COPPER

A PS Audio Publication

Issue 214 • Free Online Magazine

Issue 214 January 2025

In This Issue

Happy New Year from all of us at Copper!

In this issue: Octave Records latest release, Louisa Amend Live at the Muse Performance Space, features jazz singer Louisa Amend and band playing a set of standards, originals and more. I visit New York City jazz kissa All Blues and listen to a new Miles Davis re-issue, Birth of the Blue. Rudy Radelic reviews that album and other reissue LPs in The Vinyl Beat. Jeff Weiner begins a series on the roots (sort of) of rock and roll. B. Jan Montana enjoys sacred listening sessions. Wayne Robins contemplates the true meaning of yacht rock. Paul McGowan remembers PS Audio’s first product, the P300 PowerPlant.

I wrap up my report on Capital Audiofest 2024. We conclude our interview with Jamie Howarth of Plangent Processes, which corrects for the minute speed variations in master tapes to provide sonic improvements. Our series on how to play in a rock band continues with advice on playing on medium-sized stages. Harris Fogel has a look at the people who made the last AES convention happen. Howard Kneller goes From The Listening Chair to portable audio. PS Audio garners best of the year awards from Future Audiophile and Secrets of Home Theater and High Fidelity. Ken Kessler gets re-educated about reel-to-reel tape. We conclude the first issue of 2025 with vintage voltage, headphone hair, and colors in the sun.

 

 

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Contributors to This Issue:
Frank Doris, Harris Fogel, Ken Kessler, Howard Kneller, Paul McGowan, B. Jan Montana, Rudy Radelic, Wayne Robins, James Schrimpf, Jeff Weiner, Peter Xeni

Logo Design:
Susan Schwartz-Christian, from a concept by Bob D’Amico

Editor:
Frank Doris

Publisher:
Paul McGowan

Post-publication Nitpicker:
Rich Isaacs

Advertising Sales:
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Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

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#214 Listening to Miles Davis and Birth of the Blue at a Temple of Jazz by Frank Doris Jan 06, 2025 #214 The Great Yacht Rock Scare of 2024 by Wayne Robins Jan 06, 2025 #214 From The Listening Chair: An Audiophile on the Road Again by Howard Kneller Jan 06, 2025 #214 Another Look at AES Show New York 2024 by Harris Fogel Jan 06, 2025 #214 50 Years of PS Audio,Part Six: The PowerPlant Comes to Life by Paul McGowan Jan 06, 2025 #214 Jamie Howarth of Plangent Processes: Making Recordings Sound Better, Part Three by Frank Doris Jan 06, 2025 #214 How to Play in a Rock Band, Part Seven: Playing on Medium-Sized Stages by Frank Doris Jan 06, 2025 #214 The Vinyl Beat, Special Edition: Miles Davis and Birth of the Blue by Rudy Radelic Jan 06, 2025 #214 The Vinyl Beat by Rudy Radelic Jan 06, 2025 #214 The Roots of Rock and Roll (Sort Of), Part One by Jeff Weiner Jan 06, 2025 #214 PS Audio in the News by Frank Doris Jan 06, 2025 #214 Vintage Voltage by Frank Doris Jan 06, 2025 #214 Back to My Reel-to-Reel Roots, Part 13: Re-Education by Ken Kessler Jan 06, 2025 The Roots of Rock and Roll (Sort Of), Part One Jan 06, 2025 #214 Octave Records Presents an Evening of Live Jazz With Louisa Amend Quartet Live at the Muse Performance Space by Frank Doris Jan 06, 2025 #214 Headphone Hair by Peter Xeni Jan 06, 2025 #214 How to Post Comments on Copper by Frank Doris Jan 06, 2025 #214 Colors in the Sun by James Schrimpf Jan 02, 2025 #213 How to Post Comments on Copper by Frank Doris Dec 02, 2024 #213 Capital Audiofest 2024, Part One: The Trend is Clear by Frank Doris Dec 02, 2024 #213 My Experience With Commercial Four-track Tapes, Part Two by Adrian Wu Dec 02, 2024 #213 Jamie Howarth of Plangent Processes: Making Recordings Sound Better, Part Two by Frank Doris Dec 02, 2024 #213 Vampire Weekend'sMadison Square Garden Matinee by Wayne Robins Dec 02, 2024 #213 A New Normal Was in Sight at Making Vinyl Europe 2024 by Larry Jaffee Dec 02, 2024 #213 Life’s Biggest Problem by B. Jan Montana Dec 02, 2024 #213 50 Years of PS Audio: The Quest for Perfect Power by Paul McGowan Dec 02, 2024 #213 Two Magnificent Holiday Albums From 2L Records: Yule and Fred over jorden by Frank Doris Dec 02, 2024 #213 The Vinyl Beat: Holiday Happiness by Rudy Radelic Dec 02, 2024 #213 Analogue Productions Reissues Genesis: Nursery Cryme by Frank Doris Dec 02, 2024 #213 Test Records and Demo Discs, Part Seven by Rich Isaacs Dec 02, 2024 #213 The Perfect Gift by Peter Xeni Dec 02, 2024 #213 Swinging in Stereo by Frank Doris Dec 02, 2024 #213 Back to My Reel-to Reel-Roots, Part 12: The Sins of the Fathers by Ken Kessler Dec 02, 2024 #213 Spotlight on Brahms by Pierre Dalliaire Dec 02, 2024 #213 The Experience Hendrix 2025 Tour: Celebrating the Music and Soul of Jimi Hendrix by Ray Chelstowski Dec 02, 2024 #213 How to Play In a Rock Band, Part Six: Playing On Small Stages by Frank Doris Dec 02, 2024 #213 PS Audio in the News by Frank Doris Dec 02, 2024 #213 They've Got Tungs-Tone! by Harris Fogel Dec 02, 2024 #213 Honey, I Shrunk the Editor! by Howard Kneller Dec 02, 2024 How to Post Comments on Copper by Frank Doris Nov 04, 2024 #212 Jamie Howarth of Plangent Processes: Making Recordings Sound Better, Part One by Frank Doris Nov 04, 2024 #212 AES 2024 Show Report: The Future of Audio, Today by Frank Doris Nov 04, 2024 #212 Gillian Welch & David Rawlings: Woodland by Wayne Robins Nov 04, 2024 #212 Octave Records’ Jeremy Mohney Puts a Modern Twist on Swing Band Classics with Pennies From Heaven by Frank Doris Nov 04, 2024 #212 Dandelion Therapy by B. Jan Montana Nov 04, 2024 #212 Thurston Moore: From Sonic Youth to Flow Critical Lucidity by Ray Chelstowski Nov 04, 2024 #212 McIntosh SESSIONS, Volume 1: The Peter Erskine Quartet, Reviewed by John Seetoo Nov 04, 2024 #212 The Vinyl Beat: the Doobies, Rhinos, Secret Identities, Salsa, and Tutus by Rudy Radelic Nov 04, 2024 #212 Playing in a Rock Band, Part 5: What Kind of Music Do You Want to Play? by Frank Doris Nov 04, 2024 #212 Lou Reed, Joey Ramone, and Growing Up Jewish by Larry Jaffee Nov 04, 2024 #212 In the Audience with frontRow Reserve Cables by Howard Kneller Nov 04, 2024 #212 For J: Songs of Love by Tom Lane Nov 04, 2024 #212 50 Years of PS Audio: 1997 and New Beginnings by Paul McGowan Nov 04, 2024 #212 Back to My Reel-to Reel-Roots, Part 11 by Ken Kessler Nov 04, 2024 #212 PS Audio in the News by Frank Doris Nov 04, 2024 #212 Blanket Statement by Peter Xeni Nov 04, 2024 #212 A RadioShack Extravaganza! by Frank Doris Nov 04, 2024 #212 Cactus Cornucopia by James Schrimpf Nov 04, 2024 James Lee Stanley Reflects on Life, Love and Living in New Album The Day Today Oct 07, 2024 #211 The Art of Hi-Fi, Volume 6: Guitars from Octave Records Features an Extravaganza of Playing Styles and Sounds by Frank Doris Oct 07, 2024 #211 Perla Batalla's Letter to Leonard Cohen by Wayne Robins Oct 07, 2024 #211 Titanic’s Musicians Knew by B. Jan Montana Oct 07, 2024 #211 A Report from The Hong Kong High-End Audio Visual Show 2024 by Adrian Wu Oct 07, 2024 #211 How to Play in a Rock Band, 4: Mental Preparation by Frank Doris Oct 07, 2024 #211 50 Years of PS Audio, Part Three: Getting the Digital Lens Into Production by Paul McGowan Oct 07, 2024 #211 Test Records and Demo Discs, Part Six by Rich Isaacs Oct 07, 2024 #211 The Vinyl Beat: Black Sabbath, John Lee Hooker, War and More by Rudy Radelic Oct 07, 2024 #211 James Lee Stanley Reflects on Life, Love and Living in New Album The Day Today by Frank Doris Oct 07, 2024 #211 The Hyeseon Hong Jazz Orchestra Releases a Stunning New Album, Things Will Pass by Frank Doris Oct 07, 2024 #211 Thoughts on Quality, Style, and Class, in Audio and Elsewhere by Harris Fogel Oct 07, 2024 #211 Playlist Priorities by Peter Xeni Oct 07, 2024 #211 Seated in Sonic Perfection: the Ultimate Hi-Fi Listening Chair by Olivier Meunier-Plante Oct 07, 2024 #211 In Memory of Singer/Songwriter JD Souther by Ray Chelstowski Oct 07, 2024 #211 Kenny Wayne Shepherd Lands a Blues-Rock Punch With Dirt on My Diamonds, Vol. 2 by Ray Chelstowski Oct 07, 2024 #211 PS Audio in the News by Frank Doris Oct 07, 2024 #211 Back to My Reel-to-Reel Roots, Part 10 by Ken Kessler Oct 07, 2024 #211 Potent Portables by Frank Doris Oct 07, 2024 #211 Calavera by James Schrimpf Oct 07, 2024 #210 PS Audio Celebrates 50 Years, Part Two: The Beginnings of the Digital Lens by Paul McGowan Aug 30, 2024 #210 Sing and Dance With Frank Sinatra on Impex Records 1STEP LP: An Historic Masterpiece, Reissued by Frank Doris Aug 30, 2024 #210 Subduing Satan by B. Jan Montana Aug 30, 2024 #210 Octave Records’ Audiophile Masters, Volume XI: Covers Collection 2 Offers More Musical Favorites by Frank Doris Aug 30, 2024 #210 The Evolving Jamtronica of Lotus in How to Dream in Color by Ray Chelstowski Aug 30, 2024 #210 FIDELITY Visits Eavesdrop, the Brooklyn Jazz Kissa by Roland Schmenner Aug 30, 2024 #210 Jack White: No Name, Got Game by Wayne Robins Aug 30, 2024 #210 Sweet Caress, by Franco Ambrosetti and Strings: Simply Stunning Music and Sound by Frank Doris Aug 30, 2024 #210 The Musical Growth of Americana Band Fruition and Their New Album, How to Make Mistakes by Ray Chelstowski Aug 30, 2024 #210 How to Play in a Rock Band, 3: Gearing Up by Frank Doris Aug 30, 2024 #210 The Vinyl Beat by Rudy Radelic Aug 30, 2024 #210 PS Audio in the News by Frank Doris Aug 30, 2024 #210 More Faces of NAMM 2024, and the Pursuit of Quality in Manufacturing by Harris Fogel Aug 30, 2024 #210 Short Takes: Reading Lou Reed, Jazzing it Up, K-Pop Delights by Frank Doris Aug 30, 2024 #210 Space Odyssey by Peter Xeni Aug 30, 2024 #210 Back to My Reel-to-Reel Roots, Part Nine: Who Knew? by Ken Kessler Aug 30, 2024 #210 Stone Knives and Bearskins by Frank Doris Aug 30, 2024 #210 Mobile Art by Rich Isaacs Aug 30, 2024 #209 The Other Folk Singers, Part Three by Jeff Weiner Aug 02, 2024 #209 PS Audio Celebrates 50 Years by Paul McGowan Aug 02, 2024 #209 Leveraging Karma for Fun and Profit by B. Jan Montana Aug 02, 2024 #209 Pianist Tom Amend Plays Jazz Classics: 1950s on Octave Records’ Latest Release by Frank Doris Aug 02, 2024 #209 My Experience With Commercial Four-Track Reel-to-Reel Tapes by Adrian Wu Aug 02, 2024 #209 How to Play In a Rock Band 2: Why Would You Want To? by Frank Doris Aug 02, 2024 #209 Singer/Songwriter JD Souther and the Return of You’re Only Lonely by Ray Chelstowski Aug 02, 2024 #209 Test Records and Demo Discs, Part Five by Rich Isaacs Aug 02, 2024 #209 Two Mendelssohn Symphonies: the "Italian" and the "Scottish" by Ernst Müller Aug 02, 2024 #209 John Lennon’s Mind Games – The Ultimate Collection by Ray Chelstowski Aug 02, 2024 #209 The Vinyl Beat by Rudy Radelic Aug 02, 2024 #209 The Many Faces of NAMM 2024, Part Two by Harris Fogel Aug 02, 2024 #209 Zach Bryan, Bars and Stars by Wayne Robins Aug 02, 2024 #209 The Business of Why Vinyl Has Survived: Talking with Rene Wiedner by Rene Wiedner Aug 02, 2024 #209 PS Audio In the News by Frank Doris Aug 02, 2024 #209 Attention Shoppers! by Frank Doris Aug 02, 2024 #209 Tin Ears by Peter Xeni Aug 02, 2024 #209 Application Error by James Whitworth Aug 02, 2024 #209 Back to My Reel-to-Reel Roots, Part Eight: More Tape Deck Hygiene and Other Woes by Ken Kessler Aug 02, 2024 #209 Architectural Textures by James Schrimpf Aug 02, 2024 #208 The Evolution of the Loudspeaker: From Horns to High Fidelity by Paul McGowan Jul 01, 2024 #208 T.H.E. Show 2024: 28 Years of High-End Audio…and Counting by B. Jan Montana Jul 01, 2024 #208 Octave Records Releases The Art of Hi-Fi, Volume 5: Woodwinds by Frank Doris Jul 01, 2024 #208 How To Play in a Rock Band, Part One: Introduction by Frank Doris Jul 01, 2024 #208 Dare to be Different: The Story of WLIR-FM and a New Music Revolution by Frank Doris Jul 01, 2024 #208 Lou Reed, Covered and Recovered by Wayne Robins Jul 01, 2024 #208 Copper’s Alón Sagee: In Memoriam by Frank Doris Jul 01, 2024 #208 The Vinyl Beat by Rudy Radelic Jul 01, 2024 #208 The Many Faces of NAMM 2024 by Harris Fogel Jul 01, 2024 #208 Sonus faber’s Omnia Wireless Speaker is More Elegant Than Your Tuxedo by Howard Kneller Jul 01, 2024 #208 Test Records and Demo Discs, Part Four by Rich Isaacs Jul 01, 2024 #208 Indie Power Pop Group the dB’s Return! by Ray Chelstowski Jul 01, 2024 #208 Why Does Music Move Us? by Hans-Jürgen Schaal Jul 01, 2024 #208 PS Audio in the News by Frank Doris Jul 01, 2024 #208 70 Years of the Fender Stratocaster: A Guitar Without an Expiration Date by Nick Joyce Jul 01, 2024 #208 Tasty Tweak by Peter Xeni Jul 01, 2024 #208 Back to My Reel-to-Reel Roots, Part Seven: Tape Hygiene by Ken Kessler Jul 01, 2024 #208 Console Magic by Frank Doris Jul 01, 2024 #208 I Was There by Harris Fogel Jul 01, 2024 #207 Chickens, Eggs, Sources, and Outputs by Paul McGowan Jun 03, 2024 #207 AXPONA 2024, Part Two: Audio in Abundance by Frank Doris Jun 03, 2024 #207 One Bob Dylan Song: He's 83; Can You Choose Just One? by Wayne Robins Jun 03, 2024 #207 David Sanborn: Remembering a Unique Voice on the Alto Saxophone by Rudy Radelic Jun 03, 2024 #207 Octave Records Has Great Music and Sound Covered With Its Audiophile Masters, Volume X Covers Collection by Frank Doris Jun 03, 2024 #207 Sviatoslav Richter: Legendary Classical Pianist by Ernst Müller Jun 03, 2024 #207 The 2024 La Jolla Concours d’Elegance: A Stunning Showcase for Classic Automobiles by B. Jan Montana Jun 03, 2024 #207 Back to My Reel-to-Reel Roots, Part Six: Rock On (or Not) by Ken Kessler Jun 03, 2024 #207 Maybe the Last Copper CES 2024 Show Report? by Harris Fogel Jun 03, 2024 #207 Audio Group Denmark Brings Some Lower-Priced Audiophile Gear by Howard Kneller Jun 03, 2024 #207 PS Audio in the News – Issue 207 by Frank Doris Jun 03, 2024 #207 Chris Berardo Lets it Rock With Wilder all the Time by Ray Chelstowski Jun 03, 2024 #207 Test Records and Demo Discs, Part Three by Rich Isaacs Jun 03, 2024 #207 Is Class D Amplification Now Better Than Class A/B and Class A? by Robert Schryer Jun 03, 2024 #207 Catching Up With The Immediate Family (the Band, That Is) by Ray Chelstowski Jun 03, 2024 #207 Musings About the 45-RPM Single by Larry Jaffee Jun 03, 2024 #207 The Other Folk Singers, Part Two by Jeff Weiner Jun 03, 2024 #207 Getting to the Point-to-Point by Frank Doris Jun 03, 2024 #207 Birdsong by Peter Xeni Jun 03, 2024 #207 Delightful by Rich Isaacs Jun 03, 2024 #206 Octave Records Releases the Newest in The Art of Hi-Fi Series With Volume 4: Strings by Frank Doris May 06, 2024 #206 AXPONA 2024: A Really Big (Audio) Show, Part One by Frank Doris May 06, 2024 #206 One Size Doesn’t Fit All, Part Two: Microphones and Mic Preamps by Paul McGowan May 06, 2024 #206 Making Speakers Smaller and Better With MEMS Technology: Talking With Moti Margalit of Sonic Edge by Frank Doris May 06, 2024 #206 CanJam NYC 2024, Part Two: A Harvest of High-Performance Headphones by Frank Doris May 06, 2024 #206 Little Feat Keeps On Rolling With Their Upcoming Sam’s Place Album by Ray Chelstowski May 06, 2024 #206 Another 2024 AXPONA Report: Shattered Goals and Aimless Wandering? by Rudy Radelic May 06, 2024 #206 The Music of Multitudes: Some Favorite Performances at Folk Alliance International 2024 by Wayne Robins May 06, 2024 #206 Pay for Play by Peter Xeni May 06, 2024 #206 Remembering Audio Retailing Legend Andrew Singer by Frank Doris May 06, 2024 #206 The Other Folk Singers, Part One by Jeff Weiner May 06, 2024 #206 IsoTek’s V5 Elektra Power Conditioner Cleans Up Nicely by Howard Kneller May 06, 2024 #206 PS Audio in the News by Frank Doris May 06, 2024 #206 Singer/Songwriter Mat Kearney: Everything Left to Gain by Ray Chelstowski May 06, 2024 #206 Treasures from the Vinyl Vault, Part Four by Claude Lemaire May 06, 2024 #206 Understanding the Analog Obsession by B. Jan Montana May 06, 2024 #206 Test Records and Demo Discs, Part Two by Rich Isaacs May 06, 2024 #206 A Visit to Italy's Gold Note Factory by Carsten Barnbeck May 06, 2024 #206 Making the Grade by Frank Doris May 06, 2024 #206 Remember the Dreaming by B. Jan Montana May 06, 2024 #205 One Size Doesn’t Fit All: Paul McGowan’s Favorite Microphones and Their Uses by Paul McGowan Apr 01, 2024 #205 Impex Reissues the Bossa Nova Jazz Classic Getz/Gilberto (and an Interview With Nick Getz and Abey Fonn) by Frank Doris Apr 01, 2024 #205 Behind the Scenes at Florida International Audio Expo: Talking With Founder Bart Andeer by Frank Doris Apr 01, 2024 #205 Jazz Trumpeter Gabriel Mervine Releases Two New Albums on Octave Records by Frank Doris Apr 01, 2024 #205 CanJam 2024, Part One: Diversity in All Things Headphones by Frank Doris Apr 01, 2024 #205 A Visit to Loudspeaker Maker Pure Emotion Audio by AW: Buckle Up! by Carsten Barnbeck Apr 01, 2024 #205 Folk Alliance Really Is International by Wayne Robins Apr 01, 2024 #205 A Magnificent WAVAC Audio Lab Amplifier, and Vibration Control from Symposium Acoustics by Howard Kneller Apr 01, 2024 #205 Vampire Hunting, Part Two: What Is Running Up Our Energy Usage? by Rudy Radelic Apr 01, 2024 #205 The Inveniem Company: Dedicated to Preserving and Expanding the Cultural Legacies of Bands, Artists, and Others by Ray Chelstowski Apr 01, 2024 #205 Test Records and Demo Discs, Part One by Rich Isaacs Apr 01, 2024 #205 Motorola Madness by Frank Doris Apr 01, 2024 #205 Walk This Way by James Schrimpf Apr 01, 2024 #205 Treasures From the Vinyl Vault, Part Three by Claude Lemaire Apr 01, 2024 #205 The Big Bang Theory by Don Kaplan Apr 01, 2024 #205 Sought After by Peter Xeni Apr 01, 2024 #205 PS Audio in the News by Frank Doris Apr 01, 2024 #204 In Memory of Tony Cordesman by Frank Doris Mar 04, 2024 #204 Erik Deutsch, Theo Bleckmann and Sly5thAve Delve Into Live Postmodern Jazz With Octave Records’ Reason by Frank Doris Mar 04, 2024 #204 A Visit to the Warsaw Audio Video Show by Ken Kessler Mar 04, 2024 #204 Revisiting The Youngbloods' Elephant Mountain by Jay Jay French Mar 04, 2024 #204 Steve Conte and The Concrete Jangle: The Sound of New York City Rock by Ray Chelstowski Mar 04, 2024 #204 Making Time for Music by Paul McGowan Mar 04, 2024 #204 Hitchhiking With Alice Cooper by Ken Sander Mar 04, 2024 #204 Behind the Scenes at Music’s Biggest Night: The Audio Preparations for the GRAMMY Awards by Thomas Fogel Mar 04, 2024 #204 From Raffi to Dylan With My Grandson by Wayne Robins Mar 04, 2024 #204 Synesthesia: The Director's Cut by Peter Xeni Mar 04, 2024 #204 The 2024 NAMM Show: A Very Big Event for Music Merchants by B. Jan Montana With Photos by Jayvee Volanski Mar 04, 2024 #204 Streamline HiFi’s Steve Morris: Bringing Audio Consoles Into the Modern Age by Frank Doris Mar 04, 2024 #204 Start Soon, Earn More! by Frank Doris Mar 04, 2024 #204 Winds of Change by B. Jan Montana Mar 04, 2024 #204 PS Audio in the News by Frank Doris Mar 04, 2024 #204 How I Fell In Love With Korean TV Soundtracks by Frank Doris Mar 04, 2024 #204 Octave Records Releases Audiophile Masters Volume IX, a Reference-Quality Music Sampler Disc by Frank Doris Mar 04, 2024 #204 In Praise of Live Music by Ted Shafran Mar 04, 2024 #203 Capturing Jazz Lightning In a Bottle: Recording With Trumpeter Franco Ambrosetti by John Seetoo Feb 05, 2024 #203 The Unmeasurable Aspects of High-End Audio by Paul McGowan Feb 05, 2024 #203 Top Dog by B. Jan Montana Feb 05, 2024 #203 PS Audio in the News by Frank Doris Feb 05, 2024 #203 All Dolled Up by Frank Doris Feb 05, 2024 #203 Handel’s Messiah by Roy Hall Feb 05, 2024 #203 VAC’s Statement 452iQ Musicbloc Power Amplifier by Howard Kneller Feb 05, 2024 #203 Born to be Wild by Rich Isaacs Feb 05, 2024 #203 The girl genius of boygenius by Wayne Robins Feb 05, 2024 #203 Billy Joel Exhibit Debuts at the Long Island Music and Entertainment Hall of Fame by Frank Doris Feb 05, 2024 #203 Creating a Musical World With the Slambovian Circus of Dreams by Frank Doris Feb 05, 2024 #203 Magnepan’s Jim Winey: In Memoriam by Frank Doris Feb 05, 2024 #203 Jean Sibelius: The Seven Symphonies by Ernst Müller Feb 05, 2024 #203 Terry Adams of NRBQ Reissues Terrible: An Album That’s Anything But by Ray Chelstowski Feb 05, 2024 #203 Folk and Soul Meet Bluegrass: Octave Records Releases Sturtz: Live at Roots Music Project by Frank Doris Feb 05, 2024 #203 Octave Records Releases Live at Nocturne II by the Tom Amend Trio by Frank Doris Feb 05, 2024 #203 Ornithology by Peter Xeni Feb 05, 2024 #203 Vampire Hunting: What Is Running Up Our Energy Usage? by Rudy Radelic Feb 05, 2024 #203 Another Look at Capital Audiofest 2023 by Harris Fogel Feb 05, 2024 #202 2023: My Year in Music by Rudy Radelic Jan 08, 2024 #202 Rhino High Fidelity: A Vinyl Series to be Reckoned With by Frank Doris Jan 08, 2024 #202 A Visit to the Paris Audio Video Show by Ken Kessler Jan 08, 2024 #202 The Rumble: Keeping the Funk Going, New Orleans-Style by Ray Chelstowski Jan 08, 2024 #202 Culture Shock by Peter Xeni Jan 08, 2024 #202 The Folk/Rock Artistry of Dan Fogelberg by Anne E. Johnson Jan 08, 2024 #202 Sublime Moments by Alón Sagee Jan 08, 2024 #202 Capital Audiofest 2023: A Show Grows in Maryland by Frank Doris with Harris Fogel Jan 08, 2024