COPPER

#179 Exploring CTI Records, Part One: 1969 – 1971 by Rudy Radelic Dec 30, 2022 #179 Why I'll Stick with FM Radio and Won't be Streaming My Music Anytime Soon by Paul Boon Dec 30, 2022 #179 Hear, There, Everywhere: Part One by Don Kaplan Dec 30, 2022 #179 Andrew Daly's 15 Best Rock Albums of 2022 by Andrew Daly Dec 30, 2022 #179 Chet Baker: A Rough Life Full of Smooth Trumpet Playing and Singing by Anne E. Johnson Dec 30, 2022 #179 Dwight Yoakam: Country Music, His Way by Anne E. Johnson Dec 30, 2022 #179 An Interview With Mobile Recording Innovator David W. Hewitt, Part Two by John Seetoo Dec 30, 2022 #178 Audio Up Close: the Magico A3 Loudspeaker by Howard Kneller Dec 16, 2022 #178 Sincere Flattery Dec 16, 2022 #178 Holiday Warmth Dec 16, 2022 #178 An Interview With Mobile Recording Innovator David W. Hewitt, Part One by John Seetoo Dec 16, 2022 #178 Around the World In 80 Lathes, Part 28 by J.I. Agnew Dec 16, 2022 #178 Lou Reed’s Spirit Remains in New York, On Record, and On Stage by Larry Jaffee Dec 16, 2022 #178 Back to My Reel-to-Reel Roots: The Cassette Strikes Back by Ken Kessler Dec 16, 2022 #178 Wrapping Presence by Peter Xeni Dec 16, 2022 #178 How I Learned to Stop Kvetching and Make Nice With Handel’s Messiah by Steven Bryan Bieler Dec 16, 2022 #178 Lossless Audio by James Whitworth Dec 16, 2022 #178 Eric Gales: A Blues Guitar Force of Nature by Ray Chelstowski Dec 16, 2022 #178 Pilgrimage to Sturgis: Epilogue by B. Jan Montana Dec 16, 2022 #178 Some Holiday Music Favorites by Rudy Radelic Dec 16, 2022 #178 Stuffy Shmitt: Portrait of an Artist by Tom Methans Dec 16, 2022 #178 Buy The Audio Gear Your Room Needs: Some Thoughts by Russ Welton Dec 16, 2022 #178 The Rock & Roll Hall of Fame Is Not Rock and Roll by Tom Methans Dec 16, 2022 #178 Even More Rock Album Mini-Reviews Dec 16, 2022 #178 Jack Daley: Rockin’ the Bass for Lenny Kravitz and Spin Doctors by Andrew Daly Dec 16, 2022 #178 Can’t You Hear Me Knockin’? by Jay Jay French Dec 16, 2022 #178 Pietro Locatelli: Rediscovering a Master of Violin Music by Anne E. Johnson Dec 16, 2022 #178 Barbara Lynn: Electrifying R&B Pioneer by Anne E. Johnson Dec 16, 2022 #178 Ascension by John Allen Flory Dec 16, 2022 #177 London’s Klooks Kleek: A Sixties Music Breeding Ground by Stuart Marvin Dec 02, 2022 #177 A Look At Ravel’s Works for Orchestra by Adrian Wu Dec 02, 2022 #177 A Most Dedicated Record Collector by Rich Isaacs Dec 02, 2022 #177 The Revolver Remix Project: Producer Giles Martin Talks to Jay Jay French by Jay Jay French Dec 02, 2022 #177 Small-Room Acoustics, Part Three by Russ Welton Dec 02, 2022 #177 The Grand Opening of the Long Island Music and Entertainment Hall of Fame by Frank Doris Dec 02, 2022 #177 A Safe Bet Dec 02, 2022 #177 John Lodge: Days of Future Passed and Present by Ray Chelstowski Dec 02, 2022 #177 Around the World In 80 Lathes, Part 27 by J.I. Agnew Dec 02, 2022 #177 Never Say Never: Rocker Dean Ortega of Neverland and Revolution Child by Andrew Daly Dec 02, 2022 #177 AES Fall 2022 New York – The Live Event Returns, Part Two by John Seetoo Dec 02, 2022 #177 Water Works by James Schrimpf Dec 02, 2022 #177 The Great River Road Lemons Rally by Rudy Radelic Dec 02, 2022 #177 Back to My Reel-to-Reel Roots: Noodge and Ye Shall Receive, Part Two by Ken Kessler Dec 02, 2022 #177 You Made Listening Fun Dec 02, 2022 #177 Money for Nothing by Peter Xeni Dec 02, 2022 #177 Pilgrimage to Sturgis, Part 35 by B. Jan Montana Dec 02, 2022 #177 The Heart of the Matter by James Whitworth Dec 02, 2022 #177 Diana Krall: Finding the Perfect Song by Anne E. Johnson Dec 02, 2022 #177 The Earth's Heartbeat: Native American Music, Redux by Don Kaplan Dec 02, 2022 #177 Opera for Operaphiles by Ted Shafran Dec 02, 2022 #177 Pet Shop Boys: The Pulse of Electronic Pop by Anne E. Johnson Dec 02, 2022 #176 The A&M Records Story, Part Nine: CTI Records by Rudy Radelic Nov 18, 2022 #176 A Visit to The University of Rhode Island Guitar Festival by Tom Methans Nov 18, 2022 #176 Around the World In 80 Lathes, Part 26 by J.I. Agnew Nov 18, 2022 #176 Pilgrimage to Sturgis, Part 34 by B. Jan Montana Nov 18, 2022 #176 AES Fall 2022 New York – The Live Event Returns, Part One by John Seetoo Nov 18, 2022 #176 Revolver Returns: Remixed and Reloaded, Part One by Jay Jay French Nov 18, 2022 #176 Michael Jackson’s Thriller: Mobile Fidelity’s 40th Anniversary Edition LP by Ken Kessler Nov 18, 2022 #176 Glen Phillips of Toad the Wet Sprocket: There Is So Much Here by Ray Chelstowski Nov 18, 2022 #176 Talking With Elliot Goldman of Bending Wave USA, Part Two by Frank Doris Nov 18, 2022 #176 Press Events and Junkets: Some Work, Some Play by Ken Sander Nov 18, 2022 #176 Bob Dylan: The Philosophy of Modern Song by Wayne Robins Nov 18, 2022 #176 City Scene by Howard Kneller Nov 18, 2022 #176 Getting Nowhere by James Whitworth Nov 18, 2022 #176 Nora O’Connor: Singing from My Heart by Andrew Daly Nov 18, 2022 #176 An Unexpected Return to the Dungeon by Tom Gibbs Nov 18, 2022 #176 Stay Focused Nov 18, 2022 #176 Small-Room Acoustics, Part Two by Russ Welton Nov 18, 2022 #176 The Long and Short of It Nov 18, 2022 #176 That's The Way I Wanna Rock and Roll by Peter Xeni Nov 18, 2022 #176 A Trip to Eindhoven’s Philips Museum: Like a Kid in a Candy Store by Larry Jaffee Nov 18, 2022 #176 William Grant Still: Forging a New American Music by Anne E. Johnson Nov 18, 2022 #176 Lou Reed: Street Poet by Anne E. Johnson Nov 18, 2022 #175 Setting the Scene Nov 07, 2022 #175 Fast and Bulbous by B. Jan Montana Nov 04, 2022 #175 And Now For Something Completely Different: Singer Lyn Stanley’s Christmas Album by Don Kaplan Nov 04, 2022 #175 Unfaithful by Peter Xeni Nov 04, 2022 #175 Dave Mason: Timeless Music in a World of Changes by Ray Chelstowski Nov 04, 2022 #175 Interview: Lori Lieberman Returns To “Killing Me Softly” 50 Years Later by John Seetoo Nov 04, 2022 #175 Dealing With Small-Room Acoustics, Part One by Russ Welton Nov 04, 2022 #175 Talking With Elliot Goldman of Bending Wave USA, Part One Nov 04, 2022 #175 Octave Records Releases Shelter by Singer/Songwriter Megan Burtt Nov 04, 2022 #175 Considering CD’s 40th Birthday by Larry Jaffee Nov 04, 2022 #175 Pilgrimage to Sturgis, Part 33 by B. Jan Montana Nov 04, 2022 #175 Around the World In 80 Lathes, Part 25 by J.I. Agnew Nov 04, 2022 #175 Back to My Reel-to-Reel Roots, Part 26: Half Full – Not Half Empty, Redux by Ken Kessler Nov 04, 2022 #175 Modern Adult Kicks With Hayley Cain of Hayley and the Crushers by Andrew Daly Nov 04, 2022 #175 Lori Lieberman’s Truly Dives Into Jazz (and Audiophile Sound) by John Seetoo Nov 04, 2022 #175 Analog Recording is Alive and Well: Audio-Technica’s 60th Anniversary Event by Tom Methans Nov 04, 2022 #175 There’s No Flop in MoPOP by Stuart Marvin Nov 04, 2022 #175 New Classical Recordings: Igor Levit's Tristan, and Beethoven for Three from Ax, Kavakos and Ma by Tim Riley Nov 04, 2022 #175 The New York Audio Show 2022, Part Three by Harris Fogel Nov 04, 2022 #175 Saxophonist Stanley Turrentine: Soulful Jazz by Anne E. Johnson Nov 04, 2022 #175 The Chicks: Country Music Chart-Toppers by Anne E. Johnson Nov 04, 2022 #175 Remotely Possible Nov 04, 2022 #175 In Memory of Ramsey Lewis by Rudy Radelic Nov 04, 2022 #175 Owning Up by James Whitworth Nov 04, 2022 #173 Instrument Designer Rick Turner: A Life by Dan Schwartz Oct 26, 2022 #174 Finger-Pointing by James Schrimpf Oct 20, 2022 #174 There’s a Kind of Hush by Frank Doris Oct 20, 2022 #174 Piper Payne – A Mastering Engineer For Next Generation Music, Part Three by John Seetoo Oct 20, 2022 #174 Richard X. Heyman: Still Going at 67,000 Miles an Album by Andrew Daly Oct 20, 2022 #174 What if Elvis Had Lived? by Tom Lane Oct 20, 2022 #174 Retail Therapy by Russ Welton Oct 20, 2022 #174 Classical Music for a Desert Island, Part Three by Ted Shafran Oct 20, 2022 #174 Pianist Sarah Cahill: The Future Is Female by Anne E. Johnson Oct 20, 2022 #174 Around the World In 80 Lathes, Part 24 by J.I. Agnew Oct 20, 2022 #174 The Elusive Del-Vikings by Anne E. Johnson Oct 20, 2022 #174 Neighbors by Roy Hall Oct 20, 2022 #174 The New York Audio Show 2022, Part Two by Harris Fogel Oct 20, 2022 #174 Back to My Reel-to-Reel Roots, Part 25: Half-Full – Not Half Empty by Ken Kessler Oct 20, 2022 #174 Steven Page (Formerly of Barenaked Ladies): Soaring Higher with Excelsior by Ray Chelstowski Oct 20, 2022 #174 Commentary Oct 20, 2022 #174 Wordless Expression by Peter Xeni Oct 20, 2022 #174 Tape vs. Vinyl: An Old Pawnshop Favorite by Adrian Wu Oct 20, 2022 #174 Pilgrimage to Sturgis, Part 32 by B. Jan Montana Oct 20, 2022 #174 The History of A&M Records, Part Eight: Horizon Records by Rudy Radelic Oct 20, 2022 #174 The Golden Decade for Popular Music…The 1950s? by Jeff Weiner Oct 20, 2022 #174 Unholy Racket by James Whitworth Oct 20, 2022 #173 Unlikely Beauty by Rich Isaacs Oct 08, 2022 #173 The Prospects Are Good by Frank Doris Oct 08, 2022 #173 Piper Payne: A Mastering Engineer For Next-Generation Music, Part Two by John Seetoo Oct 08, 2022 #173 Long Live Rock by Tom Methans Oct 08, 2022 #173 The Best of CES Awards by Ken Sander Oct 08, 2022 #173 Classical Music for a Desert Island, Part Two by Ted Shafran Oct 08, 2022 #173 Around the World In 80 Lathes, Part 23 by J.I. Agnew Oct 08, 2022 #173 Pilgrimage to Sturgis, Part 31 by B. Jan Montana Oct 08, 2022 #173 Back to My Reel-to-Reel Roots, Part 24: The R2R Revival Gains Pace by Ken Kessler Oct 08, 2022 #173 Octave Records Debuts The Audiophile’s Guide: The Loudspeaker (Plus, an Interview With Paul McGowan) by Frank Doris Oct 08, 2022 #173 Phantom of the Stereo: Creating a Convincing Center from Two Speakers by Russ Welton Oct 08, 2022 #173 Complete Recovery: Unusual Takes on Others’ Songs, Volume Three by Rich Isaacs Oct 08, 2022 #173 Simple Minds’ Jim Kerr: Following the Direction of the Heart by Ray Chelstowski Oct 08, 2022 #173 The 1980s: The Music Was Unfairly Maligned by Larry Jaffee Oct 08, 2022 #173 Clean Sound by Peter Xeni Oct 08, 2022 #173 Club 19 Oct 08, 2022 #173 Neil Young’s Time in the Ditch: A Retrospective by Andrew Daly Oct 08, 2022 #173 The NAMM Show 2022, Part Two by Harris Fogel Oct 08, 2022 #173 Pat Metheny: Versatile Jazz Guitar Virtuoso by Anne E. Johnson Oct 08, 2022 #173 Dracula and the Dancing Plagues by Don Kaplan Oct 08, 2022 #173 The History of A&M Records, Part Eight: Jazz on A&M by Rudy Radelic Oct 08, 2022 #173 Buffalo Springfield: Progenitors of Psychedelic Folk-Rock by Anne E. Johnson Oct 08, 2022 #173 Geometric Progression by James Whitworth Oct 08, 2022 #172 Redemption Song Sep 26, 2022 #172 Piper Payne: A Mastering Engineer for Next-Generation Music, Part One by John Seetoo Sep 24, 2022 #172 Beyoncé In the Perfect Tense by Wayne Robins Sep 24, 2022 #172 David Libert: A Rock and Roll Warrior Tells All In His New Book by Ray Chelstowski Sep 24, 2022 #172 Classical Music for a Desert Island, Part One by Ted Shafran Sep 24, 2022 #172 Reel-to-Reel Roots, Part 23: Better Than Rice Krispies by Ken Kessler Sep 24, 2022 #172 Hearing Aid by Peter Xeni Sep 24, 2022 #172 Pilgrimage to Sturgis, Part 30: Limited Identity by B. Jan Montana Sep 24, 2022 #172 Musica Universalis by James Whitworth Sep 24, 2022 #172 Tubes to Go Sep 24, 2022 #172 Can’t Get Enough (of Your Pressings) by Larry Jaffee Sep 24, 2022 #172 Take a Walk in Wonderland: Revisiting the Musical Instrument Museum by Jeff Weiner Sep 24, 2022 #172 A Visit to The 2022 New York Audio Show, Part One by Tom Methans Sep 24, 2022 #172 Around the World In 80 Lathes, Part 22 by J.I. Agnew Sep 24, 2022 #172 Theatrical Display by James Schrimpf Sep 24, 2022 #172 Born to Rock: Graham Whitford of Tyler Bryant & The Shakedown by Andrew Daly Sep 24, 2022 #172 What’s in a Name? MIRTAS – The Music Instrument Retail Training Apprenticeships Scheme by Russ Welton Sep 24, 2022 #172 An Octave Records Trifecta: Augustus, Thom LaFond and Clandestine Amigo Now Available On Vinyl Sep 24, 2022 #172 The History of A&M Records, Part Seven: A&M Goes Latin by Rudy Radelic Sep 24, 2022 #172 Ralph Vaughan Williams: A Master of Orchestration Turns 150 by Anne E. Johnson Sep 24, 2022 #172 Martina McBride: Empowered By Country Music by Anne E. Johnson Sep 24, 2022 #172 The NAMM Show 2022, Part One by Harris Fogel Sep 24, 2022 #171 Long Live Excellent Customer Service by Russ Welton Sep 08, 2022 #171 The Beacon Theatre’s Sphere Immersive Sound in Action by Tom Methans Sep 08, 2022 #171 Jazz Producer Creed Taylor: In Memoriam by Rudy Radelic Sep 08, 2022 #172 Collective Soul: Rocking On With Limitless Passion by Ray Chelstowski Sep 08, 2022 #171 Audio Nirvana (I Found It!) by Rich Isaacs Sep 08, 2022 #171 First Look (and Listen): A Hi-Def Live Concert Audio Experience for the 21st Century by Jay Jay French Sep 08, 2022 #171 Talking With Dan Mackta of Qobuz Sep 08, 2022 #171 The Meanings of Life Sep 08, 2022 #171 Analyze This Sep 08, 2022 #171 Around the World In 80 Lathes, Part 21 by J.I. Agnew Sep 08, 2022 #171 Pilgrimage to Sturgis, Part 29 by B. Jan Montana Sep 08, 2022 #171 Lemons Rally: Rust Belt Ramble, Part Three by Rudy Radelic Sep 08, 2022 #171 Back to My Reel-to-Reel Roots, Part 22: Reel-to-Real, or, Noodge and Ye Shall Receive by Ken Kessler Sep 08, 2022 #171 Amy Winehouse: Soulful Supernova by Anne E. Johnson Sep 08, 2022 #171 The Colors of Music: Synesthetic Artist Sees and Paints What She Hears, Part Two by Alón Sagee Sep 08, 2022 #171 Finding Balance Between Artistry and Academia: New Artist Sophia Marie by Andrew Daly Sep 08, 2022 #171 Silent Movie Fan by James Schrimpf Sep 08, 2022 #171 Tapped Out by Peter Xeni Sep 08, 2022 #171 Astrud Gilberto: The Essence of Bossa Nova by Anne E. Johnson Sep 08, 2022 #171 Diagnosing Audiophilia by Stuart Marvin Sep 08, 2022 #171 Trying to Connect by James Whitworth Sep 08, 2022 #171 All That Jazz, Part Two by Don Kaplan Sep 08, 2022 #170 World Music by Frank Doris Aug 26, 2022 #170 Under My Skin: An Interview With Journalist Elise Krentzel by Andrew Daly Aug 26, 2022 #170 The Colors of Music: Synesthetic Artist Melissa McCracken Sees and Paints What She Hears, Part One by Alón Sagee Aug 26, 2022 #170 The Times They Are a-Changin’! by Tom Gibbs Aug 26, 2022 #170 Confessions of a CD Addict, Circa 1986 by Larry Jaffee Aug 26, 2022 #170 Breaking News: HD Vinyl Enters Bankruptcy (and Some Thoughts On Vinyl Manufacturing) by J.I. Agnew Aug 26, 2022 #170 High-Quality Audio In Clubland by Tom Methans Aug 26, 2022 #170 T.H.E. Show 2022 Report, Part Two by Harris Fogel Aug 26, 2022 #170 Back to My Reel-to-Reel Roots, Part 21: The Best Private Members Club…Ever by Ken Kessler Aug 26, 2022 #170 Duncan Sheik: From Barely Breathing to Broadway and Beyond by Ray Chelstowski Aug 26, 2022 #170 Floating Over CES by Ken Sander Aug 26, 2022 #170 On The Road: Recording The Stars in a Golden Era of Live Music, By David W. Hewitt by John Seetoo Aug 26, 2022 #170 Digital in an Analog World Aug 26, 2022 #170 Pure Distortion by Peter Xeni Aug 26, 2022 #170 Timing Error by James Whitworth Aug 26, 2022 #170 Where the Streets Have No Name by Rich Isaacs Aug 26, 2022 #170 My Retail Customers: Of Chalk and Cheese by Russ Welton Aug 26, 2022 #170 Octave Records Releases The Complete Bach Cello Suites by Zuill Bailey on Vinyl LP Aug 26, 2022 #170 Pilgrimage to Sturgis, Part 28 by B. Jan Montana Aug 26, 2022 #170 Around the World In 80 Lathes, Part 20 by J.I. Agnew Aug 26, 2022 #170 Talk Talk Talking About the Psychedelic Furs by Anne E. Johnson Aug 26, 2022 #170 Lemons Rally: Rust Belt Ramble, Part Two by Rudy Radelic Aug 26, 2022 #170 Orlande de Lassus: Magnificent Music for Voice by Anne E. Johnson Aug 26, 2022 #170 Tape Versus Vinyl by Adrian Wu Aug 26, 2022 #169 Blue In Green by Frank Doris Aug 12, 2022 #169 Musical Roots: A Trip Around the World by Jeff Weiner Aug 12, 2022 #169 Around the World In 80 Lathes, Part 19 by J.I. Agnew Aug 12, 2022 #169 Back and Revitalized: T.H.E. Show 2022, Part One by Harris Fogel Aug 12, 2022 #169 Confessions of a Setup Man, Part 15: Avoiding Burnout by Frank Doris Aug 12, 2022 #169 Tommy Emmanuel: Casting a Spell on Guitar by Ray Chelstowski Aug 12, 2022 #169 Kloss Encounter by Steven Stone Aug 12, 2022 #169 Tale of the Tape by Peter Xeni Aug 12, 2022 #169 Thieves, Golden Boys, and Trust in the Retail Sector by Russ Welton Aug 12, 2022 #169 Same Space, Different Time: A Visit to Van Gelder Studio by Sameer Verma Aug 12, 2022 #169 Adventures In Hi-Fi – Read All About It by Ken Kessler Aug 12, 2022 #169 Amoeba Music: What’s In My Bag? by Tom Methans Aug 12, 2022 #169 Pilgrimage to Sturgis, Part 27 by B. Jan Montana Aug 12, 2022 #169 Talking With Folk/Americana Artist Lilli Lewis by Andrew Daly Aug 12, 2022 #169 Back on the Lemons Rally, Part One by Rudy Radelic Aug 12, 2022 #169 The Night Sergio Mendes Came to Town by Rich Isaacs Aug 12, 2022 #169 Stepping Out of the Limelight by John Seetoo Aug 12, 2022 #169 Dead & Company at Citi Field, July 15, 2022: A Review by Jay Jay French Aug 12, 2022 #169 Uh Oh! by James Whitworth Aug 12, 2022 #169 All That Jazz by Don Kaplan Aug 12, 2022 #169 Trumpeter Roy Eldridge: Nifty Cat by Anne E. Johnson Aug 12, 2022 #169 Oh No, It’s Devo! by Anne E. Johnson Aug 12, 2022 #169 Issue 169 Aug 12, 2022 #168 The Musical Instrument Museum: A National Treasure by Jeff Weiner Jul 29, 2022 #168 Under the Same Sky Jul 29, 2022 #168 High Fi by Peter Xeni Jul 29, 2022 #168 Octave Records Releases Nightmares by Country/Americana/Rock Band Gasoline Lollipops Jul 29, 2022 #168 Around the World In 80 Lathes, Part 18 by J.I. Agnew Jul 29, 2022 #168 Resolute by James Whitworth Jul 29, 2022 #168 Pet Sounds: My Dogs Explained by Album Titles by Steven Bryan Bieler Jul 29, 2022 #168 Pilgrimage to Sturgis, Part 26 by B. Jan Montana Jul 29, 2022 #168 Talking With Larry Jaffee of Making Vinyl, Part Two by Frank Doris Jul 29, 2022 #168 Back to My Reel-to-Reel Roots, Part 20: (Not) Labeled With Love by Ken Kessler Jul 29, 2022 #168 Listening With Dog's Ears Jul 29, 2022 #168 The Evolution of In-Ear Monitors by John Seetoo Jul 29, 2022 #168 Women Who Rock: Some of My Favorites by Andrew Daly Jul 29, 2022 #168 The Harlequins: A Cincinnati Band Has Plenty to Say by Ray Chelstowski Jul 29, 2022 #168 Play it Again, Steinway: the Spirio Player Piano by Tom Methans Jul 29, 2022 #168 More CES History, and Technomania by Ken Sander Jul 29, 2022 #168 Vinyl and the World’s Best Stereo System by Russ Welton Jul 29, 2022