Copper

#185 Remembering Producer Phil Ramone, 10 Years Later by Larry Jaffee Apr 03, 2023 #185 Eric D. Johnson of Fruit Bats: Pushing the Music Forward by Ray Chelstowski Apr 03, 2023 #185 A Window Into the Past by James Schrimpf Apr 03, 2023 #185 Vestibular Vertigo by James Whitworth Apr 03, 2023 #185 Scott Smith and Tadd Swanlund of Comply: High-Tech for Headphones, Part Two by Russ Welton Apr 03, 2023 #185 Repairing a Westrex Record Lathe Cutter Head by J.I. Agnew Apr 03, 2023 #185 Eccentric Records (and How to Fix Them) by Rich Isaacs Apr 03, 2023 #185 Dave Rusan of Rusan Guitarworks: Builder of Prince’s Cloud Guitars and Audio Enthusiast, Part Two by Frank Doris Apr 03, 2023 #185 CanJam New York 2023: The Audiophile and Pro Audio Worlds Blur More Deeply by John Seetoo Apr 03, 2023 #185 Boxed In by Peter Xeni Apr 03, 2023 #182 Always Something There to Remind Us by Frank Doris Mar 27, 2023 #184 Issue 184 by Frank Doris Mar 19, 2023 #184 Octave Records Releases Gabriella by Miguel Espinoza Fusion, a Blend of Flamenco, World Music and More by Frank Doris Mar 19, 2023 #184 Dave Rusan of Rusan Guitarworks: Builder of Prince’s Cloud Guitars, Part One by Frank Doris Mar 19, 2023 #184 And a One, and a Two…(Part One) by Don Kaplan Mar 19, 2023 #184 Tár (This Is Spinal Tárp)… a Movie Review by Jay Jay French Mar 19, 2023 #184 Pilgrimage to Europe, Part One: Good Luck by B. Jan Montana Mar 19, 2023 #184 Precise Vinyl Record Centering for Turntables by J.I. Agnew Mar 19, 2023 #184 Heinrich Schütz: Composing the Foundation for German Classical Music by Anne E. Johnson Mar 19, 2023 #184 Eddie “Lockjaw” Davis: A Firm Grasp on Saxophone Greatness by Anne E. Johnson Mar 19, 2023 #184 Last of the Free Birds by Tom Methans Mar 19, 2023 #184 A Visit to the Florida Audio Expo 2023, Part Two by Tom Gibbs Mar 19, 2023 #184 Wordplay by Peter Xeni Mar 19, 2023 #184 An Interview With Guitarist Michael Jurin, Formerly of Stellastarr by Andrew Daly Mar 19, 2023 #184 Magnetic Attraction by Frank Doris Mar 19, 2023 #184 Bache Audio’s Elegant Sonata EX2 Speakers by Howard Kneller Mar 19, 2023 #184 Slow Ride by James Schrimpf Mar 19, 2023 #183 I Can See Clearly Now by Frank Doris Mar 06, 2023 #183 Kenny Wayne Shepherd: Revisiting His Landmark Blues Album Trouble Is… at 25 by Ray Chelstowski Mar 06, 2023 #183 Octave Records Releases Its First Live Album: Jazz Trumpeter Gabriel Mervine’s Live at Nocturne by Frank Doris Mar 06, 2023 #183 CTI Records, Part Five: Guitar Greatness by Rudy Radelic Mar 06, 2023 #183 DeFord Bailey: The Harmonica Wizard by Anne E. Johnson Mar 06, 2023 #183 Artificial Reverberation in the Analog World, Part Three by J.I. Agnew Mar 06, 2023 #183 Confessions of a Tube Collector, Part One by Adrian Wu Mar 06, 2023 #183 Desert Island Discs? Pfft! Here’s a Real Challenge by Rich Isaacs Mar 06, 2023 #183 A Visit to the Florida Audio Expo 2023, Part One by Tom Gibbs Mar 06, 2023 #183 Sound Effect by Peter Xeni Mar 06, 2023 #183 Scott Smith and Tadd Swanlund of Comply: High-Tech for Headphones, Part One by Russ Welton Mar 06, 2023 #183 The Beach Boys’ Al Jardine and His Rediscovered Album, A Postcard from California by Andrew Daly Mar 06, 2023 #183 A HiFi Rose in Bloom by Howard Kneller Mar 06, 2023 #183 Noteworthy by Frank Doris Mar 06, 2023 #183 Audioplasty by James Whitworth Mar 06, 2023 #183 Living on the Edge by Michael Walker Mar 06, 2023 #182 On the Road Again by James Schrimpf Feb 12, 2023 #182 The Ears Have It by Frank Doris Feb 12, 2023 #182 Connecting With Hemingway Audio’s Z-Core Power Cords by Howard Kneller Feb 12, 2023 #182 Lexii Lynn Frazier: A Young Guitarist’s Career Takes Off by Andrew Daly Feb 12, 2023 #182 Elevated Response by Peter Xeni Feb 12, 2023 #182 Don Leslie’s Whirling Dervish Speaker Contraption by Stuart Marvin Feb 12, 2023 #182 The Chamber Music of Gabriel Fauré by Anne E. Johnson Feb 12, 2023 #182 CTI Records Part 4: Sax (and Violins) by Rudy Radelic Feb 12, 2023 #182 Ulrike Schwarz, Jim Anderson, and Their New Paradigm for Remote Interactive Recording (With Jane Ira Bloom), Part Two by John Seetoo Feb 12, 2023 #182 Clickbait Articles Belie Reality: The Vinyl Manufacturing Industry’s Resiliency by Larry Jaffee Feb 12, 2023 #182 Lounging with In-Ear Monitors, Part Three by Russ Welton Feb 12, 2023 #182 Artificial Reverberation in the Analog World, Part Two by J.I. Agnew Feb 12, 2023 #182 The Cranberries: Time Was Ticking Out by Anne E. Johnson Feb 12, 2023 #182 An Audio Journey, and More Photos from Capital Audiofest 2022 by Harris Fogel Feb 12, 2023 #182 NRBQ: Not Playing Around With Tiddlywinks by Ray Chelstowski Feb 12, 2023 #182 Blues Master Otis Taylor Releases Banjo… on Octave Records In High-Resolution Audio by Frank Doris Feb 12, 2023 #182 Treehaus Audiolab: Striking Design, Performance, and Style by Tom Methans Feb 12, 2023 #181 Heaven is a Place Jan 30, 2023 #181 Ulrike Schwarz, Jim Anderson, and Their New Paradigm for Remote Interactive Recording (with Jane Ira Bloom) – Part One by John Seetoo Jan 27, 2023 #181 Spending Time With the Esoteric Grandioso G1X Master Clock Generator by Howard Kneller Jan 27, 2023 #181 Capital Audiofest: Up Close and Personal, Part Two by Harris Fogel Jan 27, 2023 #181 Lounging with in Ear Monitors, Part Two by Russ Welton Jan 27, 2023 #181 My Favorite Yes Album: Drama by Tom Methans Jan 27, 2023 #181 An Interview with Kelly Hansen of Foreigner: Feels Like the Last Time by Ray Chelstowski Jan 27, 2023 #181 Octave Records’ Artist Clandestine Amigo Returns with Pinnacle Jan 27, 2023 #181 That Empty Feeling by James Whitworth Jan 27, 2023 #181 The Road Not Easily Taken by Rudy Radelic Jan 27, 2023 #181 Unusual Takes On Others' Songs, Part Four by Rich Isaacs Jan 27, 2023 #181 Spaced Out by Peter Xeni Jan 27, 2023 #181 Jutta Hipp: The Jazz Piano Virtuoso Who Disappeared by Anne E. Johnson Jan 27, 2023 #181 The Byrds: Folk-Rock Originators by Anne E. Johnson Jan 27, 2023 #180 Decisions, Decisions by Frank Doris Jan 15, 2023 #180 You Don’t Own Me by Peter Xeni Jan 15, 2023 #180 Around the World In 80 Lathes, Part 30 by J.I. Agnew Jan 15, 2023 #180 Capital Audiofest 2022: Up Close and Personal, Part One by Harris Fogel Jan 15, 2023 #180 Jeff Beck: In Memoriam by Jay Jay French Jan 15, 2023 #180 Stephen Stills’ Manassas: An Album, A Band, A Way of Life by Wayne Robins Jan 15, 2023 #180 Octave Records Debuts The Art of Hi-Fi Series with Volume 01: Bass (And We Interview Paul McGowan) by Frank Doris Jan 15, 2023 #180 Goodbye to Jeff Jan 15, 2023 #180 Checking Out xDuoo's Affordable MT-604 Headphone Amplifier by Howard Kneller Jan 13, 2023 #180 Celebrating the Linn Sondek LP12 Turntable, Part Two by Ken Kessler Jan 13, 2023 #180 Back to Analog – Academy Award-Winning Songwriter John DeNicola is Having The Time of His Life by John Seetoo Jan 13, 2023 #180 Ryan Hamilton: A Wicked Cool Rocker by Ray Chelstowski Jan 13, 2023 #180 Lounging with In-Ear Monitors, Part One by Russ Welton Jan 13, 2023 #180 Home Entertainment Formats Over the Past 50 Years and How They Influenced Each Other by Larry Jaffee Jan 13, 2023 #180 Dig This: Philadelphia’s Vibrant Vinyl Scene by Tom Methans Jan 13, 2023 #180 Talking With Producer/Musician Butch Vig of Garbage, Part One by Andrew Daly Jan 13, 2023 #180 Miles and Miles, Part Two by Ken Sander Jan 13, 2023 #180 Daft Punk: They Were the Robots by Anne E. Johnson Jan 13, 2023 #180 Exploring CTI Records, Part 2: The Subsidiaries by Rudy Radelic Jan 13, 2023 #180 Bach’s St. Matthew Passion: New Interpretations of a Masterwork by Anne E. Johnson Jan 13, 2023 #180 Highway 61 Revisited — And a New Beginning In the Lowcountry! by Tom Gibbs Jan 13, 2023 #180 Lord Knows I Try by Ken Sander Jan 13, 2023 #180 Issue 180 Jan 13, 2023 #180 What's In A Name? by James Whitworth Jan 13, 2023 #179 Issue 179 Jan 01, 2023 #179 Celebrating the Linn Sondek LP12 Turntable, Part One by Ken Kessler Dec 30, 2022 #179 The Doppler Effect Dec 30, 2022 #179 Allnic Audio's Striking H-5500 Phono Stage by Howard Kneller Dec 30, 2022 #179 Mixed Signals by Peter Xeni Dec 30, 2022 #179 Lucky Men by James Schrimpf Dec 30, 2022 #179 Around the World In 80 Lathes, Part 29 by J.I. Agnew Dec 30, 2022 #179 New Year's Resolution by James Whitworth Dec 30, 2022 #179 The Many Sides of David Chesky by Tom Methans Dec 30, 2022 #179 In the Room With Miles by Ken Sander Dec 30, 2022 #179 Tim Riley’s Best Albums of 2022 by Tim Riley Dec 30, 2022 #179 The Life and Times of a Sony Audio Engineer: Talking with Aston Sharman by Russ Welton Dec 30, 2022 #179 The Cowsills: The Family That Plays Together, Stays Together by Ray Chelstowski Dec 30, 2022 #179 Borrowing (Stealing?) from the Classics by Rich Isaacs Dec 30, 2022 #179 Nearly $400 Poorer, Here Are My 2022 Black Friday Record Store Day Purchases by Larry Jaffee Dec 30, 2022 #179 Confessions of a Record Collector, Part Three Dec 30, 2022 #179 Exploring CTI Records, Part One: 1969 – 1971 by Rudy Radelic Dec 30, 2022 #179 Why I'll Stick with FM Radio and Won't be Streaming My Music Anytime Soon by Paul Boon Dec 30, 2022 #179 Hear, There, Everywhere: Part One by Don Kaplan Dec 30, 2022 #179 Andrew Daly's 15 Best Rock Albums of 2022 by Andrew Daly Dec 30, 2022 #179 Chet Baker: A Rough Life Full of Smooth Trumpet Playing and Singing by Anne E. Johnson Dec 30, 2022 #179 Dwight Yoakam: Country Music, His Way by Anne E. Johnson Dec 30, 2022 #179 An Interview With Mobile Recording Innovator David W. Hewitt, Part Two by John Seetoo Dec 30, 2022 #178 Audio Up Close: the Magico A3 Loudspeaker by Howard Kneller Dec 16, 2022 #178 Sincere Flattery Dec 16, 2022 #178 Holiday Warmth Dec 16, 2022 #178 An Interview With Mobile Recording Innovator David W. Hewitt, Part One by John Seetoo Dec 16, 2022 #178 Around the World In 80 Lathes, Part 28 by J.I. Agnew Dec 16, 2022 #178 Lou Reed’s Spirit Remains in New York, On Record, and On Stage by Larry Jaffee Dec 16, 2022 #178 Back to My Reel-to-Reel Roots: The Cassette Strikes Back by Ken Kessler Dec 16, 2022 #178 Wrapping Presence by Peter Xeni Dec 16, 2022 #178 How I Learned to Stop Kvetching and Make Nice With Handel’s Messiah by Steven Bryan Bieler Dec 16, 2022 #178 Lossless Audio by James Whitworth Dec 16, 2022 #178 Eric Gales: A Blues Guitar Force of Nature by Ray Chelstowski Dec 16, 2022 #178 Pilgrimage to Sturgis: Epilogue by B. Jan Montana Dec 16, 2022 #178 Some Holiday Music Favorites by Rudy Radelic Dec 16, 2022 #178 Stuffy Shmitt: Portrait of an Artist by Tom Methans Dec 16, 2022 #178 Buy The Audio Gear Your Room Needs: Some Thoughts by Russ Welton Dec 16, 2022 #178 The Rock & Roll Hall of Fame Is Not Rock and Roll by Tom Methans Dec 16, 2022 #178 Even More Rock Album Mini-Reviews Dec 16, 2022 #178 Jack Daley: Rockin’ the Bass for Lenny Kravitz and Spin Doctors by Andrew Daly Dec 16, 2022 #178 Can’t You Hear Me Knockin’? by Jay Jay French Dec 16, 2022 #178 Pietro Locatelli: Rediscovering a Master of Violin Music by Anne E. Johnson Dec 16, 2022 #178 Barbara Lynn: Electrifying R&B Pioneer by Anne E. Johnson Dec 16, 2022 #178 Ascension by John Allen Flory Dec 16, 2022 #177 London’s Klooks Kleek: A Sixties Music Breeding Ground by Stuart Marvin Dec 02, 2022 #177 A Look At Ravel’s Works for Orchestra by Adrian Wu Dec 02, 2022 #177 A Most Dedicated Record Collector by Rich Isaacs Dec 02, 2022 #177 The Revolver Remix Project: Producer Giles Martin Talks to Jay Jay French by Jay Jay French Dec 02, 2022 #177 Small-Room Acoustics, Part Three by Russ Welton Dec 02, 2022 #177 The Grand Opening of the Long Island Music and Entertainment Hall of Fame by Frank Doris Dec 02, 2022 #177 A Safe Bet Dec 02, 2022 #177 John Lodge: Days of Future Passed and Present by Ray Chelstowski Dec 02, 2022 #177 Around the World In 80 Lathes, Part 27 by J.I. Agnew Dec 02, 2022 #177 Never Say Never: Rocker Dean Ortega of Neverland and Revolution Child by Andrew Daly Dec 02, 2022 #177 AES Fall 2022 New York – The Live Event Returns, Part Two by John Seetoo Dec 02, 2022 #177 Water Works by James Schrimpf Dec 02, 2022 #177 The Great River Road Lemons Rally by Rudy Radelic Dec 02, 2022 #177 Back to My Reel-to-Reel Roots: Noodge and Ye Shall Receive, Part Two by Ken Kessler Dec 02, 2022 #177 You Made Listening Fun Dec 02, 2022 #177 Money for Nothing by Peter Xeni Dec 02, 2022 #177 Pilgrimage to Sturgis, Part 35 by B. Jan Montana Dec 02, 2022 #177 The Heart of the Matter by James Whitworth Dec 02, 2022 #177 Diana Krall: Finding the Perfect Song by Anne E. Johnson Dec 02, 2022 #177 The Earth's Heartbeat: Native American Music, Redux by Don Kaplan Dec 02, 2022 #177 Opera for Operaphiles by Ted Shafran Dec 02, 2022 #177 Pet Shop Boys: The Pulse of Electronic Pop by Anne E. Johnson Dec 02, 2022 #176 The A&M Records Story, Part Nine: CTI Records by Rudy Radelic Nov 18, 2022 #176 A Visit to The University of Rhode Island Guitar Festival by Tom Methans Nov 18, 2022 #176 Around the World In 80 Lathes, Part 26 by J.I. Agnew Nov 18, 2022 #176 Pilgrimage to Sturgis, Part 34 by B. Jan Montana Nov 18, 2022 #176 AES Fall 2022 New York – The Live Event Returns, Part One by John Seetoo Nov 18, 2022 #176 Revolver Returns: Remixed and Reloaded, Part One by Jay Jay French Nov 18, 2022 #176 Michael Jackson’s Thriller: Mobile Fidelity’s 40th Anniversary Edition LP by Ken Kessler Nov 18, 2022 #176 Glen Phillips of Toad the Wet Sprocket: There Is So Much Here by Ray Chelstowski Nov 18, 2022 #176 Talking With Elliot Goldman of Bending Wave USA, Part Two by Frank Doris Nov 18, 2022 #176 Press Events and Junkets: Some Work, Some Play by Ken Sander Nov 18, 2022 #176 Bob Dylan: The Philosophy of Modern Song by Wayne Robins Nov 18, 2022 #176 City Scene by Howard Kneller Nov 18, 2022 #176 Getting Nowhere by James Whitworth Nov 18, 2022 #176 Nora O’Connor: Singing from My Heart by Andrew Daly Nov 18, 2022 #176 An Unexpected Return to the Dungeon by Tom Gibbs Nov 18, 2022 #176 Stay Focused Nov 18, 2022 #176 Small-Room Acoustics, Part Two by Russ Welton Nov 18, 2022 #176 The Long and Short of It Nov 18, 2022 #176 That's The Way I Wanna Rock and Roll by Peter Xeni Nov 18, 2022 #176 A Trip to Eindhoven’s Philips Museum: Like a Kid in a Candy Store by Larry Jaffee Nov 18, 2022 #176 William Grant Still: Forging a New American Music by Anne E. Johnson Nov 18, 2022 #176 Lou Reed: Street Poet by Anne E. Johnson Nov 18, 2022 #175 Setting the Scene Nov 07, 2022 #175 Fast and Bulbous by B. Jan Montana Nov 04, 2022 #175 And Now For Something Completely Different: Singer Lyn Stanley’s Christmas Album by Don Kaplan Nov 04, 2022 #175 Unfaithful by Peter Xeni Nov 04, 2022 #175 Dave Mason: Timeless Music in a World of Changes by Ray Chelstowski Nov 04, 2022 #175 Interview: Lori Lieberman Returns To “Killing Me Softly” 50 Years Later by John Seetoo Nov 04, 2022 #175 Dealing With Small-Room Acoustics, Part One by Russ Welton Nov 04, 2022 #175 Talking With Elliot Goldman of Bending Wave USA, Part One Nov 04, 2022 #175 Octave Records Releases Shelter by Singer/Songwriter Megan Burtt Nov 04, 2022 #175 Considering CD’s 40th Birthday by Larry Jaffee Nov 04, 2022 #175 Pilgrimage to Sturgis, Part 33 by B. Jan Montana Nov 04, 2022 #175 Around the World In 80 Lathes, Part 25 by J.I. Agnew Nov 04, 2022 #175 Back to My Reel-to-Reel Roots, Part 26: Half Full – Not Half Empty, Redux by Ken Kessler Nov 04, 2022 #175 Modern Adult Kicks With Hayley Cain of Hayley and the Crushers by Andrew Daly Nov 04, 2022 #175 Lori Lieberman’s Truly Dives Into Jazz (and Audiophile Sound) by John Seetoo Nov 04, 2022 #175 Analog Recording is Alive and Well: Audio-Technica’s 60th Anniversary Event by Tom Methans Nov 04, 2022 #175 There’s No Flop in MoPOP by Stuart Marvin Nov 04, 2022 #175 New Classical Recordings: Igor Levit's Tristan, and Beethoven for Three from Ax, Kavakos and Ma by Tim Riley Nov 04, 2022 #175 The New York Audio Show 2022, Part Three by Harris Fogel Nov 04, 2022 #175 Saxophonist Stanley Turrentine: Soulful Jazz by Anne E. Johnson Nov 04, 2022 #175 The Chicks: Country Music Chart-Toppers by Anne E. Johnson Nov 04, 2022 #175 Remotely Possible Nov 04, 2022 #175 In Memory of Ramsey Lewis by Rudy Radelic Nov 04, 2022 #175 Owning Up by James Whitworth Nov 04, 2022 #173 Instrument Designer Rick Turner: A Life by Dan Schwartz Oct 26, 2022 #174 Finger-Pointing by James Schrimpf Oct 20, 2022 #174 There’s a Kind of Hush by Frank Doris Oct 20, 2022 #174 Piper Payne – A Mastering Engineer For Next Generation Music, Part Three by John Seetoo Oct 20, 2022 #174 Richard X. Heyman: Still Going at 67,000 Miles an Album by Andrew Daly Oct 20, 2022 #174 What if Elvis Had Lived? by Tom Lane Oct 20, 2022 #174 Retail Therapy by Russ Welton Oct 20, 2022 #174 Classical Music for a Desert Island, Part Three by Ted Shafran Oct 20, 2022 #174 Pianist Sarah Cahill: The Future Is Female by Anne E. Johnson Oct 20, 2022 #174 Around the World In 80 Lathes, Part 24 by J.I. Agnew Oct 20, 2022 #174 The Elusive Del-Vikings by Anne E. Johnson Oct 20, 2022 #174 Neighbors by Roy Hall Oct 20, 2022 #174 The New York Audio Show 2022, Part Two by Harris Fogel Oct 20, 2022 #174 Back to My Reel-to-Reel Roots, Part 25: Half-Full – Not Half Empty by Ken Kessler Oct 20, 2022 #174 Steven Page (Formerly of Barenaked Ladies): Soaring Higher with Excelsior by Ray Chelstowski Oct 20, 2022 #174 Commentary Oct 20, 2022 #174 Wordless Expression by Peter Xeni Oct 20, 2022 #174 Tape vs. Vinyl: An Old Pawnshop Favorite by Adrian Wu Oct 20, 2022 #174 Pilgrimage to Sturgis, Part 32 by B. Jan Montana Oct 20, 2022 #174 The History of A&M Records, Part Eight: Horizon Records by Rudy Radelic Oct 20, 2022 #174 The Golden Decade for Popular Music…The 1950s? by Jeff Weiner Oct 20, 2022 #174 Unholy Racket by James Whitworth Oct 20, 2022 #173 Unlikely Beauty by Rich Isaacs Oct 08, 2022 #173 The Prospects Are Good by Frank Doris Oct 08, 2022 #173 Piper Payne: A Mastering Engineer For Next-Generation Music, Part Two by John Seetoo Oct 08, 2022 #173 Long Live Rock by Tom Methans Oct 08, 2022 #173 The Best of CES Awards by Ken Sander Oct 08, 2022 #173 Classical Music for a Desert Island, Part Two by Ted Shafran Oct 08, 2022 #173 Around the World In 80 Lathes, Part 23 by J.I. Agnew Oct 08, 2022 #173 Pilgrimage to Sturgis, Part 31 by B. Jan Montana Oct 08, 2022 #173 Back to My Reel-to-Reel Roots, Part 24: The R2R Revival Gains Pace by Ken Kessler Oct 08, 2022 #173 Octave Records Debuts The Audiophile’s Guide: The Loudspeaker (Plus, an Interview With Paul McGowan) by Frank Doris Oct 08, 2022 #173 Phantom of the Stereo: Creating a Convincing Center from Two Speakers by Russ Welton Oct 08, 2022 #173 Complete Recovery: Unusual Takes on Others’ Songs, Volume Three by Rich Isaacs Oct 08, 2022 #173 Simple Minds’ Jim Kerr: Following the Direction of the Heart by Ray Chelstowski Oct 08, 2022 #173 The 1980s: The Music Was Unfairly Maligned by Larry Jaffee Oct 08, 2022 #173 Clean Sound by Peter Xeni Oct 08, 2022 #173 Club 19 Oct 08, 2022 #173 Neil Young’s Time in the Ditch: A Retrospective by Andrew Daly Oct 08, 2022