COPPER

A PS Audio Publication

Issue 119 • Free Online Magazine

Issue 119 Opening Salvo

Take 22

Take 22

This is my 22nd issue of editing Copper. 22 issues of fun, hard work, passion, power outages, a moment of panic or two and many other feelings. Deadline pressure and occasional writer’s block aside, I think I speak for all of us when I say we love doing this.

So what’s the occasion for marking my 22nd issue? Well, I forgot that Issue 117 was my 20th anniversary, duhh! And number 22 is double deuce, and “The Deuce” was my nickname in college (and still is to some long-time friends). In college a bunch of us played cards. As any card player knows it’s usually advantageous to pull a high card like an ace, king and so on. But I would usually draw a deuce whenever I needed a good card. To the point where my frequency of pulling a deuce went far beyond the laws of chance. Way beyond. Seriously. After a while, when I pulled a deuce everyone at the table would exclaim, “The Deuce!” in astonishment. The name stuck.

Our group has been playing for more than four decades. So the number 22 has meaning to me and also a kind of symmetry, don’t you think?

In this issue: Anne E. Johnson digs The Incredible Jimmy Smith and finds true purpose in the music of Patty Griffin. J.I. Agnew interviews acoustic design consultant Philip Newell, who worked for Virgin Records among many others. Rich Isaacs gets into record collecting, while Rudy Radelic offers an alternative opinion on Record Store Day. Wayne Robins plays on Themes From a Summer Piece. Things get too hot to handle in “Confessions of a Setup Man, Part Eight.

Tom Methans rocks out with Motörhead! Ken Sander and singer/actor Carl Anderson take us to the Forty Thieves Club in Bermuda. Roy Hall visits Israel, and it’s no ordinary journey. Tom Gibbs reviews new releases and re-issues from Walter Trout, Angel Olsen, Elliott Smith and The Allman Betts Band. John Seetoo continues his series on unusual artist collaborations and cameos, and his interview with Quilter Amps/QSC Audio founder Pat Quilter. Ray Chelstowski ponders when Dire Straits made a Springsteen record. Our A/V department rounds out the issue with a groovy girl, a disappearing act and a Chicago get-together.

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#226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026 #226 From The Audiophile’s Guide: Active Room Correction and Digital Signal Processing by Paul McGowan Jan 05, 2026 #226 PS Audio in the News by Frank Doris Jan 05, 2026 #226 Back to My Reel-to-Reel Roots, Part 25: Half-Full, Not Empty by Ken Kessler Jan 05, 2026 #226 Happy New Year! by Frank Doris Jan 05, 2026 #226 Turn It Down! by Peter Xeni Jan 05, 2026 #226 Ghost Riders by James Schrimpf Jan 05, 2026 #226 A Factory Tour of Audio Manufacturer German Physiks by Markus "Marsu" Manthey Jan 04, 2026 #225 Capital Audiofest 2025: Must-See Stereo, Part One by Frank Doris Dec 01, 2025 #225 Otis Taylor and the Electrics Delivers a Powerful Set of Hypnotic Modern Blues by Frank Doris Dec 01, 2025 #225 A Christmas Miracle by B. Jan Montana Dec 01, 2025 #225 T.H.E. Show New York 2025, Part Two: Plenty to See, Hear, and Enjoy by Frank Doris Dec 01, 2025 #225 Underappreciated Artists, Part One: Martin Briley by Rich Isaacs Dec 01, 2025 #225 Rock and Roll is Here to Stay by Wayne Robins Dec 01, 2025 #225 A Lifetime of Holiday Record (and CD) Listening by Rudy Radelic Dec 01, 2025 #225 Little Feat: Not Saying Goodbye, Not Yet by Ray Chelstowski Dec 01, 2025 #225 How to Play in a Rock Band, Part 18: Dealing With Burnout by Frank Doris Dec 01, 2025 #225 The People Who Make Audio Happen: CanJam SoCal 2025 by Harris Fogel Dec 01, 2025 #225 Chicago’s Sonic Sanctuaries: Four Hi‑Fi Listening Bars Channeling the Jazz‑Kissa Spirit by Olivier Meunier-Plante Dec 01, 2025 #225 From The Audiophile’s Guide: Controlling Bass Frequencies Through Membrane Absorbers (and How to Build Your Own) by Paul McGowan Dec 01, 2025 #225 Your Editor’s Tips for Attending Audio Shows by Frank Doris Dec 01, 2025 #225 PS Audio in the News by Frank Doris Dec 01, 2025 #225 Back to My Reel-to-Reel Roots, Part 24 by Ken Kessler Dec 01, 2025 #225 Holiday Music by Frank Doris Dec 01, 2025 #225 Puppy Prognostication by Peter Xeni Dec 01, 2025 #225 How to Post Comments on Copper by Frank Doris Dec 01, 2025 #225 Living Color by Rudy Radelic Dec 01, 2025 #224 T.H.E. Show New York 2025, Part One: A New Beginning by Frank Doris Nov 03, 2025 #224 Fool’s Leap of Faith is the Extraordinary Octave Records Debut from Singer/Songwriter Tyler Burba and Visit by Frank Doris Nov 03, 2025 #224 The Beatles’ “Aeolian Cadences.” What? by Wayne Robins Nov 03, 2025 #224 Persona Non Grata by B. Jan Montana Nov 03, 2025 #224 Talking With Recording Engineer Barry Diament of Soundkeeper Recordings, Part Two by Frank Doris Nov 03, 2025 #224 B Sides, B Movies, and Beware of Zombies by Rudy Radelic Nov 03, 2025 #224 The Burn-In Chronicles: 1,000 Hours to Sonic Salvation by Olivier Meunier-Plante Nov 03, 2025 #224 A Conversation With Mat Weisfeld of VPI Industries by Joe Caplan Nov 03, 2025 #224 Blues-Rocker Kenny Wayne Shepherd Celebrates 30 Years of Ledbetter Heights by Ray Chelstowski Nov 03, 2025 #224 Playing in a Rock Band, 17: When Good Gigs Go Bad, Part Two by Frank Doris Nov 03, 2025

Take 22

Take 22

This is my 22nd issue of editing Copper. 22 issues of fun, hard work, passion, power outages, a moment of panic or two and many other feelings. Deadline pressure and occasional writer’s block aside, I think I speak for all of us when I say we love doing this.

So what’s the occasion for marking my 22nd issue? Well, I forgot that Issue 117 was my 20th anniversary, duhh! And number 22 is double deuce, and “The Deuce” was my nickname in college (and still is to some long-time friends). In college a bunch of us played cards. As any card player knows it’s usually advantageous to pull a high card like an ace, king and so on. But I would usually draw a deuce whenever I needed a good card. To the point where my frequency of pulling a deuce went far beyond the laws of chance. Way beyond. Seriously. After a while, when I pulled a deuce everyone at the table would exclaim, “The Deuce!” in astonishment. The name stuck.

Our group has been playing for more than four decades. So the number 22 has meaning to me and also a kind of symmetry, don’t you think?

In this issue: Anne E. Johnson digs The Incredible Jimmy Smith and finds true purpose in the music of Patty Griffin. J.I. Agnew interviews acoustic design consultant Philip Newell, who worked for Virgin Records among many others. Rich Isaacs gets into record collecting, while Rudy Radelic offers an alternative opinion on Record Store Day. Wayne Robins plays on Themes From a Summer Piece. Things get too hot to handle in “Confessions of a Setup Man, Part Eight.

Tom Methans rocks out with Motörhead! Ken Sander and singer/actor Carl Anderson take us to the Forty Thieves Club in Bermuda. Roy Hall visits Israel, and it’s no ordinary journey. Tom Gibbs reviews new releases and re-issues from Walter Trout, Angel Olsen, Elliott Smith and The Allman Betts Band. John Seetoo continues his series on unusual artist collaborations and cameos, and his interview with Quilter Amps/QSC Audio founder Pat Quilter. Ray Chelstowski ponders when Dire Straits made a Springsteen record. Our A/V department rounds out the issue with a groovy girl, a disappearing act and a Chicago get-together.

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