COPPER

A PS Audio Publication

Issue 209 • Free Online Magazine

Issue 209 August 2024

In This Issue

“I see music as fluid architecture.” – Joni Mitchell

In this issue: Paul McGowan begins a series on the 50th anniversary of PS Audio. Octave Records releases one of its most inviting albums yet: Jazz Classics: 1950s by keyboardist Tom Amend. B. Jan Montana leverages karma for fun and profit. Jeff Weiner concludes his series on folk singers. I interview organizational sociologist Rene Wiedner on the survival of the vinyl industry. Wayne Robins reviews country/rock music phenomenon Zach Bryan. Rudy Radelic continues his series, The Vinyl Beat. Adrian Wu discovers four-track stereo reel-to-reel tapes. Harris Fogel continues his photo essay series on the people of NAMM 2024. AAA Magazine’s Ernst Müller takes a deep look at Mendelssohn’s “Italian” and “Scottish” symphonies on vinyl.

Rich Isaacs checks out more test records and demo discs. I continue my series on how to play in a rock band by asking: why? Ray Chelstowski reviews the John Lennon Mind Games – The Ultimate Collection box set, and talks with singer/songwriter JD Souther on the reissue of his classic You’re Only Lonely album. Ken Kessler gets back to his reel-to-reel roots with more thoughts about tape hygiene. PS Audio gets some rave reviews and comments for the new aspen FR5 loudspeaker, the aspen FR30, and other products. We conclude the issue with tin ears, an application error, a hearing test, and architectural textures.

Contributors to This Issue:
Ray Chelstowski, Frank Doris, Harris Fogel, Rich Isaacs, Ken Kessler, Paul McGowan, B. Jan Montana, Ernst Müller, Rudy Radelic, Wayne Robins, James Schrimpf, Jeff Weiner, James Whitworth, Adrian Wu, Peter Xeni

Logo Design:
Susan Schwartz-Christian, from a concept by Bob D’Amico

Editor:
Frank Doris

Publisher:
Paul McGowan

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Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

More Stories

All Articles

#210 Short Takes: Reading Lou Reed, Jazzing it Up, K-Pop Delights by Frank Doris Aug 30, 2024 #210 Space Odyssey by Peter Xeni Aug 30, 2024 #210 Back to My Reel-to-Reel Roots, Part Nine: Who Knew? by Ken Kessler Aug 30, 2024 #210 Stone Knives and Bearskins by Frank Doris Aug 30, 2024 #210 Mobile Art by Rich Isaacs Aug 30, 2024 #209 The Other Folk Singers, Part Three by Jeff Weiner Aug 02, 2024 #209 PS Audio Celebrates 50 Years by Paul McGowan Aug 02, 2024 #209 Leveraging Karma for Fun and Profit by B. Jan Montana Aug 02, 2024 #209 Pianist Tom Amend Plays Jazz Classics: 1950s on Octave Records’ Latest Release by Frank Doris Aug 02, 2024 #209 My Experience With Commercial Four-Track Reel-to-Reel Tapes by Adrian Wu Aug 02, 2024 #209 How to Play In a Rock Band 2: Why Would You Want To? by Frank Doris Aug 02, 2024 #209 Singer/Songwriter JD Souther and the Return of You’re Only Lonely by Ray Chelstowski Aug 02, 2024 #209 Test Records and Demo Discs, Part Five by Rich Isaacs Aug 02, 2024 #209 Two Mendelssohn Symphonies: the "Italian" and the "Scottish" by Ernst Müller Aug 02, 2024 #209 John Lennon’s Mind Games – The Ultimate Collection by Ray Chelstowski Aug 02, 2024 #209 The Vinyl Beat by Rudy Radelic Aug 02, 2024 #209 The Many Faces of NAMM 2024, Part Two by Harris Fogel Aug 02, 2024 #209 Zach Bryan, Bars and Stars by Wayne Robins Aug 02, 2024 #209 The Business of Why Vinyl Has Survived: Talking with Rene Wiedner by Rene Wiedner Aug 02, 2024 #209 PS Audio In the News by Frank Doris Aug 02, 2024 #209 Attention Shoppers! by Frank Doris Aug 02, 2024 #209 Tin Ears by Peter Xeni Aug 02, 2024 #209 Application Error by James Whitworth Aug 02, 2024 #209 Back to My Reel-to-Reel Roots, Part Eight: More Tape Deck Hygiene and Other Woes by Ken Kessler Aug 02, 2024 #209 Architectural Textures by James Schrimpf Aug 02, 2024 #208 The Evolution of the Loudspeaker: From Horns to High Fidelity by Paul McGowan Jul 01, 2024 #208 T.H.E. Show 2024: 28 Years of High-End Audio…and Counting by B. Jan Montana Jul 01, 2024 #208 Octave Records Releases The Art of Hi-Fi, Volume 5: Woodwinds by Frank Doris Jul 01, 2024 #208 How To Play in a Rock Band, Part One: Introduction by Frank Doris Jul 01, 2024 #208 Dare to be Different: The Story of WLIR-FM and a New Music Revolution by Frank Doris Jul 01, 2024 #208 Lou Reed, Covered and Recovered by Wayne Robins Jul 01, 2024 #208 Copper’s Alón Sagee: In Memoriam by Frank Doris Jul 01, 2024 #208 The Vinyl Beat by Rudy Radelic Jul 01, 2024 #208 The Many Faces of NAMM 2024 by Harris Fogel Jul 01, 2024 #208 Sonus faber’s Omnia Wireless Speaker is More Elegant Than Your Tuxedo by Howard Kneller Jul 01, 2024 #208 Test Records and Demo Discs, Part Four by Rich Isaacs Jul 01, 2024 #208 Indie Power Pop Group the dB’s Return! by Ray Chelstowski Jul 01, 2024 #208 Why Does Music Move Us? by Hans-Jürgen Schaal Jul 01, 2024 #208 PS Audio in the News by Frank Doris Jul 01, 2024 #208 70 Years of the Fender Stratocaster: A Guitar Without an Expiration Date by Nick Joyce Jul 01, 2024 #208 Tasty Tweak by Peter Xeni Jul 01, 2024 #208 Back to My Reel-to-Reel Roots, Part Seven: Tape Hygiene by Ken Kessler Jul 01, 2024 #208 Console Magic by Frank Doris Jul 01, 2024 #208 I Was There by Harris Fogel Jul 01, 2024 #207 Chickens, Eggs, Sources, and Outputs by Paul McGowan Jun 03, 2024 #207 AXPONA 2024, Part Two: Audio in Abundance by Frank Doris Jun 03, 2024 #207 One Bob Dylan Song: He's 83; Can You Choose Just One? by Wayne Robins Jun 03, 2024 #207 David Sanborn: Remembering a Unique Voice on the Alto Saxophone by Rudy Radelic Jun 03, 2024 #207 Octave Records Has Great Music and Sound Covered With Its Audiophile Masters, Volume X Covers Collection by Frank Doris Jun 03, 2024 #207 Sviatoslav Richter: Legendary Classical Pianist by Ernst Müller Jun 03, 2024 #207 The 2024 La Jolla Concours d’Elegance: A Stunning Showcase for Classic Automobiles by B. Jan Montana Jun 03, 2024 #207 Back to My Reel-to-Reel Roots, Part Six: Rock On (or Not) by Ken Kessler Jun 03, 2024 #207 Maybe the Last Copper CES 2024 Show Report? by Harris Fogel Jun 03, 2024 #207 Audio Group Denmark Brings Some Lower-Priced Audiophile Gear by Howard Kneller Jun 03, 2024 #207 PS Audio in the News – Issue 207 by Frank Doris Jun 03, 2024 #207 Chris Berardo Lets it Rock With Wilder all the Time by Ray Chelstowski Jun 03, 2024 #207 Test Records and Demo Discs, Part Three by Rich Isaacs Jun 03, 2024 #207 Is Class D Amplification Now Better Than Class A/B and Class A? by Robert Schryer Jun 03, 2024 #207 Catching Up With The Immediate Family (the Band, That Is) by Ray Chelstowski Jun 03, 2024 #207 Musings About the 45-RPM Single by Larry Jaffee Jun 03, 2024 #207 The Other Folk Singers, Part Two by Jeff Weiner Jun 03, 2024 #207 Getting to the Point-to-Point by Frank Doris Jun 03, 2024 #207 Birdsong by Peter Xeni Jun 03, 2024 #207 Delightful by Rich Isaacs Jun 03, 2024 #206 Octave Records Releases the Newest in The Art of Hi-Fi Series With Volume 4: Strings by Frank Doris May 06, 2024 #206 AXPONA 2024: A Really Big (Audio) Show, Part One by Frank Doris May 06, 2024 #206 One Size Doesn’t Fit All, Part Two: Microphones and Mic Preamps by Paul McGowan May 06, 2024 #206 Making Speakers Smaller and Better With MEMS Technology: Talking With Moti Margalit of Sonic Edge by Frank Doris May 06, 2024 #206 CanJam NYC 2024, Part Two: A Harvest of High-Performance Headphones by Frank Doris May 06, 2024 #206 Little Feat Keeps On Rolling With Their Upcoming Sam’s Place Album by Ray Chelstowski May 06, 2024 #206 Another 2024 AXPONA Report: Shattered Goals and Aimless Wandering? by Rudy Radelic May 06, 2024 #206 The Music of Multitudes: Some Favorite Performances at Folk Alliance International 2024 by Wayne Robins May 06, 2024 #206 Pay for Play by Peter Xeni May 06, 2024 #206 Remembering Audio Retailing Legend Andrew Singer by Frank Doris May 06, 2024 #206 The Other Folk Singers, Part One by Jeff Weiner May 06, 2024 #206 IsoTek’s V5 Elektra Power Conditioner Cleans Up Nicely by Howard Kneller May 06, 2024 #206 PS Audio in the News by Frank Doris May 06, 2024 #206 Singer/Songwriter Mat Kearney: Everything Left to Gain by Ray Chelstowski May 06, 2024 #206 Treasures from the Vinyl Vault, Part Four by Claude Lemaire May 06, 2024 #206 Understanding the Analog Obsession by B. Jan Montana May 06, 2024 #206 Test Records and Demo Discs, Part Two by Rich Isaacs May 06, 2024 #206 A Visit to Italy's Gold Note Factory by Carsten Barnbeck May 06, 2024 #206 Making the Grade by Frank Doris May 06, 2024 #206 Remember the Dreaming by B. Jan Montana May 06, 2024 #205 One Size Doesn’t Fit All: Paul McGowan’s Favorite Microphones and Their Uses by Paul McGowan Apr 01, 2024 #205 Impex Reissues the Bossa Nova Jazz Classic Getz/Gilberto (and an Interview With Nick Getz and Abey Fonn) by Frank Doris Apr 01, 2024 #205 Behind the Scenes at Florida International Audio Expo: Talking With Founder Bart Andeer by Frank Doris Apr 01, 2024 #205 Jazz Trumpeter Gabriel Mervine Releases Two New Albums on Octave Records by Frank Doris Apr 01, 2024 #205 CanJam 2024, Part One: Diversity in All Things Headphones by Frank Doris Apr 01, 2024 #205 A Visit to Loudspeaker Maker Pure Emotion Audio by AW: Buckle Up! by Carsten Barnbeck Apr 01, 2024 #205 Folk Alliance Really Is International by Wayne Robins Apr 01, 2024 #205 A Magnificent WAVAC Audio Lab Amplifier, and Vibration Control from Symposium Acoustics by Howard Kneller Apr 01, 2024 #205 Vampire Hunting, Part Two: What Is Running Up Our Energy Usage? by Rudy Radelic Apr 01, 2024 #205 The Inveniem Company: Dedicated to Preserving and Expanding the Cultural Legacies of Bands, Artists, and Others by Ray Chelstowski Apr 01, 2024 #205 Test Records and Demo Discs, Part One by Rich Isaacs Apr 01, 2024 #205 Motorola Madness by Frank Doris Apr 01, 2024 #205 Walk This Way by James Schrimpf Apr 01, 2024 #205 Treasures From the Vinyl Vault, Part Three by Claude Lemaire Apr 01, 2024 #205 The Big Bang Theory by Don Kaplan Apr 01, 2024 #205 Sought After by Peter Xeni Apr 01, 2024 #205 PS Audio in the News by Frank Doris Apr 01, 2024 #204 In Memory of Tony Cordesman by Frank Doris Mar 04, 2024 #204 Erik Deutsch, Theo Bleckmann and Sly5thAve Delve Into Live Postmodern Jazz With Octave Records’ Reason by Frank Doris Mar 04, 2024 #204 A Visit to the Warsaw Audio Video Show by Ken Kessler Mar 04, 2024 #204 Revisiting The Youngbloods' Elephant Mountain by Jay Jay French Mar 04, 2024 #204 Steve Conte and The Concrete Jangle: The Sound of New York City Rock by Ray Chelstowski Mar 04, 2024 #204 Making Time for Music by Paul McGowan Mar 04, 2024 #204 Hitchhiking With Alice Cooper by Ken Sander Mar 04, 2024 #204 Behind the Scenes at Music’s Biggest Night: The Audio Preparations for the GRAMMY Awards by Thomas Fogel Mar 04, 2024 #204 From Raffi to Dylan With My Grandson by Wayne Robins Mar 04, 2024 #204 Synesthesia: The Director's Cut by Peter Xeni Mar 04, 2024 #204 The 2024 NAMM Show: A Very Big Event for Music Merchants by B. Jan Montana With Photos by Jayvee Volanski Mar 04, 2024 #204 Streamline HiFi’s Steve Morris: Bringing Audio Consoles Into the Modern Age by Frank Doris Mar 04, 2024 #204 Start Soon, Earn More! by Frank Doris Mar 04, 2024 #204 Winds of Change by B. Jan Montana Mar 04, 2024 #204 PS Audio in the News by Frank Doris Mar 04, 2024 #204 How I Fell In Love With Korean TV Soundtracks by Frank Doris Mar 04, 2024 #204 Octave Records Releases Audiophile Masters Volume IX, a Reference-Quality Music Sampler Disc by Frank Doris Mar 04, 2024 #204 In Praise of Live Music by Ted Shafran Mar 04, 2024 #203 Capturing Jazz Lightning In a Bottle: Recording With Trumpeter Franco Ambrosetti by John Seetoo Feb 05, 2024 #203 The Unmeasurable Aspects of High-End Audio by Paul McGowan Feb 05, 2024 #203 Top Dog by B. Jan Montana Feb 05, 2024 #203 PS Audio in the News by Frank Doris Feb 05, 2024 #203 All Dolled Up by Frank Doris Feb 05, 2024 #203 Handel’s Messiah by Roy Hall Feb 05, 2024 #203 VAC’s Statement 452iQ Musicbloc Power Amplifier by Howard Kneller Feb 05, 2024 #203 Born to be Wild by Rich Isaacs Feb 05, 2024 #203 The girl genius of boygenius by Wayne Robins Feb 05, 2024 #203 Billy Joel Exhibit Debuts at the Long Island Music and Entertainment Hall of Fame by Frank Doris Feb 05, 2024 #203 Creating a Musical World With the Slambovian Circus of Dreams by Frank Doris Feb 05, 2024 #203 Magnepan’s Jim Winey: In Memoriam by Frank Doris Feb 05, 2024 #203 Jean Sibelius: The Seven Symphonies by Ernst Müller Feb 05, 2024 #203 Terry Adams of NRBQ Reissues Terrible: An Album That’s Anything But by Ray Chelstowski Feb 05, 2024 #203 Folk and Soul Meet Bluegrass: Octave Records Releases Sturtz: Live at Roots Music Project by Frank Doris Feb 05, 2024 #203 Octave Records Releases Live at Nocturne II by the Tom Amend Trio by Frank Doris Feb 05, 2024 #203 Ornithology by Peter Xeni Feb 05, 2024 #203 Vampire Hunting: What Is Running Up Our Energy Usage? by Rudy Radelic Feb 05, 2024 #203 Another Look at Capital Audiofest 2023 by Harris Fogel Feb 05, 2024 #202 2023: My Year in Music by Rudy Radelic Jan 08, 2024 #202 Rhino High Fidelity: A Vinyl Series to be Reckoned With by Frank Doris Jan 08, 2024 #202 A Visit to the Paris Audio Video Show by Ken Kessler Jan 08, 2024 #202 The Rumble: Keeping the Funk Going, New Orleans-Style by Ray Chelstowski Jan 08, 2024 #202 Culture Shock by Peter Xeni Jan 08, 2024 #202 The Folk/Rock Artistry of Dan Fogelberg by Anne E. Johnson Jan 08, 2024 #202 Sublime Moments by Alón Sagee Jan 08, 2024 #202 Capital Audiofest 2023: A Show Grows in Maryland by Frank Doris with Harris Fogel Jan 08, 2024 #202 The waVox Museum – A Monument to Willi Studer and Much More by Markus Thomann Jan 08, 2024 #202 Stenheim Unveils a New Speaker at New York’s Famed Power Station Studios by Frank Doris Jan 08, 2024 #202 Analogue Productions Reissues Genesis: Selling England by the Pound by Frank Doris Jan 08, 2024 #202 Chapell the Band: Making Music Through a Legal Lens by John Seetoo Jan 08, 2024 #202 The Impact of Music Streaming Services on Sound Quality by Paul McGowan Jan 08, 2024 #202 Treasures from the Vinyl Vault, Part Two by Claude Lemaire Jan 08, 2024 #202 The Road Not Taken by B. Jan Montana Jan 08, 2024 #202 Wilco's Jeff Tweedy: Author! Auteur! by Wayne Robins Jan 08, 2024 #202 The Audio Video Show 2023 from Warsaw, Poland by Sebastian Polcyn Jan 08, 2024 #202 On the Air Tonight by Frank Doris Jan 08, 2024 #202 PS Audio in the News by Frank Doris Jan 08, 2024 #201 Long Island’s Audio Den Opens a New Listening Room by Frank Doris Dec 04, 2023 #201 High-End Audio Luminary Michael Fremer Produces His First Record Album by Frank Doris Dec 04, 2023 #201 On the Scene at AES New York 2023 by Harris Fogel Dec 04, 2023 #201 Deko Entertainment: Keeping Current With Legacy Rock Artists by Frank Doris Dec 04, 2023 #201 Octave Records Welcomes the Holidays with Guitarist Alfredo Muro and The Spirit of Christmas by Frank Doris Dec 04, 2023 #201 Charlie Brown Goes to The Nutcracker With theRon LeGault Quintet by Frank Doris Dec 04, 2023 #201 The Kinks: The Journey – Part 2: Continuing a 60-Year Career Retrospective by Frank Doris Dec 04, 2023 #201 More Coverage from the AES 2023 Convention by John Seetoo Dec 04, 2023 #201 Winter Wonderland by James Schrimpf Dec 04, 2023 #201 AES New York 2023: The Audio Engineering Society's Upbeat Convention by Frank Doris Dec 04, 2023 #201 Johann Adolph Hasse: 18th Century Opera Star by Anne E. Johnson Dec 04, 2023 #201 Tokyo Jazz Joints: Immersion in a Parallel Universe by Hans von Draminski Dec 04, 2023 #201 Rockin' the Holidays by Peter Xeni Dec 04, 2023 #201 Can You Hear Me Now? by Frank Doris Dec 04, 2023 #201 Comedy of Errors by B. Jan Montana Dec 04, 2023 #201 PS Audio in the News by Frank Doris Dec 04, 2023 #200 Scenes and Gear from T.H.E. Show 2023 by Harris Fogel Oct 30, 2023 #200 Then Play On by James Whitworth Oct 30, 2023 #200 The Future Sound of London by Peter Xeni Oct 30, 2023 #200 Octave Records Releases Its Latest in The Art of Hi-Fi Series With Volume 03: Percussion by Frank Doris Oct 30, 2023 #200 Steve Thompson and 1201_Alarm Create the First Music Album Destined to Land on the Moon by Russ Welton Oct 30, 2023 #200 Living in a World of Zeroes and Ones with Synergistic Research’s Network Router UEF by Howard Kneller Oct 30, 2023 #200 Miles Davis: Eight Great Tracks by Anne E. Johnson Oct 30, 2023 #200 The Return of theCalifornia Audio Show by Rich Isaacs Oct 30, 2023 #200 Into the Groove by Frank Doris Oct 30, 2023 #201 The Seeker by James Whitworth Oct 30, 2023 #200 How Records are Made, Part Three: Quality Control by J.I. Agnew Oct 30, 2023 #200 Back to My Reel-to-Reel Roots, Part Five: Tape Caveats by Ken Kessler Oct 30, 2023 #200 June Millington of Pioneering Rock Band Fanny, Part Three by John Seetoo Oct 30, 2023 #200 Can One Year in Music Change Your Life? by Tom Lane Oct 30, 2023 #200 Quantum Criminals: The Ace Steely Dan Book by Wayne Robins Oct 30, 2023 #200 Affordable High End: The Vanatoo Transparent One Encore Plus Speaker System by John French Oct 30, 2023 #200 Deko Entertainment: Moving Rock's Legacy Forward in 2023 by Ray Chelstowski Oct 30, 2023 #200 Halloween Head Shot by James Schrimpf Oct 30, 2023 Deko Entertainment: Moving Rock's Legacy Forward by Ray Chelstowski Oct 30, 2023 #200 Treasures from the Vinyl Vault, Part One by Claude Lemaire Oct 30, 2023 #200 200 of Your Editor's All-Time Favorite Songs by Frank Doris Oct 30, 2023 #199 Vikingbåde by Roy Hall Oct 16, 2023 #200 How I Became an Audiophile by Lawrence Schenbeck Oct 16, 2023 #199 Flaunt the Audio Imperfection by Frank Doris Oct 16, 2023 #199 Sound Waves and the Roaring Twenties: The Legacies of Edward W. Kellogg and Chester Williams Rice by Olivier Meunier-Plante Oct 16, 2023 #199 A Classic Turntable's Forgotten Roots: the AR XA by Ivan Berger Oct 16, 2023 #199 The Audio Butterfly Effect by Russ Welton Oct 16, 2023 #199 Unusual Madrigals by Anne E. Johnson Oct 16, 2023 #199 How Records are Made, Part Two: Plating and Pressing by J.I. Agnew Oct 16, 2023 #199 Crossover Design Basics by Sebastian Polcyn Oct 16, 2023 The Jewish Cemetery by Roy Hall Oct 16, 2023 #199 Freedom From Choice by Peter Xeni Oct 16, 2023 #199 June Millington of Pioneering Rock Band Fanny, Part Two by John Seetoo Oct 16, 2023 #199 Separation Anxiety by James Whitworth Oct 16, 2023 #199 Guitar Influences, Part Five: Mick Ronson by Jay Jay French Oct 16, 2023 #199 Back To My Reel-To-Reel Roots, Part Four: Making eBay Profitable by Ken Kessler Oct 16, 2023 #199 Nothing Comes Close by Frank Doris Oct 16, 2023 #199 A Little Knight Music by Don Kaplan Oct 16, 2023 #199 Johnny Hodges: Sax Player for Duke Ellington and Beyond by Anne E. Johnson Oct 16, 2023 #199 Free Electron by Paul McGowan Oct 16, 2023 #198 Guitarist Ana Vidović Performs a Spellbinding Selection of Classical Works on Live at Hampden Hall by Frank Doris Oct 02, 2023 #198 The Next Voice You Hear by Steven Bryan Bieler Oct 02, 2023 #198 A Visit to Piega Loudspeakers by Carsten Barnbeck Oct 02, 2023 #198 Invasion of the Steely Dan Stans by Wayne Robins Oct 02, 2023 #198 Wedding Belle Blues by Peter Xeni Oct 02, 2023 #198 Guitar Influences, Part Four: Albert King by Jay Jay French Oct 02, 2023 #198 The Healing Power of Music by James Whitworth Oct 02, 2023 #198 Portable Audio, 1960s-Style by Frank Doris Oct 02, 2023 #198 Henry Purcell’s King Arthur by Lawrence Schenbeck Oct 02, 2023 #198 June Millington of Pioneering Rock Band Fanny, Part One by John Seetoo Oct 02, 2023 #198 Down the Rabbit Hole of SACD Ripping and DSD Extraction by Tom Gibbs Oct 02, 2023 #198 Back to My Reel-to-Reel Roots, Part Three by Ken Kessler Oct 02, 2023 #198 Two Hands Clapping by Alón Sagee Oct 02, 2023 #198 It Started With a 45 by Rich Isaacs Oct 02, 2023 #198 The Elegant Jazz Piano of Marian McPartland Oct 02, 2023 #198 How Records Are Made, Part One: Disk Mastering by J.I. Agnew Oct 02, 2023 #198 Don't Fence Me In by James Schrimpf Oct 02, 2023 #197 Guitar Influences, Part Three: Eric Clapton by Jay Jay French Sep 18, 2023 #197 More Scenes From the Los Angeles and Orange County Audio Society by Harris Fogel Sep 18, 2023 #197 My First Stereo by Frank Doris Sep 18, 2023 #197 A Shaky Start by Peter Xeni Sep 18, 2023 #197 Some Old Jazz Guy: Exploring Michael Franks, Part Two by Rudy Radelic Sep 18, 2023 #197 A Tract About Cataracts: Staving Off Retirement,Part Two by Frank Doris Sep 18, 2023 #197 The Sound of Recorded Music by J.I. Agnew Sep 18, 2023