COPPER

A PS Audio Publication

Issue 67 • Free Online Magazine

Issue 67 FEATURED

Wine Like Grandpa Used to Make

When I told Editor Bill Leebens that I write about wine for a living, he wanted exciting, off-the-wall stories about my day job. Such anecdotes might have been more common during my time in wine auctions when millionaires swooped in to buy up all the cases of 1982 Latour, Lafite, and Mouton, but I’m no longer involved with trends, scores, and prices of commodity wines. Nowadays, my work revolves around searching out more affordable and accessible products, making me the envy of my wife’s friends, family, and colleagues. “He gets paid to taste wine? Where do I sign up?”  Next comes the inevitable recommendation request. “Ask him what I should drink,” thinking that I know the exact $20 bottle they too would love. After twenty years of retailing, consulting, and marketing, my personal tastes have long departed the mainstream and gone back to wine’s genesis, like switching from EDM to pure Delta Blues. I only want soulful, complex, natural stuff – straight out of the dirt, and that’s what I hope other wine drinkers will try.

Every week salespeople and producers bring me new and interesting products to evaluate for my restaurant and store accounts. I also attend the equivalent of audio shows for wine professionals where I meet winemakers and grape growers. I ask them about their portfolio, winemaking practices and farming philosophy as I weave from table to table, sipping and spitting up to one hundred wines. It’s certainly not the worst way to spend a workday. But then there’s the junk I have to wade through: market-driven, mass-produced wines that pose as genuine articles.

Some wine, especially the ones with cute labels and creative backstories, are nothing more than an exercise in branding. There are all kinds of media personalities, conglomerates, and ad-men that dream up wine labels with no tradition, skill, or provenance behind them. Just tap into reservoirs of surplus wine, hire a consultant, invent the marketing and anyone can set up a label. I’ve even received offers to start my own brand. If I had to find wine that met my standards, it would never make it to the bottling line.

Most consumers believe that their wine is a healthy all-natural drink made from grapes. Were it not for those pesky sulfites it would be a miracle beverage full of anti-oxidants and cholesterol-lowering properties. During one of my retail stints in Brooklyn, NY, I lived through many epidemics of sulfite hysteria instigated by an article on a slow news day. Suddenly, everyone would be asking, “Where are your organic wines? Which ones are sulfite-free? Did you know sulfites cause headaches and hives?” Then, depending on my mood, I would go into a shorter or longer explanation of sulfur.

My stock answer would be, “Well, organic doesn’t mean sulfite-free, and ‘sulfite-free’ wines actually contain naturally occurring sulfites as a by-product of fermentation… organic wines can also have the same amount of sulfur as regular wine, and white wine has more than red…” and then the customer zones out. “But does it taste good? And, why does it cost $30!?” They ask as if I’m trying beef up my nonexistent commission. Upon consideration of price against my description of the wine, many revert to their usual brand. Sulfites be damned!

After the transaction, my co-workers and I exchange a knowing glance, “If they only knew what else was in that wine.” Organic granola even has dried fruit treated with sulfites. And if one eats from fast food restaurants or packages, then avoiding sulfites in wine is pure folly.

Sulfur is a chemical element that has been used since antiquity. Also called brimstone, naturally occurring crystallized sulfur (often found near volcanoes) is one of the oldest farming and medicinal remedies. While you don’t want too much of any chemical in your wine, sulfur should be the least of your worries. Besides sulfites, winemakers are under no obligation to list ingredients in wine – not to mention all the traces of pesticides, herbicides, and fungicides sprayed in the vineyards.  Producers are free to use scores of animal, vegetable, and chemical additives to fix color, smell, flavor, and stability, transforming swill into a palatable liquid.

That $15 gallon-box of wine is not to be trusted, and the same goes for some of the extremely high-end cult wines that risk losing piles of money due to a bad review. So what in the world is safe to drink? First of all, drink what you enjoy. As the French say, “À chacun son goût” – to each his own taste. Don’t let me or a salesman talk you into anything. But, if you’re willing to stimulate your palate and brain, I have a recommendation: Biodynamic, the original organic wine.

Developed in the 1920s by Rudolf Steiner, Biodynamic agriculture is a complicated name for pre-industrial farming. It’s what my grandfather did back in Yugoslavia. It’s what everyone did before agrochemicals and machinery. A sustainable family farm is an integrated system that relies on animals, plants, and people to nourish each other in a regenerative cycle. Hence, larger farm animals eat vegetation and spread manure to provide further nutrition for bugs and new plants. Ducks, chickens, and predatory birds feed on vegetation, rodents, and insects. People eat the birds, farm animals, and plants. Then, leftovers and inedibles are put back into the system as compost and animal feed.

Although this type of farming has been around for thousands of years, Biodynamics is viewed with skepticism because it circumvents chemical intervention and is dictated by nature’s schedule. For example, planting, fertilizing, and harvesting are done according to lunar cycles. Does this conjure up visions of witches dancing around a fire during moonrise? Even so, there’s no denying that the moon’s gravitational force affects ocean tides as well as sap activity in vines and water content in soil. In fact, NASA charts moons phases to the minute, so it’s even easier for Biodynamic farmers to map out their year from sowing to final harvest.

Biodynamic farming is simply about planting the right crops in the right place at the right time and letting nature conduct her symphony: bats and birds and ladybugs control pests; grasses are planted between vine rows to crowd out weeds; hoofed animals work as tractors and tillers. When needed, infusions of herbs, barks, plants, bacteria, and fungi are used as natural remedies in the field, as well as a limited amount of sulfur. Unlike that gallon box of cheap Chablis, this type of low-intervention wine is made in the vineyard and not in the lab. Does it make a difference in flavor? You bet. Does it taste better? Let’s just say it’s different. I find Biodynamic wine to be vivacious, expressive of its environment, and brimming with natural grape flavor. Compare a seasonal local tomato from an organic farm and that greenhouse imposter at the supermarket. I know which one’s going into my Caprese salad.

I could list my favorite winemakers here, but the brands might not be available at your local shop. Instead, let me suggest my go-to regions. From France, I like Loire, Beaujolais, Languedoc, and Rhône. Spain has many excellent wines from Penedes, Jumilla, and Rioja. Italy and Greece have quirky old-school winemakers all over the place, and don’t forget California! One of my favorite Rosés this past season was from Mike Roth & Craig Winchester at Lo-Fi Wines. Check out the back label: they listed the ingredients; this should be the norm.

If you live outside of a major urban center and have a limited selection of shops, here are a few more tips for seeking out healthier wines:

-Contact natural wine importers like Jenny & Francois and Kermit Lynch for retailer referrals, or ask your shop to special order Biodynamic wines from them.

– Browse the European sections for default organic options at reasonable prices. Many winemakers forgo the costly certifications.

– Look on the back label for descriptors such as: low intervention, spontaneous fermentation, wild yeasts, no added sulfites, sustainable, small-production, and organic practices.

If you’re like me and prefer not to drink polyvinyl-polypyr-rolidone, glyceryl mono-oleate, or potassium ferrocyanide, then try Biodynamic — or at least organic—wine. Natural winemakers are a serious, sometimes eccentric, bunch entirely devoted to sustainable farming. It’s an all-encompassing lifestyle for them but we can still reap the benefits of wholesome wine. It won’t make you look twenty years younger, re-grow hair, or restore hearing, but Biodynamic wines are much better for you and the environment. À votre santé!

More from Issue 67

View All Articles in Issue 67

Search Copper Magazine

#234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026 #234 Rags for Solo Piano and a Dog: David Chesky's Ragtime Music for the Modern Age by Frankly Speaking Sep 07, 2026 #234 HIGH END 2026, Vienna: Here to Stay by Carsten Barnbeck Sep 07, 2026 #234 From The Audiophile’s Guide: The Two Main Types of Loudpeakers – Box and Panel by Paul McGowan Sep 07, 2026 #234 Letting it Slide by Frank Doris Sep 07, 2026 #234 PS Audio in the News by PS Audio Staff Sep 07, 2026 #234 Long Playing by Peter Xeni Sep 07, 2026 #234 La Mer by B. Jan Montana Sep 07, 2026 #233 A Report From The Total Hi-Fi Experience Show SoCal 2026 by B. Jan Montana Aug 03, 2026 #233 Bluegrass Meets Country, Folk, Jazz and More in All That We Carried by The Squid City Slingers by Frank Doris Aug 03, 2026 #233 Corey Glover and One Tribe Nation: A Variegated Musical Collective by Ray Chelstowski Aug 03, 2026 #233 Excursions with Clive: The Late Clive Davis, A Personal History by Wayne Robins Aug 03, 2026 #233 AI, Art, and Music: A Conversation With Synthography Art by Joe Caplan Aug 03, 2026 #233 New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work by Frank Doris Aug 03, 2026 #233 The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More by Rudy Radelic Aug 03, 2026 #233 How to Play in a Rock Band, 26: When It's Time to Record Your Music by Frank Doris Aug 03, 2026 #233 More From T.H.E. Show 2026, and the People Who Made it Happen by Harris Fogel Aug 03, 2026 #233 Underappreciated Artists, Part Three: Icehouse by Rich Isaacs Aug 03, 2026 #233 The Surprisingly Rich and Varied Music of Somalia by Steve Kindig Aug 03, 2026 #233 A Remarkable Discographic Legacy: The LP Recordings of the Basel Symphony Orchestra by Stephan Haberthür Aug 03, 2026 #233 From The Audiophile’s Guide: The Importance of Loudspeakers by Paul McGowan Aug 03, 2026 #233 From Swimming Pool to New Listening Room: A Conversation with Norman Varney of AV RoomService by Gilles Laferrière Aug 03, 2026 #233 PS Audio in the News by PS Audio Staff Aug 03, 2026 #233 Audio Jewelry by Peter Xeni Aug 03, 2026 #233 Enrich Your Life by Frank Doris Aug 03, 2026 #233 The Searcher by James Schrimpf Aug 03, 2026 #232 What came first: Art or Music? A Conversation With Artist Jose Acosta by Joe Caplan Jul 06, 2026 #232 Blow By Blow: The Jeff Beck Story: An Insightful Book About a Guitar Icon by Ray Chelstowski Jul 06, 2026 #232 Creed Over Camaraderie? by B. Jan Montana Jul 06, 2026 #232 Chronicles of a Sound Pilgrim at the 2026 Montreal Audiofest by Hugues Morin Jul 06, 2026 #232 The Vinyl Beat: Summer Grooves by Rudy Radelic Jul 06, 2026 #232 Hibbing Hillbilly Dylan's Acoustic Rock by Wayne Robins Jul 06, 2026 #232 Quad Quads and Plasmatronics Tweeters: An Extraordinary System Comes to Life by Frank Doris Jul 06, 2026 #232 In Praise of Live Music, Once Again by Ted Shafran Jul 06, 2026 #232 Allnic Audio’s L-9000 Preamplifier: Design and Engineering Innovation by Howard Kneller Jul 06, 2026 #232 “Best Of” Lists and Rage Bait: Enough Already by Frank Doris Jul 06, 2026 #232 Quick Takes: Bud Shank, Paulo Almeida, Jakob Dreyer, Tim Eriksen and Peter Irvine by Frank Doris Jul 06, 2026

Wine Like Grandpa Used to Make

When I told Editor Bill Leebens that I write about wine for a living, he wanted exciting, off-the-wall stories about my day job. Such anecdotes might have been more common during my time in wine auctions when millionaires swooped in to buy up all the cases of 1982 Latour, Lafite, and Mouton, but I’m no longer involved with trends, scores, and prices of commodity wines. Nowadays, my work revolves around searching out more affordable and accessible products, making me the envy of my wife’s friends, family, and colleagues. “He gets paid to taste wine? Where do I sign up?”  Next comes the inevitable recommendation request. “Ask him what I should drink,” thinking that I know the exact $20 bottle they too would love. After twenty years of retailing, consulting, and marketing, my personal tastes have long departed the mainstream and gone back to wine’s genesis, like switching from EDM to pure Delta Blues. I only want soulful, complex, natural stuff – straight out of the dirt, and that’s what I hope other wine drinkers will try.

Every week salespeople and producers bring me new and interesting products to evaluate for my restaurant and store accounts. I also attend the equivalent of audio shows for wine professionals where I meet winemakers and grape growers. I ask them about their portfolio, winemaking practices and farming philosophy as I weave from table to table, sipping and spitting up to one hundred wines. It’s certainly not the worst way to spend a workday. But then there’s the junk I have to wade through: market-driven, mass-produced wines that pose as genuine articles.

Some wine, especially the ones with cute labels and creative backstories, are nothing more than an exercise in branding. There are all kinds of media personalities, conglomerates, and ad-men that dream up wine labels with no tradition, skill, or provenance behind them. Just tap into reservoirs of surplus wine, hire a consultant, invent the marketing and anyone can set up a label. I’ve even received offers to start my own brand. If I had to find wine that met my standards, it would never make it to the bottling line.

Most consumers believe that their wine is a healthy all-natural drink made from grapes. Were it not for those pesky sulfites it would be a miracle beverage full of anti-oxidants and cholesterol-lowering properties. During one of my retail stints in Brooklyn, NY, I lived through many epidemics of sulfite hysteria instigated by an article on a slow news day. Suddenly, everyone would be asking, “Where are your organic wines? Which ones are sulfite-free? Did you know sulfites cause headaches and hives?” Then, depending on my mood, I would go into a shorter or longer explanation of sulfur.

My stock answer would be, “Well, organic doesn’t mean sulfite-free, and ‘sulfite-free’ wines actually contain naturally occurring sulfites as a by-product of fermentation… organic wines can also have the same amount of sulfur as regular wine, and white wine has more than red…” and then the customer zones out. “But does it taste good? And, why does it cost $30!?” They ask as if I’m trying beef up my nonexistent commission. Upon consideration of price against my description of the wine, many revert to their usual brand. Sulfites be damned!

After the transaction, my co-workers and I exchange a knowing glance, “If they only knew what else was in that wine.” Organic granola even has dried fruit treated with sulfites. And if one eats from fast food restaurants or packages, then avoiding sulfites in wine is pure folly.

Sulfur is a chemical element that has been used since antiquity. Also called brimstone, naturally occurring crystallized sulfur (often found near volcanoes) is one of the oldest farming and medicinal remedies. While you don’t want too much of any chemical in your wine, sulfur should be the least of your worries. Besides sulfites, winemakers are under no obligation to list ingredients in wine – not to mention all the traces of pesticides, herbicides, and fungicides sprayed in the vineyards.  Producers are free to use scores of animal, vegetable, and chemical additives to fix color, smell, flavor, and stability, transforming swill into a palatable liquid.

That $15 gallon-box of wine is not to be trusted, and the same goes for some of the extremely high-end cult wines that risk losing piles of money due to a bad review. So what in the world is safe to drink? First of all, drink what you enjoy. As the French say, “À chacun son goût” – to each his own taste. Don’t let me or a salesman talk you into anything. But, if you’re willing to stimulate your palate and brain, I have a recommendation: Biodynamic, the original organic wine.

Developed in the 1920s by Rudolf Steiner, Biodynamic agriculture is a complicated name for pre-industrial farming. It’s what my grandfather did back in Yugoslavia. It’s what everyone did before agrochemicals and machinery. A sustainable family farm is an integrated system that relies on animals, plants, and people to nourish each other in a regenerative cycle. Hence, larger farm animals eat vegetation and spread manure to provide further nutrition for bugs and new plants. Ducks, chickens, and predatory birds feed on vegetation, rodents, and insects. People eat the birds, farm animals, and plants. Then, leftovers and inedibles are put back into the system as compost and animal feed.

Although this type of farming has been around for thousands of years, Biodynamics is viewed with skepticism because it circumvents chemical intervention and is dictated by nature’s schedule. For example, planting, fertilizing, and harvesting are done according to lunar cycles. Does this conjure up visions of witches dancing around a fire during moonrise? Even so, there’s no denying that the moon’s gravitational force affects ocean tides as well as sap activity in vines and water content in soil. In fact, NASA charts moons phases to the minute, so it’s even easier for Biodynamic farmers to map out their year from sowing to final harvest.

Biodynamic farming is simply about planting the right crops in the right place at the right time and letting nature conduct her symphony: bats and birds and ladybugs control pests; grasses are planted between vine rows to crowd out weeds; hoofed animals work as tractors and tillers. When needed, infusions of herbs, barks, plants, bacteria, and fungi are used as natural remedies in the field, as well as a limited amount of sulfur. Unlike that gallon box of cheap Chablis, this type of low-intervention wine is made in the vineyard and not in the lab. Does it make a difference in flavor? You bet. Does it taste better? Let’s just say it’s different. I find Biodynamic wine to be vivacious, expressive of its environment, and brimming with natural grape flavor. Compare a seasonal local tomato from an organic farm and that greenhouse imposter at the supermarket. I know which one’s going into my Caprese salad.

I could list my favorite winemakers here, but the brands might not be available at your local shop. Instead, let me suggest my go-to regions. From France, I like Loire, Beaujolais, Languedoc, and Rhône. Spain has many excellent wines from Penedes, Jumilla, and Rioja. Italy and Greece have quirky old-school winemakers all over the place, and don’t forget California! One of my favorite Rosés this past season was from Mike Roth & Craig Winchester at Lo-Fi Wines. Check out the back label: they listed the ingredients; this should be the norm.

If you live outside of a major urban center and have a limited selection of shops, here are a few more tips for seeking out healthier wines:

-Contact natural wine importers like Jenny & Francois and Kermit Lynch for retailer referrals, or ask your shop to special order Biodynamic wines from them.

– Browse the European sections for default organic options at reasonable prices. Many winemakers forgo the costly certifications.

– Look on the back label for descriptors such as: low intervention, spontaneous fermentation, wild yeasts, no added sulfites, sustainable, small-production, and organic practices.

If you’re like me and prefer not to drink polyvinyl-polypyr-rolidone, glyceryl mono-oleate, or potassium ferrocyanide, then try Biodynamic — or at least organic—wine. Natural winemakers are a serious, sometimes eccentric, bunch entirely devoted to sustainable farming. It’s an all-encompassing lifestyle for them but we can still reap the benefits of wholesome wine. It won’t make you look twenty years younger, re-grow hair, or restore hearing, but Biodynamic wines are much better for you and the environment. À votre santé!

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: