COPPER

A PS Audio Publication

Issue 119 • Free Online Magazine

Issue 119 Opening Salvo

Take 22

Take 22

This is my 22nd issue of editing Copper. 22 issues of fun, hard work, passion, power outages, a moment of panic or two and many other feelings. Deadline pressure and occasional writer’s block aside, I think I speak for all of us when I say we love doing this.

So what’s the occasion for marking my 22nd issue? Well, I forgot that Issue 117 was my 20th anniversary, duhh! And number 22 is double deuce, and “The Deuce” was my nickname in college (and still is to some long-time friends). In college a bunch of us played cards. As any card player knows it’s usually advantageous to pull a high card like an ace, king and so on. But I would usually draw a deuce whenever I needed a good card. To the point where my frequency of pulling a deuce went far beyond the laws of chance. Way beyond. Seriously. After a while, when I pulled a deuce everyone at the table would exclaim, “The Deuce!” in astonishment. The name stuck.

Our group has been playing for more than four decades. So the number 22 has meaning to me and also a kind of symmetry, don’t you think?

In this issue: Anne E. Johnson digs The Incredible Jimmy Smith and finds true purpose in the music of Patty Griffin. J.I. Agnew interviews acoustic design consultant Philip Newell, who worked for Virgin Records among many others. Rich Isaacs gets into record collecting, while Rudy Radelic offers an alternative opinion on Record Store Day. Wayne Robins plays on Themes From a Summer Piece. Things get too hot to handle in “Confessions of a Setup Man, Part Eight.

Tom Methans rocks out with Motörhead! Ken Sander and singer/actor Carl Anderson take us to the Forty Thieves Club in Bermuda. Roy Hall visits Israel, and it’s no ordinary journey. Tom Gibbs reviews new releases and re-issues from Walter Trout, Angel Olsen, Elliott Smith and The Allman Betts Band. John Seetoo continues his series on unusual artist collaborations and cameos, and his interview with Quilter Amps/QSC Audio founder Pat Quilter. Ray Chelstowski ponders when Dire Straits made a Springsteen record. Our A/V department rounds out the issue with a groovy girl, a disappearing act and a Chicago get-together.

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#229 The Earliest Stars of Country Music, Part Three by Jeff Weiner Apr 06, 2026 #229 The Healing Power of Music and Sound at the Omega Institute by Joe Caplan Apr 06, 2026 #229 CanJam NYC 2026 Show Report: Heady Sound, Part One by Frank Doris Apr 06, 2026 #229 Florida Audio Expo 2026: Warming Up to High-End Audio, Part One by Frank Doris Apr 06, 2026 #229 Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges by Frank Doris Apr 06, 2026 #229 The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle by Rudy Radelic Apr 06, 2026 #229 Harvard Gets a High-End Audio Education by Frank Doris Apr 06, 2026 #229 No Country for Old Knees by B. Jan Montana Apr 06, 2026 #229 How To Play in A Rock Band, 22: Encounters With Famous Musicians, Part 1 by Frank Doris Apr 06, 2026 #229 The Soulful Grooves of Guinea-Bissau by Steve Kindig Apr 06, 2026 #229 Four-Hand Piano Performance at Its Finest by Stephan Haberthür Apr 06, 2026 #229 The People Who Make Audio Happen: Supreme Acoustics Systems’ Las Vegas Grand Opening by Harris Fogel Apr 06, 2026 #229 Blue Öyster Cult: Tyranny and Expectations by Wayne Robins Apr 06, 2026 #229 Guitarist Rick Vito’s Cinematic New Album, Slidemaster by Ray Chelstowski Apr 06, 2026 #229 Measurements and Observational Listening by Paul McGowan Apr 06, 2026 #229 PS Audio in the News by PS Audio Staff Apr 06, 2026 #229 Back to My Reel-to-Reel Roots, Part 28: The Cassette Strikes Back by Ken Kessler Apr 06, 2026 #229 Are You Receiving Me? by Frank Doris Apr 06, 2026 #229 Hospitality by Peter Xeni Apr 06, 2026 #229 Cantina Gateway by James Schrimpf Apr 06, 2026 #228 Serita’s Black Rose Duo Shakes Your Soul With a Blend of Funk, Rock, Blues and a Whole Lot More by Frank Doris Mar 02, 2026 #228 Vinyl, A Love Story by Wayne Robins Mar 02, 2026 #228 Thrill Seeker by B. Jan Montana Mar 02, 2026 #228 The Vinyl Beat: Donald Byrd, Bill Evans, Wes Montgomery, Eddie Palmieri and Frank Sinatra by Rudy Radelic Mar 02, 2026 #228 Listening to Prestige: The History of a Vitally Important Jazz Record Label by Frank Doris Mar 02, 2026 #228 How to Play in a Rock Band, 21: Touring With James Lee Stanley by Frank Doris Mar 02, 2026 #228 The NAMM 2026 Show: The Music Industry’s Premier Event by John Volanski Mar 02, 2026 #228 The Earliest Stars of Country Music, Part Two by Jeff Weiner Mar 02, 2026 #228 From The Audiophile's Guide: A Brief History of Stereophonic Sound by Paul McGowan Mar 02, 2026 #228 A Bone to Pick With Streaming Audio by Frank Doris Mar 02, 2026 #228 Blast Off With Bluesman Duke Robillard by Ray Chelstowski Mar 02, 2026 #228 A Visit to the Marten Loudspeaker Factory in Göteborg, Sweden by Ingo Schulz and Sebastian Polcyn Mar 02, 2026 #228 Pure Distortion by Peter Xeni Mar 02, 2026 #228 A Nagra Factory Tour by Markus "Marsu" Manthey Mar 02, 2026 #228 Back to My Reel-to-Reel Roots, Part 27: Noodge and Ye Shall Receive, Part Two by Ken Kessler Mar 02, 2026 #228 PS Audio in the News by PS Audio Staff Mar 02, 2026 #228 90-Degree Stereo by Frank Doris Mar 02, 2026 #228 The Keys to Art by Rich Isaacs Mar 02, 2026 #227 Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters by Frank Doris Feb 02, 2026 #227 Passport to Sound: May Anwar’s Audio Learning Experience for Young People by Frank Doris Feb 02, 2026 #227 Conjectures on Cosmic Consciousness by B. Jan Montana Feb 02, 2026 #227 The Big Takeover Turns 45 by Wayne Robins Feb 02, 2026 #227 Music and Chocolate: On the Sensory Connection by Joe Caplan Feb 02, 2026 #227 Singer/Songwriter Chris Berardo: Getting Wilder All the Time by Ray Chelstowski Feb 02, 2026 #227 The Earliest Stars of Country Music, Part One by Jeff Weiner Feb 02, 2026 #227 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part Two by Rudy Radelic Feb 02, 2026 #227 How to Play in a Rock Band, 20: On the Road With Blood, Sweat & Tears’ Guitarist Gabe Cummins by Frank Doris Feb 02, 2026

Take 22

Take 22

This is my 22nd issue of editing Copper. 22 issues of fun, hard work, passion, power outages, a moment of panic or two and many other feelings. Deadline pressure and occasional writer’s block aside, I think I speak for all of us when I say we love doing this.

So what’s the occasion for marking my 22nd issue? Well, I forgot that Issue 117 was my 20th anniversary, duhh! And number 22 is double deuce, and “The Deuce” was my nickname in college (and still is to some long-time friends). In college a bunch of us played cards. As any card player knows it’s usually advantageous to pull a high card like an ace, king and so on. But I would usually draw a deuce whenever I needed a good card. To the point where my frequency of pulling a deuce went far beyond the laws of chance. Way beyond. Seriously. After a while, when I pulled a deuce everyone at the table would exclaim, “The Deuce!” in astonishment. The name stuck.

Our group has been playing for more than four decades. So the number 22 has meaning to me and also a kind of symmetry, don’t you think?

In this issue: Anne E. Johnson digs The Incredible Jimmy Smith and finds true purpose in the music of Patty Griffin. J.I. Agnew interviews acoustic design consultant Philip Newell, who worked for Virgin Records among many others. Rich Isaacs gets into record collecting, while Rudy Radelic offers an alternative opinion on Record Store Day. Wayne Robins plays on Themes From a Summer Piece. Things get too hot to handle in “Confessions of a Setup Man, Part Eight.

Tom Methans rocks out with Motörhead! Ken Sander and singer/actor Carl Anderson take us to the Forty Thieves Club in Bermuda. Roy Hall visits Israel, and it’s no ordinary journey. Tom Gibbs reviews new releases and re-issues from Walter Trout, Angel Olsen, Elliott Smith and The Allman Betts Band. John Seetoo continues his series on unusual artist collaborations and cameos, and his interview with Quilter Amps/QSC Audio founder Pat Quilter. Ray Chelstowski ponders when Dire Straits made a Springsteen record. Our A/V department rounds out the issue with a groovy girl, a disappearing act and a Chicago get-together.

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