COPPER

A PS Audio Publication

Issue 215 • Free Online Magazine

Issue 215 Opening Salvo

Table of Contents – Issue 215

Table of Contents – Issue 215

Audio show season is upon us, kicking off in the US with Florida Audio Expo, which takes place February 21 – 23 at the Sheraton Tampa Brandon. It’s the first time for me and I’m stoked to report on the show, now in a bigger venue, and get away from the Northeast winter!

CanJam NYC (New York), and the Bristol Hi-Fi Show in the UK will take place on the same weekend. Next will come Sound Society Denmark (March 1 – 2, Copenhagen), Southwest Audio Fest (March 21 – 23, Dallas, Texas), Audio Show Deluxe (March 22 – 23, Whittlebury Park, UK), Oslo Hi-Fi Show (March 22  23), Montreal Audiofest (March 28 – 30), Shanghai International Audio & Video Show (April 11 – 13), AXPONA Audio Expo North America (April 11 – 13, Schaumburg, IL), Northern International Audio & Visual Show (April 25 – 27, Penang, Malaysia), T.H.E. Lone Star Audiofest (May 2 – 4, Round Rock, Texas), and HIGH-END Munich (May 15 – 18)…and that’s just in the first half of 2025 and may not be an all-inclusive list.

In this issue: B. Jan Montana tells a love story. Octave Records expands its portfolio of jazz music with pianist Tom Amend’s Jazz Classics: 1960s. DALI Speakers holds an informative showcase event. Making Vinyl’s Larry Jaffee offers a vinyl industry update. Jeff Weiner concludes his series on the (sort of) roots of rock and roll. Wayne Robins goes back in time with an interview with pop music legend Lesley Gore. PS Audio’s own Paul McGowan offers an excerpt from his upcoming book series, The Audiophile’s Guide, with an installment on digital audio. We start a new photo essay series from Harris Fogel: The People Who Make Audio Happen.

Ray Chelstowski talks with singer/songwriter Paul Thorn about his new album, Just a Vapor. I continue my series on how to play in a rock band with advice on playing on bigger stages. Rudy Radelic and The Vinyl Beat cover reissues and releases from Max Abrams, the Jazz Crusaders, Donald Byrd, Andreas Vollenweider, and more. Our publishing partner FIDELITY magazine visits Vienna’s Finest Audio Show. Copper Classics features Ken Kessler checking out reel-to-reel tapes and machines. From The Listening Chair looks at the Bluesound NODE ICON. PS Audio earns accolades for the Aspen FR30 loudspeaker, Stellar Strata MK2 integrated amp, and other products. The issue wraps up with high fi, a visit to that old audio gang of mine, and lyrical architecture.


Click here for information on how to post comments in Copper.

Contributors to This Issue:
Ray Chelstowski, Frank Doris, Harris Fogel, Rich Isaacs, Larry Jaffee, Ken Kessler, Howard Kneller, B. Jan Montana, Paul McGowan, Rudy Radelic, Wayne Robins, James Schrimpf, Jeff Weiner, Peter Xeni

Logo Design:
Susan Schwartz-Christian, from a concept by Bob D’Amico

Editor:
Frank Doris

Publisher:
Paul McGowan

Post-publication Nitpicker:
Rich Isaacs

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

 

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#225 Capital Audiofest 2025: Must-See Stereo, Part One by Frank Doris Dec 01, 2025 #225 Otis Taylor and the Electrics Delivers a Powerful Set of Hypnotic Modern Blues by Frank Doris Dec 01, 2025 #225 A Christmas Miracle by B. Jan Montana Dec 01, 2025 #225 T.H.E. Show New York 2025, Part Two: Plenty to See, Hear, and Enjoy by Frank Doris Dec 01, 2025 #225 Underappreciated Artists, Part One: Martin Briley by Rich Isaacs Dec 01, 2025 #225 Rock and Roll is Here to Stay by Wayne Robins Dec 01, 2025 #225 A Lifetime of Holiday Record (and CD) Listening by Rudy Radelic Dec 01, 2025 #225 Little Feat: Not Saying Goodbye, Not Yet by Ray Chelstowski Dec 01, 2025 #225 How to Play in a Rock Band, Part 18: Dealing With Burnout by Frank Doris Dec 01, 2025 #225 The People Who Make Audio Happen: CanJam SoCal 2025 by Harris Fogel Dec 01, 2025 #225 Chicago’s Sonic Sanctuaries: Four Hi‑Fi Listening Bars Channeling the Jazz‑Kissa Spirit by Olivier Meunier-Plante Dec 01, 2025 #225 From The Audiophile’s Guide: Controlling Bass Frequencies Through Membrane Absorbers (and How to Build Your Own) by Paul McGowan Dec 01, 2025 #225 Your Editor’s Tips for Attending Audio Shows by Frank Doris Dec 01, 2025 #225 PS Audio in the News by Frank Doris Dec 01, 2025 #225 Back to My Reel-to-Reel Roots, Part 24 by Ken Kessler Dec 01, 2025 #225 Holiday Music by Frank Doris Dec 01, 2025 #225 Puppy Prognostication by Peter Xeni Dec 01, 2025 #225 How to Post Comments on Copper by Frank Doris Dec 01, 2025 #225 Living Color by Rudy Radelic Dec 01, 2025 #224 T.H.E. Show New York 2025, Part One: A New Beginning by Frank Doris Nov 03, 2025 #224 Fool’s Leap of Faith is the Extraordinary Octave Records Debut from Singer/Songwriter Tyler Burba and Visit by Frank Doris Nov 03, 2025 #224 The Beatles’ “Aeolian Cadences.” What? by Wayne Robins Nov 03, 2025 #224 Persona Non Grata by B. Jan Montana Nov 03, 2025 #224 Talking With Recording Engineer Barry Diament of Soundkeeper Recordings, Part Two by Frank Doris Nov 03, 2025 #224 B Sides, B Movies, and Beware of Zombies by Rudy Radelic Nov 03, 2025 #224 The Burn-In Chronicles: 1,000 Hours to Sonic Salvation by Olivier Meunier-Plante Nov 03, 2025 #224 A Conversation With Mat Weisfeld of VPI Industries by Joe Caplan Nov 03, 2025 #224 Blues-Rocker Kenny Wayne Shepherd Celebrates 30 Years of Ledbetter Heights by Ray Chelstowski Nov 03, 2025 #224 Playing in a Rock Band, 17: When Good Gigs Go Bad, Part Two by Frank Doris Nov 03, 2025 #224 From The Audiophile’s Guide: Dealing with Odd-Shaped Rooms by Paul McGowan Nov 03, 2025 #224 TEAC’s TN-3B-SE Turntable Plays Bob Dylan by Howard Kneller Nov 03, 2025 #224 PS Audio in the News by Frank Doris Nov 03, 2025 #224 Lost in Translation by Peter Xeni Nov 03, 2025 #224 Reel-to-Reel Roots, Part 23: Better Than Rice Krispies by Ken Kessler Nov 03, 2025 #224 I Bring Joy! by Frank Doris Nov 03, 2025 #224 Screen Test by Rich Isaacs Nov 03, 2025 #224 How to Post Comments on Copper by Frank Doris Nov 03, 2025 #132 Dr. Patrick Gleeson: The Interview, Part Two by Rich Isaacs Oct 07, 2025 #223 World Fusion Meets Flamenco in Gratitude from Steve Mullins and Rim of the Well by Frank Doris Oct 06, 2025 #223 Judging Albums by Their Covers by Rich Isaacs Oct 06, 2025 #223 Recent Arrivals and 12-inch Royalty by Rudy Radelic Oct 06, 2025 #223 Summer of Creem, Part Two by Wayne Robins Oct 06, 2025 #223 Recording Engineer Barry Diament of Soundkeeper Recordings: Striving for Natural Sound by Frank Doris Oct 06, 2025 #223 Tea on the Terrace by B. Jan Montana Oct 06, 2025 #223 How Good Can Car Audio Get? by Joe Caplan Oct 06, 2025 #223 The Advantages of a Dedicated Listening Room by Paul McGowan Oct 06, 2025 #223 1! 2! 3! 4! Surrounded by the Ramones in Dolby Atmos! by Frank Doris Oct 06, 2025

Table of Contents – Issue 215

Table of Contents – Issue 215

Audio show season is upon us, kicking off in the US with Florida Audio Expo, which takes place February 21 – 23 at the Sheraton Tampa Brandon. It’s the first time for me and I’m stoked to report on the show, now in a bigger venue, and get away from the Northeast winter!

CanJam NYC (New York), and the Bristol Hi-Fi Show in the UK will take place on the same weekend. Next will come Sound Society Denmark (March 1 – 2, Copenhagen), Southwest Audio Fest (March 21 – 23, Dallas, Texas), Audio Show Deluxe (March 22 – 23, Whittlebury Park, UK), Oslo Hi-Fi Show (March 22  23), Montreal Audiofest (March 28 – 30), Shanghai International Audio & Video Show (April 11 – 13), AXPONA Audio Expo North America (April 11 – 13, Schaumburg, IL), Northern International Audio & Visual Show (April 25 – 27, Penang, Malaysia), T.H.E. Lone Star Audiofest (May 2 – 4, Round Rock, Texas), and HIGH-END Munich (May 15 – 18)…and that’s just in the first half of 2025 and may not be an all-inclusive list.

In this issue: B. Jan Montana tells a love story. Octave Records expands its portfolio of jazz music with pianist Tom Amend’s Jazz Classics: 1960s. DALI Speakers holds an informative showcase event. Making Vinyl’s Larry Jaffee offers a vinyl industry update. Jeff Weiner concludes his series on the (sort of) roots of rock and roll. Wayne Robins goes back in time with an interview with pop music legend Lesley Gore. PS Audio’s own Paul McGowan offers an excerpt from his upcoming book series, The Audiophile’s Guide, with an installment on digital audio. We start a new photo essay series from Harris Fogel: The People Who Make Audio Happen.

Ray Chelstowski talks with singer/songwriter Paul Thorn about his new album, Just a Vapor. I continue my series on how to play in a rock band with advice on playing on bigger stages. Rudy Radelic and The Vinyl Beat cover reissues and releases from Max Abrams, the Jazz Crusaders, Donald Byrd, Andreas Vollenweider, and more. Our publishing partner FIDELITY magazine visits Vienna’s Finest Audio Show. Copper Classics features Ken Kessler checking out reel-to-reel tapes and machines. From The Listening Chair looks at the Bluesound NODE ICON. PS Audio earns accolades for the Aspen FR30 loudspeaker, Stellar Strata MK2 integrated amp, and other products. The issue wraps up with high fi, a visit to that old audio gang of mine, and lyrical architecture.


Click here for information on how to post comments in Copper.

Contributors to This Issue:
Ray Chelstowski, Frank Doris, Harris Fogel, Rich Isaacs, Larry Jaffee, Ken Kessler, Howard Kneller, B. Jan Montana, Paul McGowan, Rudy Radelic, Wayne Robins, James Schrimpf, Jeff Weiner, Peter Xeni

Logo Design:
Susan Schwartz-Christian, from a concept by Bob D’Amico

Editor:
Frank Doris

Publisher:
Paul McGowan

Post-publication Nitpicker:
Rich Isaacs

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

 

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