COPPER

A PS Audio Publication

Issue 211 • Free Online Magazine

Issue 211 In Memoriam

In Memory of Singer/Songwriter JD Souther

In Memory of Singer/Songwriter JD Souther

JD Souther was as gifted a songwriter as he was a singer. I had the opportunity to speak with him at the end of July about the re-release of his epic 1979 album, You’re Only Lonely, and the beginning of a new chapter for him with Omnivore Records. (My article about JD Souther was published in Copper 209.) He was in great spirits, and readying for a return to the road with his frequent touring partner, singer/songwriter Karla Bonoff. His trip through my home state of Connecticut was bringing him to a fabled spot on the shoreline, The Kate, a theater in Old Saybrook dedicated to the town’s most famous resident, Katherine Hepburn. I missed that Tuesday night show, and it would turn out to be his second-to-last. JD passed away on September 17 at age 78, and according to his team it was peaceful.

 

JD was remarkably selfless throughout his career. Long associated with the Eagles, Linda Ronstadt, and Jackson Browne, it’s been often argued that he gave away his best-written songs to his friends. In speaking with him, those friendships were always worth more than the tunes. Along the way, songs he helped write for the Eagles like “The Best Of My Love” and “New Kid In Town” became anthems. And the harmony vocals he provided to songs like James Taylor’s “Her Town Too” gave them soul and made them linger, last, and chart.

But his best work will always be found in those records he decided to call his own. Backed by an L.A.-based musical brotherhood that included Waddy Wachtel, Danny Kortchmar, David Sanborn, and his great pal Glenn Frey, he created albums like You’re Only Lonely that showcased his exceptional writing skills and angelic blue-eyed soul vocals. JD wasn’t prolific, but what he decided to share with the public is defined by a great sense of storytelling, humor, and style.

He was born in Detroit and raised in Amarillo, Texas. But his cowboy persona had an élan that was polished and often burnished by the home he found in Southern California. I texted with JD a few times after our interview and he was happy about how it had turned out. But he seemed even happier about where life had led him and what kept things simple. I should have hopped in the car on that Tuesday night and caught him at The Kate. But I’ll be forever thankful for the gift of his music, the tales he told, and the promise of love that his songs always reminded us was just a beat away. In the end, I know that that was all he ever wanted from his fans, and in that sense we’re never lonely, even during times darkened by news like this.

 

Header image of JD Souther courtesy of Jim Shea.

More from Issue 211

View All Articles in Issue 211

Search Copper Magazine

#227 Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters by Frank Doris Feb 02, 2026 #227 Passport to Sound: May Anwar’s Audio Learning Experience for Young People by Frank Doris Feb 02, 2026 #227 Conjectures on Cosmic Consciousness by B. Jan Montana Feb 02, 2026 #227 The Big Takeover Turns 45 by Wayne Robins Feb 02, 2026 #227 Music and Chocolate: On the Sensory Connection by Joe Caplan Feb 02, 2026 #227 Singer/Songwriter Chris Berardo: Getting Wilder All the Time by Ray Chelstowski Feb 02, 2026 #227 The Earliest Stars of Country Music, Part One by Jeff Weiner Feb 02, 2026 #227 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part Two by Rudy Radelic Feb 02, 2026 #227 How to Play in a Rock Band, 20: On the Road With Blood, Sweat & Tears’ Guitarist Gabe Cummins by Frank Doris Feb 02, 2026 #227 From The Audiophile’s Guide: Audio Specs and Measuring by Paul McGowan Feb 02, 2026 #227 Our Brain is Always Listening by Peter Trübner Feb 02, 2026 #227 PS Audio in the News by PS Audio Staff Feb 02, 2026 #227 The Listening Chair: Sleek Style and Sound From the Luxman L3 by Howard Kneller Feb 02, 2026 #227 The Los Angeles and Orange County Audio Society Celebrates Its 32nd Anniversary, Honoring David and Sheryl Lee Wilson and Bernie Grundman by Harris Fogel Feb 02, 2026 #227 Back to My Reel-to-Reel Roots, Part 26: Half Full – Not Half Empty, Redux by Ken Kessler Feb 02, 2026 #227 That's What Puzzles Us... by Frank Doris Feb 02, 2026 #227 Record-Breaking by Peter Xeni Feb 02, 2026 #227 The Long and Winding Road by B. Jan Montana Feb 02, 2026 #226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026 #226 From The Audiophile’s Guide: Active Room Correction and Digital Signal Processing by Paul McGowan Jan 05, 2026 #226 PS Audio in the News by Frank Doris Jan 05, 2026 #226 Back to My Reel-to-Reel Roots, Part 25: Half-Full, Not Empty by Ken Kessler Jan 05, 2026 #226 Happy New Year! by Frank Doris Jan 05, 2026 #226 Turn It Down! by Peter Xeni Jan 05, 2026 #226 Ghost Riders by James Schrimpf Jan 05, 2026 #226 A Factory Tour of Audio Manufacturer German Physiks by Markus "Marsu" Manthey Jan 04, 2026 #225 Capital Audiofest 2025: Must-See Stereo, Part One by Frank Doris Dec 01, 2025 #225 Otis Taylor and the Electrics Delivers a Powerful Set of Hypnotic Modern Blues by Frank Doris Dec 01, 2025 #225 A Christmas Miracle by B. Jan Montana Dec 01, 2025 #225 T.H.E. Show New York 2025, Part Two: Plenty to See, Hear, and Enjoy by Frank Doris Dec 01, 2025 #225 Underappreciated Artists, Part One: Martin Briley by Rich Isaacs Dec 01, 2025 #225 Rock and Roll is Here to Stay by Wayne Robins Dec 01, 2025 #225 A Lifetime of Holiday Record (and CD) Listening by Rudy Radelic Dec 01, 2025 #225 Little Feat: Not Saying Goodbye, Not Yet by Ray Chelstowski Dec 01, 2025 #225 How to Play in a Rock Band, Part 18: Dealing With Burnout by Frank Doris Dec 01, 2025 #225 The People Who Make Audio Happen: CanJam SoCal 2025 by Harris Fogel Dec 01, 2025 #225 Chicago’s Sonic Sanctuaries: Four Hi‑Fi Listening Bars Channeling the Jazz‑Kissa Spirit by Olivier Meunier-Plante Dec 01, 2025

In Memory of Singer/Songwriter JD Souther

In Memory of Singer/Songwriter JD Souther

JD Souther was as gifted a songwriter as he was a singer. I had the opportunity to speak with him at the end of July about the re-release of his epic 1979 album, You’re Only Lonely, and the beginning of a new chapter for him with Omnivore Records. (My article about JD Souther was published in Copper 209.) He was in great spirits, and readying for a return to the road with his frequent touring partner, singer/songwriter Karla Bonoff. His trip through my home state of Connecticut was bringing him to a fabled spot on the shoreline, The Kate, a theater in Old Saybrook dedicated to the town’s most famous resident, Katherine Hepburn. I missed that Tuesday night show, and it would turn out to be his second-to-last. JD passed away on September 17 at age 78, and according to his team it was peaceful.

 

JD was remarkably selfless throughout his career. Long associated with the Eagles, Linda Ronstadt, and Jackson Browne, it’s been often argued that he gave away his best-written songs to his friends. In speaking with him, those friendships were always worth more than the tunes. Along the way, songs he helped write for the Eagles like “The Best Of My Love” and “New Kid In Town” became anthems. And the harmony vocals he provided to songs like James Taylor’s “Her Town Too” gave them soul and made them linger, last, and chart.

But his best work will always be found in those records he decided to call his own. Backed by an L.A.-based musical brotherhood that included Waddy Wachtel, Danny Kortchmar, David Sanborn, and his great pal Glenn Frey, he created albums like You’re Only Lonely that showcased his exceptional writing skills and angelic blue-eyed soul vocals. JD wasn’t prolific, but what he decided to share with the public is defined by a great sense of storytelling, humor, and style.

He was born in Detroit and raised in Amarillo, Texas. But his cowboy persona had an élan that was polished and often burnished by the home he found in Southern California. I texted with JD a few times after our interview and he was happy about how it had turned out. But he seemed even happier about where life had led him and what kept things simple. I should have hopped in the car on that Tuesday night and caught him at The Kate. But I’ll be forever thankful for the gift of his music, the tales he told, and the promise of love that his songs always reminded us was just a beat away. In the end, I know that that was all he ever wanted from his fans, and in that sense we’re never lonely, even during times darkened by news like this.

 

Header image of JD Souther courtesy of Jim Shea.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: