COPPER

A PS Audio Publication

Issue 227 • Free Online Magazine

Issue 227 Featured

Music and Chocolate: On the Sensory Connection

Music and Chocolate: On the Sensory Connection

Dateline: 1962, Hershey, Pennsylvania.

I hurriedly boarded a Silversides bus along with other campers, en route to fastidious Amish Country. I experienced my first Dr. Pepper there, along with an admiring glance from a coed after I lent her my sweatshirt. But Hershey Park beckoned the uninitiated into a world of amazement. Chocolate; cacao beans, cocoa butter, a stream of liquid chocolate along with the undeniable urge to plunge an index finger into the marvelous flow of scrumptious liquidly bliss.

Chocolate. Could you imagine a vending machine without a Milky Way? Would you stand in line for a Chocolate Éclair at the Good Humor truck? Most assuredly. There was never a fire at day camp without S'mores and their melted Hershey squares. So enough mouth-watering examples.

How about the young coed to whom I lent my Army-Navy store sweatshirt? In a flush of post-pubescent hormones, I anticipated a token of appreciation, perhaps a hug? And as I inflated my chest to enhance my stature, I felt her grasp my hand. “Here,” she gushed, “your first kiss!” And truly it was – a silver-wrapped Hershey's Kiss. So began my matrimony with chocolate!

Since chocolate, for most of us, is woven into our everyday lives, I thought about what if any relationship it might have on music, and vice versa. Not machine-mixed milk chocolate or imported bar chocolate or miniatures, adulterated with fruit or nuts or covered with creams. No, I had to scour the Hudson Valley for exceptional, hand-crafted chocolates. The real thing. And I found a place in Beacon, New York where truffles are elevated to high art. But are there any ingredients in music that play into the recipes of the chocolatier? I asked Håkan Mortenssen of HÅKAN Chocolatier, and here is his delicious culinary chorus in response to my questions.

Joe Caplan: Have you ever noticed the sounds of chocolate making – tempering, snapping, the rustle of wrappers – as having musical textures?

kan Mortenssen: Absolutely! At HÅKAN Chocolatier, the tempering process creates a rhythmic stirring sound, like a gentle percussion beat, while the snap of [breaking] a perfectly-tempered bar echoes like a sharp cymbal crash. The rustle of wrappers adds a soft, whispering melody – it's all part of the symphony that makes crafting chocolate so immersive.

kan Mortenssen creates a custom edible sculpture.

 

JC: Do you think different types of chocolate have an inherent “mood” or “tempo” – is dark chocolate classical while milk chocolate is pop?

HM: Yes, I do see it that way. Dark chocolate, with its intense, layered notes, feels like classical music – deep, sophisticated, and timeless, much like a Bach concerto. Milk chocolate, on the other hand, is lively and approachable, akin to pop music's upbeat tempo, perfect for everyday joy. Our Swedish-inspired bonbons often blend these moods for a harmonious experience.

JC: When you taste a particular chocolate, does it ever evoke a specific song, instrument, or harmonic quality in your mind?

HM: Often! A rich, 70 percent dark chocolate from Panama might evoke the deep resonance of a cello or the haunting melody of a Swedish folk song like “Vem kan segla förutan vind.” Our hazelnut praline bonbon, with its nutty harmony, reminds me of the warm, vibrating tones of a guitar strum. It's all about that sensory crossover.

Thin shells, hand-selected ingredients, and a one-of-a-kind visual appeal make these hazelnut, and pistachio and coffee bonbons, something special.

 

On the Creative Process

JC: Do you ever think about tasting chocolates the way a musician builds a performance – starting with certain percentages of chocolate or the origins of its ingredients in a particular menu item,  and moving through a progression?

HM: That's exactly how we approach our tastings at HÅKAN. We start with lighter origins, like a 40 percent milk from Ecuador for an opening “prelude,” then progress to bolder, higher-percentage darks from Guatemala, building intensity like a musical crescendo. It creates a narrative arc that enhances appreciation.

JC: If you were to translate your favorite chocolate into a sound or musical composition, what would it be and why?

HM: My favorite – our cardamom-infused dark chocolate – would translate to a fusion piece blending Swedish folk with jazz. The spice adds an unexpected “improvisation,” while the chocolate's smoothness provides a steady rhythm, reflecting my journey from Sweden to the Hudson Valley and the creative freedom in blending flavors.

JC: Have you experimented with pairing music and chocolate to see if certain songs enhance bitter, sweet, or complex flavor notes?

HM: Yes; we've hosted informal pairings in our Beacon shop. Upbeat jazz like Miles Davis’s So What amplifies the sweetness in our milk chocolate bars, while ambient electronica, such as Sigur Rós, brings out the subtle bitterness in our 85 percent dark. It's fascinating how rhythm can heighten complexity!

Here's a chocolate garnished with goat cheese.

 

On Inspiration and Influence

JC: Has a song, composer, or music genre ever inspired a chocolate creation, pairing, or tasting experience?

HM: Definitely – Swedish composer Hugo Alfvén's pastoral works inspired our lingonberry bonbon, evoking the wild, earthy notes of Scandinavian landscapes. Jazz genres from my New York days have led to experimental pairings, like matching our espresso ganache with bebop for an energizing tasting.

JC: Do you associate specific music with chocolate-related moments – quiet evenings, celebrations, meditative tastings?

HM: For quiet evenings, we pair soft acoustic folk with our hot chocolate elixirs – think Joni Mitchell for introspection. Celebrations call for upbeat pop or ABBA, enhancing our festive bonbon boxes. Meditative tastings? Classical minimalism like Arvo Pärt, allowing the chocolate's nuances to shine without distraction. The Beatles and Miles Davis are major inspirations for us too.

JC: If you could collaborate with any musician to create a synchronized chocolate-and-music experience, who would it be and what would you create together?

HM: I'd love to collaborate with Daft Punk, Gorillaz, or Erykah Badu. Their innovative soundscapes would pair perfectly with a multi-layered bonbon series. We'd create an immersive event blending music with evolving flavors, from fruity highs to earthy lows.

 

On Experience Design

JC: How do you think ambiance – music, silence, or specific sounds – affects how people taste and appreciate chocolate?

HM: Ambiance is key; soft background music can relax the senses, making subtle flavors pop, while silence encourages mindfulness, letting the chocolate's “snap” and melt take center stage. In our shop, we use gentle ambient sounds to create a cozy, Hudson Valley-inspired escape that deepens appreciation.

JC: Would you ever design a “listening tasting” where each chocolate is meant to be experienced with a specific song or soundscape?

HM: We're already planning one, and [we] did one with Louis Tres [cognac]. Imagine a curated playlist where our pistachio truffle pairs with a nutty, rhythmic beat from a drum solo, or our sea salt caramel with oceanic waves and gentle piano. It would be a sensory journey. Stay tuned!

Each chocolate is crafted by hand.

 

 Håkan Mårtensson is a chocolatier known for his creativity and skillful use of out-of-the-ordinary ingredients. His chocolates are crafted with razor-thin shells, perfect tempering, uniquely-sourced ingredients, and a snap that melts in your mouth. In addition to chocolate, Håkan is a baker who has brought traditional Swedish cardamom buns to the locals, and espresso-based coffee drinks made with beans from Brooklyn roastery Devocion.

Håkan's passion for pastry and chocolate began when he enrolled at the Culinary Institute in Kristianstad, Sweden, at age 15. Three years later, he began his career at Nordiska Kompaniet (NK) department store in Stockholm. In 2005, Håkan joined the Swedish National Culinary Team as a sculptor and brought home gold medals from the World Cup in Luxembourg and the Culinary Olympics in Erfurt. In 2008, Håkan moved to New York City to become the master chocolatier at FIKA NYC. Today, Håkan is thrilled to have his own chocolate speakeasy in Beacon, New York.

For upcoming tasting and other events at HÅKAN Chocolatier, please visit hakanchocolatier.com.

 

Header image: Key of Life bonbons with key lime pie and white chocolate ganache. All images courtesy of Håkan Chocolatier.

More from Issue 227

Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters
Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters
Frank Doris
Passport to Sound: May Anwar’s Audio Learning Experience for Young People
Passport to Sound: May Anwar’s Audio Learning Experience for Young People
Frank Doris
Conjectures on Cosmic Consciousness
Conjectures on Cosmic Consciousness
B. Jan Montana
The Big Takeover Turns 45
The Big Takeover Turns 45
Wayne Robins
Singer/Songwriter Chris Berardo: Getting Wilder All the Time
Singer/Songwriter Chris Berardo: Getting Wilder All the Time
Ray Chelstowski
The Earliest Stars of  Country Music, Part One
The Earliest Stars of Country Music, Part One
Jeff Weiner
View All Articles in Issue 227

Search Copper Magazine

#227 Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters by Frank Doris Feb 02, 2026 #227 Passport to Sound: May Anwar’s Audio Learning Experience for Young People by Frank Doris Feb 02, 2026 #227 Conjectures on Cosmic Consciousness by B. Jan Montana Feb 02, 2026 #227 The Big Takeover Turns 45 by Wayne Robins Feb 02, 2026 #227 Music and Chocolate: On the Sensory Connection by Joe Caplan Feb 02, 2026 #227 Singer/Songwriter Chris Berardo: Getting Wilder All the Time by Ray Chelstowski Feb 02, 2026 #227 The Earliest Stars of Country Music, Part One by Jeff Weiner Feb 02, 2026 #227 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part Two by Rudy Radelic Feb 02, 2026 #227 How to Play in a Rock Band, 20: On the Road With Blood, Sweat & Tears’ Guitarist Gabe Cummins by Frank Doris Feb 02, 2026 #227 From The Audiophile’s Guide: Audio Specs and Measuring by Paul McGowan Feb 02, 2026 #227 Our Brain is Always Listening by Peter Trübner Feb 02, 2026 #227 PS Audio in the News by PS Audio Staff Feb 02, 2026 #227 The Listening Chair: Sleek Style and Sound From the Luxman L3 by Howard Kneller Feb 02, 2026 #227 The Los Angeles and Orange County Audio Society Celebrates Its 32nd Anniversary, Honoring David Wilson and Bernie Grundman by Harris Fogel Feb 02, 2026 #227 Back to My Reel-to-Reel Roots, Part 26: Half Full – Not Half Empty, Redux by Ken Kessler Feb 02, 2026 #227 That's What Puzzles Us... by Frank Doris Feb 02, 2026 #227 Record-Breaking by Peter Xeni Feb 02, 2026 #227 The Long and Winding Road by B. Jan Montana Feb 02, 2026 #226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026 #226 From The Audiophile’s Guide: Active Room Correction and Digital Signal Processing by Paul McGowan Jan 05, 2026 #226 PS Audio in the News by Frank Doris Jan 05, 2026 #226 Back to My Reel-to-Reel Roots, Part 25: Half-Full, Not Empty by Ken Kessler Jan 05, 2026 #226 Happy New Year! by Frank Doris Jan 05, 2026 #226 Turn It Down! by Peter Xeni Jan 05, 2026 #226 Ghost Riders by James Schrimpf Jan 05, 2026 #226 A Factory Tour of Audio Manufacturer German Physiks by Markus "Marsu" Manthey Jan 04, 2026 #225 Capital Audiofest 2025: Must-See Stereo, Part One by Frank Doris Dec 01, 2025 #225 Otis Taylor and the Electrics Delivers a Powerful Set of Hypnotic Modern Blues by Frank Doris Dec 01, 2025 #225 A Christmas Miracle by B. Jan Montana Dec 01, 2025 #225 T.H.E. Show New York 2025, Part Two: Plenty to See, Hear, and Enjoy by Frank Doris Dec 01, 2025 #225 Underappreciated Artists, Part One: Martin Briley by Rich Isaacs Dec 01, 2025 #225 Rock and Roll is Here to Stay by Wayne Robins Dec 01, 2025 #225 A Lifetime of Holiday Record (and CD) Listening by Rudy Radelic Dec 01, 2025 #225 Little Feat: Not Saying Goodbye, Not Yet by Ray Chelstowski Dec 01, 2025 #225 How to Play in a Rock Band, Part 18: Dealing With Burnout by Frank Doris Dec 01, 2025 #225 The People Who Make Audio Happen: CanJam SoCal 2025 by Harris Fogel Dec 01, 2025 #225 Chicago’s Sonic Sanctuaries: Four Hi‑Fi Listening Bars Channeling the Jazz‑Kissa Spirit by Olivier Meunier-Plante Dec 01, 2025

Music and Chocolate: On the Sensory Connection

Music and Chocolate: On the Sensory Connection

Dateline: 1962, Hershey, Pennsylvania.

I hurriedly boarded a Silversides bus along with other campers, en route to fastidious Amish Country. I experienced my first Dr. Pepper there, along with an admiring glance from a coed after I lent her my sweatshirt. But Hershey Park beckoned the uninitiated into a world of amazement. Chocolate; cacao beans, cocoa butter, a stream of liquid chocolate along with the undeniable urge to plunge an index finger into the marvelous flow of scrumptious liquidly bliss.

Chocolate. Could you imagine a vending machine without a Milky Way? Would you stand in line for a Chocolate Éclair at the Good Humor truck? Most assuredly. There was never a fire at day camp without S'mores and their melted Hershey squares. So enough mouth-watering examples.

How about the young coed to whom I lent my Army-Navy store sweatshirt? In a flush of post-pubescent hormones, I anticipated a token of appreciation, perhaps a hug? And as I inflated my chest to enhance my stature, I felt her grasp my hand. “Here,” she gushed, “your first kiss!” And truly it was – a silver-wrapped Hershey's Kiss. So began my matrimony with chocolate!

Since chocolate, for most of us, is woven into our everyday lives, I thought about what if any relationship it might have on music, and vice versa. Not machine-mixed milk chocolate or imported bar chocolate or miniatures, adulterated with fruit or nuts or covered with creams. No, I had to scour the Hudson Valley for exceptional, hand-crafted chocolates. The real thing. And I found a place in Beacon, New York where truffles are elevated to high art. But are there any ingredients in music that play into the recipes of the chocolatier? I asked Håkan Mortenssen of HÅKAN Chocolatier, and here is his delicious culinary chorus in response to my questions.

Joe Caplan: Have you ever noticed the sounds of chocolate making – tempering, snapping, the rustle of wrappers – as having musical textures?

kan Mortenssen: Absolutely! At HÅKAN Chocolatier, the tempering process creates a rhythmic stirring sound, like a gentle percussion beat, while the snap of [breaking] a perfectly-tempered bar echoes like a sharp cymbal crash. The rustle of wrappers adds a soft, whispering melody – it's all part of the symphony that makes crafting chocolate so immersive.

kan Mortenssen creates a custom edible sculpture.

 

JC: Do you think different types of chocolate have an inherent “mood” or “tempo” – is dark chocolate classical while milk chocolate is pop?

HM: Yes, I do see it that way. Dark chocolate, with its intense, layered notes, feels like classical music – deep, sophisticated, and timeless, much like a Bach concerto. Milk chocolate, on the other hand, is lively and approachable, akin to pop music's upbeat tempo, perfect for everyday joy. Our Swedish-inspired bonbons often blend these moods for a harmonious experience.

JC: When you taste a particular chocolate, does it ever evoke a specific song, instrument, or harmonic quality in your mind?

HM: Often! A rich, 70 percent dark chocolate from Panama might evoke the deep resonance of a cello or the haunting melody of a Swedish folk song like “Vem kan segla förutan vind.” Our hazelnut praline bonbon, with its nutty harmony, reminds me of the warm, vibrating tones of a guitar strum. It's all about that sensory crossover.

Thin shells, hand-selected ingredients, and a one-of-a-kind visual appeal make these hazelnut, and pistachio and coffee bonbons, something special.

 

On the Creative Process

JC: Do you ever think about tasting chocolates the way a musician builds a performance – starting with certain percentages of chocolate or the origins of its ingredients in a particular menu item,  and moving through a progression?

HM: That's exactly how we approach our tastings at HÅKAN. We start with lighter origins, like a 40 percent milk from Ecuador for an opening “prelude,” then progress to bolder, higher-percentage darks from Guatemala, building intensity like a musical crescendo. It creates a narrative arc that enhances appreciation.

JC: If you were to translate your favorite chocolate into a sound or musical composition, what would it be and why?

HM: My favorite – our cardamom-infused dark chocolate – would translate to a fusion piece blending Swedish folk with jazz. The spice adds an unexpected “improvisation,” while the chocolate's smoothness provides a steady rhythm, reflecting my journey from Sweden to the Hudson Valley and the creative freedom in blending flavors.

JC: Have you experimented with pairing music and chocolate to see if certain songs enhance bitter, sweet, or complex flavor notes?

HM: Yes; we've hosted informal pairings in our Beacon shop. Upbeat jazz like Miles Davis’s So What amplifies the sweetness in our milk chocolate bars, while ambient electronica, such as Sigur Rós, brings out the subtle bitterness in our 85 percent dark. It's fascinating how rhythm can heighten complexity!

Here's a chocolate garnished with goat cheese.

 

On Inspiration and Influence

JC: Has a song, composer, or music genre ever inspired a chocolate creation, pairing, or tasting experience?

HM: Definitely – Swedish composer Hugo Alfvén's pastoral works inspired our lingonberry bonbon, evoking the wild, earthy notes of Scandinavian landscapes. Jazz genres from my New York days have led to experimental pairings, like matching our espresso ganache with bebop for an energizing tasting.

JC: Do you associate specific music with chocolate-related moments – quiet evenings, celebrations, meditative tastings?

HM: For quiet evenings, we pair soft acoustic folk with our hot chocolate elixirs – think Joni Mitchell for introspection. Celebrations call for upbeat pop or ABBA, enhancing our festive bonbon boxes. Meditative tastings? Classical minimalism like Arvo Pärt, allowing the chocolate's nuances to shine without distraction. The Beatles and Miles Davis are major inspirations for us too.

JC: If you could collaborate with any musician to create a synchronized chocolate-and-music experience, who would it be and what would you create together?

HM: I'd love to collaborate with Daft Punk, Gorillaz, or Erykah Badu. Their innovative soundscapes would pair perfectly with a multi-layered bonbon series. We'd create an immersive event blending music with evolving flavors, from fruity highs to earthy lows.

 

On Experience Design

JC: How do you think ambiance – music, silence, or specific sounds – affects how people taste and appreciate chocolate?

HM: Ambiance is key; soft background music can relax the senses, making subtle flavors pop, while silence encourages mindfulness, letting the chocolate's “snap” and melt take center stage. In our shop, we use gentle ambient sounds to create a cozy, Hudson Valley-inspired escape that deepens appreciation.

JC: Would you ever design a “listening tasting” where each chocolate is meant to be experienced with a specific song or soundscape?

HM: We're already planning one, and [we] did one with Louis Tres [cognac]. Imagine a curated playlist where our pistachio truffle pairs with a nutty, rhythmic beat from a drum solo, or our sea salt caramel with oceanic waves and gentle piano. It would be a sensory journey. Stay tuned!

Each chocolate is crafted by hand.

 

 Håkan Mårtensson is a chocolatier known for his creativity and skillful use of out-of-the-ordinary ingredients. His chocolates are crafted with razor-thin shells, perfect tempering, uniquely-sourced ingredients, and a snap that melts in your mouth. In addition to chocolate, Håkan is a baker who has brought traditional Swedish cardamom buns to the locals, and espresso-based coffee drinks made with beans from Brooklyn roastery Devocion.

Håkan's passion for pastry and chocolate began when he enrolled at the Culinary Institute in Kristianstad, Sweden, at age 15. Three years later, he began his career at Nordiska Kompaniet (NK) department store in Stockholm. In 2005, Håkan joined the Swedish National Culinary Team as a sculptor and brought home gold medals from the World Cup in Luxembourg and the Culinary Olympics in Erfurt. In 2008, Håkan moved to New York City to become the master chocolatier at FIKA NYC. Today, Håkan is thrilled to have his own chocolate speakeasy in Beacon, New York.

For upcoming tasting and other events at HÅKAN Chocolatier, please visit hakanchocolatier.com.

 

Header image: Key of Life bonbons with key lime pie and white chocolate ganache. All images courtesy of Håkan Chocolatier.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment: