COPPER

A PS Audio Publication

Issue 231 • Free Online Magazine

Issue 231 Featured

2026 La Jolla Concours d'Elegance: Another Aesthetic Feast

2026 La Jolla Concours d'Elegance: Another Aesthetic Feast

This must be your tenth or twelfth year in a row of attending the La Jolla Concours,” my neighbor exclaimed. “Don’t you get tired of it?”

I pulled up the image above on my cell phone and showed it to her. “Oh wow!,” she exclaimed. “That’s fantastic, what is it?”

“This is a 1955 Lincoln Futura concept car that was sitting on the street outside the gate,” I responded, “along with dozen’s of other fabulous cars, so you could have seen them without even paying the gate fee.”

She called her husband over and he exclaimed, “Wow, you can see the influence of this car in later production models! I think we are going to have to attend the event next year.”

 

That’s the way it is with the La Jolla Concours; once we share the photos, everyone’s interested.

She was right about us attending for the tenth or twelfth time. It would have been the twelfth had Covid not shut the event down for a couple of years.

This show is nothing like the typical county car show, where the same cars often appear every year. Here, each annual display is completely different. Not only that, here you’ll see some of the rarest and finest vintage cars anywhere. Although the entry fee of $129 may seem excessive to some, the question is, compared to what? When the average price of a three-hour Vegas show or a pop concert costs north of $150, the entry fee to this event for an entire day of entertainment seems like a bargain.

 

The first car to greet us through the gate was this stunning 1937 Mercedes roadster.

 

It got lots of attention and deservedly so. It was immaculate.

 

I overheard one wag asking, “Why were the best looking German cars all produced during a dictatorship?”

 

The interior was simple but elegant. 

 

Here’s another stunning German car of that era, a 1938 BMW 327 Cabriolet.

 

Lady Di thought this would make a nice car for her.

 

Seems like every car at this show is a work of art fit for a museum.

 

If Di get’s to choose the Bimmer, I want this one. It’s a 1930 Packard 734 Victoria. I don’t know if it originally came in two-tone livery, and I don’t care. It made me salivate just the way it is.

 

It comes stock with a windshield wiper and a sunroof.

 

This is a 1936 Delahaye 135 “disappearing top” convertible by Figoni et Falaschi. If we must have fenders, we might as well make them flow like the Seine around Île de la Cité. This car is local to La Jolla, and this Concours is the only time anyone other than the owner’s personal friends (and some family) will ever get to see it. Thank you Ken and Anne Smith.


The ostrich skin interior comes with a matching purse. Not sure about the shoes, gloves, and hat.

 

Some of my favorite prewar cars came from France. 


Here’s another stunning Delahaye, this time a 1938 Type 145 Chapron coupe. 

 

The paint job on either of these Delahayes have to cost more than we paid for our car brand new. I’d be afraid to let them anywhere near screaming kids, dogs, or any other objects that locomote independently.

 

For something completely different, here is a 1958 Lincoln Continental Mark III.

 

Note similarity of the lines to the 1955 concept car at the top of this article (as an aside, I invented this rear window slant in a grade 2 art class but never received credit for the idea).

It has enough room in the front seat for four sleeping dogs or two randy teenagers (but not while grandpa is checking his stock portfolio in the back seat). 

 

A classic ’60’s Volkswagen surfin’ wagon with flow through ventilation. This is the most desirable model as the 18-window versions are very rare.

 

For those who need to see the shiniest car at the show, here it is. Just don’t put it in the microwave.

 

 

This is a 2012 Bugati Veyron Super-Sport coupe. The body appears to be made of carbon fiber.

 

Who doesn’t love a classic Jaguar? This is a 1954 XK 140 SE Roadster.

 

Lady Di fell in love with this blue 1950 XK 120.

 

When we couldn’t find a place to sit in the hospitality tent, these delightful chaps let us join their table. That’s part of what makes this event so much fun. Everyone is in a good mood and hospitable.

John (left) and Joe live in Ohio and fly in every year. They love vintage cars and John has 17 of his own. We had a lot to talk bout which made for a delightful couple of hours.  

 

One the way out, I finally found a vintage German car we could afford, but Di just didn’t seem interested. Her heart was still with the1938 BMW 327 Cabriolet for some reason. You just can’t please some people.

 

All images courtesy of the author.

More from Issue 231

Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records
Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records
Frank Doris
Underappreciated Artists, Part Two: City Boy
Underappreciated Artists, Part Two: City Boy
Rich Isaacs
Music and the Art of Creation: Talking With Saxophonist Rob Scheps
Music and the Art of Creation: Talking With Saxophonist Rob Scheps
Joe Caplan
How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival
How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival
Frank Doris
Courtney Barnett: Creature of Habit
Courtney Barnett: Creature of Habit
Wayne Robins
Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom?
Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom?
Mark Lepage
View All Articles in Issue 231

Search Copper Magazine

#231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026 #230 An Outlier in the Rack: A Vintage BIC Beam Box by The Staff at Just Audio May 04, 2026 #230 PS Audio in the News by PS Audio Staff May 04, 2026 #230 A Cautionary Tale by Rich Isaacs May 04, 2026 #230 Reel-to-Reel Roots, Part 33 (Revised): Ken Kessler Reports On the 2026 (British) AudioJumble by Ken Kessler May 04, 2026 #230 Text Messaging by Frank Doris May 04, 2026 #230 The Audiophile Rat Race by Peter Xeni May 04, 2026 #230 On the Rocks by Rich Isaacs May 04, 2026 #229 The Earliest Stars of Country Music, Part Three by Jeff Weiner Apr 06, 2026 #229 The Healing Power of Music and Sound at the Omega Institute by Joe Caplan Apr 06, 2026 #229 CanJam NYC 2026 Show Report: Heady Sound, Part One by Frank Doris Apr 06, 2026 #229 Florida Audio Expo 2026: Warming Up to High-End Audio, Part One by Frank Doris Apr 06, 2026 #229 Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges by Frank Doris Apr 06, 2026 #229 The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle by Rudy Radelic Apr 06, 2026 #229 Harvard Gets a High-End Audio Education by Frank Doris Apr 06, 2026 #229 No Country for Old Knees by B. Jan Montana Apr 06, 2026 #229 How To Play in A Rock Band, 22: Encounters With Famous Musicians, Part 1 by Frank Doris Apr 06, 2026 #229 The Soulful Grooves of Guinea-Bissau by Steve Kindig Apr 06, 2026 #229 Four-Hand Piano Performance at Its Finest by Stephan Haberthür Apr 06, 2026

2026 La Jolla Concours d'Elegance: Another Aesthetic Feast

2026 La Jolla Concours d'Elegance: Another Aesthetic Feast

This must be your tenth or twelfth year in a row of attending the La Jolla Concours,” my neighbor exclaimed. “Don’t you get tired of it?”

I pulled up the image above on my cell phone and showed it to her. “Oh wow!,” she exclaimed. “That’s fantastic, what is it?”

“This is a 1955 Lincoln Futura concept car that was sitting on the street outside the gate,” I responded, “along with dozen’s of other fabulous cars, so you could have seen them without even paying the gate fee.”

She called her husband over and he exclaimed, “Wow, you can see the influence of this car in later production models! I think we are going to have to attend the event next year.”

 

That’s the way it is with the La Jolla Concours; once we share the photos, everyone’s interested.

She was right about us attending for the tenth or twelfth time. It would have been the twelfth had Covid not shut the event down for a couple of years.

This show is nothing like the typical county car show, where the same cars often appear every year. Here, each annual display is completely different. Not only that, here you’ll see some of the rarest and finest vintage cars anywhere. Although the entry fee of $129 may seem excessive to some, the question is, compared to what? When the average price of a three-hour Vegas show or a pop concert costs north of $150, the entry fee to this event for an entire day of entertainment seems like a bargain.

 

The first car to greet us through the gate was this stunning 1937 Mercedes roadster.

 

It got lots of attention and deservedly so. It was immaculate.

 

I overheard one wag asking, “Why were the best looking German cars all produced during a dictatorship?”

 

The interior was simple but elegant. 

 

Here’s another stunning German car of that era, a 1938 BMW 327 Cabriolet.

 

Lady Di thought this would make a nice car for her.

 

Seems like every car at this show is a work of art fit for a museum.

 

If Di get’s to choose the Bimmer, I want this one. It’s a 1930 Packard 734 Victoria. I don’t know if it originally came in two-tone livery, and I don’t care. It made me salivate just the way it is.

 

It comes stock with a windshield wiper and a sunroof.

 

This is a 1936 Delahaye 135 “disappearing top” convertible by Figoni et Falaschi. If we must have fenders, we might as well make them flow like the Seine around Île de la Cité. This car is local to La Jolla, and this Concours is the only time anyone other than the owner’s personal friends (and some family) will ever get to see it. Thank you Ken and Anne Smith.


The ostrich skin interior comes with a matching purse. Not sure about the shoes, gloves, and hat.

 

Some of my favorite prewar cars came from France. 


Here’s another stunning Delahaye, this time a 1938 Type 145 Chapron coupe. 

 

The paint job on either of these Delahayes have to cost more than we paid for our car brand new. I’d be afraid to let them anywhere near screaming kids, dogs, or any other objects that locomote independently.

 

For something completely different, here is a 1958 Lincoln Continental Mark III.

 

Note similarity of the lines to the 1955 concept car at the top of this article (as an aside, I invented this rear window slant in a grade 2 art class but never received credit for the idea).

It has enough room in the front seat for four sleeping dogs or two randy teenagers (but not while grandpa is checking his stock portfolio in the back seat). 

 

A classic ’60’s Volkswagen surfin’ wagon with flow through ventilation. This is the most desirable model as the 18-window versions are very rare.

 

For those who need to see the shiniest car at the show, here it is. Just don’t put it in the microwave.

 

 

This is a 2012 Bugati Veyron Super-Sport coupe. The body appears to be made of carbon fiber.

 

Who doesn’t love a classic Jaguar? This is a 1954 XK 140 SE Roadster.

 

Lady Di fell in love with this blue 1950 XK 120.

 

When we couldn’t find a place to sit in the hospitality tent, these delightful chaps let us join their table. That’s part of what makes this event so much fun. Everyone is in a good mood and hospitable.

John (left) and Joe live in Ohio and fly in every year. They love vintage cars and John has 17 of his own. We had a lot to talk bout which made for a delightful couple of hours.  

 

One the way out, I finally found a vintage German car we could afford, but Di just didn’t seem interested. Her heart was still with the1938 BMW 327 Cabriolet for some reason. You just can’t please some people.

 

All images courtesy of the author.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: