COPPER

A PS Audio Publication

Issue 14 • Free Online Magazine

Issue 14 Opening Salvo

Issue 14

Issue 14

As we draw nearer to the time of the World Series, we have several series featured in Copper #14---two concluding, two beginning.

Paul McGowan begins a new column, Back to Basics, in this issue. We realized that there are very few places for newbies to learn about the basics of audio, and in every issue of Copper, Paul will provide just such info.

Jason Victor Serinus’ two-part intro to opera concludes in this issue. Even if you’ve never made it all the way through an opera---or especially if you’ve never made it all the way through an opera--- I encourage you to listen to the exquisite clips Jason has chosen for his piece. I think you’ll find them revelatory.

Jim Smith begins an ambitious eight-part series on subwoofers; with Jim’s tutelage, you’ll learn that while subs may be all about the bass, there’s much more to them as well. (Sorry. Couldn’t resist.)

Ken Kessler concludes his look at audio in the UK.  I dearly wanted to be able to title this piece “Anarchy in the UK”, but as Ken wistfully commented, “it’s no longer anarchic.” Somehow that makes me sad.

In last issue’s Audio Cynic, I announced a contest, offering a new PS Audio LAN Rover for the best example of something in audio that is completely NEW. Paul McGowan and I have reviewed the entries, and the winner (FINAL! No appeals!) is Arturo Perez, who chose on-demand music as exemplified by the Amazon Echo. Echo may not yet be what we consider high-end audio quality, but just wait. The delivery mechanism is the thing, and I believe that it will be a game-changer for the industry.

Next issue we’ll present all the entries in full, along with my comments on each entry. Many were novel and entertaining, and I think you’ll enjoy reading them. Thanks to everyone who entered!

Meanwhile—enjoy issue #14 of Copper!

More from Issue 14

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#231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026 #230 An Outlier in the Rack: A Vintage BIC Beam Box by The Staff at Just Audio May 04, 2026 #230 PS Audio in the News by PS Audio Staff May 04, 2026 #230 A Cautionary Tale by Rich Isaacs May 04, 2026 #230 Reel-to-Reel Roots, Part 33 (Revised): Ken Kessler Reports On the 2026 (British) AudioJumble by Ken Kessler May 04, 2026 #230 Text Messaging by Frank Doris May 04, 2026 #230 The Audiophile Rat Race by Peter Xeni May 04, 2026 #230 On the Rocks by Rich Isaacs May 04, 2026 #229 The Earliest Stars of Country Music, Part Three by Jeff Weiner Apr 06, 2026 #229 The Healing Power of Music and Sound at the Omega Institute by Joe Caplan Apr 06, 2026 #229 CanJam NYC 2026 Show Report: Heady Sound, Part One by Frank Doris Apr 06, 2026 #229 Florida Audio Expo 2026: Warming Up to High-End Audio, Part One by Frank Doris Apr 06, 2026 #229 Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges by Frank Doris Apr 06, 2026 #229 The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle by Rudy Radelic Apr 06, 2026 #229 Harvard Gets a High-End Audio Education by Frank Doris Apr 06, 2026 #229 No Country for Old Knees by B. Jan Montana Apr 06, 2026 #229 How To Play in A Rock Band, 22: Encounters With Famous Musicians, Part 1 by Frank Doris Apr 06, 2026 #229 The Soulful Grooves of Guinea-Bissau by Steve Kindig Apr 06, 2026 #229 Four-Hand Piano Performance at Its Finest by Stephan Haberthür Apr 06, 2026

Issue 14

Issue 14

As we draw nearer to the time of the World Series, we have several series featured in Copper #14---two concluding, two beginning.

Paul McGowan begins a new column, Back to Basics, in this issue. We realized that there are very few places for newbies to learn about the basics of audio, and in every issue of Copper, Paul will provide just such info.

Jason Victor Serinus’ two-part intro to opera concludes in this issue. Even if you’ve never made it all the way through an opera---or especially if you’ve never made it all the way through an opera--- I encourage you to listen to the exquisite clips Jason has chosen for his piece. I think you’ll find them revelatory.

Jim Smith begins an ambitious eight-part series on subwoofers; with Jim’s tutelage, you’ll learn that while subs may be all about the bass, there’s much more to them as well. (Sorry. Couldn’t resist.)

Ken Kessler concludes his look at audio in the UK.  I dearly wanted to be able to title this piece “Anarchy in the UK”, but as Ken wistfully commented, “it’s no longer anarchic.” Somehow that makes me sad.

In last issue’s Audio Cynic, I announced a contest, offering a new PS Audio LAN Rover for the best example of something in audio that is completely NEW. Paul McGowan and I have reviewed the entries, and the winner (FINAL! No appeals!) is Arturo Perez, who chose on-demand music as exemplified by the Amazon Echo. Echo may not yet be what we consider high-end audio quality, but just wait. The delivery mechanism is the thing, and I believe that it will be a game-changer for the industry.

Next issue we’ll present all the entries in full, along with my comments on each entry. Many were novel and entertaining, and I think you’ll enjoy reading them. Thanks to everyone who entered!

Meanwhile—enjoy issue #14 of Copper!

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