris Dec 01, 2025 #225 The People Who Make Audio Happen: CanJam SoCal 2025 by Harris Fogel Dec 01, 2025 #225 Chicago’s Sonic Sanctuaries: Four Hi‑Fi Listening Bars Channeling the Jazz‑Kissa Spirit by Olivier Meunier-Plante Dec 01, 2025

Unusual Takes On Others' Songs, Part Four

Unusual Takes On Others' Songs, Part Four

This edition of Complete Recovery includes more than a few novelty acts and parodies. Here are some more of my favorites that are distinctly different from the originals:

Abbatoir (not the original Death Metal band) – “Voulez-Vous” (Abba)

Admit it, you do want to hear Abba songs done Death Metal style.


Peter Bence – “Thunderstruck” (AC/DC)

Hungarian pianist Peter Bence is wild and supremely talented. He once held the title of “World’s Fastest Pianist” according to Guinness World Records, but that should be tempered by the fact that the record is achieved not by playing music, but by the rapid two-handed hammering of a single key. In his case, it was a staggering 765 key hits in 60 seconds.

AC/DC meets Beethoven in this performance on the grand piano augmented with a bit of looped synthesizer and a bass drum pedal.


Boiling Point – “Battle Hymn of the Republic” (written by Julia Ward Howe)

This is not a song that comes to mind when I think “jazz,” and I was surprised to find that there are actually quite a number of jazz versions. This one comes from a Japanese direct-to-disc recording of guitarist Shoji Yokouchi’s ensemble, Boiling Point. The instrumental work is credible, and the sound is quite good, but if you listen beyond this first track, you’ll hear a couple of, shall we say, “less satisfying” vocal outings (“My Funny Valentine” and “Misty”) by singer Mari Nakamoto.


Broken Peach – “Tainted Love” (Soft Cell)

A friend turned me on to this wild Spanish outfit doing covers of mostly ’80s hits. They performed on Spain’s version of the Got Talent franchise in 2016. This one comes from a Halloween special that also included a heavy version of Human League’s hit “Don’t You Want Me.” Their choreography and hard rock energy are impressive.


Mac Sabbath – “Sweet Beef” (Black Sabbath – “Sweet Leaf”)

This is one of the coolest parody tribute bands around. Black Sabbath songs re-done with food-oriented lyrics performed by a very competent quartet (Ronald Osbourne – vocals, Slayer MacCheeze – guitar, Grimalice - bass guitar, The Catburgler – drums) dressed in full McDonald’s character costumes. (There is another Black Sabbath tribute band – Slack Babbath –with great stage names: Ozzy Ouseburn, Phonet Iommi, Beezer Scuttler, and Bill Fraud, but they play the music straight.)


Postmodern Jukebox – “Creep” (Beck)

How about a smoky nightclub version of Beck’s first hit? Postmodern Jukebox’s slogan is “Today’s Hits Yesterday.” They cover artists as diverse as Kate Bush, The Pixies, Huey Lewis, Leonard Cohen, The Weeknd, and many more.


Shut Up and Kiss Me – “Bohemian Rhapsody” (Queen)

Shut Up and Kiss Me is a Romanian ensemble with two (sometimes three) female vocalists, two male acoustic guitarists and a young woman on standup bass. They specialize in acoustic covers of well-known rock songs.


Shirley Serban – “Bohemian Catsody” (Queen – “Bohemian Rhapsody”)

Two covers of the same Queen song in one article? This one’s just too good to miss. Cat lovers as well as cat haters should get a kick out of it. The parody lyrics are pretty spot-on. Having done quite a few comedic covers of pop songs, Shirley Serban could be reasonably described as New Zealand’s female Weird Al Yankovic.


The Surfrajettes – “Heart of Glass” (Blondie)

This Canadian all-female instrumental quartet (think The Ventures) specializes in ’60s surf-style covers of hit songs along with original material. They certainly look the part, with white go-go boots, beehive hairdos, and miniskirts, all the while wielding Fender and Creston guitars with an extra dose of reverb. The Surfrajettes have performed on numerous music-themed cruises and are currently touring the US.


Various Artists (featuring John Paul Jones) – “When the Levee Breaks” (Led Zeppelin)

Led Zeppelin bassist John Paul Jones put together this international collaboration as a part of Playing for Change/Songs Around the World, a project that is based on the idea that music can be a unifying force in the world. This track features an incredible cast of musicians, gorgeously photographed in their home environments, both indoor and outdoor.


I hope you’ve enjoyed this selection of unusual cover versions of popular songs.

Header image: The Surfrajettes, courtesy of Hi-Tide Recordings.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: