COPPER

A PS Audio Publication

Issue 196 • Free Online Magazine

Issue 196 September 2023

In This Issue

I could feel at the time
There was no way of knowing
Fallen leaves in the night
Who can say where they're blowing? – Roxy Music, “More Than This”

In this issue: Harris Fogel and the Los Angeles and Orange County Audio Society visit AudioQuest, and two California dealers. I pay a visit to the audiologist, and have to face the music. Jay Jay French talks about a few of his major guitar heroes. Anne E. Johnson likes Brooklyn indie band Sunflower Bean and virtuoso composer/harpsichordist Élisabeth Jacquet de la Guerre. B. Jan Montana contemplates Zen and the art of sound reproduction. We rewind Ken Kessler’s series on reel-to-reel tape. John Seetoo finishes his interview with legendary mastering engineer Steve Hoffman.

We have two international guest articles: Canada’s PMA magazine offers advice on improving your sound system with your mind, and Germany’s FIDELITY celebrates the 140th anniversary of turntable legend Thorens. Russ Welton offers advice on subwoofer setup. Professor Larry Schenbeck concludes his series on the role of the violin in the orchestra. J.I. Agnew creates a strange electrochemical synthesizer. We end the issue with a sow’s ear, the look of love, a high-ranking stereo system, and a confusing perspective.

 

Staff Writers:
J.I. Agnew, Ray Chelstowski, Andrew Daly, Harris Fogel, Jay Jay French, Tom Gibbs, Roy Hall, Rich Isaacs, Anne E. Johnson, Don Kaplan, Ken Kessler, Don Lindich, Stuart Marvin, Tom Methans, B. Jan Montana, Rudy Radelic, Tim Riley, Wayne Robins, Alón Sagee, Ken Sander, John Seetoo, Russ Welton, Adrian Wu

Contributing Editors:
Ivan Berger, Steven Bryan Bieler, Steve Kindig, Ted Shafran, Bob Wood

Cover:
“Cartoon Bob” D’Amico

Cartoons:
James Whitworth, Peter Xeni

Parting Shots:
James Schrimpf, B. Jan Montana, Rich Isaacs (and others)

Audio Anthropology Photos:
Howard Kneller, Steve Rowell

Editor:
Frank Doris

Publisher:
Paul McGowan

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

 

More Stories

All Articles

#197 I Bought It for the A-Side by Don Kaplan Sep 18, 2023 #197 Back To My Reel-to-Reel Roots, Part Two by Ken Kessler Sep 18, 2023 #197 Passed Down Through Generations by James Whitworth Sep 18, 2023 #197 Gatecrashing by Roy Hall Sep 18, 2023 #197 How to Improve Your Sound System With Your Mind, Part Two by Jonson Lee Sep 18, 2023 #197 In Praise of Domestic Venues by B. Jan Montana Sep 18, 2023 #197 A 1960s Thanksgiving at the Fillmore East by Ken Sander Sep 18, 2023 #197 Standing Room Only by Russ Welton Sep 18, 2023 #197 Pura Fé: Her Ever-Evolving Artistry by Anne E. Johnson Sep 18, 2023 #197 Subwoofer Artistry by B. Jan Montana Sep 18, 2023 #196 The Los Angeles and Orange County Audio Society Keeps Busy by Harris Fogel Sep 01, 2023 #196 Guitar Influences, Part Two: Keith Richards, Chuck Berry, and...Mike Kagan?? by Jay Jay French Sep 01, 2023 #196 Élisabeth Jacquet de la Guerre: Virtuoso Harpsichordist and Composer by Anne E. Johnson Sep 01, 2023 #196 Sub Missive by Russ Welton Sep 01, 2023 #196 Sow, How's It Sound? by Peter Xeni Sep 01, 2023 #196 The Look of Love by James Whitworth Sep 01, 2023 #196 Now Hear This! by Frank Doris Sep 01, 2023 #196 Thorens' 140-Year Anniversary: Navigating Vinyl History With A Springy Step by Sebastian Polcyn Sep 01, 2023 #196 How to Improve Your Sound With Your Mind, Part One by Jonson Lee Sep 01, 2023 #196 Frankie Goes to Hearing Aids: Staving Off Retirement, Part One by Frank Doris Sep 01, 2023 #196 Mastering Engineer Steve Hoffman, Part Two by John Seetoo Sep 01, 2023 #196 Agnew Analog's Vacuum Tube Electrochemical Synthesizer by J.I. Agnew Sep 01, 2023 #196 Zen and the Art of Sound Reproduction by B.Jan Montana Sep 01, 2023 #196 Back to My Reel-to-Reel Roots, Part One by Ken Kessler Sep 01, 2023 #196 Which Way Is Up? by Carrie Doris Sep 01, 2023 #196 Violin Plus Orchestra, Part Two by Lawrence Schenbeck Sep 01, 2023 #196 Sunflower Bean: Veterans of the Brooklyn DIY Scene by Anne E. Johnson Sep 01, 2023 #195 Pacific Standard Time by Don Kaplan Aug 21, 2023 #195 Goin' to the Bank! by Frank Doris Aug 21, 2023 #195 Guitarist Enmanuel Alexander Shines With Jazz/Funk Radiance in Off the Cuff – Live at Meadowlark by Frank Doris Aug 21, 2023 #195 Sing Us a Song by Peter Xeni Aug 21, 2023 #195 In Memory of Music by Tony Wellington Aug 21, 2023 #195 Josh Caterer of Smoking Popes: Get Fired is Still Working, 30 Years Later by Andrew Daly Aug 21, 2023 #195 Octave Records Re-Releases Say Somethin’ by Jazz Trumpeter Gabriel Mervine, Remixed and Remastered With Bonus Tracks by Frank Doris Aug 21, 2023 #195 Steve Hoffman, Part One by John Seetoo Aug 21, 2023 #195 Guitar Influences, Part One: Mike Bloomfield by Jay Jay French Aug 21, 2023 #195 Critical Listening at Home: Audiophile High-Fidelity Sound Reproducing Systems and the Recording Industry by J.I. Agnew Aug 21, 2023 #195 Simple Acoustics, Complicated Spouses by B. Jan Montana Aug 21, 2023 #195 Violin Plus Orchestra, Part One by Lawrence Schenbeck Aug 21, 2023 #195 Lute Music of the 16th and 17th Century by Anne E. Johnson Aug 21, 2023 #195 Camera Ready by Alex Lim Aug 21, 2023 #195 A Sound Pension Plan by James Whitworth Aug 21, 2023 Third Time's the Charm by Peter Xeni Aug 21, 2023 #195 Alice Phoebe Lou by Anne E. Johnson Aug 21, 2023 #194 Vassar Clements: Not Just Bluegrass Fiddle by Anne E. Johnson Aug 07, 2023 #194 The Cable Doctor Makes More House Calls by Ken Sander Aug 07, 2023 #194 A Modern Engineering Marvel by Frank Doris Aug 07, 2023 #194 Bird-Dogging It by Peter Xeni Aug 07, 2023 #194 The Musical Instrument Museum: A World of Music Artists by Jeff Weiner Aug 07, 2023 #194 Juliana Hatfield Sings ELO: Illuminating the Music of Electric Light Orchestra by Ray Chelstowski Aug 07, 2023 Alternate Reality by James Whitworth Aug 07, 2023 #194 Bert Lahr in Carbonite? by Rich Isaacs Aug 07, 2023 #194 Dreamin’ Wild: The Movie and the Music by Stuart Marvin Aug 07, 2023 #194 Munich HIGH END 2023, Part Three: Loudspeakers by Roland Schmenner Aug 07, 2023 #194 Taylor Swift and the Eras Tour, and I Was There by Alvaro Reyes Aug 07, 2023 #194 Bassist Mandy Clarke of Bombskare: Playing With Power and Versatility by Andrew Daly Aug 07, 2023 #194 Who Would Believe That I Now Like My Parents’ Music? by Larry Jaffee Aug 07, 2023 #194 A Look Back at CES 2023 by Harris Fogel Aug 07, 2023 #194 Benjamin Britten: Channeling England’s Musical History by Anne E. Johnson Aug 07, 2023 #193 Pushing the Limits, Part Two by J.I. Agnew Jul 24, 2023 #193 Crunch Time by Frank Doris Jul 24, 2023 #193 Dog-Eared by Peter Xeni Jul 24, 2023 #193 Talking With Victor Janacua About the Birth of Silent Zoo Studios – and the Last Days of United Recording by John Seetoo Jul 24, 2023 #193 Munich HIGH END 2023, Part Two: Electronics by Hans von Draminski Jul 24, 2023 #193 The Cable Doctor’s House Calls by Ken Sander Jul 24, 2023 #193 Pianist Erik Deutsch Takes a Journey Through Jazz History With Decades, Octave Records’ Latest by Frank Doris Jul 24, 2023 #193 USound and MEMS: Making High-Quality Micro-Speakers a Reality by Frank Doris Jul 24, 2023 #193 Selective Hearing by James Whitworth Jul 24, 2023 #193 Monster Mike Welch: Playing the Blues With Nothing But Time by Ray Chelstowski Jul 24, 2023 #193 Desert Island Discs? Pfft! Here’s a Real Challenge (#3) by Rich Isaacs Jul 24, 2023 #193 Michael Astley-Brown of Maebe: Rebirth. Relive. Repeat. Makes a Definitive Musical Statement by Andrew Daly Jul 24, 2023 #193 The Kinks' Ray Davies vs. the Machine by Wayne Robins Jul 24, 2023 #193 Which Audio System is Best? by B. Jan Montana Jul 24, 2023 #193 The Beach Boys’ Sunflower Revisited by Jay Jay French Jul 24, 2023 #193 Another Copper Audio Experience: Loudspeakers With Enchantment by Mike Van Hoe Jul 24, 2023 #194 Restoring a Thorens TD160 and the Quest for Accurate Record Reproduction by J.I. Agnew Jul 24, 2023 #193 Raphael Saadiq: “It’s Just Soul” by Anne E. Johnson Jul 24, 2023 #192 Dreaming With a Stealth Audio Cables Power Cord by Howard Kneller Jul 10, 2023 #192 Gideon King & City Blog’s Splinters Defies Pop Trends With Musical Soul by Andrew Daly Jul 10, 2023 #192 Seal of Approval by Frank Doris Jul 10, 2023 #192 Still More from AXPONA 2023 by Don Lindich Jul 10, 2023 #192 Octave Records Expands The Art of Hi-Fi Series with Volume 02: Soundstage (And an Interview With Paul McGowan) by Frank Doris Jul 10, 2023 #192 Pushing the Limits, Part One by J.I. Agnew Jul 10, 2023 #192 A Visit to Audeze, Maker of High-End Headphones by Harris Fogel Jul 10, 2023 #192 How Do You Listen to Music? by Russ Welton Jul 10, 2023 #192 Stairway to Knowledge by James Schrimpf Jul 10, 2023 #192 Heavenly Blues by Peter Xeni Jul 10, 2023 #192 Munich HIGH END 2023, Part One: Analog Hi-Fi by Michael Vrzal Jul 10, 2023 #192 Now That We Are All Ghosts: Joe Cannon of Resurrectionists Talks About Their New Album by Andrew Daly Jul 10, 2023 #192 Bassist Ron Carter: 60 Years of Jazz – and Counting by Anne E. Johnson Jul 10, 2023 #192 Tomaso Albinoni: Recent Recordings of the Pre-Baroque Composer by Anne E. Johnson Jul 10, 2023 #191 Matrix Audio’s X-SABRE 3 Digital-to-Analog Converter by Howard Kneller Jun 26, 2023 #191 Restoring Vintage SME Tonearms by J.I. Agnew Jun 26, 2023 #191 A Chat About Audio Writing by Frank Doris Jun 26, 2023 #191 STOP PRESS: A Copper Sneak Preview! Back to My Reel-to-Reel Roots, Part 32 by Ken Kessler Jun 26, 2023 #191 Thom LaFond Goes Into Musical Orbit With Lawless, His Latest for Octave Records by Frank Doris Jun 26, 2023 #191 PLAYBILL For an Imaginary Musical in One Act With Three Scenes by Don Kaplan Jun 26, 2023 #191 Barb Hendrickson and Allan Vest of Indie Duo doubleVee by Andrew Daly Jun 26, 2023 #191 Trixie the Ticket Taker by Rich Isaacs Jun 26, 2023 #191 The Midnight Callers: A New York City Call to Rock by Ray Chelstowski Jun 26, 2023 #191 Surrealistic Audio Zone by Frank Doris Jun 26, 2023 #191 The Cable Doctor Calls On Miloš Forman by Ken Sander Jun 26, 2023 #191 Some Old Jazz Guy: Exploring Michael Franks, Part 1 by Rudy Radelic Jun 26, 2023 #191 Solitary Listening by Peter Xeni Jun 26, 2023 #191 Reel Life by James Whitworth Jun 26, 2023 #191 T.H.E. Show SoCal 2023: Bigger Demo Rooms, Better Location by B. Jan Montana Jun 26, 2023 #191 Living Colour: Rocking Past Stereotypes by Anne E. Johnson Jun 26, 2023 #191 The Munich High End Audio Show 2023, Part Two by Adrian Wu Jun 26, 2023 #190 Octave Records Releases Ancient Rhythms By Guitarist Bill Kopper: Timeless Music With a Modern Flavor by Frank Doris Jun 12, 2023 #190 Astral Plane by Peter Xeni Jun 12, 2023 #190 Original Vinyl Pressings or Re-pressings – How Do You Choose? by J.I. Agnew Jun 12, 2023 #190 Made to Measure by Frank Doris Jun 12, 2023 #190 Personality Crisis: The Story of David Johansen by Tom Methans Jun 12, 2023 #190 Technics EAH-A800 Wireless Noise-Cancelling Headphones: Standing Out in the Crowd by Howard Kneller Jun 12, 2023 #190 The 2023 NAMM Show: Craftsmanship and Artistry by B. Jan Montana Jun 12, 2023 #190 Another AXPONA 2023 Show Report by Don Lindich Jun 12, 2023 #190 Pushing Jazz and Funk Frontiers: An Interview with Bassist Mitchell Coleman Jr. by Andrew Daly Jun 12, 2023 #190 A Visit to Jean Hiraga and the Munich High End Audio Show 2023, Part One by Adrian Wu Jun 12, 2023 #190 Back to My Reel-to-Reel Roots, Part 31 by Ken Kessler Jun 12, 2023 #190 Loudspeaker Phenomena – The Result: A Gap by Carsten Barnbeck Jun 12, 2023 #190 Boogie With Canned Heat: Thank You Henry by Jay Jay French Jun 12, 2023 #190 Talking With Dr. Sean Olive of Harman International, Part Two by Russ Welton Jun 12, 2023 #190 Walking in Bisbee by James Schrimpf Jun 12, 2023 #190 Reconsidering Conductor James Levine by Ted Shafran Jun 12, 2023 #190 Maurice Ravel’s Piano and Chamber Works by Anne E. Johnson Jun 12, 2023 #190 Kurt Elling: Vocalese Virtuoso by Anne E. Johnson Jun 12, 2023 #189 Disconnected by Peter Xeni May 26, 2023 #189 Audio Shelving by Frank Doris May 26, 2023 #189 Paul Simon’s Seven Psalms: Matters of Life and Death by Wayne Robins May 26, 2023 #189 Remembering Copper’s Dan Schwartz: A Friendship That Went Deep by Frank Doris May 26, 2023 #189 Engaging and Enthralling Music for All: Talking With Dr. Sean Olive of Harman International, Part One by Russ Welton May 26, 2023 #189 David Heatley: What If… an Album Really Grabs You? by Andrew Daly May 26, 2023 #189 The Kinks Begin a Retrospective Journey by Frank Doris May 26, 2023 #189 A Road Rally for Lemons: the 2023 Rocky Mountain Breakdown by Rudy Radelic May 26, 2023 #189 Singer/Songwriter Parker Millsap Explores the Wilderness Within You by Ray Chelstowski May 26, 2023 #189 From SACD Bust to Native DSD Boom With the Topping E70 Velvet DAC by Tom Gibbs May 26, 2023 #189 Back to My Reel-to-Reel Roots, Part 30 by Ken Kessler May 26, 2023 #189 Modifying a Presto 1-D Cutter Head for Better Performance by J.I. Agnew May 26, 2023 #189 Linn Makes Majik by Howard Kneller May 26, 2023 #189 Please Be Seated by James Whitworth May 26, 2023 #189 Desert Island Discs? Pfft! Here’s a Real Challenge, Part Two by Rich Isaacs May 26, 2023 #189 Give Me That Old Time(r) Rock and Roll by Frank Doris May 26, 2023 #189 Alan Jackson: Keeping It Country by Anne E. Johnson May 26, 2023 #188 A Most Interesting Man by Roy Hall May 15, 2023 #188 Tito Puente: El Rey de la Percusión Latina by Anne E. Johnson May 15, 2023 #188 Medieval Vocal Polyphony: Modern Recordings of Ancient Music by Anne E. Johnson May 15, 2023 #188 Can You Dig It? by Peter Xeni May 15, 2023 #188 An Amp for the Eons: Tsakiridis Devices’ Aeolos Ultra Integrated Amplifier by Howard Kneller May 15, 2023 #188 A Dream Goes On Forever by Frank Doris May 15, 2023 #188 Singer/Songwriter Dan Montgomery Returns to His Rock Roots by Andrew Daly May 15, 2023 #188 A Copper Audio Experience by Mike Van Hoe May 15, 2023 #188 CanJam New York 2023: Getting Enthusiastic About Headphones by Harris Fogel May 15, 2023 #188 Does Surround Sound Have a Future In Jazz? by Brent Butterworth May 15, 2023 #188 The Brooklyn-Canton Roots-Rock Digital Highway of George LaGrange, Joe Vitale, and American Nomads by John Seetoo May 15, 2023 #188 Contemporary Classical Music from Octave Records: Conversations by Composer Gustav Hoyer by Frank Doris May 15, 2023 #188 The 2023 La Jolla Concours: A Bucket List Event by B. Jan Montana May 15, 2023 #188 The Return of Tower Records: Welcome Back, You’ve Been Missed! by Larry Jaffee May 15, 2023 #188 Tales of Power in the Dark Ages by J.I. Agnew May 15, 2023 #188 Impex Records Invites Me to Patricia Barber’s Nightclub by Frank Doris May 15, 2023 #188 A Visit to Dan D'Agostino Master Audio Systems by Carsten Barnbeck May 15, 2023 #187 Restoring and Repairing A Rek-O-Kut Model V Record Cutting Lathe by J.I. Agnew May 01, 2023 #187 A View From the Sky by Harris Fogel May 01, 2023 #187 AXPONA 2023: Accessories Make the (Audio) Outfit by Rudy Radelic May 01, 2023 #187 Off the Meter by Frank Doris May 01, 2023 #187 Impressions of AXPONA 2023 by Frank Doris May 01, 2023 #187 Some Thoughts On AXPONA 2023 by Jay Jay French May 01, 2023 #187 Ivan Neville: Carrying on the Family Musical Torch by Ray Chelstowski May 01, 2023 #187 Waversa Systems’ WBridge Standard: A Different Kind of Digital Signal Processor by Howard Kneller May 01, 2023 #187 You Don’t Know What You’ve Got ’Till It’s Gone: Appreciating Specialist Retailers by Russ Welton May 01, 2023 #187 Up-and Coming Guitarist Nick Lisanti of Sticks N' Stones by Andrew Daly May 01, 2023 #187 A Visit to an Audio Engineering Society (AES) Convention by Harris Fogel May 01, 2023 #187 Alternate Reality by Peter Xeni May 01, 2023 #187 Still Alive and Well by James Whitworth May 01, 2023 #187 Producer/Engineer Bill Schnee: Talking With the Chairman at the Board by John Seetoo May 01, 2023 #187 Back to My Reel-to-Reel Roots, Part 29: Tonbridge AudioJumble 2023 by Ken Kessler May 01, 2023 #187 Darlene Love: Blossoming Into R&B Greatness by Anne E. Johnson May 01, 2023 #186 Singin' in the Studio by Frank Doris Apr 17, 2023 #186 Classic and Post-Modern Jazz Meet: Octave Records Releases Bishop’s Lair by the Tom Amend Octet by Frank Doris Apr 17, 2023 #186 An Audio Crime Scene Investigation by J.I. Agnew Apr 17, 2023 #186 A Visit to Wilson Audio: Tour of an American Hi-Fi Legend by Carsten Barnbeck Apr 17, 2023 #186 Parallel Lineup by Ryan Schrimpf Apr 17, 2023 #186 Beyond Face Value: The True Cost of Ticket Pricing by Tom Methans Apr 17, 2023 #186 xDuoo's Versatile TA-30 Headphone Amp/DAC by Howard Kneller Apr 17, 2023 #186 Atomic Transmutation: Australian Guitar Alchemist Luke Stamenkovich by Andrew Daly Apr 17, 2023 #186 Stereo Buying for Audio Idiots: Three Quick Tips by Steven Bryan Bieler Apr 17, 2023 #186 The Musical Instrument Museum: Another Trip Around the World by Jeff Weiner Apr 17, 2023 #186 A One, and a Two...(Part Two) by Don Kaplan Apr 17, 2023 #186 CTI Records, Part Six: The Keys to CTI by Rudy Radelic Apr 17, 2023 #186 An Exciting and Inexpensive Device to Improve SACD Playback – Well, Maybe Not! by Tom Gibbs Apr 17, 2023 #186 Confessions of a Tube Collector, Part Two by Adrian Wu Apr 17, 2023 #186 Christian McBride: A Master of Jazz Bass and Beyond by Anne E. Johnson Apr 17, 2023 #186 Exploring Rossini’s Works for Small Ensembles by Anne E. Johnson Apr 17, 2023 #186 Meeting of the Minds by Peter Xeni Apr 17, 2023 #163 Octave Records Debuts Audiophile Masters, Volume VI Compilation Apr 17, 2023 #185 The Bangles: Hitmakers from the Paisley Underground by Anne E. Johnson Apr 03, 2023 #185 Between the Buttons, UK Version: The Rolling Stones Hit Their Stride Without the Hits by Wayne Robins Apr 03, 2023 #185 The DAM NYC Conference: Why Digital Asset Management Matters to Audiophiles by Harris Fogel Apr 03, 2023 #185 Sierra Levesque: Up-and-Coming Canadian Guitarist by Andrew Daly Apr 03, 2023 #185 Tailor-Made Listening Pleasure by Frank Doris Apr 03, 2023 #185 Signature Style by Howard Kneller Apr 03, 2023 #185 Remembering Producer Phil Ramone, 10 Years Later by Larry Jaffee Apr 03, 2023 #185 Eric D. Johnson of Fruit Bats: Pushing the Music Forward by Ray Chelstowski Apr 03, 2023 #185 A Window Into the Past by James Schrimpf Apr 03, 2023 #185 Vestibular Vertigo by James Whitworth Apr 03, 2023 #185 Scott Smith and Tadd Swanlund of Comply: High-Tech for Headphones, Part Two by Russ Welton Apr 03, 2023 #185 Repairing a Westrex Record Lathe Cutter Head by J.I. Agnew Apr 03, 2023 #185 Eccentric Records (and How to Fix Them) by Rich Isaacs Apr 03, 2023 #185 Dave Rusan of Rusan Guitarworks: Builder of Prince’s Cloud Guitars and Audio Enthusiast, Part Two by Frank Doris Apr 03, 2023 #185 CanJam New York 2023: The Audiophile and Pro Audio Worlds Blur More Deeply by John Seetoo Apr 03, 2023 #185 Boxed In by Peter Xeni Apr 03, 2023 #182 Always Something There to Remind Us by Frank Doris Mar 27, 2023 #184 Issue 184 by Frank Doris Mar 19, 2023 #184 Octave Records Releases Gabriella by Miguel Espinoza Fusion, a Blend of Flamenco, World Music and More by Frank Doris Mar 19, 2023 #184 Dave Rusan of Rusan Guitarworks: Builder of Prince’s Cloud Guitars, Part One by Frank Doris Mar 19, 2023 #184 And a One, and a Two…(Part One) by Don Kaplan Mar 19, 2023 #184 Tár (This Is Spinal Tárp)… a Movie Review by Jay Jay French Mar 19, 2023 #184 Pilgrimage to Europe, Part One: Good Luck by B. Jan Montana Mar 19, 2023 #184 Precise Vinyl Record Centering for Turntables by J.I. Agnew Mar 19, 2023 #184 Heinrich Schütz: Composing the Foundation for German Classical Music by Anne E. Johnson Mar 19, 2023 #184 Eddie “Lockjaw” Davis: A Firm Grasp on Saxophone Greatness by Anne E. Johnson Mar 19, 2023 #184 Last of the Free Birds by Tom Methans Mar 19, 2023 #184 A Visit to the Florida Audio Expo 2023, Part Two by Tom Gibbs Mar 19, 2023 #184 Wordplay by Peter Xeni Mar 19, 2023 #184 An Interview With Guitarist Michael Jurin, Formerly of Stellastarr by Andrew Daly Mar 19, 2023 #184 Magnetic Attraction by Frank Doris Mar 19, 2023 #184 Bache Audio’s Elegant Sonata EX2 Speakers by Howard Kneller Mar 19, 2023 #184 Slow Ride by James Schrimpf Mar 19, 2023 #183 I Can See Clearly Now by Frank Doris Mar 06, 2023 #183 Kenny Wayne Shepherd: Revisiting His Landmark Blues Album Trouble Is… at 25 by Ray Chelstowski Mar 06, 2023 #183 Octave Records Releases Its First Live Album: Jazz Trumpeter Gabriel Mervine’s Live at Nocturne by Frank Doris Mar 06, 2023 #183 CTI Records, Part Five: Guitar Greatness by Rudy Radelic Mar 06, 2023 #183 DeFord Bailey: The Harmonica Wizard by Anne E. Johnson Mar 06, 2023 #183 Artificial Reverberation in the Analog World, Part Three by J.I. Agnew Mar 06, 2023 #183 Confessions of a Tube Collector, Part One by Adrian Wu Mar 06, 2023 #183 Desert Island Discs? Pfft! Here’s a Real Challenge by Rich Isaacs Mar 06, 2023 #183 A Visit to the Florida Audio Expo 2023, Part One by Tom Gibbs Mar 06, 2023 #183 Sound Effect by Peter Xeni Mar 06, 2023 #183 Scott Smith and Tadd Swanlund of Comply: High-Tech for Headphones, Part One by Russ Welton Mar 06, 2023