COPPER

A PS Audio Publication

Issue 19 • Free Online Magazine

Issue 19 THE AUDIO CYNIC

Where Will We Go?

Gentrification. Some view it as imperialism incarnate, a way for big companies to force out long-established, historically-important businesses and create yet another outlet for their overpriced, overhyped goods. Cynics and pragmatists—like me— tend to simply view some of it as inevitable, and the way of the world. Oh, well.

Sad? Sure. Disgusting? Often. …And your point?

Do we need another Starbucks, Sephora, or Urban Outfitter? Oh, HELL no. But without consistent long-range planning—and what city has that??— most cities simply yield to opportunities to cash in with new developments. While it lasts, it’s a gold mine for builders, contractors, plenty of folks. The fact that local history, heritage and cultures are disappearing in front of our eyes is generally swept aside.

Yes, I’m thinking of you, New York City. Here’s a city that bans Big Gulps but does little to protect or preserve historic districts. It is a little crazy-making.

As the infestation of hipsters and tech money spreads through cities like New York and San Francisco, what happens to the outposts of our obsession…audio dealers?

Back in the “Greed is Good” days, the Masters of the Universe were known to spend their 6- or 7-figure annual bonuses at NYC audio salons such as Sound by Singer. Time went on, Wall Street tanked, and Andy lost his lease. That event, back in 2010,  could be viewed as the falling of the first domino.  (Andy is still around, with a smaller facility and limited hours. But still.)

Now that the Wall Streeters are back making major money again, big-bling stereos have lost ground to better apartments, Maseratis, Patek Philippes, whatever. There are no doubt big toys being bought, just not stereos, for the most part. Every dealer I know of around the city says business is “okay”—nothing more.

And meanwhile, the costs of retail space continue to soar. During the last year, Joshua Cohn’s Ears Nova closed due to a lost lease. Dave Wasserman, longtime owner of  Stereo Exchange, one of the city’s largest and oldest dealers, confirmed that they will be closing their retail space and transitioning to another structure,  which will be announced soon. Alumni of Stereo Exchange include speaker manufacturer John DeVore and the late Stereophile reviewer, Wes Phillips.

 

Wasserman noted, “it’s crazy for all of us in the city. There’s going to be nothing left but drugstores and banks.”

In spite of equally-insane rents, San Francisco has opened several new high-end dealerships in recent years. In addition to veteran dealers Music Lovers Audio, new guys Audio Vision and Elite Audio Systems have appeared. Audio Vision made it past some start-up bumps caused by smash-and-grab break-ins, and has become an established, respected retailer. Elite has taken rather a different tack from most audio retailers: the front of the store is a coffee bar. That  ensures steady traffic, adds to the bottom line, and helps get the audio products in front of potential customers who might not otherwise come into the store. Other dealers might consider similar tactics, especially in high-cost markets. 

AR_Listening_Rooms_3301

Guess who occupies a similar spot now?

Perhaps audio can still be done in high-rent markets; it may just require a more modest scale than was done in giant stores like Stereo Exchange. I have no idea what an average high-end audio store does, in terms of $ amount of sales per square foot. As a general rule, $300/square foot per year is considered acceptable for retail; shopping mall locations in the US average $341.   According to stats compiled by eMarketer and published recently in Time,  Apple stores average an astounding $5,546 per square foot. The average Apple store is over 8,000 square feet–so per-store sales average right around $50,000,000. In ONE STORE.

The next strongest retailer, Tiffany, does just under $3,000/square foot. This proves once and for all that Apple products are more precious than gold…or diamonds. ;->

So: where do audio retailers go when they’re priced out of the rental market? Right now, I don’t have any brilliant solutions.

I invite your ideas, and we’ll revisit this topic again in the future.

More from Issue 19

View All Articles in Issue 19

Search Copper Magazine

#231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026 #230 An Outlier in the Rack: A Vintage BIC Beam Box by The Staff at Just Audio May 04, 2026 #230 PS Audio in the News by PS Audio Staff May 04, 2026 #230 A Cautionary Tale by Rich Isaacs May 04, 2026 #230 Reel-to-Reel Roots, Part 33 (Revised): Ken Kessler Reports On the 2026 (British) AudioJumble by Ken Kessler May 04, 2026 #230 Text Messaging by Frank Doris May 04, 2026 #230 The Audiophile Rat Race by Peter Xeni May 04, 2026 #230 On the Rocks by Rich Isaacs May 04, 2026 #229 The Earliest Stars of Country Music, Part Three by Jeff Weiner Apr 06, 2026 #229 The Healing Power of Music and Sound at the Omega Institute by Joe Caplan Apr 06, 2026 #229 CanJam NYC 2026 Show Report: Heady Sound, Part One by Frank Doris Apr 06, 2026 #229 Florida Audio Expo 2026: Warming Up to High-End Audio, Part One by Frank Doris Apr 06, 2026 #229 Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges by Frank Doris Apr 06, 2026 #229 The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle by Rudy Radelic Apr 06, 2026 #229 Harvard Gets a High-End Audio Education by Frank Doris Apr 06, 2026 #229 No Country for Old Knees by B. Jan Montana Apr 06, 2026 #229 How To Play in A Rock Band, 22: Encounters With Famous Musicians, Part 1 by Frank Doris Apr 06, 2026 #229 The Soulful Grooves of Guinea-Bissau by Steve Kindig Apr 06, 2026 #229 Four-Hand Piano Performance at Its Finest by Stephan Haberthür Apr 06, 2026

Where Will We Go?

Gentrification. Some view it as imperialism incarnate, a way for big companies to force out long-established, historically-important businesses and create yet another outlet for their overpriced, overhyped goods. Cynics and pragmatists—like me— tend to simply view some of it as inevitable, and the way of the world. Oh, well.

Sad? Sure. Disgusting? Often. …And your point?

Do we need another Starbucks, Sephora, or Urban Outfitter? Oh, HELL no. But without consistent long-range planning—and what city has that??— most cities simply yield to opportunities to cash in with new developments. While it lasts, it’s a gold mine for builders, contractors, plenty of folks. The fact that local history, heritage and cultures are disappearing in front of our eyes is generally swept aside.

Yes, I’m thinking of you, New York City. Here’s a city that bans Big Gulps but does little to protect or preserve historic districts. It is a little crazy-making.

As the infestation of hipsters and tech money spreads through cities like New York and San Francisco, what happens to the outposts of our obsession…audio dealers?

Back in the “Greed is Good” days, the Masters of the Universe were known to spend their 6- or 7-figure annual bonuses at NYC audio salons such as Sound by Singer. Time went on, Wall Street tanked, and Andy lost his lease. That event, back in 2010,  could be viewed as the falling of the first domino.  (Andy is still around, with a smaller facility and limited hours. But still.)

Now that the Wall Streeters are back making major money again, big-bling stereos have lost ground to better apartments, Maseratis, Patek Philippes, whatever. There are no doubt big toys being bought, just not stereos, for the most part. Every dealer I know of around the city says business is “okay”—nothing more.

And meanwhile, the costs of retail space continue to soar. During the last year, Joshua Cohn’s Ears Nova closed due to a lost lease. Dave Wasserman, longtime owner of  Stereo Exchange, one of the city’s largest and oldest dealers, confirmed that they will be closing their retail space and transitioning to another structure,  which will be announced soon. Alumni of Stereo Exchange include speaker manufacturer John DeVore and the late Stereophile reviewer, Wes Phillips.

 

Wasserman noted, “it’s crazy for all of us in the city. There’s going to be nothing left but drugstores and banks.”

In spite of equally-insane rents, San Francisco has opened several new high-end dealerships in recent years. In addition to veteran dealers Music Lovers Audio, new guys Audio Vision and Elite Audio Systems have appeared. Audio Vision made it past some start-up bumps caused by smash-and-grab break-ins, and has become an established, respected retailer. Elite has taken rather a different tack from most audio retailers: the front of the store is a coffee bar. That  ensures steady traffic, adds to the bottom line, and helps get the audio products in front of potential customers who might not otherwise come into the store. Other dealers might consider similar tactics, especially in high-cost markets. 

AR_Listening_Rooms_3301

Guess who occupies a similar spot now?

Perhaps audio can still be done in high-rent markets; it may just require a more modest scale than was done in giant stores like Stereo Exchange. I have no idea what an average high-end audio store does, in terms of $ amount of sales per square foot. As a general rule, $300/square foot per year is considered acceptable for retail; shopping mall locations in the US average $341.   According to stats compiled by eMarketer and published recently in Time,  Apple stores average an astounding $5,546 per square foot. The average Apple store is over 8,000 square feet–so per-store sales average right around $50,000,000. In ONE STORE.

The next strongest retailer, Tiffany, does just under $3,000/square foot. This proves once and for all that Apple products are more precious than gold…or diamonds. ;->

So: where do audio retailers go when they’re priced out of the rental market? Right now, I don’t have any brilliant solutions.

I invite your ideas, and we’ll revisit this topic again in the future.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: