COPPER

A PS Audio Publication

Issue 14 • Free Online Magazine

Issue 14 Opening Salvo

Issue 14

Issue 14

As we draw nearer to the time of the World Series, we have several series featured in Copper #14---two concluding, two beginning.

Paul McGowan begins a new column, Back to Basics, in this issue. We realized that there are very few places for newbies to learn about the basics of audio, and in every issue of Copper, Paul will provide just such info.

Jason Victor Serinus’ two-part intro to opera concludes in this issue. Even if you’ve never made it all the way through an opera---or especially if you’ve never made it all the way through an opera--- I encourage you to listen to the exquisite clips Jason has chosen for his piece. I think you’ll find them revelatory.

Jim Smith begins an ambitious eight-part series on subwoofers; with Jim’s tutelage, you’ll learn that while subs may be all about the bass, there’s much more to them as well. (Sorry. Couldn’t resist.)

Ken Kessler concludes his look at audio in the UK.  I dearly wanted to be able to title this piece “Anarchy in the UK”, but as Ken wistfully commented, “it’s no longer anarchic.” Somehow that makes me sad.

In last issue’s Audio Cynic, I announced a contest, offering a new PS Audio LAN Rover for the best example of something in audio that is completely NEW. Paul McGowan and I have reviewed the entries, and the winner (FINAL! No appeals!) is Arturo Perez, who chose on-demand music as exemplified by the Amazon Echo. Echo may not yet be what we consider high-end audio quality, but just wait. The delivery mechanism is the thing, and I believe that it will be a game-changer for the industry.

Next issue we’ll present all the entries in full, along with my comments on each entry. Many were novel and entertaining, and I think you’ll enjoy reading them. Thanks to everyone who entered!

Meanwhile—enjoy issue #14 of Copper!

More from Issue 14

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#226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026 #226 From The Audiophile’s Guide: Active Room Correction and Digital Signal Processing by Paul McGowan Jan 05, 2026 #226 PS Audio in the News by Frank Doris Jan 05, 2026 #226 Back to My Reel-to-Reel Roots, Part 25: Half-Full, Not Empty by Ken Kessler Jan 05, 2026 #226 Happy New Year! by Frank Doris Jan 05, 2026 #226 Turn It Down! by Peter Xeni Jan 05, 2026 #226 Ghost Riders by James Schrimpf Jan 05, 2026 #226 A Factory Tour of Audio Manufacturer German Physiks by Markus "Marsu" Manthey Jan 04, 2026 #225 Capital Audiofest 2025: Must-See Stereo, Part One by Frank Doris Dec 01, 2025 #225 Otis Taylor and the Electrics Delivers a Powerful Set of Hypnotic Modern Blues by Frank Doris Dec 01, 2025 #225 A Christmas Miracle by B. Jan Montana Dec 01, 2025 #225 T.H.E. Show New York 2025, Part Two: Plenty to See, Hear, and Enjoy by Frank Doris Dec 01, 2025 #225 Underappreciated Artists, Part One: Martin Briley by Rich Isaacs Dec 01, 2025 #225 Rock and Roll is Here to Stay by Wayne Robins Dec 01, 2025 #225 A Lifetime of Holiday Record (and CD) Listening by Rudy Radelic Dec 01, 2025 #225 Little Feat: Not Saying Goodbye, Not Yet by Ray Chelstowski Dec 01, 2025 #225 How to Play in a Rock Band, Part 18: Dealing With Burnout by Frank Doris Dec 01, 2025 #225 The People Who Make Audio Happen: CanJam SoCal 2025 by Harris Fogel Dec 01, 2025 #225 Chicago’s Sonic Sanctuaries: Four Hi‑Fi Listening Bars Channeling the Jazz‑Kissa Spirit by Olivier Meunier-Plante Dec 01, 2025 #225 From The Audiophile’s Guide: Controlling Bass Frequencies Through Membrane Absorbers (and How to Build Your Own) by Paul McGowan Dec 01, 2025 #225 Your Editor’s Tips for Attending Audio Shows by Frank Doris Dec 01, 2025 #225 PS Audio in the News by Frank Doris Dec 01, 2025 #225 Back to My Reel-to-Reel Roots, Part 24 by Ken Kessler Dec 01, 2025 #225 Holiday Music by Frank Doris Dec 01, 2025 #225 Puppy Prognostication by Peter Xeni Dec 01, 2025 #225 How to Post Comments on Copper by Frank Doris Dec 01, 2025 #225 Living Color by Rudy Radelic Dec 01, 2025 #224 T.H.E. Show New York 2025, Part One: A New Beginning by Frank Doris Nov 03, 2025 #224 Fool’s Leap of Faith is the Extraordinary Octave Records Debut from Singer/Songwriter Tyler Burba and Visit by Frank Doris Nov 03, 2025 #224 The Beatles’ “Aeolian Cadences.” What? by Wayne Robins Nov 03, 2025 #224 Persona Non Grata by B. Jan Montana Nov 03, 2025 #224 Talking With Recording Engineer Barry Diament of Soundkeeper Recordings, Part Two by Frank Doris Nov 03, 2025 #224 B Sides, B Movies, and Beware of Zombies by Rudy Radelic Nov 03, 2025 #224 The Burn-In Chronicles: 1,000 Hours to Sonic Salvation by Olivier Meunier-Plante Nov 03, 2025 #224 A Conversation With Mat Weisfeld of VPI Industries by Joe Caplan Nov 03, 2025 #224 Blues-Rocker Kenny Wayne Shepherd Celebrates 30 Years of Ledbetter Heights by Ray Chelstowski Nov 03, 2025 #224 Playing in a Rock Band, 17: When Good Gigs Go Bad, Part Two by Frank Doris Nov 03, 2025

Issue 14

Issue 14

As we draw nearer to the time of the World Series, we have several series featured in Copper #14---two concluding, two beginning.

Paul McGowan begins a new column, Back to Basics, in this issue. We realized that there are very few places for newbies to learn about the basics of audio, and in every issue of Copper, Paul will provide just such info.

Jason Victor Serinus’ two-part intro to opera concludes in this issue. Even if you’ve never made it all the way through an opera---or especially if you’ve never made it all the way through an opera--- I encourage you to listen to the exquisite clips Jason has chosen for his piece. I think you’ll find them revelatory.

Jim Smith begins an ambitious eight-part series on subwoofers; with Jim’s tutelage, you’ll learn that while subs may be all about the bass, there’s much more to them as well. (Sorry. Couldn’t resist.)

Ken Kessler concludes his look at audio in the UK.  I dearly wanted to be able to title this piece “Anarchy in the UK”, but as Ken wistfully commented, “it’s no longer anarchic.” Somehow that makes me sad.

In last issue’s Audio Cynic, I announced a contest, offering a new PS Audio LAN Rover for the best example of something in audio that is completely NEW. Paul McGowan and I have reviewed the entries, and the winner (FINAL! No appeals!) is Arturo Perez, who chose on-demand music as exemplified by the Amazon Echo. Echo may not yet be what we consider high-end audio quality, but just wait. The delivery mechanism is the thing, and I believe that it will be a game-changer for the industry.

Next issue we’ll present all the entries in full, along with my comments on each entry. Many were novel and entertaining, and I think you’ll enjoy reading them. Thanks to everyone who entered!

Meanwhile—enjoy issue #14 of Copper!

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