COPPER

A PS Audio Publication

Issue 227 • Free Online Magazine

Issue 227 Featured

Music and Chocolate: On the Sensory Connection

Music and Chocolate: On the Sensory Connection

Dateline: 1962, Hershey, Pennsylvania.

I hurriedly boarded a Silversides bus along with other campers, en route to fastidious Amish Country. I experienced my first Dr. Pepper there, along with an admiring glance from a coed after I lent her my sweatshirt. But Hershey Park beckoned the uninitiated into a world of amazement. Chocolate; cacao beans, cocoa butter, a stream of liquid chocolate along with the undeniable urge to plunge an index finger into the marvelous flow of scrumptious liquidly bliss.

Chocolate. Could you imagine a vending machine without a Milky Way? Would you stand in line for a Chocolate Éclair at the Good Humor truck? Most assuredly. There was never a fire at day camp without S'mores and their melted Hershey squares. So enough mouth-watering examples.

How about the young coed to whom I lent my Army-Navy store sweatshirt? In a flush of post-pubescent hormones, I anticipated a token of appreciation, perhaps a hug? And as I inflated my chest to enhance my stature, I felt her grasp my hand. “Here,” she gushed, “your first kiss!” And truly it was – a silver-wrapped Hershey's Kiss. So began my matrimony with chocolate!

Since chocolate, for most of us, is woven into our everyday lives, I thought about what if any relationship it might have on music, and vice versa. Not machine-mixed milk chocolate or imported bar chocolate or miniatures, adulterated with fruit or nuts or covered with creams. No, I had to scour the Hudson Valley for exceptional, hand-crafted chocolates. The real thing. And I found a place in Beacon, New York where truffles are elevated to high art. But are there any ingredients in music that play into the recipes of the chocolatier? I asked Håkan Mortenssen of HÅKAN Chocolatier, and here is his delicious culinary chorus in response to my questions.

Joe Caplan: Have you ever noticed the sounds of chocolate making – tempering, snapping, the rustle of wrappers – as having musical textures?

Håkan Mortenssen: Absolutely! At HÅKAN Chocolatier, the tempering process creates a rhythmic stirring sound, like a gentle percussion beat, while the snap of [breaking] a perfectly-tempered bar echoes like a sharp cymbal crash. The rustle of wrappers adds a soft, whispering melody – it's all part of the symphony that makes crafting chocolate so immersive.

Håkan Mortenssen creates a custom edible sculpture.

 

JC: Do you think different types of chocolate have an inherent “mood” or “tempo” – is dark chocolate classical while milk chocolate is pop?

HM: Yes, I do see it that way. Dark chocolate, with its intense, layered notes, feels like classical music – deep, sophisticated, and timeless, much like a Bach concerto. Milk chocolate, on the other hand, is lively and approachable, akin to pop music's upbeat tempo, perfect for everyday joy. Our Swedish-inspired bonbons often blend these moods for a harmonious experience.

JC: When you taste a particular chocolate, does it ever evoke a specific song, instrument, or harmonic quality in your mind?

HM: Often! A rich, 70 percent dark chocolate from Panama might evoke the deep resonance of a cello or the haunting melody of a Swedish folk song like “Vem kan segla förutan vind.” Our hazelnut praline bonbon, with its nutty harmony, reminds me of the warm, vibrating tones of a guitar strum. It's all about that sensory crossover.

Thin shells, hand-selected ingredients, and a one-of-a-kind visual appeal make these hazelnut, pistachio and coffee bonbons something special.

 

On the Creative Process

JC: Do you ever think about tasting chocolates the way a musician builds a performance – starting with certain percentages of chocolate or the origins of its ingredients in a particular menu item,  and moving through a progression?

HM: That's exactly how we approach our tastings at HÅKAN. We start with lighter origins, like a 40 percent milk from Ecuador for an opening “prelude,” then progress to bolder, higher-percentage darks from Guatemala, building intensity like a musical crescendo. It creates a narrative arc that enhances appreciation.

JC: If you were to translate your favorite chocolate into a sound or musical composition, what would it be and why?

HM: My favorite – our cardamom-infused dark chocolate – would translate to a fusion piece blending Swedish folk with jazz. The spice adds an unexpected “improvisation,” while the chocolate's smoothness provides a steady rhythm, reflecting my journey from Sweden to the Hudson Valley and the creative freedom in blending flavors.

JC: Have you experimented with pairing music and chocolate to see if certain songs enhance bitter, sweet, or complex flavor notes?

HM: Yes; we've hosted informal pairings in our Beacon shop. Upbeat jazz like Miles Davis’s “So What” amplifies the sweetness in our milk chocolate bars, while ambient electronica, such as Sigur Rós, brings out the subtle bitterness in our 85 percent dark. It's fascinating how rhythm can heighten complexity!

Here's a chocolate garnished with goat cheese.

 

On Inspiration and Influence

JC: Has a song, composer, or music genre ever inspired a chocolate creation, pairing, or tasting experience?

HM: Definitely – Swedish composer Hugo Alfvén's pastoral works inspired our lingonberry bonbon, evoking the wild, earthy notes of Scandinavian landscapes. Jazz genres from my New York days have led to experimental pairings, like matching our espresso ganache with bebop for an energizing tasting.

JC: Do you associate specific music with chocolate-related moments – quiet evenings, celebrations, meditative tastings?

HM: For quiet evenings, we pair soft acoustic folk with our hot chocolate elixirs – think Joni Mitchell for introspection. Celebrations call for upbeat pop or ABBA, enhancing our festive bonbon boxes. Meditative tastings? Classical minimalism like Arvo Pärt, allowing the chocolate's nuances to shine without distraction. The Beatles and Miles Davis are major inspirations for us too.

JC: If you could collaborate with any musician to create a synchronized chocolate-and-music experience, who would it be and what would you create together?

HM: I'd love to collaborate with Daft Punk, Gorillaz, or Erykah Badu. Their innovative soundscapes would pair perfectly with a multi-layered bonbon series. We'd create an immersive event blending music with evolving flavors, from fruity highs to earthy lows.

 

On Experience Design

JC: How do you think ambiance – music, silence, or specific sounds – affects how people taste and appreciate chocolate?

HM: Ambiance is key; soft background music can relax the senses, making subtle flavors pop, while silence encourages mindfulness, letting the chocolate's “snap” and melt take center stage. In our shop, we use gentle ambient sounds to create a cozy, Hudson Valley-inspired escape that deepens appreciation.

JC: Would you ever design a “listening tasting” where each chocolate is meant to be experienced with a specific song or soundscape?

HM: We're already planning one, and [we] did one with Louis Tres [cognac]. Imagine a curated playlist where our pistachio truffle pairs with a nutty, rhythmic beat from a drum solo, or our sea salt caramel with oceanic waves and gentle piano. It would be a sensory journey. Stay tuned!

Each chocolate is crafted by hand.

 

 Håkan Mårtensson is a chocolatier known for his creativity and skillful use of out-of-the-ordinary ingredients. His chocolates are crafted with razor-thin shells, perfect tempering, uniquely-sourced ingredients, and a snap that melts in your mouth. In addition to chocolate, Håkan is a baker who has brought traditional Swedish cardamom buns to the locals, and espresso-based coffee drinks made with beans from Brooklyn roastery Devocion.

Håkan's passion for pastry and chocolate began when he enrolled at the Culinary Institute in Kristianstad, Sweden, at age 15. Three years later, he began his career at Nordiska Kompaniet (NK) department store in Stockholm. In 2005, Håkan joined the Swedish National Culinary Team as a sculptor and brought home gold medals from the World Cup in Luxembourg and the Culinary Olympics in Erfurt. In 2008, Håkan moved to New York City to become the master chocolatier at FIKA NYC. Today, Håkan is thrilled to have his own chocolate speakeasy in Beacon, New York.

For upcoming tasting and other events at HÅKAN Chocolatier, please visit hakanchocolatier.com.

 

Header image: Key of Life bonbons with key lime pie and white chocolate ganache. All images courtesy of Håkan Chocolatier.

More from Issue 227

View All Articles in Issue 227

Search Copper Magazine

#234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026 #234 Rags for Solo Piano and a Dog: David Chesky's Ragtime Music for the Modern Age by Frankly Speaking Sep 07, 2026 #234 HIGH END 2026, Vienna: Here to Stay by Carsten Barnbeck Sep 07, 2026 #234 From The Audiophile’s Guide: The Two Main Types of Loudpeakers – Box and Panel by Paul McGowan Sep 07, 2026 #234 Letting it Slide by Frank Doris Sep 07, 2026 #234 PS Audio in the News by PS Audio Staff Sep 07, 2026 #234 Long Playing by Peter Xeni Sep 07, 2026 #234 La Mer by B. Jan Montana Sep 07, 2026 #233 A Report From The Total Hi-Fi Experience Show SoCal 2026 by B. Jan Montana Aug 03, 2026 #233 Bluegrass Meets Country, Folk, Jazz and More in All That We Carried by The Squid City Slingers by Frank Doris Aug 03, 2026 #233 Corey Glover and One Tribe Nation: A Variegated Musical Collective by Ray Chelstowski Aug 03, 2026 #233 Excursions with Clive: The Late Clive Davis, A Personal History by Wayne Robins Aug 03, 2026 #233 AI, Art, and Music: A Conversation With Synthography Art by Joe Caplan Aug 03, 2026 #233 New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work by Frank Doris Aug 03, 2026 #233 The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More by Rudy Radelic Aug 03, 2026 #233 How to Play in a Rock Band, 26: When It's Time to Record Your Music by Frank Doris Aug 03, 2026 #233 More From T.H.E. Show 2026, and the People Who Made it Happen by Harris Fogel Aug 03, 2026 #233 Underappreciated Artists, Part Three: Icehouse by Rich Isaacs Aug 03, 2026 #233 The Surprisingly Rich and Varied Music of Somalia by Steve Kindig Aug 03, 2026 #233 A Remarkable Discographic Legacy: The LP Recordings of the Basel Symphony Orchestra by Stephan Haberthür Aug 03, 2026 #233 From The Audiophile’s Guide: The Importance of Loudspeakers by Paul McGowan Aug 03, 2026 #233 From Swimming Pool to New Listening Room: A Conversation with Norman Varney of AV RoomService by Gilles Laferrière Aug 03, 2026 #233 PS Audio in the News by PS Audio Staff Aug 03, 2026 #233 Audio Jewelry by Peter Xeni Aug 03, 2026 #233 Enrich Your Life by Frank Doris Aug 03, 2026 #233 The Searcher by James Schrimpf Aug 03, 2026 #232 What came first: Art or Music? A Conversation With Artist Jose Acosta by Joe Caplan Jul 06, 2026 #232 Blow By Blow: The Jeff Beck Story: An Insightful Book About a Guitar Icon by Ray Chelstowski Jul 06, 2026 #232 Creed Over Camaraderie? by B. Jan Montana Jul 06, 2026 #232 Chronicles of a Sound Pilgrim at the 2026 Montreal Audiofest by Hugues Morin Jul 06, 2026 #232 The Vinyl Beat: Summer Grooves by Rudy Radelic Jul 06, 2026 #232 Hibbing Hillbilly Dylan's Acoustic Rock by Wayne Robins Jul 06, 2026 #232 Quad Quads and Plasmatronics Tweeters: An Extraordinary System Comes to Life by Frank Doris Jul 06, 2026 #232 In Praise of Live Music, Once Again by Ted Shafran Jul 06, 2026 #232 Allnic Audio’s L-9000 Preamplifier: Design and Engineering Innovation by Howard Kneller Jul 06, 2026 #232 “Best Of” Lists and Rage Bait: Enough Already by Frank Doris Jul 06, 2026 #232 Quick Takes: Bud Shank, Paulo Almeida, Jakob Dreyer, Tim Eriksen and Peter Irvine by Frank Doris Jul 06, 2026

Music and Chocolate: On the Sensory Connection

Music and Chocolate: On the Sensory Connection

Dateline: 1962, Hershey, Pennsylvania.

I hurriedly boarded a Silversides bus along with other campers, en route to fastidious Amish Country. I experienced my first Dr. Pepper there, along with an admiring glance from a coed after I lent her my sweatshirt. But Hershey Park beckoned the uninitiated into a world of amazement. Chocolate; cacao beans, cocoa butter, a stream of liquid chocolate along with the undeniable urge to plunge an index finger into the marvelous flow of scrumptious liquidly bliss.

Chocolate. Could you imagine a vending machine without a Milky Way? Would you stand in line for a Chocolate Éclair at the Good Humor truck? Most assuredly. There was never a fire at day camp without S'mores and their melted Hershey squares. So enough mouth-watering examples.

How about the young coed to whom I lent my Army-Navy store sweatshirt? In a flush of post-pubescent hormones, I anticipated a token of appreciation, perhaps a hug? And as I inflated my chest to enhance my stature, I felt her grasp my hand. “Here,” she gushed, “your first kiss!” And truly it was – a silver-wrapped Hershey's Kiss. So began my matrimony with chocolate!

Since chocolate, for most of us, is woven into our everyday lives, I thought about what if any relationship it might have on music, and vice versa. Not machine-mixed milk chocolate or imported bar chocolate or miniatures, adulterated with fruit or nuts or covered with creams. No, I had to scour the Hudson Valley for exceptional, hand-crafted chocolates. The real thing. And I found a place in Beacon, New York where truffles are elevated to high art. But are there any ingredients in music that play into the recipes of the chocolatier? I asked Håkan Mortenssen of HÅKAN Chocolatier, and here is his delicious culinary chorus in response to my questions.

Joe Caplan: Have you ever noticed the sounds of chocolate making – tempering, snapping, the rustle of wrappers – as having musical textures?

Håkan Mortenssen: Absolutely! At HÅKAN Chocolatier, the tempering process creates a rhythmic stirring sound, like a gentle percussion beat, while the snap of [breaking] a perfectly-tempered bar echoes like a sharp cymbal crash. The rustle of wrappers adds a soft, whispering melody – it's all part of the symphony that makes crafting chocolate so immersive.

Håkan Mortenssen creates a custom edible sculpture.

 

JC: Do you think different types of chocolate have an inherent “mood” or “tempo” – is dark chocolate classical while milk chocolate is pop?

HM: Yes, I do see it that way. Dark chocolate, with its intense, layered notes, feels like classical music – deep, sophisticated, and timeless, much like a Bach concerto. Milk chocolate, on the other hand, is lively and approachable, akin to pop music's upbeat tempo, perfect for everyday joy. Our Swedish-inspired bonbons often blend these moods for a harmonious experience.

JC: When you taste a particular chocolate, does it ever evoke a specific song, instrument, or harmonic quality in your mind?

HM: Often! A rich, 70 percent dark chocolate from Panama might evoke the deep resonance of a cello or the haunting melody of a Swedish folk song like “Vem kan segla förutan vind.” Our hazelnut praline bonbon, with its nutty harmony, reminds me of the warm, vibrating tones of a guitar strum. It's all about that sensory crossover.

Thin shells, hand-selected ingredients, and a one-of-a-kind visual appeal make these hazelnut, pistachio and coffee bonbons something special.

 

On the Creative Process

JC: Do you ever think about tasting chocolates the way a musician builds a performance – starting with certain percentages of chocolate or the origins of its ingredients in a particular menu item,  and moving through a progression?

HM: That's exactly how we approach our tastings at HÅKAN. We start with lighter origins, like a 40 percent milk from Ecuador for an opening “prelude,” then progress to bolder, higher-percentage darks from Guatemala, building intensity like a musical crescendo. It creates a narrative arc that enhances appreciation.

JC: If you were to translate your favorite chocolate into a sound or musical composition, what would it be and why?

HM: My favorite – our cardamom-infused dark chocolate – would translate to a fusion piece blending Swedish folk with jazz. The spice adds an unexpected “improvisation,” while the chocolate's smoothness provides a steady rhythm, reflecting my journey from Sweden to the Hudson Valley and the creative freedom in blending flavors.

JC: Have you experimented with pairing music and chocolate to see if certain songs enhance bitter, sweet, or complex flavor notes?

HM: Yes; we've hosted informal pairings in our Beacon shop. Upbeat jazz like Miles Davis’s “So What” amplifies the sweetness in our milk chocolate bars, while ambient electronica, such as Sigur Rós, brings out the subtle bitterness in our 85 percent dark. It's fascinating how rhythm can heighten complexity!

Here's a chocolate garnished with goat cheese.

 

On Inspiration and Influence

JC: Has a song, composer, or music genre ever inspired a chocolate creation, pairing, or tasting experience?

HM: Definitely – Swedish composer Hugo Alfvén's pastoral works inspired our lingonberry bonbon, evoking the wild, earthy notes of Scandinavian landscapes. Jazz genres from my New York days have led to experimental pairings, like matching our espresso ganache with bebop for an energizing tasting.

JC: Do you associate specific music with chocolate-related moments – quiet evenings, celebrations, meditative tastings?

HM: For quiet evenings, we pair soft acoustic folk with our hot chocolate elixirs – think Joni Mitchell for introspection. Celebrations call for upbeat pop or ABBA, enhancing our festive bonbon boxes. Meditative tastings? Classical minimalism like Arvo Pärt, allowing the chocolate's nuances to shine without distraction. The Beatles and Miles Davis are major inspirations for us too.

JC: If you could collaborate with any musician to create a synchronized chocolate-and-music experience, who would it be and what would you create together?

HM: I'd love to collaborate with Daft Punk, Gorillaz, or Erykah Badu. Their innovative soundscapes would pair perfectly with a multi-layered bonbon series. We'd create an immersive event blending music with evolving flavors, from fruity highs to earthy lows.

 

On Experience Design

JC: How do you think ambiance – music, silence, or specific sounds – affects how people taste and appreciate chocolate?

HM: Ambiance is key; soft background music can relax the senses, making subtle flavors pop, while silence encourages mindfulness, letting the chocolate's “snap” and melt take center stage. In our shop, we use gentle ambient sounds to create a cozy, Hudson Valley-inspired escape that deepens appreciation.

JC: Would you ever design a “listening tasting” where each chocolate is meant to be experienced with a specific song or soundscape?

HM: We're already planning one, and [we] did one with Louis Tres [cognac]. Imagine a curated playlist where our pistachio truffle pairs with a nutty, rhythmic beat from a drum solo, or our sea salt caramel with oceanic waves and gentle piano. It would be a sensory journey. Stay tuned!

Each chocolate is crafted by hand.

 

 Håkan Mårtensson is a chocolatier known for his creativity and skillful use of out-of-the-ordinary ingredients. His chocolates are crafted with razor-thin shells, perfect tempering, uniquely-sourced ingredients, and a snap that melts in your mouth. In addition to chocolate, Håkan is a baker who has brought traditional Swedish cardamom buns to the locals, and espresso-based coffee drinks made with beans from Brooklyn roastery Devocion.

Håkan's passion for pastry and chocolate began when he enrolled at the Culinary Institute in Kristianstad, Sweden, at age 15. Three years later, he began his career at Nordiska Kompaniet (NK) department store in Stockholm. In 2005, Håkan joined the Swedish National Culinary Team as a sculptor and brought home gold medals from the World Cup in Luxembourg and the Culinary Olympics in Erfurt. In 2008, Håkan moved to New York City to become the master chocolatier at FIKA NYC. Today, Håkan is thrilled to have his own chocolate speakeasy in Beacon, New York.

For upcoming tasting and other events at HÅKAN Chocolatier, please visit hakanchocolatier.com.

 

Header image: Key of Life bonbons with key lime pie and white chocolate ganache. All images courtesy of Håkan Chocolatier.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: