Copper Magazine · Issue 221 · A free PS Audio publication
Issue 221 The People Who Make Audio Happen

More People Who Make Audio Happen: T.H.E. Show SoCal 2025

More People Who Make Audio Happen: T.H.E. Show SoCal 2025

This year's West Coast T.H.E. Show SoCal 2025 took place in June in Costa Mesa, California. Issue 220 (last issue) has B. Jan Montana's show report, and we continue our coverage here with a look at more of the people and exhibitors in attendance.

 

 

SVS threw quite the audio party, with a full-blown SVS powered theater showing music videos. Here Larry McGough (SVS), Sophie Assencoa (Creative and Network Programing for T.H.E. Show), and Nick Brown of SVS take a glam turn on the red carpet.

 

 

The wonderful duo of Lonny Gould and Tammy Johnson of Kimber Kable in the ever-popular PBN Audio room, led by Peter Bichel Noerbaek.

 

 

Here are Tinka Weena (CTO), Ron Resnick (Beverly Hills, California dealer Audio Cafe), Michael O’Neal (Beginner Audio), and Kimberly Mattatall.

 

 

Ed Sudario from the Los Angeles and Orange County Audio Society enjoys the tunes.

 

 

T.H.E. Show has a unique set of fans; here are Mike Leach, Maritte Green, Brian Green and Scotty Lylander relaxing before the show kicked into full gear.

 

 

Two staffers from B&W (left) join Lucca Chesky (Chesky Audio), David Chesky (The Audiophile Society), Jonny Wilson (Snake River Audio) and filmmaker Josh Block at the opening party.

 

 

Vladamir Kraz didn’t intend to be in the audio business. His company, OnFilter, makes devices that clean AC power for scientific, medical, and aeronautical uses. It turns out that many of his customers were audiophiles who tried his filters at home and reported back with great results. He joked that “I’m the only one at this show who isn’t making any claims about his products!” The display tells the story: the green trace on top is the actual raw AC voltage coming off the wall. That smooth blue trace on the bottom is the filtered AC coming from the OnFilter CleanSweep AFN1515FM filter.

 

 

Some of the handcrafted components on display in the Akustika Eterna room. Stas Lesniewski and Nik Chesalin hand-make all the components for his gear, including their $180,000 4-watt per channel amplifier. 

 

 

Jacob Wendt, a local jazz drummer, just released a splendid new album, Silver Street. Recorded in a tiny studio with only minimal microphones, it’s a warm and beautifully-recorded album I've been enjoying. Here he’s in the PBN Audio room where he was able to hear the album on a first-rate system.

 

 

A beautiful example of high-end audio metal work from Burmester.

 

 

Steven Norber (Principal Ponderer) of PranaFidelity cues up a track.

 

 

One of the most distinctive equipment racks was from South Korea's Klang & Ko. They're powering the Galatea Series speakers.

 

 

One of the most beautiful turntables at the show was the Reed Muse 1C.

 

 

Emiko Carlin and Daryl Sanservo did a great job organizing T.H.E. Show.

 

 

Two masters of their crafts: J.R. Boisclair of WallyTools/WAM Engineering is an expert at turntable and cartridge setup, while Norman Varney of AV Room Service is the master of stopping unwanted vibrations in audio setups.

 

 

On Saturday night Emiko Carlin and Mike Leach played a moving set of originals for an enthusiastic audience.

 

 

The great Lenny and Nicole Mayeux. Lenny was there from Mobile Fidelity.

 

 

We had a blast during some after hours listening to one of the only immersive Dolby Atmos rooms at the show. Here Final Audio showed its Model 35 electrostatic loudspeaker system with matching subwoofers made by Tekton Design. The electronics were from Coda and EMM Labs.

 

 

Alan Adelstein and Gloria Wolf of A/V equipment supplier American Recorder Technologies have smiles that can light up a room, and have Deoxit on hand to keep your connections sparkling clean, along with a full range of audio accessories.

 

 

Susan Wilson and Charles Harrison of Austria's Ayon Audio offered a wide range of exceptional vacuum-tube-based components in their suite.

 

 

Mops Dayal (Sonor Audio and their distributor Quarter Note Acoustic) awarded the author with a specialized hair accessory that promised to make him look like Coach from Survivor. Still, there is no way I could look as cool as Mops.

 

 

Great things come in small packages! Tonian Labs, owned by Tony Minasian, builds the Oriaco loudspeakers, here powered by Denon electronics. The sound was wonderful, and he’s also well-known as a recording engineer who recorded many of the CDs stacked in the photo.

 

 

Maritte Green (Los Angeles and Orange County Audio Society) and Julie Mullins (Stereophile) relax in the women’s lounge away from the show hubbub. I was an invited guest!

 

 

Abey Fonn of Impex Records and mastering engineer Steve Hoffman presented amazing unreleased recordings in the Audio Note room. The recordings and gear sounded heavenly.

 

 

Three legends of audio: David Chesky, Paul Seydor (The Absolute Sound), and Peter Kent. Peter is a professional violinist, Juilliard trained, and one of the top studio violinists in Los Angeles, Peter played on Sasha Matson’s recent album Fillmore Street/Little Woodstar (check out Paul’s review in The Tracking Angle). Speaking of audio royalty, the album was produced by none other than John Atkinson and Joe Harley.

 

Header image: Desmond Bowe of Desmond's Tiki Tubes with some of his favorite things. All images courtesy of Harris Fogel.

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Favorites From T.H.E. Show SoCal 2026 by Cam Martin Oct 05, 2026 #235 Singer/Songwriter John David Schrader: On the Need to Create, Part Two by Joe Caplan Oct 05, 2026 #235 A Life in High-End Audio: The Roy Hall Interview, Part Two by Frank Doris Oct 05, 2026 #235 Grammy-Winning Producer, Songwriter, and Guitarist John Leventhal Goes Instrumental With National Drift by Ray Chelstowski Oct 05, 2026 #235 From Swimming Pool to New Listening Room—to Founding an Accidental Audio Company by Gilles Laferrière Oct 05, 2026 #235 The Vinyl Beat’s Size Matters Edition by Rudy Radelic Oct 05, 2026 #235 The Sublime Complexities of Nature by B. Jan Montana Oct 05, 2026 #235 How to Play In a Rock Band, 28: Growing Older and Dealing With It by Frank Doris Oct 05, 2026 #235 Young Rascals: From Bar Band to Stardom by Wayne Robins Oct 05, 2026 #235 Duncan Sheik: In Memoriam by Ray Chelstowski Oct 05, 2026 #235 From The Listening Chair: The Meze Audio 105 Silva Headphones by Howard Kneller Oct 05, 2026 #235 Checking Out Some NOLA Loudspeakers – and Some Thoughts About Audio Writing by Frank Doris Oct 05, 2026 #235 The Kanazawa Phonograph Museum: Music from a Time Capsule by Sebastian Polcyn Oct 05, 2026 #235 PS Audio in the News by PS Audio Staff Oct 05, 2026 #235 From The Audiophile’s Guide: Making the Most Critical Choice by Paul McGowan Oct 05, 2026 #235 Evolutionary Growth by Frank Doris Oct 05, 2026 #235 Speed Racer by Peter Xeni Oct 05, 2026 #235 Happy Halloween! by James Schrimpf Oct 05, 2026 #234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026 #234 Rags for Solo Piano and a Dog: David Chesky's Ragtime Music for the Modern Age by Frankly Speaking Sep 07, 2026 #234 HIGH END 2026, Vienna: Here to Stay by Carsten Barnbeck Sep 07, 2026 #234 From The Audiophile’s Guide: The Two Main Types of Loudpeakers – Box and Panel by Paul McGowan Sep 07, 2026 #234 Letting it Slide by Frank Doris Sep 07, 2026 #234 PS Audio in the News by PS Audio Staff Sep 07, 2026 #234 Long Playing by Peter Xeni Sep 07, 2026 #234 La Mer by B. Jan Montana Sep 07, 2026 #233 A Report From The Total Hi-Fi Experience Show SoCal 2026 by B. Jan Montana Aug 03, 2026 #233 Bluegrass Meets Country, Folk, Jazz and More in All That We Carried by The Squid City Slingers by Frank Doris Aug 03, 2026 #233 Corey Glover and One Tribe Nation: A Variegated Musical Collective by Ray Chelstowski Aug 03, 2026 #233 Excursions with Clive: The Late Clive Davis, A Personal History by Wayne Robins Aug 03, 2026 #233 AI, Art, and Music: A Conversation With Synthography Art by Joe Caplan Aug 03, 2026 #233 New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work by Frank Doris Aug 03, 2026 #233 The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More by Rudy Radelic Aug 03, 2026 #233 How to Play in a Rock Band, 26: When It's Time to Record Your Music by Frank Doris Aug 03, 2026 #233 More From T.H.E. Show 2026, and the People Who Made it Happen by Harris Fogel Aug 03, 2026 #233 Underappreciated Artists, Part Three: Icehouse by Rich Isaacs Aug 03, 2026 #233 The Surprisingly Rich and Varied Music of Somalia by Steve Kindig Aug 03, 2026

More People Who Make Audio Happen: T.H.E. Show SoCal 2025

More People Who Make Audio Happen: T.H.E. Show SoCal 2025

This year's West Coast T.H.E. Show SoCal 2025 took place in June in Costa Mesa, California. Issue 220 (last issue) has B. Jan Montana's show report, and we continue our coverage here with a look at more of the people and exhibitors in attendance.

 

 

SVS threw quite the audio party, with a full-blown SVS powered theater showing music videos. Here Larry McGough (SVS), Sophie Assencoa (Creative and Network Programing for T.H.E. Show), and Nick Brown of SVS take a glam turn on the red carpet.

 

 

The wonderful duo of Lonny Gould and Tammy Johnson of Kimber Kable in the ever-popular PBN Audio room, led by Peter Bichel Noerbaek.

 

 

Here are Tinka Weena (CTO), Ron Resnick (Beverly Hills, California dealer Audio Cafe), Michael O’Neal (Beginner Audio), and Kimberly Mattatall.

 

 

Ed Sudario from the Los Angeles and Orange County Audio Society enjoys the tunes.

 

 

T.H.E. Show has a unique set of fans; here are Mike Leach, Maritte Green, Brian Green and Scotty Lylander relaxing before the show kicked into full gear.

 

 

Two staffers from B&W (left) join Lucca Chesky (Chesky Audio), David Chesky (The Audiophile Society), Jonny Wilson (Snake River Audio) and filmmaker Josh Block at the opening party.

 

 

Vladamir Kraz didn’t intend to be in the audio business. His company, OnFilter, makes devices that clean AC power for scientific, medical, and aeronautical uses. It turns out that many of his customers were audiophiles who tried his filters at home and reported back with great results. He joked that “I’m the only one at this show who isn’t making any claims about his products!” The display tells the story: the green trace on top is the actual raw AC voltage coming off the wall. That smooth blue trace on the bottom is the filtered AC coming from the OnFilter CleanSweep AFN1515FM filter.

 

 

Some of the handcrafted components on display in the Akustika Eterna room. Stas Lesniewski and Nik Chesalin hand-make all the components for his gear, including their $180,000 4-watt per channel amplifier. 

 

 

Jacob Wendt, a local jazz drummer, just released a splendid new album, Silver Street. Recorded in a tiny studio with only minimal microphones, it’s a warm and beautifully-recorded album I've been enjoying. Here he’s in the PBN Audio room where he was able to hear the album on a first-rate system.

 

 

A beautiful example of high-end audio metal work from Burmester.

 

 

Steven Norber (Principal Ponderer) of PranaFidelity cues up a track.

 

 

One of the most distinctive equipment racks was from South Korea's Klang & Ko. They're powering the Galatea Series speakers.

 

 

One of the most beautiful turntables at the show was the Reed Muse 1C.

 

 

Emiko Carlin and Daryl Sanservo did a great job organizing T.H.E. Show.

 

 

Two masters of their crafts: J.R. Boisclair of WallyTools/WAM Engineering is an expert at turntable and cartridge setup, while Norman Varney of AV Room Service is the master of stopping unwanted vibrations in audio setups.

 

 

On Saturday night Emiko Carlin and Mike Leach played a moving set of originals for an enthusiastic audience.

 

 

The great Lenny and Nicole Mayeux. Lenny was there from Mobile Fidelity.

 

 

We had a blast during some after hours listening to one of the only immersive Dolby Atmos rooms at the show. Here Final Audio showed its Model 35 electrostatic loudspeaker system with matching subwoofers made by Tekton Design. The electronics were from Coda and EMM Labs.

 

 

Alan Adelstein and Gloria Wolf of A/V equipment supplier American Recorder Technologies have smiles that can light up a room, and have Deoxit on hand to keep your connections sparkling clean, along with a full range of audio accessories.

 

 

Susan Wilson and Charles Harrison of Austria's Ayon Audio offered a wide range of exceptional vacuum-tube-based components in their suite.

 

 

Mops Dayal (Sonor Audio and their distributor Quarter Note Acoustic) awarded the author with a specialized hair accessory that promised to make him look like Coach from Survivor. Still, there is no way I could look as cool as Mops.

 

 

Great things come in small packages! Tonian Labs, owned by Tony Minasian, builds the Oriaco loudspeakers, here powered by Denon electronics. The sound was wonderful, and he’s also well-known as a recording engineer who recorded many of the CDs stacked in the photo.

 

 

Maritte Green (Los Angeles and Orange County Audio Society) and Julie Mullins (Stereophile) relax in the women’s lounge away from the show hubbub. I was an invited guest!

 

 

Abey Fonn of Impex Records and mastering engineer Steve Hoffman presented amazing unreleased recordings in the Audio Note room. The recordings and gear sounded heavenly.

 

 

Three legends of audio: David Chesky, Paul Seydor (The Absolute Sound), and Peter Kent. Peter is a professional violinist, Juilliard trained, and one of the top studio violinists in Los Angeles, Peter played on Sasha Matson’s recent album Fillmore Street/Little Woodstar (check out Paul’s review in The Tracking Angle). Speaking of audio royalty, the album was produced by none other than John Atkinson and Joe Harley.

 

Header image: Desmond Bowe of Desmond's Tiki Tubes with some of his favorite things. All images courtesy of Harris Fogel.

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