COPPER

A PS Audio Publication

Issue 182 • Free Online Magazine

Issue 182 Opening Salvo

Always Something There to Remind Us

Always Something There to Remind Us

Burt Bacharach has passed away at 94. This hits especially hard. Bacharach was a hero to me and one of the greatest songwriters ever – along with lyricist Hal David, he brought elegance, unexpected yet perfect chord and time changes, and sublime melodies to pop music. Songs like “Walk On By,” “What the World Needs Now is Love,” “Alfie,” “The Look of Love,” “Make It Easy on Yourself,” “I Say a Little Prayer” and so many others can only be considered masterpieces. Copper’s Rudy Radelic covered his career extensively in Issues 146, 147, 148, 149, 151, 152, and 153.

Another lost icon was Tom Verlaine (73), whose incandescent guitar playing and songwriting in Television and elsewhere inspired legions of new wavers, indie rockers and guitarists. Listen to “Marquee Moon” for a dose of utterly unique brilliance.

In this issue: Anne E. Johnson looks at the music of Irish rock band the Cranberries, and the chamber music of Gabriel Fauré. J.I. Agnew builds a custom vacuum tube spring reverb unit. I talk with blues master Otis Taylor, who has just released Banjo… on Octave Records. Andrew Daly interviews up-and-coming rocker Lexii Lynn Frazier, who can be heard blazing on Top Gun: Maverick. Rudy Radelic continues his series on CTI Records with a focus on sax players. Stuart Marvin spins a tale of Don Leslie and his whirling speaker contraption. Larry Jaffee reports on the vinyl manufacturing industry’s resiliency.

Harris Fogel relates his audio journey and has more photos from Capital Audiofest 2022. John Seetoo concludes his interview with Grammy-winning engineers Jim Anderson and Ulrike Schwarz and how they were able to remotely record a live album with soprano saxophonist Jane Ira Bloom. Russ Welton picks his favorite in-ear headphones. Tom Methans pays a visit to Treehaus Audio. Howard Kneller looks at cables from Hemingway Audio. Ray Chelstowski has a conversation with NRBQ founding member Terry Adams. The Copper A/V squad has an elevated response, does some plane listening, and goes on the road again.

Staff Writers:

J.I. Agnew, Ray Chelstowski, Andrew Daly, Harris Fogel, Jay Jay French, Tom Gibbs, Roy Hall, Rich Isaacs, Anne E. Johnson, Don Kaplan, Ken Kessler, Don Lindich, Stuart Marvin, Tom Methans, B. Jan Montana, Rudy Radelic, Tim Riley, Wayne Robins, Alón Sagee, Ken Sander, John Seetoo, Dan Schwartz, Russ Welton, Adrian Wu

Contributing Editors:
Ivan Berger, Steven Bryan Bieler, Jack Flory, Steve Kindig, Ed Kwok, Ted Shafran, David Snyder, Bob Wood

Cover:
“Cartoon Bob” D’Amico

Cartoons:
James Whitworth, Peter Xeni

Parting Shots:
James Schrimpf, B. Jan Montana, Rich Isaacs (and others)

Audio Anthropology Photos:
Howard Kneller, Steve Rowell

Editor:
Frank Doris

Publisher:
Paul McGowan

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

More from Issue 182

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#227 Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters by Frank Doris Feb 02, 2026 #227 Passport to Sound: May Anwar’s Audio Learning Experience for Young People by Frank Doris Feb 02, 2026 #227 Conjectures on Cosmic Consciousness by B. Jan Montana Feb 02, 2026 #227 The Big Takeover Turns 45 by Wayne Robins Feb 02, 2026 #227 Music and Chocolate: On the Sensory Connection by Joe Caplan Feb 02, 2026 #227 Singer/Songwriter Chris Berardo: Getting Wilder All the Time by Ray Chelstowski Feb 02, 2026 #227 The Earliest Stars of Country Music, Part One by Jeff Weiner Feb 02, 2026 #227 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part Two by Rudy Radelic Feb 02, 2026 #227 How to Play in a Rock Band, 20: On the Road With Blood, Sweat & Tears’ Guitarist Gabe Cummins by Frank Doris Feb 02, 2026 #227 From The Audiophile’s Guide: Audio Specs and Measuring by Paul McGowan Feb 02, 2026 #227 Our Brain is Always Listening by Peter Trübner Feb 02, 2026 #227 PS Audio in the News by PS Audio Staff Feb 02, 2026 #227 The Listening Chair: Sleek Style and Sound From the Luxman L3 by Howard Kneller Feb 02, 2026 #227 The Los Angeles and Orange County Audio Society Celebrates Its 32nd Anniversary, Honoring David and Sheryl Lee Wilson and Bernie Grundman by Harris Fogel Feb 02, 2026 #227 Back to My Reel-to-Reel Roots, Part 26: Half Full – Not Half Empty, Redux by Ken Kessler Feb 02, 2026 #227 That's What Puzzles Us... by Frank Doris Feb 02, 2026 #227 Record-Breaking by Peter Xeni Feb 02, 2026 #227 The Long and Winding Road by B. Jan Montana Feb 02, 2026 #226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026 #226 From The Audiophile’s Guide: Active Room Correction and Digital Signal Processing by Paul McGowan Jan 05, 2026 #226 PS Audio in the News by Frank Doris Jan 05, 2026 #226 Back to My Reel-to-Reel Roots, Part 25: Half-Full, Not Empty by Ken Kessler Jan 05, 2026 #226 Happy New Year! by Frank Doris Jan 05, 2026 #226 Turn It Down! by Peter Xeni Jan 05, 2026 #226 Ghost Riders by James Schrimpf Jan 05, 2026 #226 A Factory Tour of Audio Manufacturer German Physiks by Markus "Marsu" Manthey Jan 04, 2026 #225 Capital Audiofest 2025: Must-See Stereo, Part One by Frank Doris Dec 01, 2025 #225 Otis Taylor and the Electrics Delivers a Powerful Set of Hypnotic Modern Blues by Frank Doris Dec 01, 2025 #225 A Christmas Miracle by B. Jan Montana Dec 01, 2025 #225 T.H.E. Show New York 2025, Part Two: Plenty to See, Hear, and Enjoy by Frank Doris Dec 01, 2025 #225 Underappreciated Artists, Part One: Martin Briley by Rich Isaacs Dec 01, 2025 #225 Rock and Roll is Here to Stay by Wayne Robins Dec 01, 2025 #225 A Lifetime of Holiday Record (and CD) Listening by Rudy Radelic Dec 01, 2025 #225 Little Feat: Not Saying Goodbye, Not Yet by Ray Chelstowski Dec 01, 2025 #225 How to Play in a Rock Band, Part 18: Dealing With Burnout by Frank Doris Dec 01, 2025 #225 The People Who Make Audio Happen: CanJam SoCal 2025 by Harris Fogel Dec 01, 2025 #225 Chicago’s Sonic Sanctuaries: Four Hi‑Fi Listening Bars Channeling the Jazz‑Kissa Spirit by Olivier Meunier-Plante Dec 01, 2025

Always Something There to Remind Us

Always Something There to Remind Us

Burt Bacharach has passed away at 94. This hits especially hard. Bacharach was a hero to me and one of the greatest songwriters ever – along with lyricist Hal David, he brought elegance, unexpected yet perfect chord and time changes, and sublime melodies to pop music. Songs like “Walk On By,” “What the World Needs Now is Love,” “Alfie,” “The Look of Love,” “Make It Easy on Yourself,” “I Say a Little Prayer” and so many others can only be considered masterpieces. Copper’s Rudy Radelic covered his career extensively in Issues 146, 147, 148, 149, 151, 152, and 153.

Another lost icon was Tom Verlaine (73), whose incandescent guitar playing and songwriting in Television and elsewhere inspired legions of new wavers, indie rockers and guitarists. Listen to “Marquee Moon” for a dose of utterly unique brilliance.

In this issue: Anne E. Johnson looks at the music of Irish rock band the Cranberries, and the chamber music of Gabriel Fauré. J.I. Agnew builds a custom vacuum tube spring reverb unit. I talk with blues master Otis Taylor, who has just released Banjo… on Octave Records. Andrew Daly interviews up-and-coming rocker Lexii Lynn Frazier, who can be heard blazing on Top Gun: Maverick. Rudy Radelic continues his series on CTI Records with a focus on sax players. Stuart Marvin spins a tale of Don Leslie and his whirling speaker contraption. Larry Jaffee reports on the vinyl manufacturing industry’s resiliency.

Harris Fogel relates his audio journey and has more photos from Capital Audiofest 2022. John Seetoo concludes his interview with Grammy-winning engineers Jim Anderson and Ulrike Schwarz and how they were able to remotely record a live album with soprano saxophonist Jane Ira Bloom. Russ Welton picks his favorite in-ear headphones. Tom Methans pays a visit to Treehaus Audio. Howard Kneller looks at cables from Hemingway Audio. Ray Chelstowski has a conversation with NRBQ founding member Terry Adams. The Copper A/V squad has an elevated response, does some plane listening, and goes on the road again.

Staff Writers:

J.I. Agnew, Ray Chelstowski, Andrew Daly, Harris Fogel, Jay Jay French, Tom Gibbs, Roy Hall, Rich Isaacs, Anne E. Johnson, Don Kaplan, Ken Kessler, Don Lindich, Stuart Marvin, Tom Methans, B. Jan Montana, Rudy Radelic, Tim Riley, Wayne Robins, Alón Sagee, Ken Sander, John Seetoo, Dan Schwartz, Russ Welton, Adrian Wu

Contributing Editors:
Ivan Berger, Steven Bryan Bieler, Jack Flory, Steve Kindig, Ed Kwok, Ted Shafran, David Snyder, Bob Wood

Cover:
“Cartoon Bob” D’Amico

Cartoons:
James Whitworth, Peter Xeni

Parting Shots:
James Schrimpf, B. Jan Montana, Rich Isaacs (and others)

Audio Anthropology Photos:
Howard Kneller, Steve Rowell

Editor:
Frank Doris

Publisher:
Paul McGowan

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

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