COPPER

A PS Audio Publication

Issue 233 • Free Online Magazine

Issue 233 Music From Around the World

The Surprisingly Rich and Varied Music of Somalia

The Surprisingly Rich and Varied Music of Somalia

Mention the East African nation of Somalia in casual conversation and you may get a blank look or even a scowl. Decades of civil war, terrorism, and acute food shortages have contributed to its poor global reputation. Movies like Black Hawk Down, about the US military’s 1993 raid and subsequent rescue mission on the streets of Mogadishu, and Captain Phillips, about Somali pirates boarding a huge cargo ship and attempting to hold the crew hostage, haven’t helped.

But as with other troubled countries around the globe, the music of Somalia has managed to survive and even thrive. This article will provide an introduction to Somali music from the 1970s to today.

Somalia’s official name is the Federal Republic of Somalia. Stretching across the Horn of Africa, it is bordered by Ethiopia to the west, Djibouti to the northwest, the Gulf of Aden to the north, the Indian Ocean to the east, and Kenya to the southwest.

For centuries Somalia was an important trading hub due to its proximity to the Middle East and India. During the Middle Ages this trade was dominated by a series of powerful Somali sultanates. In the late 19th century these sultanates were colonized by Great Britain and Italy, creating British Somaliland and Italian Somaliland. In 1960, the two territories united to form the independent Somali Republic.

Somalia’s current population is about 20 million, with over two and a half million living in the coastal capital city of Mogadishu. The official language is Somali.

The music of Somalia is a mix of African and Arabic influences. It is pentatonic, using five pitches per octave, and can take some getting used to for Western ears. It sounds similar to the music of Sudan and nearby Arabic countries.

From the late 1960s until the early 1990s, a vibrant music scene in Mogadishu supported a large community of pop and folk musicians. The music spanned several genres of Somali traditional music, often blended with Middle-Eastern elements, as well as Western pop, jazz, soul and reggae. Although the civil war and subsequent repressive governments caused the arts to suffer, Somali music of all kinds continues to thrive, thanks in part to the diaspora living in cities worldwide.

Below I’ve listed a few of the most prominent Somali bands and artists. 

 

Waaberi

This legendary musical and theatrical troupe was founded in 1973 and had as many as 300 members at its height, including singers, musicians, dancers and actors. When the civil war erupted in 1991, many members of Waaberi joined other artists in fleeing the country. Some ended up in England, including the group’s musical “star” Maryam Mursal. In 1997, Mursal and several other band members made New Dawn, a great (and great-sounding) live recording. It’s out of print, but still available for a decent price on Discogs, and available to stream on Spotify and Tidal.

 

“Indo Ashak”:

Dur-Dur Band

The Dur-Dur Band was formed during the 1980s, and its upbeat blend of disco and funk made it one of the most popular bands in the Mogadishu dance scene. The group disbanded when Somalia’s civil war broke out in 1991. Several members fled the country, and the band re-formed in Addis Ababa, Ethiopia, where they recorded several albums before some members scattered to other countries. Three of the founding members currently live in Ohio!

My introduction to Somali pop music came in 2013 when the record label Awesome Tapes From Africa re-released Dur-Dur Band’s 1987 cassette Volume 5 on vinyl, cassette and CD. Another notable release is Dur Dur of Somalia – Volume 1, Volume 2 & Previously Unreleased Tracks from the reissue label Analog Africa.

 

“Is Yeelyel”:

Sahra Halgan

Sahra Halgan comes from Somaliland, in the north. Somaliland is generally considered to be part of Somalia, although one country, Israel, recently recognized it as an independent nation. Halgan moved to France in 1991 to escape Somalia’s civil war, and began her music career there, but moved back to Somaliland in 2015. Her songs are based in the traditional qaraami style, but often add an electric jolt of desert blues guitar, which helps her music stand out from other current Somali artists.

 

“Sharaf”:

If you find the music in these clips at all interesting, I’ve put together a Spotify playlist with 15 diverse tracks. Huge thanks to my friend and fellow WTJU DJ, Steve Harris, for introducing me to many of these artists.

Click here to hear a Spotify playlist of music from Somalia.

More from Issue 233

Corey Glover and One Tribe Nation: A Variegated Musical Collective
Corey Glover and One Tribe Nation: A Variegated Musical Collective
Ray Chelstowski
Excursions with Clive: The Late Clive Davis, A Personal History
Excursions with Clive: The Late Clive Davis, A Personal History
Wayne Robins
AI, Art, and Music: A Conversation With Synthography Art
AI, Art, and Music: A Conversation With Synthography Art
Joe Caplan
New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work
New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work
Frank Doris
The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More
The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More
Rudy Radelic
How to Play in a Rock Band, 26: When It's Time to Record Your Music
How to Play in a Rock Band, 26: When It's Time to Record Your Music
Frank Doris
View All Articles in Issue 233

Search Copper Magazine

#233 Corey Glover and One Tribe Nation: A Variegated Musical Collective by Ray Chelstowski Aug 03, 2026 #233 Excursions with Clive: The Late Clive Davis, A Personal History by Wayne Robins Aug 03, 2026 #233 AI, Art, and Music: A Conversation With Synthography Art by Joe Caplan Aug 03, 2026 #233 New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work by Frank Doris Aug 03, 2026 #233 The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More by Rudy Radelic Aug 03, 2026 #233 How to Play in a Rock Band, 26: When It's Time to Record Your Music by Frank Doris Aug 03, 2026 #233 More From T.H.E. Show 2026, and the People Who Made it Happen by Harris Fogel Aug 03, 2026 #233 Underappreciated Artists, Part Three: Icehouse by Rich Isaacs Aug 03, 2026 #233 The Surprisingly Rich and Varied Music of Somalia by Steve Kindig Aug 03, 2026 #233 A Remarkable Discographic Legacy: The LP Recordings of the Basel Symphony Orchestra by Stephan Haberthür Aug 03, 2026 #233 From The Audiophile’s Guide: The Importance of Loudspeakers by Paul McGowan Aug 03, 2026 #233 From Swimming Pool to New Listening Room: A Conversation with Norman Varney of AV RoomService by Gilles Laferrière Aug 03, 2026 #233 PS Audio in the News by PS Audio Staff Aug 03, 2026 #233 Audio Jewelry by Peter Xeni Aug 03, 2026 #233 Enrich Your Life by Frank Doris Aug 03, 2026 #233 The Searcher by James Schrimpf Aug 03, 2026 #232 What came first: Art or Music? A Conversation With Artist Jose Acosta by Joe Caplan Jul 06, 2026 #232 Blow By Blow: The Jeff Beck Story: An Insightful Book About a Guitar Icon by Ray Chelstowski Jul 06, 2026 #232 Creed Over Camaraderie? by B. Jan Montana Jul 06, 2026 #232 Chronicles of a Sound Pilgrim at the 2026 Montreal Audiofest by Hugues Morin Jul 06, 2026 #232 The Vinyl Beat: Summer Grooves by Rudy Radelic Jul 06, 2026 #232 Hibbing Hillbilly Dylan's Acoustic Rock by Wayne Robins Jul 06, 2026 #232 Quad Quads and Plasmatronics Tweeters: An Extraordinary System Comes to Life by Frank Doris Jul 06, 2026 #232 In Praise of Live Music, Once Again by Ted Shafran Jul 06, 2026 #232 Allnic Audio’s L-9000 Preamplifier: Design and Engineering Innovation by Howard Kneller Jul 06, 2026 #232 “Best Of” Lists and Rage Bait: Enough Already by Frank Doris Jul 06, 2026 #232 Quick Takes: Bud Shank, Paulo Almeida, Jakob Dreyer, Tim Eriksen and Peter Irvine by Frank Doris Jul 06, 2026 #232 My Impressions of AXPONA 2026, Part 2 by Frank Doris Jul 06, 2026 #232 How to Play in a Rock Band, 25: Encounters With Famous Musicians, Part Three by Frank Doris Jul 06, 2026 #232 Budgets, and Systems From Small to Outrageous by Paul McGowan Jul 06, 2026 #232 PS Audio in the News by PS Audio Staff Jul 06, 2026 #232 Hand It Over by Frank Doris Jul 06, 2026 #232 Difference of Opinion by Peter Xeni Jul 06, 2026 #232 Wabi-sabi Tree by James Schrimpf Jul 06, 2026 #231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026

The Surprisingly Rich and Varied Music of Somalia

The Surprisingly Rich and Varied Music of Somalia

Mention the East African nation of Somalia in casual conversation and you may get a blank look or even a scowl. Decades of civil war, terrorism, and acute food shortages have contributed to its poor global reputation. Movies like Black Hawk Down, about the US military’s 1993 raid and subsequent rescue mission on the streets of Mogadishu, and Captain Phillips, about Somali pirates boarding a huge cargo ship and attempting to hold the crew hostage, haven’t helped.

But as with other troubled countries around the globe, the music of Somalia has managed to survive and even thrive. This article will provide an introduction to Somali music from the 1970s to today.

Somalia’s official name is the Federal Republic of Somalia. Stretching across the Horn of Africa, it is bordered by Ethiopia to the west, Djibouti to the northwest, the Gulf of Aden to the north, the Indian Ocean to the east, and Kenya to the southwest.

For centuries Somalia was an important trading hub due to its proximity to the Middle East and India. During the Middle Ages this trade was dominated by a series of powerful Somali sultanates. In the late 19th century these sultanates were colonized by Great Britain and Italy, creating British Somaliland and Italian Somaliland. In 1960, the two territories united to form the independent Somali Republic.

Somalia’s current population is about 20 million, with over two and a half million living in the coastal capital city of Mogadishu. The official language is Somali.

The music of Somalia is a mix of African and Arabic influences. It is pentatonic, using five pitches per octave, and can take some getting used to for Western ears. It sounds similar to the music of Sudan and nearby Arabic countries.

From the late 1960s until the early 1990s, a vibrant music scene in Mogadishu supported a large community of pop and folk musicians. The music spanned several genres of Somali traditional music, often blended with Middle-Eastern elements, as well as Western pop, jazz, soul and reggae. Although the civil war and subsequent repressive governments caused the arts to suffer, Somali music of all kinds continues to thrive, thanks in part to the diaspora living in cities worldwide.

Below I’ve listed a few of the most prominent Somali bands and artists. 

 

Waaberi

This legendary musical and theatrical troupe was founded in 1973 and had as many as 300 members at its height, including singers, musicians, dancers and actors. When the civil war erupted in 1991, many members of Waaberi joined other artists in fleeing the country. Some ended up in England, including the group’s musical “star” Maryam Mursal. In 1997, Mursal and several other band members made New Dawn, a great (and great-sounding) live recording. It’s out of print, but still available for a decent price on Discogs, and available to stream on Spotify and Tidal.

 

“Indo Ashak”:

Dur-Dur Band

The Dur-Dur Band was formed during the 1980s, and its upbeat blend of disco and funk made it one of the most popular bands in the Mogadishu dance scene. The group disbanded when Somalia’s civil war broke out in 1991. Several members fled the country, and the band re-formed in Addis Ababa, Ethiopia, where they recorded several albums before some members scattered to other countries. Three of the founding members currently live in Ohio!

My introduction to Somali pop music came in 2013 when the record label Awesome Tapes From Africa re-released Dur-Dur Band’s 1987 cassette Volume 5 on vinyl, cassette and CD. Another notable release is Dur Dur of Somalia – Volume 1, Volume 2 & Previously Unreleased Tracks from the reissue label Analog Africa.

 

“Is Yeelyel”:

Sahra Halgan

Sahra Halgan comes from Somaliland, in the north. Somaliland is generally considered to be part of Somalia, although one country, Israel, recently recognized it as an independent nation. Halgan moved to France in 1991 to escape Somalia’s civil war, and began her music career there, but moved back to Somaliland in 2015. Her songs are based in the traditional qaraami style, but often add an electric jolt of desert blues guitar, which helps her music stand out from other current Somali artists.

 

“Sharaf”:

If you find the music in these clips at all interesting, I’ve put together a Spotify playlist with 15 diverse tracks. Huge thanks to my friend and fellow WTJU DJ, Steve Harris, for introducing me to many of these artists.

Click here to hear a Spotify playlist of music from Somalia.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: