COPPER

A PS Audio Publication

Issue 212 • Free Online Magazine

Issue 212 From The Listening Chair With Howard Kneller

In the Audience with frontRow Reserve Cables

In the Audience with frontRow Reserve Cables

Audience, located in San Marcos, California, mostly designs and manufacturers home audiophile products. These include cables, power conditioner products, a few system accessories, a loudspeaker, and other items. Though the company also makes several pro-audio goodies such as guitar cables, that’s a story for a different day.

Perhaps somehow knowing that my “career” playing the bass guitar unceremoniously ended in junior high school only a year or two after it began, Audience sent me samples of some their home audiophile wares. Indeed, I’ve previously had the company’s aR-12 12-outlet power conditioner and frontRow power cord in my room. But Audience has just released a new line of flagship cables called frontRow Reserve, and John McDonald, Audiences’ President and CEO, asked if I would like to try them. I was eager to do so because Audience does not launch a new flagship line of cables very often. The frontRow cables have served as the company’s top-dog line for about five years.

Included in the rather large box that I received from Audience were several samples from the new frontRow Reserve line: a power cord, single-ended and balanced interconnects, and a USB cable. Plus, there was a sample of the company’s Hidden Treasure CAT 7 Ethernet cable. I think it’s about here that I must mention that Audience calls its power cords “powerChords.”

 

 

The AC connector on a frontRow Reserve powerChord.

 

In getting these products ready to be shot for this photography column, I noticed that they had some weight to them. This was particularly true for the power cord, ummm I mean powerChord, which clocked in at 2.5 pounds.

Having auditioned only one frontRow product (the power cord) in my system quite some time ago, I am in no position to say how, if at all, the new frontRow Reserve products might be better than those from the frontRow line. Although I have just begun listening to these newcomers in my audio system, it seems that that they will have no problem competing with other cables I have auditioned in their class. That’s not faint praise. Attributes like transparency, detail, and eerie soundstaging are all there with these cables in my system. And in all fairness, Audience calls for 300 hours run-in for full performance.

 

 

 

The cables are offered in a variety of connection options.

 

 

Here's a look at a Hidden Treasure Ethernet cable.

 

Disclaimer: The editor has done some occasional work for Audience. He did not select the company that would be featured in this photo essay or know its identity until he received the relevant copy and photos from the author.

 

All images courtesy of Howard Kneller. Howard is the co-founder of The Listening Chair with Howard Kneller, a reviewing and news organization for all things audiophile.

Check out the latest from TLC on the web (www.thelisteningchair.net) and its YouTube channel (https://www.youtube.com/@thelisteningchair_).

Also note TLC’s growing TLC’s social media ecosystem, including its Facebook group (https://www.facebook.com/groups/217745678009888), where members from around the world show off their gear; and LinkedIn group (https://www.linkedin.com/in/howard-kneller/), Instagram (www.instagram.com/howardkneller/), Threads (www.threads.net/@howardkneller) and X (www.x.com/HowardKneller) pages.

More from Issue 212

View All Articles in Issue 212

Search Copper Magazine

#227 Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters by Frank Doris Feb 02, 2026 #227 Passport to Sound: May Anwar’s Audio Learning Experience for Young People by Frank Doris Feb 02, 2026 #227 Conjectures on Cosmic Consciousness by B. Jan Montana Feb 02, 2026 #227 The Big Takeover Turns 45 by Wayne Robins Feb 02, 2026 #227 Music and Chocolate: On the Sensory Connection by Joe Caplan Feb 02, 2026 #227 Singer/Songwriter Chris Berardo: Getting Wilder All the Time by Ray Chelstowski Feb 02, 2026 #227 The Earliest Stars of Country Music, Part One by Jeff Weiner Feb 02, 2026 #227 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part Two by Rudy Radelic Feb 02, 2026 #227 How to Play in a Rock Band, 20: On the Road With Blood, Sweat & Tears’ Guitarist Gabe Cummins by Frank Doris Feb 02, 2026 #227 From The Audiophile’s Guide: Audio Specs and Measuring by Paul McGowan Feb 02, 2026 #227 Our Brain is Always Listening by Peter Trübner Feb 02, 2026 #227 PS Audio in the News by PS Audio Staff Feb 02, 2026 #227 The Listening Chair: Sleek Style and Sound From the Luxman L3 by Howard Kneller Feb 02, 2026 #227 The Los Angeles and Orange County Audio Society Celebrates Its 32nd Anniversary, Honoring David and Sheryl Lee Wilson and Bernie Grundman by Harris Fogel Feb 02, 2026 #227 Back to My Reel-to-Reel Roots, Part 26: Half Full – Not Half Empty, Redux by Ken Kessler Feb 02, 2026 #227 That's What Puzzles Us... by Frank Doris Feb 02, 2026 #227 Record-Breaking by Peter Xeni Feb 02, 2026 #227 The Long and Winding Road by B. Jan Montana Feb 02, 2026 #226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026 #226 From The Audiophile’s Guide: Active Room Correction and Digital Signal Processing by Paul McGowan Jan 05, 2026 #226 PS Audio in the News by Frank Doris Jan 05, 2026 #226 Back to My Reel-to-Reel Roots, Part 25: Half-Full, Not Empty by Ken Kessler Jan 05, 2026 #226 Happy New Year! by Frank Doris Jan 05, 2026 #226 Turn It Down! by Peter Xeni Jan 05, 2026 #226 Ghost Riders by James Schrimpf Jan 05, 2026 #226 A Factory Tour of Audio Manufacturer German Physiks by Markus "Marsu" Manthey Jan 04, 2026 #225 Capital Audiofest 2025: Must-See Stereo, Part One by Frank Doris Dec 01, 2025 #225 Otis Taylor and the Electrics Delivers a Powerful Set of Hypnotic Modern Blues by Frank Doris Dec 01, 2025 #225 A Christmas Miracle by B. Jan Montana Dec 01, 2025 #225 T.H.E. Show New York 2025, Part Two: Plenty to See, Hear, and Enjoy by Frank Doris Dec 01, 2025 #225 Underappreciated Artists, Part One: Martin Briley by Rich Isaacs Dec 01, 2025 #225 Rock and Roll is Here to Stay by Wayne Robins Dec 01, 2025 #225 A Lifetime of Holiday Record (and CD) Listening by Rudy Radelic Dec 01, 2025 #225 Little Feat: Not Saying Goodbye, Not Yet by Ray Chelstowski Dec 01, 2025 #225 How to Play in a Rock Band, Part 18: Dealing With Burnout by Frank Doris Dec 01, 2025 #225 The People Who Make Audio Happen: CanJam SoCal 2025 by Harris Fogel Dec 01, 2025 #225 Chicago’s Sonic Sanctuaries: Four Hi‑Fi Listening Bars Channeling the Jazz‑Kissa Spirit by Olivier Meunier-Plante Dec 01, 2025

In the Audience with frontRow Reserve Cables

In the Audience with frontRow Reserve Cables

Audience, located in San Marcos, California, mostly designs and manufacturers home audiophile products. These include cables, power conditioner products, a few system accessories, a loudspeaker, and other items. Though the company also makes several pro-audio goodies such as guitar cables, that’s a story for a different day.

Perhaps somehow knowing that my “career” playing the bass guitar unceremoniously ended in junior high school only a year or two after it began, Audience sent me samples of some their home audiophile wares. Indeed, I’ve previously had the company’s aR-12 12-outlet power conditioner and frontRow power cord in my room. But Audience has just released a new line of flagship cables called frontRow Reserve, and John McDonald, Audiences’ President and CEO, asked if I would like to try them. I was eager to do so because Audience does not launch a new flagship line of cables very often. The frontRow cables have served as the company’s top-dog line for about five years.

Included in the rather large box that I received from Audience were several samples from the new frontRow Reserve line: a power cord, single-ended and balanced interconnects, and a USB cable. Plus, there was a sample of the company’s Hidden Treasure CAT 7 Ethernet cable. I think it’s about here that I must mention that Audience calls its power cords “powerChords.”

 

 

The AC connector on a frontRow Reserve powerChord.

 

In getting these products ready to be shot for this photography column, I noticed that they had some weight to them. This was particularly true for the power cord, ummm I mean powerChord, which clocked in at 2.5 pounds.

Having auditioned only one frontRow product (the power cord) in my system quite some time ago, I am in no position to say how, if at all, the new frontRow Reserve products might be better than those from the frontRow line. Although I have just begun listening to these newcomers in my audio system, it seems that that they will have no problem competing with other cables I have auditioned in their class. That’s not faint praise. Attributes like transparency, detail, and eerie soundstaging are all there with these cables in my system. And in all fairness, Audience calls for 300 hours run-in for full performance.

 

 

 

The cables are offered in a variety of connection options.

 

 

Here's a look at a Hidden Treasure Ethernet cable.

 

Disclaimer: The editor has done some occasional work for Audience. He did not select the company that would be featured in this photo essay or know its identity until he received the relevant copy and photos from the author.

 

All images courtesy of Howard Kneller. Howard is the co-founder of The Listening Chair with Howard Kneller, a reviewing and news organization for all things audiophile.

Check out the latest from TLC on the web (www.thelisteningchair.net) and its YouTube channel (https://www.youtube.com/@thelisteningchair_).

Also note TLC’s growing TLC’s social media ecosystem, including its Facebook group (https://www.facebook.com/groups/217745678009888), where members from around the world show off their gear; and LinkedIn group (https://www.linkedin.com/in/howard-kneller/), Instagram (www.instagram.com/howardkneller/), Threads (www.threads.net/@howardkneller) and X (www.x.com/HowardKneller) pages.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: