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Issue 227 • Free Online Magazine

Issue 227 Octave Pitch

Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters

Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters

It’s time to get up and groove! Octave Records’ latest, Take a Look Around from bassist Seth Lewis, is an R&B-rockin’-jazz-influenced album that pays tribute to legendary funk band the Meters, with some Sly and the Family Stone, Dr. John and even Burt Bacharach and Hal David added to the musical mix. This one will get you moving, thanks to the in-the-pocket drive of Seth Lewis’s electric bass, accompanied by Octave Records’ favorite drummer, Braxton Kahn, along with Dave Devine on guitar, Octave main man Tom Amend on piano and organ, and soulful vocals from Aleik Maddox.

Octave Records’ state-of-the-art Pure DSD high-resolution recording process is the ideal way to capture the power and interplay of Seth Lewis and his musicians, from the deep and articulate foundation of Lewis’s bass to the dynamic impact of the drums and the distinct textures of Amend’s piano and Hammond B-3 organ and Devine’s electric guitar. Vocalist Aleik Maddox has an undeniable presence and grit.

Take a Look Around was recorded by Paul McGowan at Octave Studios, with McGowan and Callum Blair as mixing engineers and Paul and Terri McGowan the executive producers. The album was recorded using Octave’s Pyramix Pure DSD system, to deliver the extraordinary clarity, spaciousness and musical realism that distinguishes every Octave Records production. The album was mastered using a PS Audio PMG Signature DAC and preamp and mixed on PS Audio’s flagship Aspen FR30 loudspeaker, a state-of-the-art monitoring chain that ensures every nuance and detail of the recording was faithfully captured and reproduced.

 

Seth Lewis. Courtesy of the artist.

 

The opener, Dr. John’s “Quitters Never Win” has a groove that doesn’t quit, setting the tone for the rest of the album. When Aleik Maddox sings, you can believe what he’s saying. With stabbing guitar and a rock-solid electric bass bottom, the album gets off to a flying start. The Meters’ instrumental “Funky Miracle” shows why they were unstoppable, and so is Lewis and the band and their air-tight ensemble playing. Another Meters song, “I Need More Time,” is fueled by Amend’s Hammond lush organ playing and the relentless syncopation of Kahn’s drumming. The Meters’ “Pungee” cools things down with a blues-based instrumental that gives guitarist Devine plenty of room to stretch out, and their “Ain’t No Use” is the definition of soul, Meters style.

Sly and the Family Stone’s “Sing a Simple Song” is tailor-made for Seth Lewis and the band to cover – it’s impossible to miss with a song with a bottomless groove like this, and vocalist Maddox brings a fresh take to the tune and simply owns it. Dr. John’s “Stealin’” has a bluesy R&B feel, while the title track, “Take a Look Around” has the band locking into a unison riff that shows why the Meters were among the founding fathers of funk, and Seth Lewis and the band are worthy successors. The album closes with – yes – the Burt Bacharach and Hal David standard “The Look of Love.” In order to cover a song that dozens of others have, you need to bring something new – and Aleik Maddox sings it with singular style and passion while the band simmers underneath.

Take a Look Around features Octave’s premium gold disc formulation, and the disc is playable on any SACD, CD, DVD, or Blu-ray player. It also has a high-resolution DSD layer that is accessible by using any SACD player or a PS Audio SACD transport. In addition, the master DSD and PCM files are available for purchase and download, including DSD 512, DSD 256, DSD 128, DSD 64, and DSDDirect Mastered 352.8 kHz/24-bit, 176.2 kHz/24-bit, 88.2 kHz/24-bit, and 44.1 kHz/24-bit PCM. (SRP: $29.)

More from Issue 227

Passport to Sound: May Anwar’s Audio Learning Experience for Young People
Passport to Sound: May Anwar’s Audio Learning Experience for Young People
Frank Doris
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The Big Takeover Turns 45
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#227 Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters by Frank Doris Feb 02, 2026 #227 Passport to Sound: May Anwar’s Audio Learning Experience for Young People by Frank Doris Feb 02, 2026 #227 Conjectures on Cosmic Consciousness by B. Jan Montana Feb 02, 2026 #227 The Big Takeover Turns 45 by Wayne Robins Feb 02, 2026 #227 Music and Chocolate: On the Sensory Connection by Joe Caplan Feb 02, 2026 #227 Singer/Songwriter Chris Berardo: Getting Wilder All the Time by Ray Chelstowski Feb 02, 2026 #227 The Earliest Stars of Country Music, Part One by Jeff Weiner Feb 02, 2026 #227 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part Two by Rudy Radelic Feb 02, 2026 #227 How to Play in a Rock Band, 20: On the Road With Blood, Sweat & Tears’ Guitarist Gabe Cummins by Frank Doris Feb 02, 2026 #227 From The Audiophile’s Guide: Audio Specs and Measuring by Paul McGowan Feb 02, 2026 #227 Our Brain is Always Listening by Peter Trübner Feb 02, 2026 #227 PS Audio in the News by PS Audio Staff Feb 02, 2026 #227 The Listening Chair: Sleek Style and Sound From the Luxman L3 by Howard Kneller Feb 02, 2026 #227 The Los Angeles and Orange County Audio Society Celebrates Its 32nd Anniversary, Honoring David Wilson and Bernie Grundman by Harris Fogel Feb 02, 2026 #227 Back to My Reel-to-Reel Roots, Part 26: Half Full – Not Half Empty, Redux by Ken Kessler Feb 02, 2026 #227 That's What Puzzles Us... by Frank Doris Feb 02, 2026 #227 Record-Breaking by Peter Xeni Feb 02, 2026 #227 The Long and Winding Road by B. Jan Montana Feb 02, 2026 #226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026 #226 From The Audiophile’s Guide: Active Room Correction and Digital Signal Processing by Paul McGowan Jan 05, 2026 #226 PS Audio in the News by Frank Doris Jan 05, 2026 #226 Back to My Reel-to-Reel Roots, Part 25: Half-Full, Not Empty by Ken Kessler Jan 05, 2026 #226 Happy New Year! by Frank Doris Jan 05, 2026 #226 Turn It Down! by Peter Xeni Jan 05, 2026 #226 Ghost Riders by James Schrimpf Jan 05, 2026 #226 A Factory Tour of Audio Manufacturer German Physiks by Markus "Marsu" Manthey Jan 04, 2026 #225 Capital Audiofest 2025: Must-See Stereo, Part One by Frank Doris Dec 01, 2025 #225 Otis Taylor and the Electrics Delivers a Powerful Set of Hypnotic Modern Blues by Frank Doris Dec 01, 2025 #225 A Christmas Miracle by B. Jan Montana Dec 01, 2025 #225 T.H.E. Show New York 2025, Part Two: Plenty to See, Hear, and Enjoy by Frank Doris Dec 01, 2025 #225 Underappreciated Artists, Part One: Martin Briley by Rich Isaacs Dec 01, 2025 #225 Rock and Roll is Here to Stay by Wayne Robins Dec 01, 2025 #225 A Lifetime of Holiday Record (and CD) Listening by Rudy Radelic Dec 01, 2025 #225 Little Feat: Not Saying Goodbye, Not Yet by Ray Chelstowski Dec 01, 2025 #225 How to Play in a Rock Band, Part 18: Dealing With Burnout by Frank Doris Dec 01, 2025 #225 The People Who Make Audio Happen: CanJam SoCal 2025 by Harris Fogel Dec 01, 2025 #225 Chicago’s Sonic Sanctuaries: Four Hi‑Fi Listening Bars Channeling the Jazz‑Kissa Spirit by Olivier Meunier-Plante Dec 01, 2025

Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters

Seth Lewis Gets in the Groove <em>With Take a Look Around:</em> a Tribute to the Meters

It’s time to get up and groove! Octave Records’ latest, Take a Look Around from bassist Seth Lewis, is an R&B-rockin’-jazz-influenced album that pays tribute to legendary funk band the Meters, with some Sly and the Family Stone, Dr. John and even Burt Bacharach and Hal David added to the musical mix. This one will get you moving, thanks to the in-the-pocket drive of Seth Lewis’s electric bass, accompanied by Octave Records’ favorite drummer, Braxton Kahn, along with Dave Devine on guitar, Octave main man Tom Amend on piano and organ, and soulful vocals from Aleik Maddox.

Octave Records’ state-of-the-art Pure DSD high-resolution recording process is the ideal way to capture the power and interplay of Seth Lewis and his musicians, from the deep and articulate foundation of Lewis’s bass to the dynamic impact of the drums and the distinct textures of Amend’s piano and Hammond B-3 organ and Devine’s electric guitar. Vocalist Aleik Maddox has an undeniable presence and grit.

Take a Look Around was recorded by Paul McGowan at Octave Studios, with McGowan and Callum Blair as mixing engineers and Paul and Terri McGowan the executive producers. The album was recorded using Octave’s Pyramix Pure DSD system, to deliver the extraordinary clarity, spaciousness and musical realism that distinguishes every Octave Records production. The album was mastered using a PS Audio PMG Signature DAC and preamp and mixed on PS Audio’s flagship Aspen FR30 loudspeaker, a state-of-the-art monitoring chain that ensures every nuance and detail of the recording was faithfully captured and reproduced.

 

Seth Lewis. Courtesy of the artist.

 

The opener, Dr. John’s “Quitters Never Win” has a groove that doesn’t quit, setting the tone for the rest of the album. When Aleik Maddox sings, you can believe what he’s saying. With stabbing guitar and a rock-solid electric bass bottom, the album gets off to a flying start. The Meters’ instrumental “Funky Miracle” shows why they were unstoppable, and so is Lewis and the band and their air-tight ensemble playing. Another Meters song, “I Need More Time,” is fueled by Amend’s Hammond lush organ playing and the relentless syncopation of Kahn’s drumming. The Meters’ “Pungee” cools things down with a blues-based instrumental that gives guitarist Devine plenty of room to stretch out, and their “Ain’t No Use” is the definition of soul, Meters style.

Sly and the Family Stone’s “Sing a Simple Song” is tailor-made for Seth Lewis and the band to cover – it’s impossible to miss with a song with a bottomless groove like this, and vocalist Maddox brings a fresh take to the tune and simply owns it. Dr. John’s “Stealin’” has a bluesy R&B feel, while the title track, “Take a Look Around” has the band locking into a unison riff that shows why the Meters were among the founding fathers of funk, and Seth Lewis and the band are worthy successors. The album closes with – yes – the Burt Bacharach and Hal David standard “The Look of Love.” In order to cover a song that dozens of others have, you need to bring something new – and Aleik Maddox sings it with singular style and passion while the band simmers underneath.

Take a Look Around features Octave’s premium gold disc formulation, and the disc is playable on any SACD, CD, DVD, or Blu-ray player. It also has a high-resolution DSD layer that is accessible by using any SACD player or a PS Audio SACD transport. In addition, the master DSD and PCM files are available for purchase and download, including DSD 512, DSD 256, DSD 128, DSD 64, and DSDDirect Mastered 352.8 kHz/24-bit, 176.2 kHz/24-bit, 88.2 kHz/24-bit, and 44.1 kHz/24-bit PCM. (SRP: $29.)

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