COPPER

A PS Audio Publication

Issue 229 • Free Online Magazine

Issue 229 Audio Anthropology

Are You Receiving Me?

Lafayette Radio, based in Syosset, New York, was a big presence on the East Coast from the 1930s through the early 1980s. Here's a 1979 ad featuring the LR-120DB stereo receiver (sporting a model number that might have been more boast than reality) with an unusual FM Dolby circuit.

 

McIntosh aren't the only ones who like meters, as witnessed by the giant behemoth 1970s Technics SA-8500X quadraphonic receiver shown here. Plenty of switches and functions too!

 

We have receivers and tuners on the brain this issue. Here's a stunning Fisher Series Ninety FM tuner, circa late 1950s. Don't you love the gold faceplate – that ain't no 3D printing! This Fisher investment was said to offer superb reception. Courtesy of Wikimedia Commons/Joe Haupt.

 

Vintage Marantz receivers are prized for their warm sound and striking looks, as evidenced by their pricing on the used market. Here's a Model 2275, made between 1974 and 1977. it offered 75 watts per channel and the deliciously tactile Gyro-Touch Tuning, something every audiophile should lay their hands on at least once. Courtesy of Wikimedia Commons/Ron Clausen, cropped to fit format.

 

This Yamaha CR-850 receiver really is an outstanding product, especially when you find one in beautiful shape on the curb for free, as your lucky editor did last year. (The lamps need replacing, but who's complaining?) This late 1970s/early 1980s beast has a brighter sound than the editor's Marantz 2216b, but its unique, continuously-variable Loudness control is beyond cool.

 

 

More from Issue 229

The Earliest Stars of  Country Music, Part Three
The Earliest Stars of Country Music, Part Three
Jeff Weiner
The Healing Power of Music and Sound at the Omega Institute
The Healing Power of Music and Sound at the Omega Institute
Joe Caplan
CanJam NYC 2026 Show Report: Heady Sound, Part One
CanJam NYC 2026 Show Report: Heady Sound, Part One
Frank Doris
Florida Audio Expo 2026: Warming Up to High-End Audio, Part One
Florida Audio Expo 2026: Warming Up to High-End Audio, Part One
Frank Doris
Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges
Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges
Frank Doris
The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle
The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle
Rudy Radelic
View All Articles in Issue 229

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#229 The Earliest Stars of Country Music, Part Three by Jeff Weiner Apr 06, 2026 #229 The Healing Power of Music and Sound at the Omega Institute by Joe Caplan Apr 06, 2026 #229 CanJam NYC 2026 Show Report: Heady Sound, Part One by Frank Doris Apr 06, 2026 #229 Florida Audio Expo 2026: Warming Up to High-End Audio, Part One by Frank Doris Apr 06, 2026 #229 Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges by Frank Doris Apr 06, 2026 #229 The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle by Rudy Radelic Apr 06, 2026 #229 Harvard Gets a High-End Audio Education by Frank Doris Apr 06, 2026 #229 No Country for Old Knees by B. Jan Montana Apr 06, 2026 #229 How To Play in A Rock Band, 22: Encounters With Famous Musicians, Part 1 by Frank Doris Apr 06, 2026 #229 The Soulful Grooves of Guinea-Bissau by Steve Kindig Apr 06, 2026 #229 Four-Hand Piano Performance at Its Finest by Stephan Haberthür Apr 06, 2026 #229 The People Who Make Audio Happen: Supreme Acoustics Systems’ Las Vegas Grand Opening by Harris Fogel Apr 06, 2026 #229 Blue Öyster Cult: Tyranny and Expectations by Wayne Robins Apr 06, 2026 #229 Guitarist Rick Vito’s Cinematic New Album, Slidemaster by Ray Chelstowski Apr 06, 2026 #229 Measurements and Observational Listening by Paul McGowan Apr 06, 2026 #229 PS Audio in the News by PS Audio Staff Apr 06, 2026 #229 Back to My Reel-to-Reel Roots, Part 28: The Cassette Strikes Back by Ken Kessler Apr 06, 2026 #229 Are You Receiving Me? by Frank Doris Apr 06, 2026 #229 Hospitality by Peter Xeni Apr 06, 2026 #229 Cantina Gateway by James Schrimpf Apr 06, 2026 #228 Serita’s Black Rose Duo Shakes Your Soul With a Blend of Funk, Rock, Blues and a Whole Lot More by Frank Doris Mar 02, 2026 #228 Vinyl, A Love Story by Wayne Robins Mar 02, 2026 #228 Thrill Seeker by B. Jan Montana Mar 02, 2026 #228 The Vinyl Beat: Donald Byrd, Bill Evans, Wes Montgomery, Eddie Palmieri and Frank Sinatra by Rudy Radelic Mar 02, 2026 #228 Listening to Prestige: The History of a Vitally Important Jazz Record Label by Frank Doris Mar 02, 2026 #228 How to Play in a Rock Band, 21: Touring With James Lee Stanley by Frank Doris Mar 02, 2026 #228 The NAMM 2026 Show: The Music Industry’s Premier Event by John Volanski Mar 02, 2026 #228 The Earliest Stars of Country Music, Part Two by Jeff Weiner Mar 02, 2026 #228 From The Audiophile's Guide: A Brief History of Stereophonic Sound by Paul McGowan Mar 02, 2026 #228 A Bone to Pick With Streaming Audio by Frank Doris Mar 02, 2026 #228 Blast Off With Bluesman Duke Robillard by Ray Chelstowski Mar 02, 2026 #228 A Visit to the Marten Loudspeaker Factory in Göteborg, Sweden by Ingo Schulz and Sebastian Polcyn Mar 02, 2026 #228 Pure Distortion by Peter Xeni Mar 02, 2026 #228 A Nagra Factory Tour by Markus "Marsu" Manthey Mar 02, 2026 #228 Back to My Reel-to-Reel Roots, Part 27: Noodge and Ye Shall Receive, Part Two by Ken Kessler Mar 02, 2026 #228 PS Audio in the News by PS Audio Staff Mar 02, 2026 #228 90-Degree Stereo by Frank Doris Mar 02, 2026 #228 The Keys to Art by Rich Isaacs Mar 02, 2026 #227 Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters by Frank Doris Feb 02, 2026 #227 Passport to Sound: May Anwar’s Audio Learning Experience for Young People by Frank Doris Feb 02, 2026 #227 Conjectures on Cosmic Consciousness by B. Jan Montana Feb 02, 2026 #227 The Big Takeover Turns 45 by Wayne Robins Feb 02, 2026 #227 Music and Chocolate: On the Sensory Connection by Joe Caplan Feb 02, 2026 #227 Singer/Songwriter Chris Berardo: Getting Wilder All the Time by Ray Chelstowski Feb 02, 2026 #227 The Earliest Stars of Country Music, Part One by Jeff Weiner Feb 02, 2026 #227 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part Two by Rudy Radelic Feb 02, 2026 #227 How to Play in a Rock Band, 20: On the Road With Blood, Sweat & Tears’ Guitarist Gabe Cummins by Frank Doris Feb 02, 2026

Are You Receiving Me?

Lafayette Radio, based in Syosset, New York, was a big presence on the East Coast from the 1930s through the early 1980s. Here's a 1979 ad featuring the LR-120DB stereo receiver (sporting a model number that might have been more boast than reality) with an unusual FM Dolby circuit.

 

McIntosh aren't the only ones who like meters, as witnessed by the giant behemoth 1970s Technics SA-8500X quadraphonic receiver shown here. Plenty of switches and functions too!

 

We have receivers and tuners on the brain this issue. Here's a stunning Fisher Series Ninety FM tuner, circa late 1950s. Don't you love the gold faceplate – that ain't no 3D printing! This Fisher investment was said to offer superb reception. Courtesy of Wikimedia Commons/Joe Haupt.

 

Vintage Marantz receivers are prized for their warm sound and striking looks, as evidenced by their pricing on the used market. Here's a Model 2275, made between 1974 and 1977. it offered 75 watts per channel and the deliciously tactile Gyro-Touch Tuning, something every audiophile should lay their hands on at least once. Courtesy of Wikimedia Commons/Ron Clausen, cropped to fit format.

 

This Yamaha CR-850 receiver really is an outstanding product, especially when you find one in beautiful shape on the curb for free, as your lucky editor did last year. (The lamps need replacing, but who's complaining?) This late 1970s/early 1980s beast has a brighter sound than the editor's Marantz 2216b, but its unique, continuously-variable Loudness control is beyond cool.

 

 

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