Copper


Table of Contents – Issue 191

Issue 191Opening Salvo

“I know what I like, and I like what I know” – Genesis, “I Know What I Like (In Your Wardrobe)” Well, there’s comfort in the tried and true, but...

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Matrix Audio’s X-SABRE 3 Digital-to-Analog Conv...

Issue 191The Listening Chair

When my friends at online retailer Apos Audio (www.apos.audio) recommended Matrix Audio’s X-SABRE 3 fully-balanced digital-to-analog converter (DAC, $2,999), I told them several times to send me the silver model....

Restoring Vintage SME Tonearms

Issue 191Revolutions Per Minute

Over the past few years, we have restored a number of SME 3009 and 3012 tonearms, covering most of their variants made over the impressively long production life span of...

A Chat About Audio Writing

Issue 191Frankly Speaking

The other week my friend Ed Burki contacted me and told me he’d caught some kind of bug and was bored sitting around the house, so he’d decided to try...

STOP PRESS: A Copper Sneak Preview! Back to My ...

Issue 191Natural Born Kessler

KK hears a new high-end speaker under beta testing, and it’s a stunner.   Those who have followed my scribbling over the years will know that I have no greater...

Thom LaFond Goes Into Musical Orbit With Lawles...

Issue 191Octave Pitch

Octave Records artist Thom LaFond’s latest album, Lawless, tells a remarkable tale: a wildly imaginative story about a romance between a human and an alien. The album blends synthesizers, acoustic...

PLAYBILL For an Imaginary Musical in One Act Wi...

Issue 191

Back in 1962, a musical opened on Broadway called Stop the World – I Want to Get Off – an intriguing title since we've all felt that way from time...

Barb Hendrickson and Allan Vest of Indie Duo do...

Issue 191Idle Chatter

The music of doubleVee is all about depth. Depth of music, depth of lyrics, depth of the artists who reside within the music…you get the idea. Still, given that doubleVee,...

Trixie the Ticket Taker

Issue 191Parting Shot

As a bookend to James Schrimpf's Parting Shot in Issue 171, “Silent Movie Fan,” this is “Trixie,” the mannequin ticket taker for the historic Sebastiani Theatre in the town of...

The Midnight Callers: A New York City Call to Rock

Issue 191Disciples of Sound

If Steve Van Zandt didn’t have his own record label you would swear that he was directly involved in curating Jem Records’ current roster of artists. All of them present...

Surrealistic Audio Zone

Issue 191Audio Anthropology

Here's a pair of classic JBL L100s, sadly without the iconic grid-like foam grilles, which perhaps have crumbled into the sands of audio time.    Now that is an old-school...

The Cable Doctor Calls On Miloš Forman

Issue 191True-Life Rock Tales

“You’re the doctor,” Miloš said, and I appreciated his deference. We were in his apartment on the 30th floor in the Essex House, situated on Manhattan’s Central Park South. I was...

Some Old Jazz Guy: Exploring Michael Franks, Pa...

Issue 191Featured

“A few years ago we were playing the House of Blues in New Orleans (a perennial stop for us). I left after the sound check to hunt down some vegan...

T.H.E. Show SoCal 2023: Bigger Demo Rooms, Bett...

Issue 191

For 2023, T.H.E. Show (officially, The Home Entertainment Show) was conducted at the Hilton Orange County/Costa Mesa hotel, just west of the John Wayne Airport in California. Being both close...

Living Colour: Rocking Past Stereotypes

Issue 191Something Old / Something New

Once Elvis Presley came along, followed by the British Invasion, rock and roll tended to be very…white. This tendency existed despite rock’s roots in the blues and gospel traditions, not...

The Munich High End Audio Show 2023, Part Two

Issue 191Show Report

Part One of this show report appeared in Issue 190.   Even though I had been meaning to attend HIGH END, the Munich high-end audio show for a number of...