COPPER

A PS Audio Publication

Issue 210 • Free Online Magazine

Issue 210 Octave Pitch

Octave Records’ Audiophile Masters, Volume XI: Covers Collection 2 Offers More Musical Favorites

Octave Records’ Audiophile Masters, Volume XI: Covers Collection 2 Offers More Musical Favorites

Octave Records has released Audiophile Masters, Volume XI: Covers Collection 2, featuring more cover versions of popular favorites and standards by some of Octave’s favorite artists. This companion to the first Octave Records covers collection includes songs written and made famous by Bob Dylan, Duke Ellington, the Beatles, Ella Fitzgerald, Chet Baker, Joni Mitchell and others, recorded in stunning Pure DSD 256 audio quality.

“When Octave and PS Audio CEO Paul McGowan and I created the first Audiophile Masters X Covers Collection, we had no idea it would be so well-received,” said Jessica Carson, producer, recording, and mixing engineer. “I'm excited about the music on Audiophile Masters XI, and equally excited about the recording quality. This album is one of the most natural-sounding recordings to come out of Octave Studios.

On Audiophile Masters, Volume XI: Covers Collection 2, the musical flavors range from jazz and swing to Sixties and Seventies songwriting. Like the first volume in the series, the sound quality is warm, intimate, and spacious, thanks to Octave Records’ Pure DSD 256 recording process and the Gefell M90 and Neumann U67 microphones used in the studio, and the use of mostly acoustic instruments. Audiophile Masters, Volume XI: Covers Collection 2 was recorded using Octave’s Pyramix-based Pure DSD 256 system. It was recorded, mixed and produced by Paul McGowan and Jessica Carson, with Terri McGowan assisting. The album was mastered by Gus Skinas.

The album gets off to a rip-roaring start with Duke Ellington’s “It Don’t Mean a Thing,” and this track certainly has that swing, with Alicia Straka on vocals, accompanied by Tom Amend on piano, Braxton Kahn playing drums, and Seth Lewis on upright bass. The band absolutely blazes here, and then eases into a relaxed groove on an impassioned rendition of “Cheek to Cheek.”

 

 

Alicia Straka.

 

Next up is alto saxophonist and vocalist Jeremy Mohney, with Reid Poole (trumpet), Matt Cantor (guitar), Conner Hollingsworth (bass) and Chris Carland on drums. The quintet plays a set of standards made popular by Ella Fitzgerald, Louis Armstrong, Chet Baker, and Django Reinhardt, among others. Jeremy and the band sound like they’ve taken a trip back in time, from their four-to-the-bar rhythm guitar-driven swing of “All of Me” and “Sweet Georgia Brown” to the bouncy “Never Be Another You” and “I’ll See You in My Dreams.” Jeremy’s vocals sound like they come out of a 1930s Hollywood movie, and the band is right there with him, with tight ensemble playing and evocative soloing.

The musical mood and era shift with an Americana-sounding take on Joni Mitchell’s “Woodstock,” featuring Rebecca Folsom on vocals and acoustic guitar, with Tom Wasinger on vocals and acoustic guitar and Sandra Wong on vocals and violin. The soaring three-part vocal harmonies are simply gorgeous, and beautifully recorded.

 

 

Rebecca Folsom.

 

The third section of Audiophile Masters, Volume XI: Covers 2 features three songs with Katie Mintle on vocals, Chad Irish on percussion and Brian Chodoroff playing guitar, joined by Jessica Carson on one of the Beatles’ most beloved songs, “Blackbird.” Bob Dylan’s “Don’t Think Twice” is given a quiet, introspective treatment, with Katie’s vocals accompanied by sparse acoustic guitars. The album closes with another Joni Mitchell song, “Case of You,” the perfect ending to this collection of inviting songs, recorded with extraordinary sound quality and musical realism.

Audiophile Masters, Volume XI: Covers 2 features Octave’s premium gold disc formulation, and the disc is playable on any SACD, CD, DVD, or Blu-ray player. It also has a high-resolution DSD layer that is accessible by using any SACD player or a PS Audio SACD transport. In addition, the master DSD and PCM files are available for purchase and download, including DSD 256, DSD 128, DSD 64, and DSDDirect Mastered 352.8 kHz/24-bit, 176.2 kHz/24-bit, 88.2 kHz/24-bit, and 44.1 kHz/24-bit PCM. (SRP: $19 – $39, depending on format.)

More from Issue 210

View All Articles in Issue 210

Search Copper Magazine

#231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026 #230 An Outlier in the Rack: A Vintage BIC Beam Box by The Staff at Just Audio May 04, 2026 #230 PS Audio in the News by PS Audio Staff May 04, 2026 #230 A Cautionary Tale by Rich Isaacs May 04, 2026 #230 Reel-to-Reel Roots, Part 33 (Revised): Ken Kessler Reports On the 2026 (British) AudioJumble by Ken Kessler May 04, 2026 #230 Text Messaging by Frank Doris May 04, 2026 #230 The Audiophile Rat Race by Peter Xeni May 04, 2026 #230 On the Rocks by Rich Isaacs May 04, 2026 #229 The Earliest Stars of Country Music, Part Three by Jeff Weiner Apr 06, 2026 #229 The Healing Power of Music and Sound at the Omega Institute by Joe Caplan Apr 06, 2026 #229 CanJam NYC 2026 Show Report: Heady Sound, Part One by Frank Doris Apr 06, 2026 #229 Florida Audio Expo 2026: Warming Up to High-End Audio, Part One by Frank Doris Apr 06, 2026 #229 Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges by Frank Doris Apr 06, 2026 #229 The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle by Rudy Radelic Apr 06, 2026 #229 Harvard Gets a High-End Audio Education by Frank Doris Apr 06, 2026 #229 No Country for Old Knees by B. Jan Montana Apr 06, 2026 #229 How To Play in A Rock Band, 22: Encounters With Famous Musicians, Part 1 by Frank Doris Apr 06, 2026 #229 The Soulful Grooves of Guinea-Bissau by Steve Kindig Apr 06, 2026 #229 Four-Hand Piano Performance at Its Finest by Stephan Haberthür Apr 06, 2026

Octave Records’ Audiophile Masters, Volume XI: Covers Collection 2 Offers More Musical Favorites

Octave Records’ <em>Audiophile Masters, Volume XI: Covers Collection 2</em> Offers More Musical Favorites

Octave Records has released Audiophile Masters, Volume XI: Covers Collection 2, featuring more cover versions of popular favorites and standards by some of Octave’s favorite artists. This companion to the first Octave Records covers collection includes songs written and made famous by Bob Dylan, Duke Ellington, the Beatles, Ella Fitzgerald, Chet Baker, Joni Mitchell and others, recorded in stunning Pure DSD 256 audio quality.

“When Octave and PS Audio CEO Paul McGowan and I created the first Audiophile Masters X Covers Collection, we had no idea it would be so well-received,” said Jessica Carson, producer, recording, and mixing engineer. “I'm excited about the music on Audiophile Masters XI, and equally excited about the recording quality. This album is one of the most natural-sounding recordings to come out of Octave Studios.

On Audiophile Masters, Volume XI: Covers Collection 2, the musical flavors range from jazz and swing to Sixties and Seventies songwriting. Like the first volume in the series, the sound quality is warm, intimate, and spacious, thanks to Octave Records’ Pure DSD 256 recording process and the Gefell M90 and Neumann U67 microphones used in the studio, and the use of mostly acoustic instruments. Audiophile Masters, Volume XI: Covers Collection 2 was recorded using Octave’s Pyramix-based Pure DSD 256 system. It was recorded, mixed and produced by Paul McGowan and Jessica Carson, with Terri McGowan assisting. The album was mastered by Gus Skinas.

The album gets off to a rip-roaring start with Duke Ellington’s “It Don’t Mean a Thing,” and this track certainly has that swing, with Alicia Straka on vocals, accompanied by Tom Amend on piano, Braxton Kahn playing drums, and Seth Lewis on upright bass. The band absolutely blazes here, and then eases into a relaxed groove on an impassioned rendition of “Cheek to Cheek.”

 

 

Alicia Straka.

 

Next up is alto saxophonist and vocalist Jeremy Mohney, with Reid Poole (trumpet), Matt Cantor (guitar), Conner Hollingsworth (bass) and Chris Carland on drums. The quintet plays a set of standards made popular by Ella Fitzgerald, Louis Armstrong, Chet Baker, and Django Reinhardt, among others. Jeremy and the band sound like they’ve taken a trip back in time, from their four-to-the-bar rhythm guitar-driven swing of “All of Me” and “Sweet Georgia Brown” to the bouncy “Never Be Another You” and “I’ll See You in My Dreams.” Jeremy’s vocals sound like they come out of a 1930s Hollywood movie, and the band is right there with him, with tight ensemble playing and evocative soloing.

The musical mood and era shift with an Americana-sounding take on Joni Mitchell’s “Woodstock,” featuring Rebecca Folsom on vocals and acoustic guitar, with Tom Wasinger on vocals and acoustic guitar and Sandra Wong on vocals and violin. The soaring three-part vocal harmonies are simply gorgeous, and beautifully recorded.

 

 

Rebecca Folsom.

 

The third section of Audiophile Masters, Volume XI: Covers 2 features three songs with Katie Mintle on vocals, Chad Irish on percussion and Brian Chodoroff playing guitar, joined by Jessica Carson on one of the Beatles’ most beloved songs, “Blackbird.” Bob Dylan’s “Don’t Think Twice” is given a quiet, introspective treatment, with Katie’s vocals accompanied by sparse acoustic guitars. The album closes with another Joni Mitchell song, “Case of You,” the perfect ending to this collection of inviting songs, recorded with extraordinary sound quality and musical realism.

Audiophile Masters, Volume XI: Covers 2 features Octave’s premium gold disc formulation, and the disc is playable on any SACD, CD, DVD, or Blu-ray player. It also has a high-resolution DSD layer that is accessible by using any SACD player or a PS Audio SACD transport. In addition, the master DSD and PCM files are available for purchase and download, including DSD 256, DSD 128, DSD 64, and DSDDirect Mastered 352.8 kHz/24-bit, 176.2 kHz/24-bit, 88.2 kHz/24-bit, and 44.1 kHz/24-bit PCM. (SRP: $19 – $39, depending on format.)

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: