COPPER

A PS Audio Publication

Issue 230 • Free Online Magazine

Issue 230 Paul's Place

AXPONA 2026: A Family Gathering

AXPONA 2026: A Family Gathering

There is nothing quite like being surrounded by people who understand your obsession.

AXPONA 2026 in Chicago was one of those experiences that reminds you why this hobby matters. Twelve thousand people showed up to the Renaissance Schaumburg to celebrate the thing we all have in common; a love of music reproduced at its best. Walking those halls, shaking hands, hearing system after system fill hotel rooms with sound that ranged from jaw-dropping to head-scratching, I was reminded that this community is something special. You cannot fake the kind of enthusiasm that fills a building when every person in it shares the same passion.

What strikes me most about audio shows is not the gear. It is the conversations. A guy from Australia who flew twenty hours to hear loudspeakers he had only read about online. A retired schoolteacher from Ohio who built his own tube amplifier from a kit and wanted to tell me every detail of the project. A young couple from Toronto attending their first show, wide-eyed at the realization that music could sound like that. These are not just customers or enthusiasts. They are family.

Our PS Audio room was packed, and I spent more time talking than I did sitting and listening. People wanted to know about the PMG Signature line, about what we are working on next. Mostly though, they wanted to share their stories. Their systems, their rooms, the recording that changed how they listened. I must have heard fifty different versions of the moment I realized my system could do that and every single one of them mattered to me.

 

The hi-fi family gathers at the PS Audio booth at AXPONA 2026.

 

The hi-fi community gets a bad rap sometimes. People think we are obsessive gear heads who care more about specifications than music. Maybe some of us are guilty of that now and then. But at AXPONA I saw something different. I saw people connecting over shared passion. I saw strangers become friends in the time it takes to play one well-recorded track. I saw the same spark in a twenty-year-old's eyes that I felt at that age, sitting in front of a pair of speakers and hearing depth for the first time.

If you have never attended a show like AXPONA, put it on your list. It is worth the trip, the sore feet, and the dangerously long list of gear you will want to audition when you get home. Being part of this hi-fi family is one of the great privileges of my life, and Chicago reminded me never to take it for granted.

 

Header image courtesy of AXPONA.

More from Issue 230

Camaraderie
Camaraderie
B. Jan Montana
Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky
Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky
Frank Doris
The Vinyl Beat in AXPONA-Land
The Vinyl Beat in AXPONA-Land
Rudy Radelic
Teddy Thompson’s Musical Growth Deepens With Never Be the Same
Teddy Thompson’s Musical Growth Deepens With Never Be the Same
Ray Chelstowski
More Fun in the Sun: Florida Audio Expo, Part Two
More Fun in the Sun: Florida Audio Expo, Part Two
Frank Doris
CanJam NYC 2026 Show Report: Heady Sound, Part Two
CanJam NYC 2026 Show Report: Heady Sound, Part Two
Frank Doris and Harris Fogel
View All Articles in Issue 230

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#231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026 #230 An Outlier in the Rack: A Vintage BIC Beam Box by The Staff at Just Audio May 04, 2026 #230 PS Audio in the News by PS Audio Staff May 04, 2026 #230 A Cautionary Tale by Rich Isaacs May 04, 2026 #230 Reel-to-Reel Roots, Part 33 (Revised): Ken Kessler Reports On the 2026 (British) AudioJumble by Ken Kessler May 04, 2026 #230 Text Messaging by Frank Doris May 04, 2026 #230 The Audiophile Rat Race by Peter Xeni May 04, 2026 #230 On the Rocks by Rich Isaacs May 04, 2026 #229 The Earliest Stars of Country Music, Part Three by Jeff Weiner Apr 06, 2026 #229 The Healing Power of Music and Sound at the Omega Institute by Joe Caplan Apr 06, 2026 #229 CanJam NYC 2026 Show Report: Heady Sound, Part One by Frank Doris Apr 06, 2026 #229 Florida Audio Expo 2026: Warming Up to High-End Audio, Part One by Frank Doris Apr 06, 2026 #229 Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges by Frank Doris Apr 06, 2026 #229 The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle by Rudy Radelic Apr 06, 2026 #229 Harvard Gets a High-End Audio Education by Frank Doris Apr 06, 2026 #229 No Country for Old Knees by B. Jan Montana Apr 06, 2026 #229 How To Play in A Rock Band, 22: Encounters With Famous Musicians, Part 1 by Frank Doris Apr 06, 2026 #229 The Soulful Grooves of Guinea-Bissau by Steve Kindig Apr 06, 2026 #229 Four-Hand Piano Performance at Its Finest by Stephan Haberthür Apr 06, 2026

AXPONA 2026: A Family Gathering

AXPONA 2026: A Family Gathering

There is nothing quite like being surrounded by people who understand your obsession.

AXPONA 2026 in Chicago was one of those experiences that reminds you why this hobby matters. Twelve thousand people showed up to the Renaissance Schaumburg to celebrate the thing we all have in common; a love of music reproduced at its best. Walking those halls, shaking hands, hearing system after system fill hotel rooms with sound that ranged from jaw-dropping to head-scratching, I was reminded that this community is something special. You cannot fake the kind of enthusiasm that fills a building when every person in it shares the same passion.

What strikes me most about audio shows is not the gear. It is the conversations. A guy from Australia who flew twenty hours to hear loudspeakers he had only read about online. A retired schoolteacher from Ohio who built his own tube amplifier from a kit and wanted to tell me every detail of the project. A young couple from Toronto attending their first show, wide-eyed at the realization that music could sound like that. These are not just customers or enthusiasts. They are family.

Our PS Audio room was packed, and I spent more time talking than I did sitting and listening. People wanted to know about the PMG Signature line, about what we are working on next. Mostly though, they wanted to share their stories. Their systems, their rooms, the recording that changed how they listened. I must have heard fifty different versions of the moment I realized my system could do that and every single one of them mattered to me.

 

The hi-fi family gathers at the PS Audio booth at AXPONA 2026.

 

The hi-fi community gets a bad rap sometimes. People think we are obsessive gear heads who care more about specifications than music. Maybe some of us are guilty of that now and then. But at AXPONA I saw something different. I saw people connecting over shared passion. I saw strangers become friends in the time it takes to play one well-recorded track. I saw the same spark in a twenty-year-old's eyes that I felt at that age, sitting in front of a pair of speakers and hearing depth for the first time.

If you have never attended a show like AXPONA, put it on your list. It is worth the trip, the sore feet, and the dangerously long list of gear you will want to audition when you get home. Being part of this hi-fi family is one of the great privileges of my life, and Chicago reminded me never to take it for granted.

 

Header image courtesy of AXPONA.

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