COPPER

A PS Audio Publication

Issue 210 • Free Online Magazine

Issue 210 Table of Contents

Table of Contents – Issue 210

Table of Contents – Issue 210

We are greatly saddened by the passing of Rondi D’Agostino (78) of Krell Industries. She was one of the most-loved and warm-hearted people in high-end audio. It was always a pleasure to see her at shows and events, where she was a powerful presence. I first got to meet her in the 1980s and could not help but smile every time I saw her walking towards me in a hotel hallway or industry event.

Rondi had been an audiophile since she was a teenager when she heard a Fisher system while babysitting. It was an ear-opening moment. Rondi began her career at Mark Levinson, where she met Dan D’Agostino (now of Dan D’Agostino Master Audio Systems), and the two of them founded Krell in 1980. The company went through a number of business trials and tribulations before she eventually regained her status as president. Krell has stated that they will continue to honor her legacy – as will so many of us, who will miss her beyond words.

In this issue: Paul McGowan continues his series on the 50th anniversary of PS Audio. Octave Records releases the second in its Audiophile Masters series of cover songs, this time with a jazz bent. I cover two new and noteworthy releases: flugelhornist Franco Ambrosetti’s ravishing Sweet Caress, and the new Impex 2-LP 45-RPM reissue of Sing and Dance with Frank Sinatra. Wayne Robins reviews Jack White’s new album, No Name. Harris Fogel wraps up his NAMM coverage and has some thoughts on musical instrument manufacturing.

B. Jan Montana vanquishes his inner demons. FIDELITY magazine travels from Germany to Brooklyn to visit a jazz kissa. I gear up for playing in a rock band. Ray Chelstowski talks with jamtronica band Lotus, and Americana artists Fruition. Rudy Radelic’s The Vinyl Beat checks out new reissues from Wilson Pickett, Arthur Conley, Ray Charles, Tito Puente and more, and rediscovers an old gem. PS Audio’s StellarGold preamp gets a video review from The Absolute Sound, and other accolades. Ken Kessler revisits his reel-to-reel roots and discovers some surprises. I have some short takes on Lou Reed, Patricia Barber, K-pop, and jazz guitarist Dave Stryker. The issue wraps up with stone knives and bearskins, a space odyssey, and mobile art.

 

 

Contributors to This Issue:
Ray Chelstowski, Frank Doris, Harris Fogel, Rich Isaacs, Ken Kessler, Paul McGowan, B. Jan Montana, Rudy Radelic, Wayne Robins, Roland Schmenner, Peter Xeni

Logo Design:
Susan Schwartz-Christian, from a concept by Bob D’Amico

Editor:
Frank Doris

Publisher:
Paul McGowan

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

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#225 Capital Audiofest 2025: Must-See Stereo, Part One by Frank Doris Dec 01, 2025 #225 Otis Taylor and the Electrics Delivers a Powerful Set of Hypnotic Modern Blues by Frank Doris Dec 01, 2025 #225 A Christmas Miracle by B. Jan Montana Dec 01, 2025 #225 T.H.E. Show New York 2025, Part Two: Plenty to See, Hear, and Enjoy by Frank Doris Dec 01, 2025 #225 Underappreciated Artists, Part One: Martin Briley by Rich Isaacs Dec 01, 2025 #225 Rock and Roll is Here to Stay by Wayne Robins Dec 01, 2025 #225 A Lifetime of Holiday Record (and CD) Listening by Rudy Radelic Dec 01, 2025 #225 Little Feat: Not Saying Goodbye, Not Yet by Ray Chelstowski Dec 01, 2025 #225 How to Play in a Rock Band, Part 18: Dealing With Burnout by Frank Doris Dec 01, 2025 #225 The People Who Make Audio Happen: CanJam SoCal 2025 by Harris Fogel Dec 01, 2025 #225 Chicago’s Sonic Sanctuaries: Four Hi‑Fi Listening Bars Channeling the Jazz‑Kissa Spirit by Olivier Meunier-Plante Dec 01, 2025 #225 From The Audiophile’s Guide: Controlling Bass Frequencies Through Membrane Absorbers (and How to Build Your Own) by Paul McGowan Dec 01, 2025 #225 Your Editor’s Tips for Attending Audio Shows by Frank Doris Dec 01, 2025 #225 PS Audio in the News by Frank Doris Dec 01, 2025 #225 Back to My Reel-to-Reel Roots, Part 24 by Ken Kessler Dec 01, 2025 #225 Holiday Music by Frank Doris Dec 01, 2025 #225 Puppy Prognostication by Peter Xeni Dec 01, 2025 #225 How to Post Comments on Copper by Frank Doris Dec 01, 2025 #225 Living Color by Rudy Radelic Dec 01, 2025 #224 T.H.E. Show New York 2025, Part One: A New Beginning by Frank Doris Nov 03, 2025 #224 Fool’s Leap of Faith is the Extraordinary Octave Records Debut from Singer/Songwriter Tyler Burba and Visit by Frank Doris Nov 03, 2025 #224 The Beatles’ “Aeolian Cadences.” What? by Wayne Robins Nov 03, 2025 #224 Persona Non Grata by B. Jan Montana Nov 03, 2025 #224 Talking With Recording Engineer Barry Diament of Soundkeeper Recordings, Part Two by Frank Doris Nov 03, 2025 #224 B Sides, B Movies, and Beware of Zombies by Rudy Radelic Nov 03, 2025 #224 The Burn-In Chronicles: 1,000 Hours to Sonic Salvation by Olivier Meunier-Plante Nov 03, 2025 #224 A Conversation With Mat Weisfeld of VPI Industries by Joe Caplan Nov 03, 2025 #224 Blues-Rocker Kenny Wayne Shepherd Celebrates 30 Years of Ledbetter Heights by Ray Chelstowski Nov 03, 2025 #224 Playing in a Rock Band, 17: When Good Gigs Go Bad, Part Two by Frank Doris Nov 03, 2025 #224 From The Audiophile’s Guide: Dealing with Odd-Shaped Rooms by Paul McGowan Nov 03, 2025 #224 TEAC’s TN-3B-SE Turntable Plays Bob Dylan by Howard Kneller Nov 03, 2025 #224 PS Audio in the News by Frank Doris Nov 03, 2025 #224 Lost in Translation by Peter Xeni Nov 03, 2025 #224 Reel-to-Reel Roots, Part 23: Better Than Rice Krispies by Ken Kessler Nov 03, 2025 #224 I Bring Joy! by Frank Doris Nov 03, 2025 #224 Screen Test by Rich Isaacs Nov 03, 2025 #224 How to Post Comments on Copper by Frank Doris Nov 03, 2025 #132 Dr. Patrick Gleeson: The Interview, Part Two by Rich Isaacs Oct 07, 2025 #223 World Fusion Meets Flamenco in Gratitude from Steve Mullins and Rim of the Well by Frank Doris Oct 06, 2025 #223 Judging Albums by Their Covers by Rich Isaacs Oct 06, 2025 #223 Recent Arrivals and 12-inch Royalty by Rudy Radelic Oct 06, 2025 #223 Summer of Creem, Part Two by Wayne Robins Oct 06, 2025 #223 Recording Engineer Barry Diament of Soundkeeper Recordings: Striving for Natural Sound by Frank Doris Oct 06, 2025 #223 Tea on the Terrace by B. Jan Montana Oct 06, 2025 #223 How Good Can Car Audio Get? by Joe Caplan Oct 06, 2025 #223 The Advantages of a Dedicated Listening Room by Paul McGowan Oct 06, 2025 #223 1! 2! 3! 4! Surrounded by the Ramones in Dolby Atmos! by Frank Doris Oct 06, 2025

Table of Contents – Issue 210

Table of Contents – Issue 210

We are greatly saddened by the passing of Rondi D’Agostino (78) of Krell Industries. She was one of the most-loved and warm-hearted people in high-end audio. It was always a pleasure to see her at shows and events, where she was a powerful presence. I first got to meet her in the 1980s and could not help but smile every time I saw her walking towards me in a hotel hallway or industry event.

Rondi had been an audiophile since she was a teenager when she heard a Fisher system while babysitting. It was an ear-opening moment. Rondi began her career at Mark Levinson, where she met Dan D’Agostino (now of Dan D’Agostino Master Audio Systems), and the two of them founded Krell in 1980. The company went through a number of business trials and tribulations before she eventually regained her status as president. Krell has stated that they will continue to honor her legacy – as will so many of us, who will miss her beyond words.

In this issue: Paul McGowan continues his series on the 50th anniversary of PS Audio. Octave Records releases the second in its Audiophile Masters series of cover songs, this time with a jazz bent. I cover two new and noteworthy releases: flugelhornist Franco Ambrosetti’s ravishing Sweet Caress, and the new Impex 2-LP 45-RPM reissue of Sing and Dance with Frank Sinatra. Wayne Robins reviews Jack White’s new album, No Name. Harris Fogel wraps up his NAMM coverage and has some thoughts on musical instrument manufacturing.

B. Jan Montana vanquishes his inner demons. FIDELITY magazine travels from Germany to Brooklyn to visit a jazz kissa. I gear up for playing in a rock band. Ray Chelstowski talks with jamtronica band Lotus, and Americana artists Fruition. Rudy Radelic’s The Vinyl Beat checks out new reissues from Wilson Pickett, Arthur Conley, Ray Charles, Tito Puente and more, and rediscovers an old gem. PS Audio’s StellarGold preamp gets a video review from The Absolute Sound, and other accolades. Ken Kessler revisits his reel-to-reel roots and discovers some surprises. I have some short takes on Lou Reed, Patricia Barber, K-pop, and jazz guitarist Dave Stryker. The issue wraps up with stone knives and bearskins, a space odyssey, and mobile art.

 

 

Contributors to This Issue:
Ray Chelstowski, Frank Doris, Harris Fogel, Rich Isaacs, Ken Kessler, Paul McGowan, B. Jan Montana, Rudy Radelic, Wayne Robins, Roland Schmenner, Peter Xeni

Logo Design:
Susan Schwartz-Christian, from a concept by Bob D’Amico

Editor:
Frank Doris

Publisher:
Paul McGowan

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

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