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Table of Contents – Issue 212

Table of Contents – Issue 212

RIP Phil Lesh, Grateful Dead bassist and vocalist and one of the greatest musical titans who ever walked the Earth. Grateful Dead fans and millions of us offer boundless tribute to a true legend.

We mourn the loss of audio industry veteran Richard Colburn, most recently of Tone Imports. Richard was one of the most well-loved and respected people in the high-end world, a friend to so many of us, and the news of his loss sent shock waves through the industry. We will miss him greatly.

Folk Alliance International has announced its 2025 showcase lineup, to take place in Montreal, Canada, February 19 – 23, 2025. (Wayne Robins covered the 2024 conference here and here.) More than 175 artists will participate, including Ron Sexsmith, Mimi O’Bonsawin, Tania Elizabeth, Mama’s Broke, Kaïa Kater, Jorane, Basiat Bulat, Wesli, Connie Kaldor, and more. The Annual Folk Alliance International Conference is the largest gathering of folk musicians and music industry professionals in the world. ‍For more information, click here.

The Listening Chair With Howard Kneller has launched its website, thelisteningchair.net. Howard is a Copper contributor, as well as a veteran audio reviewer and writer. The website features show reports, video and print reviews, coverage of dealers and manufacturers, and other news and features.

In this issue: We have the first of a three-part interview with Jamie Howarth of Plangent Processes, which corrects for the minute speed variations in master tapes to provide sonic improvements. Wayne Robins reviews Gillian Welch and David Rawlings’ Woodland album. Octave Records’ latest is Pennies From Heaven, a set of jazz classics and standards from singer/saxophonist Jeremy Mohney. I cover the recent Audio Engineering Society (AES) convention. To commemorate its 75th anniversary, McIntosh has released the LP McIntosh SESSIONS Volume 1: The Peter Erskine Quartet. Larry Jaffee talks about Lou Reed and Joey Ramone as rockers growing up Jewish.

B. Jan Montana discovers dandelion therapy. Ray Chelstowski talks with Thurston Moore, Sonic Youth co-founder, about his new album, Flow Critical Lucidity. The Vinyl Beat covers reissues from the Doobie Brothers, Miles Davis, Klark Kent, Ray Baretto, and more. I continue my series on playing in a rock band by asking: what do you want to play? Paul McGowan reminisces about 50 years of PS Audio and a new beginning in the 1970s. Tom Lane offers songs of love. From The Listening Chair focuses on cables. PS Audio earns positive reviews for the Stellar Strata MK2 and Aspen FR5 loudspeakers, and garners Editors’ Choice picks from The Absolute Sound. Ken Kessler encounters reel-to-reel high crimes and misdemeanors. The issue wraps up with a blanket statement, a RadioShack extravaganza, and a cactus cornucopia.



Click here for information on how to post comments in Copper.

Contributors to This Issue:
Ray Chelstowski, Frank Doris, Harris Fogel, Larry Jaffee, Ken Kessler, Howard Kneller, Tom Lane, Paul McGowan, B. Jan Montana, Rudy Radelic, Wayne Robins, James Schrimpf, John Seetoo, Peter Xeni

Logo Design:
Susan Schwartz-Christian, from a concept by Bob D’Amico

Editor:
Frank Doris

Publisher:
Paul McGowan

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

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#231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026 #230 An Outlier in the Rack: A Vintage BIC Beam Box by The Staff at Just Audio May 04, 2026 #230 PS Audio in the News by PS Audio Staff May 04, 2026 #230 A Cautionary Tale by Rich Isaacs May 04, 2026 #230 Reel-to-Reel Roots, Part 33 (Revised): Ken Kessler Reports On the 2026 (British) AudioJumble by Ken Kessler May 04, 2026 #230 Text Messaging by Frank Doris May 04, 2026 #230 The Audiophile Rat Race by Peter Xeni May 04, 2026 #230 On the Rocks by Rich Isaacs May 04, 2026 #229 The Earliest Stars of Country Music, Part Three by Jeff Weiner Apr 06, 2026 #229 The Healing Power of Music and Sound at the Omega Institute by Joe Caplan Apr 06, 2026 #229 CanJam NYC 2026 Show Report: Heady Sound, Part One by Frank Doris Apr 06, 2026 #229 Florida Audio Expo 2026: Warming Up to High-End Audio, Part One by Frank Doris Apr 06, 2026 #229 Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges by Frank Doris Apr 06, 2026 #229 The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle by Rudy Radelic Apr 06, 2026 #229 Harvard Gets a High-End Audio Education by Frank Doris Apr 06, 2026 #229 No Country for Old Knees by B. Jan Montana Apr 06, 2026 #229 How To Play in A Rock Band, 22: Encounters With Famous Musicians, Part 1 by Frank Doris Apr 06, 2026 #229 The Soulful Grooves of Guinea-Bissau by Steve Kindig Apr 06, 2026 #229 Four-Hand Piano Performance at Its Finest by Stephan Haberthür Apr 06, 2026

Table of Contents – Issue 212

Table of Contents – Issue 212

RIP Phil Lesh, Grateful Dead bassist and vocalist and one of the greatest musical titans who ever walked the Earth. Grateful Dead fans and millions of us offer boundless tribute to a true legend.

We mourn the loss of audio industry veteran Richard Colburn, most recently of Tone Imports. Richard was one of the most well-loved and respected people in the high-end world, a friend to so many of us, and the news of his loss sent shock waves through the industry. We will miss him greatly.

Folk Alliance International has announced its 2025 showcase lineup, to take place in Montreal, Canada, February 19 – 23, 2025. (Wayne Robins covered the 2024 conference here and here.) More than 175 artists will participate, including Ron Sexsmith, Mimi O’Bonsawin, Tania Elizabeth, Mama’s Broke, Kaïa Kater, Jorane, Basiat Bulat, Wesli, Connie Kaldor, and more. The Annual Folk Alliance International Conference is the largest gathering of folk musicians and music industry professionals in the world. ‍For more information, click here.

The Listening Chair With Howard Kneller has launched its website, thelisteningchair.net. Howard is a Copper contributor, as well as a veteran audio reviewer and writer. The website features show reports, video and print reviews, coverage of dealers and manufacturers, and other news and features.

In this issue: We have the first of a three-part interview with Jamie Howarth of Plangent Processes, which corrects for the minute speed variations in master tapes to provide sonic improvements. Wayne Robins reviews Gillian Welch and David Rawlings’ Woodland album. Octave Records’ latest is Pennies From Heaven, a set of jazz classics and standards from singer/saxophonist Jeremy Mohney. I cover the recent Audio Engineering Society (AES) convention. To commemorate its 75th anniversary, McIntosh has released the LP McIntosh SESSIONS Volume 1: The Peter Erskine Quartet. Larry Jaffee talks about Lou Reed and Joey Ramone as rockers growing up Jewish.

B. Jan Montana discovers dandelion therapy. Ray Chelstowski talks with Thurston Moore, Sonic Youth co-founder, about his new album, Flow Critical Lucidity. The Vinyl Beat covers reissues from the Doobie Brothers, Miles Davis, Klark Kent, Ray Baretto, and more. I continue my series on playing in a rock band by asking: what do you want to play? Paul McGowan reminisces about 50 years of PS Audio and a new beginning in the 1970s. Tom Lane offers songs of love. From The Listening Chair focuses on cables. PS Audio earns positive reviews for the Stellar Strata MK2 and Aspen FR5 loudspeakers, and garners Editors’ Choice picks from The Absolute Sound. Ken Kessler encounters reel-to-reel high crimes and misdemeanors. The issue wraps up with a blanket statement, a RadioShack extravaganza, and a cactus cornucopia.



Click here for information on how to post comments in Copper.

Contributors to This Issue:
Ray Chelstowski, Frank Doris, Harris Fogel, Larry Jaffee, Ken Kessler, Howard Kneller, Tom Lane, Paul McGowan, B. Jan Montana, Rudy Radelic, Wayne Robins, James Schrimpf, John Seetoo, Peter Xeni

Logo Design:
Susan Schwartz-Christian, from a concept by Bob D’Amico

Editor:
Frank Doris

Publisher:
Paul McGowan

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

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