COPPER

A PS Audio Publication

Issue 119 • Free Online Magazine

Issue 119 Opening Salvo

Take 22

Take 22

This is my 22nd issue of editing Copper. 22 issues of fun, hard work, passion, power outages, a moment of panic or two and many other feelings. Deadline pressure and occasional writer’s block aside, I think I speak for all of us when I say we love doing this.

So what’s the occasion for marking my 22nd issue? Well, I forgot that Issue 117 was my 20th anniversary, duhh! And number 22 is double deuce, and “The Deuce” was my nickname in college (and still is to some long-time friends). In college a bunch of us played cards. As any card player knows it’s usually advantageous to pull a high card like an ace, king and so on. But I would usually draw a deuce whenever I needed a good card. To the point where my frequency of pulling a deuce went far beyond the laws of chance. Way beyond. Seriously. After a while, when I pulled a deuce everyone at the table would exclaim, “The Deuce!” in astonishment. The name stuck.

Our group has been playing for more than four decades. So the number 22 has meaning to me and also a kind of symmetry, don’t you think?

In this issue: Anne E. Johnson digs The Incredible Jimmy Smith and finds true purpose in the music of Patty Griffin. J.I. Agnew interviews acoustic design consultant Philip Newell, who worked for Virgin Records among many others. Rich Isaacs gets into record collecting, while Rudy Radelic offers an alternative opinion on Record Store Day. Wayne Robins plays on Themes From a Summer Piece. Things get too hot to handle in “Confessions of a Setup Man, Part Eight.

Tom Methans rocks out with Motörhead! Ken Sander and singer/actor Carl Anderson take us to the Forty Thieves Club in Bermuda. Roy Hall visits Israel, and it’s no ordinary journey. Tom Gibbs reviews new releases and re-issues from Walter Trout, Angel Olsen, Elliott Smith and The Allman Betts Band. John Seetoo continues his series on unusual artist collaborations and cameos, and his interview with Quilter Amps/QSC Audio founder Pat Quilter. Ray Chelstowski ponders when Dire Straits made a Springsteen record. Our A/V department rounds out the issue with a groovy girl, a disappearing act and a Chicago get-together.

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#231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026 #230 An Outlier in the Rack: A Vintage BIC Beam Box by The Staff at Just Audio May 04, 2026 #230 PS Audio in the News by PS Audio Staff May 04, 2026 #230 A Cautionary Tale by Rich Isaacs May 04, 2026 #230 Reel-to-Reel Roots, Part 33 (Revised): Ken Kessler Reports On the 2026 (British) AudioJumble by Ken Kessler May 04, 2026 #230 Text Messaging by Frank Doris May 04, 2026 #230 The Audiophile Rat Race by Peter Xeni May 04, 2026 #230 On the Rocks by Rich Isaacs May 04, 2026 #229 The Earliest Stars of Country Music, Part Three by Jeff Weiner Apr 06, 2026 #229 The Healing Power of Music and Sound at the Omega Institute by Joe Caplan Apr 06, 2026 #229 CanJam NYC 2026 Show Report: Heady Sound, Part One by Frank Doris Apr 06, 2026 #229 Florida Audio Expo 2026: Warming Up to High-End Audio, Part One by Frank Doris Apr 06, 2026 #229 Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges by Frank Doris Apr 06, 2026 #229 The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle by Rudy Radelic Apr 06, 2026 #229 Harvard Gets a High-End Audio Education by Frank Doris Apr 06, 2026 #229 No Country for Old Knees by B. Jan Montana Apr 06, 2026 #229 How To Play in A Rock Band, 22: Encounters With Famous Musicians, Part 1 by Frank Doris Apr 06, 2026 #229 The Soulful Grooves of Guinea-Bissau by Steve Kindig Apr 06, 2026 #229 Four-Hand Piano Performance at Its Finest by Stephan Haberthür Apr 06, 2026

Take 22

Take 22

This is my 22nd issue of editing Copper. 22 issues of fun, hard work, passion, power outages, a moment of panic or two and many other feelings. Deadline pressure and occasional writer’s block aside, I think I speak for all of us when I say we love doing this.

So what’s the occasion for marking my 22nd issue? Well, I forgot that Issue 117 was my 20th anniversary, duhh! And number 22 is double deuce, and “The Deuce” was my nickname in college (and still is to some long-time friends). In college a bunch of us played cards. As any card player knows it’s usually advantageous to pull a high card like an ace, king and so on. But I would usually draw a deuce whenever I needed a good card. To the point where my frequency of pulling a deuce went far beyond the laws of chance. Way beyond. Seriously. After a while, when I pulled a deuce everyone at the table would exclaim, “The Deuce!” in astonishment. The name stuck.

Our group has been playing for more than four decades. So the number 22 has meaning to me and also a kind of symmetry, don’t you think?

In this issue: Anne E. Johnson digs The Incredible Jimmy Smith and finds true purpose in the music of Patty Griffin. J.I. Agnew interviews acoustic design consultant Philip Newell, who worked for Virgin Records among many others. Rich Isaacs gets into record collecting, while Rudy Radelic offers an alternative opinion on Record Store Day. Wayne Robins plays on Themes From a Summer Piece. Things get too hot to handle in “Confessions of a Setup Man, Part Eight.

Tom Methans rocks out with Motörhead! Ken Sander and singer/actor Carl Anderson take us to the Forty Thieves Club in Bermuda. Roy Hall visits Israel, and it’s no ordinary journey. Tom Gibbs reviews new releases and re-issues from Walter Trout, Angel Olsen, Elliott Smith and The Allman Betts Band. John Seetoo continues his series on unusual artist collaborations and cameos, and his interview with Quilter Amps/QSC Audio founder Pat Quilter. Ray Chelstowski ponders when Dire Straits made a Springsteen record. Our A/V department rounds out the issue with a groovy girl, a disappearing act and a Chicago get-together.

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