COPPER

A PS Audio Publication

Issue 231 • Free Online Magazine

Issue 231 Featured

2026 La Jolla Concours d'Elegance: Another Aesthetic Feast

2026 La Jolla Concours d'Elegance: Another Aesthetic Feast

This must be your tenth or twelfth year in a row of attending the La Jolla Concours,” my neighbor exclaimed. “Don’t you get tired of it?”

I pulled up the image above on my cell phone and showed it to her. “Oh wow!,” she exclaimed. “That’s fantastic, what is it?”

“This is a 1955 Lincoln Futura concept car that was sitting on the street outside the gate,” I responded, “along with dozen’s of other fabulous cars, so you could have seen them without even paying the gate fee.”

She called her husband over and he exclaimed, “Wow, you can see the influence of this car in later production models! I think we are going to have to attend the event next year.”

 

That’s the way it is with the La Jolla Concours; once we share the photos, everyone’s interested.

She was right about us attending for the tenth or twelfth time. It would have been the twelfth had Covid not shut the event down for a couple of years.

This show is nothing like the typical county car show, where the same cars often appear every year. Here, each annual display is completely different. Not only that, here you’ll see some of the rarest and finest vintage cars anywhere. Although the entry fee of $129 may seem excessive to some, the question is, compared to what? When the average price of a three-hour Vegas show or a pop concert costs north of $150, the entry fee to this event for an entire day of entertainment seems like a bargain.

 

The first car to greet us through the gate was this stunning 1937 Mercedes roadster.

 

It got lots of attention and deservedly so. It was immaculate.

 

I overheard one wag asking, “Why were the best looking German cars all produced during a dictatorship?”

 

The interior was simple but elegant. 

 

Here’s another stunning German car of that era, a 1938 BMW 327 Cabriolet.

 

Lady Di thought this would make a nice car for her.

 

Seems like every car at this show is a work of art fit for a museum.

 

If Di get’s to choose the Bimmer, I want this one. It’s a 1930 Packard 734 Victoria. I don’t know if it originally came in two-tone livery, and I don’t care. It made me salivate just the way it is.

 

It comes stock with a windshield wiper and a sunroof.

 

This is a 1936 Delahaye 135 “disappearing top” convertible by Figoni et Falaschi. If we must have fenders, we might as well make them flow like the Seine around Île de la Cité. This car is local to La Jolla, and this Concours is the only time anyone other than the owner’s personal friends (and some family) will ever get to see it. Thank you Ken and Anne Smith.


The ostrich skin interior comes with a matching purse. Not sure about the shoes, gloves, and hat.

 

Some of my favorite prewar cars came from France. 


Here’s another stunning Delahaye, this time a 1938 Type 145 Chapron coupe. 

 

The paint job on either of these Delahayes have to cost more than we paid for our car brand new. I’d be afraid to let them anywhere near screaming kids, dogs, or any other objects that locomote independently.

 

For something completely different, here is a 1958 Lincoln Continental Mark III.

 

Note similarity of the lines to the 1955 concept car at the top of this article (as an aside, I invented this rear window slant in a grade 2 art class but never received credit for the idea).

It has enough room in the front seat for four sleeping dogs or two randy teenagers (but not while grandpa is checking his stock portfolio in the back seat). 

 

A classic ’60’s Volkswagen surfin’ wagon with flow through ventilation. This is the most desirable model as the 18-window versions are very rare.

 

For those who need to see the shiniest car at the show, here it is. Just don’t put it in the microwave.

 

 

This is a 2012 Bugati Veyron Super-Sport coupe. The body appears to be made of carbon fiber.

 

Who doesn’t love a classic Jaguar? This is a 1954 XK 140 SE Roadster.

 

Lady Di fell in love with this blue 1950 XK 120.

 

When we couldn’t find a place to sit in the hospitality tent, these delightful chaps let us join their table. That’s part of what makes this event so much fun. Everyone is in a good mood and hospitable.

John (left) and Joe live in Ohio and fly in every year. They love vintage cars and John has 17 of his own. We had a lot to talk bout which made for a delightful couple of hours.  

 

One the way out, I finally found a vintage German car we could afford, but Di just didn’t seem interested. Her heart was still with the1938 BMW 327 Cabriolet for some reason. You just can’t please some people.

 

All images courtesy of the author.

More from Issue 231

View All Articles in Issue 231

Search Copper Magazine

#234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026 #234 Rags for Solo Piano and a Dog: David Chesky's Ragtime Music for the Modern Age by Frankly Speaking Sep 07, 2026 #234 HIGH END 2026, Vienna: Here to Stay by Carsten Barnbeck Sep 07, 2026 #234 From The Audiophile’s Guide: The Two Main Types of Loudpeakers – Box and Panel by Paul McGowan Sep 07, 2026 #234 Letting it Slide by Frank Doris Sep 07, 2026 #234 PS Audio in the News by PS Audio Staff Sep 07, 2026 #234 Long Playing by Peter Xeni Sep 07, 2026 #234 La Mer by B. Jan Montana Sep 07, 2026 #233 A Report From The Total Hi-Fi Experience Show SoCal 2026 by B. Jan Montana Aug 03, 2026 #233 Bluegrass Meets Country, Folk, Jazz and More in All That We Carried by The Squid City Slingers by Frank Doris Aug 03, 2026 #233 Corey Glover and One Tribe Nation: A Variegated Musical Collective by Ray Chelstowski Aug 03, 2026 #233 Excursions with Clive: The Late Clive Davis, A Personal History by Wayne Robins Aug 03, 2026 #233 AI, Art, and Music: A Conversation With Synthography Art by Joe Caplan Aug 03, 2026 #233 New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work by Frank Doris Aug 03, 2026 #233 The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More by Rudy Radelic Aug 03, 2026 #233 How to Play in a Rock Band, 26: When It's Time to Record Your Music by Frank Doris Aug 03, 2026 #233 More From T.H.E. Show 2026, and the People Who Made it Happen by Harris Fogel Aug 03, 2026 #233 Underappreciated Artists, Part Three: Icehouse by Rich Isaacs Aug 03, 2026 #233 The Surprisingly Rich and Varied Music of Somalia by Steve Kindig Aug 03, 2026 #233 A Remarkable Discographic Legacy: The LP Recordings of the Basel Symphony Orchestra by Stephan Haberthür Aug 03, 2026 #233 From The Audiophile’s Guide: The Importance of Loudspeakers by Paul McGowan Aug 03, 2026 #233 From Swimming Pool to New Listening Room: A Conversation with Norman Varney of AV RoomService by Gilles Laferrière Aug 03, 2026 #233 PS Audio in the News by PS Audio Staff Aug 03, 2026 #233 Audio Jewelry by Peter Xeni Aug 03, 2026 #233 Enrich Your Life by Frank Doris Aug 03, 2026 #233 The Searcher by James Schrimpf Aug 03, 2026 #232 What came first: Art or Music? A Conversation With Artist Jose Acosta by Joe Caplan Jul 06, 2026 #232 Blow By Blow: The Jeff Beck Story: An Insightful Book About a Guitar Icon by Ray Chelstowski Jul 06, 2026 #232 Creed Over Camaraderie? by B. Jan Montana Jul 06, 2026 #232 Chronicles of a Sound Pilgrim at the 2026 Montreal Audiofest by Hugues Morin Jul 06, 2026 #232 The Vinyl Beat: Summer Grooves by Rudy Radelic Jul 06, 2026 #232 Hibbing Hillbilly Dylan's Acoustic Rock by Wayne Robins Jul 06, 2026 #232 Quad Quads and Plasmatronics Tweeters: An Extraordinary System Comes to Life by Frank Doris Jul 06, 2026 #232 In Praise of Live Music, Once Again by Ted Shafran Jul 06, 2026 #232 Allnic Audio’s L-9000 Preamplifier: Design and Engineering Innovation by Howard Kneller Jul 06, 2026 #232 “Best Of” Lists and Rage Bait: Enough Already by Frank Doris Jul 06, 2026 #232 Quick Takes: Bud Shank, Paulo Almeida, Jakob Dreyer, Tim Eriksen and Peter Irvine by Frank Doris Jul 06, 2026

2026 La Jolla Concours d'Elegance: Another Aesthetic Feast

2026 La Jolla Concours d'Elegance: Another Aesthetic Feast

This must be your tenth or twelfth year in a row of attending the La Jolla Concours,” my neighbor exclaimed. “Don’t you get tired of it?”

I pulled up the image above on my cell phone and showed it to her. “Oh wow!,” she exclaimed. “That’s fantastic, what is it?”

“This is a 1955 Lincoln Futura concept car that was sitting on the street outside the gate,” I responded, “along with dozen’s of other fabulous cars, so you could have seen them without even paying the gate fee.”

She called her husband over and he exclaimed, “Wow, you can see the influence of this car in later production models! I think we are going to have to attend the event next year.”

 

That’s the way it is with the La Jolla Concours; once we share the photos, everyone’s interested.

She was right about us attending for the tenth or twelfth time. It would have been the twelfth had Covid not shut the event down for a couple of years.

This show is nothing like the typical county car show, where the same cars often appear every year. Here, each annual display is completely different. Not only that, here you’ll see some of the rarest and finest vintage cars anywhere. Although the entry fee of $129 may seem excessive to some, the question is, compared to what? When the average price of a three-hour Vegas show or a pop concert costs north of $150, the entry fee to this event for an entire day of entertainment seems like a bargain.

 

The first car to greet us through the gate was this stunning 1937 Mercedes roadster.

 

It got lots of attention and deservedly so. It was immaculate.

 

I overheard one wag asking, “Why were the best looking German cars all produced during a dictatorship?”

 

The interior was simple but elegant. 

 

Here’s another stunning German car of that era, a 1938 BMW 327 Cabriolet.

 

Lady Di thought this would make a nice car for her.

 

Seems like every car at this show is a work of art fit for a museum.

 

If Di get’s to choose the Bimmer, I want this one. It’s a 1930 Packard 734 Victoria. I don’t know if it originally came in two-tone livery, and I don’t care. It made me salivate just the way it is.

 

It comes stock with a windshield wiper and a sunroof.

 

This is a 1936 Delahaye 135 “disappearing top” convertible by Figoni et Falaschi. If we must have fenders, we might as well make them flow like the Seine around Île de la Cité. This car is local to La Jolla, and this Concours is the only time anyone other than the owner’s personal friends (and some family) will ever get to see it. Thank you Ken and Anne Smith.


The ostrich skin interior comes with a matching purse. Not sure about the shoes, gloves, and hat.

 

Some of my favorite prewar cars came from France. 


Here’s another stunning Delahaye, this time a 1938 Type 145 Chapron coupe. 

 

The paint job on either of these Delahayes have to cost more than we paid for our car brand new. I’d be afraid to let them anywhere near screaming kids, dogs, or any other objects that locomote independently.

 

For something completely different, here is a 1958 Lincoln Continental Mark III.

 

Note similarity of the lines to the 1955 concept car at the top of this article (as an aside, I invented this rear window slant in a grade 2 art class but never received credit for the idea).

It has enough room in the front seat for four sleeping dogs or two randy teenagers (but not while grandpa is checking his stock portfolio in the back seat). 

 

A classic ’60’s Volkswagen surfin’ wagon with flow through ventilation. This is the most desirable model as the 18-window versions are very rare.

 

For those who need to see the shiniest car at the show, here it is. Just don’t put it in the microwave.

 

 

This is a 2012 Bugati Veyron Super-Sport coupe. The body appears to be made of carbon fiber.

 

Who doesn’t love a classic Jaguar? This is a 1954 XK 140 SE Roadster.

 

Lady Di fell in love with this blue 1950 XK 120.

 

When we couldn’t find a place to sit in the hospitality tent, these delightful chaps let us join their table. That’s part of what makes this event so much fun. Everyone is in a good mood and hospitable.

John (left) and Joe live in Ohio and fly in every year. They love vintage cars and John has 17 of his own. We had a lot to talk bout which made for a delightful couple of hours.  

 

One the way out, I finally found a vintage German car we could afford, but Di just didn’t seem interested. Her heart was still with the1938 BMW 327 Cabriolet for some reason. You just can’t please some people.

 

All images courtesy of the author.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: