COPPER

A PS Audio Publication

Issue 43 • Free Online Magazine

Issue 43 THE AUDIO CYNIC

Plus Ça Change….



The full expression is of course, plus ça change, plus c’est la même chose. If your French is as bad as mine, that may be meaningless—but it translates literally (more or less) as “the more it changes, the more it’s the same thing”. More flowingly, perhaps, “the more things change, the more they stay the same”.

Or, in the succinct Southern English with which I grew up: “same ol’, same ol'”.

What prompted this? I’ve been talking to some folks in the money biz—and there will likely be a number of stories about those conversations, some day— and I was struck by their universal condemnation of print media. Magazines, newspapers, whatever: all tarred with the same brush. Stay away at all costs, pouring money down the drain, yadda yadda, IT”S DEAD.

Being a natural-born contrarian, I am distrustful of common wisdom; all too often, in my eyes, common wisdom  merely turns out to be shared stupidity. So when someone utters a simplistic truism, I immediately look for loopholes and counter-examples. Maybe that has to do with my time as an IRS tax-examiner, as well.

I digress.

Remember the whole “LPs are dead” pronouncement? While it will never be what it is in, say, 1967, vinyl as an industry is the strongest it’s been in thirty -some years, with existing pressing plants operating at max capacity and new pressing plants popping up all over the place. Did that turn-around just happen? Or is it the result of dilligent (some might say relentless) efforts on the part of people like Michael Fremer, Chad Kassem, and many others?

Maybe a little of both, but I’d lay my money on the latter. So—a decade or so ago, investing in LP production would’ve seemed insane, like putting money into Enron after it vaporized. But now? Guys like Mikey and Chad look prescient, positively VISIONARY (to use yet another overused  buzzword I hate).

I can’t help but think of print media as the analog form of reading media. I don’t see newspapers ever being what they once were, at least for breaking news snippets—that chunk of the market is locked up by digital media. But for in-depth reportage, or lightweight subway/beach reading? Paperbacks, hard covers, magazines definitely have a place. For many folks—like me—a preferred place.

A number of media empires are anchored by print properties, augmented by websites and other digital outposts like You Tube channels. Think of Robb Report, the New York Times, Wall Street Journal, Forbes: with each one there’s a magazine or newspaper at the core, nicely supplemented by online content. Is the tail wagging the dog? Maybe—but the combination of print and pixels is stronger than either would be alone.

So why the lack of love from venture capital and private equity folks? Is it because there’s no way of shorting their investments, of betting against an idea?

Whatever the reason, I think those folks are being short-sighted. Like an LP itself, spinning on the platter…what goes around, comes around. Mark my words: print ain’t dead. Not by a long shot. I’ll betcha that some savvy print investments will have their shareholders laughing all the way to the bank.

Check back with me in ten years—okay?

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#229 The Earliest Stars of Country Music, Part Three by Jeff Weiner Apr 06, 2026 #229 The Healing Power of Music and Sound at the Omega Institute by Joe Caplan Apr 06, 2026 #229 CanJam NYC 2026 Show Report: Heady Sound, Part One by Frank Doris Apr 06, 2026 #229 Florida Audio Expo 2026: Warming Up to High-End Audio, Part One by Frank Doris Apr 06, 2026 #229 Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges by Frank Doris Apr 06, 2026 #229 The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle by Rudy Radelic Apr 06, 2026 #229 Harvard Gets a High-End Audio Education by Frank Doris Apr 06, 2026 #229 No Country for Old Knees by B. Jan Montana Apr 06, 2026 #229 How To Play in A Rock Band, 22: Encounters With Famous Musicians, Part 1 by Frank Doris Apr 06, 2026 #229 The Soulful Grooves of Guinea-Bissau by Steve Kindig Apr 06, 2026 #229 Four-Hand Piano Performance at Its Finest by Stephan Haberthür Apr 06, 2026 #229 The People Who Make Audio Happen: Supreme Acoustics Systems’ Las Vegas Grand Opening by Harris Fogel Apr 06, 2026 #229 Blue Öyster Cult: Tyranny and Expectations by Wayne Robins Apr 06, 2026 #229 Guitarist Rick Vito’s Cinematic New Album, Slidemaster by Ray Chelstowski Apr 06, 2026 #229 Measurements and Observational Listening by Paul McGowan Apr 06, 2026 #229 PS Audio in the News by PS Audio Staff Apr 06, 2026 #229 Back to My Reel-to-Reel Roots, Part 28: The Cassette Strikes Back by Ken Kessler Apr 06, 2026 #229 Are You Receiving Me? by Frank Doris Apr 06, 2026 #229 Hospitality by Peter Xeni Apr 06, 2026 #229 Cantina Gateway by James Schrimpf Apr 06, 2026 #228 Serita’s Black Rose Duo Shakes Your Soul With a Blend of Funk, Rock, Blues and a Whole Lot More by Frank Doris Mar 02, 2026 #228 Vinyl, A Love Story by Wayne Robins Mar 02, 2026 #228 Thrill Seeker by B. Jan Montana Mar 02, 2026 #228 The Vinyl Beat: Donald Byrd, Bill Evans, Wes Montgomery, Eddie Palmieri and Frank Sinatra by Rudy Radelic Mar 02, 2026 #228 Listening to Prestige: The History of a Vitally Important Jazz Record Label by Frank Doris Mar 02, 2026 #228 How to Play in a Rock Band, 21: Touring With James Lee Stanley by Frank Doris Mar 02, 2026 #228 The NAMM 2026 Show: The Music Industry’s Premier Event by John Volanski Mar 02, 2026 #228 The Earliest Stars of Country Music, Part Two by Jeff Weiner Mar 02, 2026 #228 From The Audiophile's Guide: A Brief History of Stereophonic Sound by Paul McGowan Mar 02, 2026 #228 A Bone to Pick With Streaming Audio by Frank Doris Mar 02, 2026 #228 Blast Off With Bluesman Duke Robillard by Ray Chelstowski Mar 02, 2026 #228 A Visit to the Marten Loudspeaker Factory in Göteborg, Sweden by Ingo Schulz and Sebastian Polcyn Mar 02, 2026 #228 Pure Distortion by Peter Xeni Mar 02, 2026 #228 A Nagra Factory Tour by Markus "Marsu" Manthey Mar 02, 2026 #228 Back to My Reel-to-Reel Roots, Part 27: Noodge and Ye Shall Receive, Part Two by Ken Kessler Mar 02, 2026 #228 PS Audio in the News by PS Audio Staff Mar 02, 2026 #228 90-Degree Stereo by Frank Doris Mar 02, 2026 #228 The Keys to Art by Rich Isaacs Mar 02, 2026 #227 Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters by Frank Doris Feb 02, 2026 #227 Passport to Sound: May Anwar’s Audio Learning Experience for Young People by Frank Doris Feb 02, 2026 #227 Conjectures on Cosmic Consciousness by B. Jan Montana Feb 02, 2026 #227 The Big Takeover Turns 45 by Wayne Robins Feb 02, 2026 #227 Music and Chocolate: On the Sensory Connection by Joe Caplan Feb 02, 2026 #227 Singer/Songwriter Chris Berardo: Getting Wilder All the Time by Ray Chelstowski Feb 02, 2026 #227 The Earliest Stars of Country Music, Part One by Jeff Weiner Feb 02, 2026 #227 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part Two by Rudy Radelic Feb 02, 2026 #227 How to Play in a Rock Band, 20: On the Road With Blood, Sweat & Tears’ Guitarist Gabe Cummins by Frank Doris Feb 02, 2026

Plus Ça Change….



The full expression is of course, plus ça change, plus c’est la même chose. If your French is as bad as mine, that may be meaningless—but it translates literally (more or less) as “the more it changes, the more it’s the same thing”. More flowingly, perhaps, “the more things change, the more they stay the same”.

Or, in the succinct Southern English with which I grew up: “same ol’, same ol'”.

What prompted this? I’ve been talking to some folks in the money biz—and there will likely be a number of stories about those conversations, some day— and I was struck by their universal condemnation of print media. Magazines, newspapers, whatever: all tarred with the same brush. Stay away at all costs, pouring money down the drain, yadda yadda, IT”S DEAD.

Being a natural-born contrarian, I am distrustful of common wisdom; all too often, in my eyes, common wisdom  merely turns out to be shared stupidity. So when someone utters a simplistic truism, I immediately look for loopholes and counter-examples. Maybe that has to do with my time as an IRS tax-examiner, as well.

I digress.

Remember the whole “LPs are dead” pronouncement? While it will never be what it is in, say, 1967, vinyl as an industry is the strongest it’s been in thirty -some years, with existing pressing plants operating at max capacity and new pressing plants popping up all over the place. Did that turn-around just happen? Or is it the result of dilligent (some might say relentless) efforts on the part of people like Michael Fremer, Chad Kassem, and many others?

Maybe a little of both, but I’d lay my money on the latter. So—a decade or so ago, investing in LP production would’ve seemed insane, like putting money into Enron after it vaporized. But now? Guys like Mikey and Chad look prescient, positively VISIONARY (to use yet another overused  buzzword I hate).

I can’t help but think of print media as the analog form of reading media. I don’t see newspapers ever being what they once were, at least for breaking news snippets—that chunk of the market is locked up by digital media. But for in-depth reportage, or lightweight subway/beach reading? Paperbacks, hard covers, magazines definitely have a place. For many folks—like me—a preferred place.

A number of media empires are anchored by print properties, augmented by websites and other digital outposts like You Tube channels. Think of Robb Report, the New York Times, Wall Street Journal, Forbes: with each one there’s a magazine or newspaper at the core, nicely supplemented by online content. Is the tail wagging the dog? Maybe—but the combination of print and pixels is stronger than either would be alone.

So why the lack of love from venture capital and private equity folks? Is it because there’s no way of shorting their investments, of betting against an idea?

Whatever the reason, I think those folks are being short-sighted. Like an LP itself, spinning on the platter…what goes around, comes around. Mark my words: print ain’t dead. Not by a long shot. I’ll betcha that some savvy print investments will have their shareholders laughing all the way to the bank.

Check back with me in ten years—okay?

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