COPPER

A PS Audio Publication

Issue 215 • Free Online Magazine

Issue 215 PS Audio in the News

PS Audio in the News

PS Audio in the News

The Aspen FR30 was included in The Absolute Sound’s “Editor’s Choice: Best Loudspeakers $20,000 and Up” listings. The publication notes, “[The] formidable driver array produced some of the smoothest, best integrated, and musically realistic bass [the reviewer] has heard. But the midrange and treble reproduction from those large planar-magnetic drivers were the stars of the show. There was more detail at every level of sound, particularly on low-level passages that faded away into silence.”

Douglas Schroeder of Dagogo raved about the Stellar Strata MK2 integrated amplifier with the AirLens streamer. He used the two of them in a unique tandem configuration and stated: “There is one aspect of sound quality that the AirLens and Strata MK2 do so exceptionally well that it floors me. The richness of tone, the fullness of color, the warmth, the beautiful, beautiful golden-hued sound is perhaps my favorite part of this experiment. I’ve used a lot of fancy digital equipment, and never have my speakers sounded so warm and yet fantastically detailed…It is like I added a $50K analog source but without the noise and with the precision of digital.”

Hi-Fi Advice offered positive reviews of the PowerPlant P15 and P20. The reviewer commented: “Even though PS Audio indicates the PowerPlant has zero issues driving big power amplifiers, history has taught me that any filter or semi-active device ahead of an amplifier has a negative impact, at least on my system, hence my reluctance. But now, it was time to try again.

Lo and behold, with the power amplifier also powered by the P20, the entire presentation snapped right into focus. Now, the system had it all: fluidity to spare, delicious delicacy, and resolution up the wazoo, as well as amazing crispness, expression, and huge dynamic impact. Every trace of thickness and politeness had vanished, and the pacing was now absolutely spot on, neither hurried nor relaxed but precisely neutral.”

Polish audio publication Hi-Fi I Muzyka offers a rave review of the Aspen FR10 loudspeaker. The review stated, “the midrange/high end is an asset…it combines transparency with density of colors, and firmness with depth.” The review went on to note, “The saturation of colors allows the essence of beauty of most instruments [to come through]…the violin can be bright, airy, and smooth, and at the same time [have body].” The review concluded, “The speakers are extraordinary.”

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#231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026 #230 An Outlier in the Rack: A Vintage BIC Beam Box by The Staff at Just Audio May 04, 2026 #230 PS Audio in the News by PS Audio Staff May 04, 2026 #230 A Cautionary Tale by Rich Isaacs May 04, 2026 #230 Reel-to-Reel Roots, Part 33 (Revised): Ken Kessler Reports On the 2026 (British) AudioJumble by Ken Kessler May 04, 2026 #230 Text Messaging by Frank Doris May 04, 2026 #230 The Audiophile Rat Race by Peter Xeni May 04, 2026 #230 On the Rocks by Rich Isaacs May 04, 2026 #229 The Earliest Stars of Country Music, Part Three by Jeff Weiner Apr 06, 2026 #229 The Healing Power of Music and Sound at the Omega Institute by Joe Caplan Apr 06, 2026 #229 CanJam NYC 2026 Show Report: Heady Sound, Part One by Frank Doris Apr 06, 2026 #229 Florida Audio Expo 2026: Warming Up to High-End Audio, Part One by Frank Doris Apr 06, 2026 #229 Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges by Frank Doris Apr 06, 2026 #229 The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle by Rudy Radelic Apr 06, 2026 #229 Harvard Gets a High-End Audio Education by Frank Doris Apr 06, 2026 #229 No Country for Old Knees by B. Jan Montana Apr 06, 2026 #229 How To Play in A Rock Band, 22: Encounters With Famous Musicians, Part 1 by Frank Doris Apr 06, 2026 #229 The Soulful Grooves of Guinea-Bissau by Steve Kindig Apr 06, 2026 #229 Four-Hand Piano Performance at Its Finest by Stephan Haberthür Apr 06, 2026

PS Audio in the News

PS Audio in the News

The Aspen FR30 was included in The Absolute Sound’s “Editor’s Choice: Best Loudspeakers $20,000 and Up” listings. The publication notes, “[The] formidable driver array produced some of the smoothest, best integrated, and musically realistic bass [the reviewer] has heard. But the midrange and treble reproduction from those large planar-magnetic drivers were the stars of the show. There was more detail at every level of sound, particularly on low-level passages that faded away into silence.”

Douglas Schroeder of Dagogo raved about the Stellar Strata MK2 integrated amplifier with the AirLens streamer. He used the two of them in a unique tandem configuration and stated: “There is one aspect of sound quality that the AirLens and Strata MK2 do so exceptionally well that it floors me. The richness of tone, the fullness of color, the warmth, the beautiful, beautiful golden-hued sound is perhaps my favorite part of this experiment. I’ve used a lot of fancy digital equipment, and never have my speakers sounded so warm and yet fantastically detailed…It is like I added a $50K analog source but without the noise and with the precision of digital.”

Hi-Fi Advice offered positive reviews of the PowerPlant P15 and P20. The reviewer commented: “Even though PS Audio indicates the PowerPlant has zero issues driving big power amplifiers, history has taught me that any filter or semi-active device ahead of an amplifier has a negative impact, at least on my system, hence my reluctance. But now, it was time to try again.

Lo and behold, with the power amplifier also powered by the P20, the entire presentation snapped right into focus. Now, the system had it all: fluidity to spare, delicious delicacy, and resolution up the wazoo, as well as amazing crispness, expression, and huge dynamic impact. Every trace of thickness and politeness had vanished, and the pacing was now absolutely spot on, neither hurried nor relaxed but precisely neutral.”

Polish audio publication Hi-Fi I Muzyka offers a rave review of the Aspen FR10 loudspeaker. The review stated, “the midrange/high end is an asset…it combines transparency with density of colors, and firmness with depth.” The review went on to note, “The saturation of colors allows the essence of beauty of most instruments [to come through]…the violin can be bright, airy, and smooth, and at the same time [have body].” The review concluded, “The speakers are extraordinary.”

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