COPPER

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Issue 229 • Free Online Magazine

Issue 229 Featured

No Country for Old Knees

No Country for Old Knees

I’ve been listening to a lot of knee replacement stories lately. One guy told me he had his replaced 30 years ago. It took him six months to recover. Then he had to have it done again 10 years later. This time his recovery took twice as long. A neighbor refuses to have it done for fear of a similar ordeal.

What occasioned these discussions was the fact that I had a recent knee replacement. Thanks to my physical therapist, who forced me to start riding my exercise bike on the second day, I was walking unaided around the house in a week, and in two weeks, around the neighborhood. I was driving and climbing stairs in five weeks. 

In six weeks, I trekked across a local state park for 2.5 hours. If this sounds like bragging, you’re right, but not on my behalf, on behalf of my surgical team and the medical profession. Things have come a long way in the last 30 years.

My surgeon used a computer-guided laser to ensure that both sections of the knee joint were perfectly aligned with the bones. Apparently, premature knee failure is due primarily to poor alignment, forcing one knuckle of the artificial knee or the other to take most of the weight. This causes rapid wear. 

A second knee replacement results in more trauma to the leg than the first, as it requires more radical surgery, but second knee replacements are rare these days thanks to the significant improvements in procedures, design, and materials.

My knee replacement surgery was done as an outpatient procedure. I was in and out of the hospital in seven hours. Because they used superb numbing agents, I was able to walk to the car afterwards unaided except for a walker. I felt so good, I asked Lady Di to stop for a beer on the way home (she wouldn’t hear of it).

The next day was the toughest day of the whole experience. That’s when the numbing agents wore off. It wasn’t intolerable because I had prescription pain killers and we’d rented a Game Ready machine. Professional athletes use them for a quick recovery.

It’s a rubber sleeve which wraps around your leg, fastens with Velcro, blows up like an air mattress to apply compression, and circulates cold water around your knee. Very soothing. Without it, I wouldn’t have slept for the first few nights. 

A Game Ready GRPro 2.1 portable therapy unit.


After six days, the relief it provided was no longer necessary, so it was returned.

As for pain killers, I used Oxycodone only once. It turned me into a zombie. I felt like I’d undergone a lobotomy. Tramadol was plenty strong enough and I stopped using that after a month.

It says right on the bottle not to combine Tramadol with alcohol, but what the hell, some friends dropped by to wish me well and I felt fine, so we had a few toasts.

Then I went to the restroom and almost passed out. I decided to lay down for a few minutes and that’s the last my friends saw of me that day. 

I slept well though.

 

Header image courtesy of Shopify AI.

More from Issue 229

The Earliest Stars of  Country Music, Part Three
The Earliest Stars of Country Music, Part Three
Jeff Weiner
The Healing Power of Music and Sound at the Omega Institute
The Healing Power of Music and Sound at the Omega Institute
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CanJam NYC 2026 Show Report: Heady Sound, Part One
CanJam NYC 2026 Show Report: Heady Sound, Part One
Frank Doris
Florida Audio Expo 2026: Warming Up to High-End Audio, Part One
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Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges
Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges
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The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle
The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle
Rudy Radelic
View All Articles in Issue 229

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#229 The Earliest Stars of Country Music, Part Three by Jeff Weiner Apr 06, 2026 #229 The Healing Power of Music and Sound at the Omega Institute by Joe Caplan Apr 06, 2026 #229 CanJam NYC 2026 Show Report: Heady Sound, Part One by Frank Doris Apr 06, 2026 #229 Florida Audio Expo 2026: Warming Up to High-End Audio, Part One by Frank Doris Apr 06, 2026 #229 Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges by Frank Doris Apr 06, 2026 #229 The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle by Rudy Radelic Apr 06, 2026 #229 Harvard Gets a High-End Audio Education by Frank Doris Apr 06, 2026 #229 No Country for Old Knees by B. Jan Montana Apr 06, 2026 #229 How To Play in A Rock Band, 22: Encounters With Famous Musicians, Part 1 by Frank Doris Apr 06, 2026 #229 The Soulful Grooves of Guinea-Bissau by Steve Kindig Apr 06, 2026 #229 Four-Hand Piano Performance at Its Finest by Stephan Haberthür Apr 06, 2026 #229 The People Who Make Audio Happen: Supreme Acoustics Systems’ Las Vegas Grand Opening by Harris Fogel Apr 06, 2026 #229 Blue Öyster Cult: Tyranny and Expectations by Wayne Robins Apr 06, 2026 #229 Guitarist Rick Vito’s Cinematic New Album, Slidemaster by Ray Chelstowski Apr 06, 2026 #229 Measurements and Observational Listening by Paul McGowan Apr 06, 2026 #229 PS Audio in the News by PS Audio Staff Apr 06, 2026 #229 Back to My Reel-to-Reel Roots, Part 28: The Cassette Strikes Back by Ken Kessler Apr 06, 2026 #229 Are You Receiving Me? by Frank Doris Apr 06, 2026 #229 Hospitality by Peter Xeni Apr 06, 2026 #229 Cantina Gateway by James Schrimpf Apr 06, 2026 #228 Serita’s Black Rose Duo Shakes Your Soul With a Blend of Funk, Rock, Blues and a Whole Lot More by Frank Doris Mar 02, 2026 #228 Vinyl, A Love Story by Wayne Robins Mar 02, 2026 #228 Thrill Seeker by B. Jan Montana Mar 02, 2026 #228 The Vinyl Beat: Donald Byrd, Bill Evans, Wes Montgomery, Eddie Palmieri and Frank Sinatra by Rudy Radelic Mar 02, 2026 #228 Listening to Prestige: The History of a Vitally Important Jazz Record Label by Frank Doris Mar 02, 2026 #228 How to Play in a Rock Band, 21: Touring With James Lee Stanley by Frank Doris Mar 02, 2026 #228 The NAMM 2026 Show: The Music Industry’s Premier Event by John Volanski Mar 02, 2026 #228 The Earliest Stars of Country Music, Part Two by Jeff Weiner Mar 02, 2026 #228 From The Audiophile's Guide: A Brief History of Stereophonic Sound by Paul McGowan Mar 02, 2026 #228 A Bone to Pick With Streaming Audio by Frank Doris Mar 02, 2026 #228 Blast Off With Bluesman Duke Robillard by Ray Chelstowski Mar 02, 2026 #228 A Visit to the Marten Loudspeaker Factory in Göteborg, Sweden by Ingo Schulz and Sebastian Polcyn Mar 02, 2026 #228 Pure Distortion by Peter Xeni Mar 02, 2026 #228 A Nagra Factory Tour by Markus "Marsu" Manthey Mar 02, 2026 #228 Back to My Reel-to-Reel Roots, Part 27: Noodge and Ye Shall Receive, Part Two by Ken Kessler Mar 02, 2026 #228 PS Audio in the News by PS Audio Staff Mar 02, 2026 #228 90-Degree Stereo by Frank Doris Mar 02, 2026 #228 The Keys to Art by Rich Isaacs Mar 02, 2026 #227 Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters by Frank Doris Feb 02, 2026 #227 Passport to Sound: May Anwar’s Audio Learning Experience for Young People by Frank Doris Feb 02, 2026 #227 Conjectures on Cosmic Consciousness by B. Jan Montana Feb 02, 2026 #227 The Big Takeover Turns 45 by Wayne Robins Feb 02, 2026 #227 Music and Chocolate: On the Sensory Connection by Joe Caplan Feb 02, 2026 #227 Singer/Songwriter Chris Berardo: Getting Wilder All the Time by Ray Chelstowski Feb 02, 2026 #227 The Earliest Stars of Country Music, Part One by Jeff Weiner Feb 02, 2026 #227 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part Two by Rudy Radelic Feb 02, 2026 #227 How to Play in a Rock Band, 20: On the Road With Blood, Sweat & Tears’ Guitarist Gabe Cummins by Frank Doris Feb 02, 2026

No Country for Old Knees

No Country for Old Knees

I’ve been listening to a lot of knee replacement stories lately. One guy told me he had his replaced 30 years ago. It took him six months to recover. Then he had to have it done again 10 years later. This time his recovery took twice as long. A neighbor refuses to have it done for fear of a similar ordeal.

What occasioned these discussions was the fact that I had a recent knee replacement. Thanks to my physical therapist, who forced me to start riding my exercise bike on the second day, I was walking unaided around the house in a week, and in two weeks, around the neighborhood. I was driving and climbing stairs in five weeks. 

In six weeks, I trekked across a local state park for 2.5 hours. If this sounds like bragging, you’re right, but not on my behalf, on behalf of my surgical team and the medical profession. Things have come a long way in the last 30 years.

My surgeon used a computer-guided laser to ensure that both sections of the knee joint were perfectly aligned with the bones. Apparently, premature knee failure is due primarily to poor alignment, forcing one knuckle of the artificial knee or the other to take most of the weight. This causes rapid wear. 

A second knee replacement results in more trauma to the leg than the first, as it requires more radical surgery, but second knee replacements are rare these days thanks to the significant improvements in procedures, design, and materials.

My knee replacement surgery was done as an outpatient procedure. I was in and out of the hospital in seven hours. Because they used superb numbing agents, I was able to walk to the car afterwards unaided except for a walker. I felt so good, I asked Lady Di to stop for a beer on the way home (she wouldn’t hear of it).

The next day was the toughest day of the whole experience. That’s when the numbing agents wore off. It wasn’t intolerable because I had prescription pain killers and we’d rented a Game Ready machine. Professional athletes use them for a quick recovery.

It’s a rubber sleeve which wraps around your leg, fastens with Velcro, blows up like an air mattress to apply compression, and circulates cold water around your knee. Very soothing. Without it, I wouldn’t have slept for the first few nights. 

A Game Ready GRPro 2.1 portable therapy unit.


After six days, the relief it provided was no longer necessary, so it was returned.

As for pain killers, I used Oxycodone only once. It turned me into a zombie. I felt like I’d undergone a lobotomy. Tramadol was plenty strong enough and I stopped using that after a month.

It says right on the bottle not to combine Tramadol with alcohol, but what the hell, some friends dropped by to wish me well and I felt fine, so we had a few toasts.

Then I went to the restroom and almost passed out. I decided to lay down for a few minutes and that’s the last my friends saw of me that day. 

I slept well though.

 

Header image courtesy of Shopify AI.

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