Copper


Springtime Solace

Issue 158Opening Salvo

For me, music always has been, is, and will be, solace. Even during, and perhaps because of, the toughest times. In this issue: Wayne Robins sometimes sits and listens to Courtney...

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Kevin Whelan of the Wrens and Aeon Station

Issue 158Idle Chatter

Kevin Whelan is an indie-rock veteran who had long been on the scene with his band, the Wrens. The group, dating back to 1989, has been beloved by fans and...

Jim Anderson and Ulrike Schwarz: Immersive Audi...

Issue 158The Copper Interview

With multiple Grammy Award wins and nominations to their credit, as well as European awards such as the Echo Klassik and Le Diamant d’Opera, Jim Anderson and Ulrike Schwarz have...

The Florida Audio Expo 2022 – A Bold Step Towar...

Issue 158To Be Determined

My second trip to the Florida Audio Expo (FAE) in Tampa was one that was marked with a certain amount of uncertainty and anxiety on my part. Initially, I was...

Three Days with Frank Sinatra, Part One

Issue 158Featured

Bill and Judy Green hosted parties for the Who’s Who of the day’s society pages. I recognized most of the people who regularly attended, not only from TV and movies...

Around the World In 80 Lathes, Part Eight

Issue 158Revolutions Per Minute

Introduced in 1970, the Neumann VMS-70 was the result of the continued evolution of the company’s AM 31 (introduced in 1931 as the first Neumann disk recording lathe), keeping the...

Nero Fiddles While Rome…

Issue 158Twisted Systems

Sorry folks but I’m having a hard time thinking about the state of my current audio system or writing about music. The Russian attack on Ukraine has just about eaten...

Sometimes I Sit and Listen to Courtney Barnett

Issue 158Wayne's Words

Courtney Barnett had me the first time I heard “Pedestrian at Best,” from her 2015 debut album, Sometimes I Sit and Think, Sometimes I Just Sit, which, if you spend any time...

Confessions of a Setup Man, Part 14: The Reluct...

Issue 158Frankly Speaking

I don’t think I really have the temperament to be an audio product reviewer. That’s because I don’t like saying bad things about products or people. Even if they deserve...

The Ups and Downs of Touring

Issue 158True-Life Rock Tales

As the spring of 1971 turned into summer we continued along with Superstar’s bus and truck tour. (see “Calling the Lubbock Lights” in Issue 156 for the previous installment about the Superstar, The Original Touring...

How Do You Q? Adjusting A Speaker’s Frequency R...

Issue 158Speaker Stories

Do you want to make adjustments to your speaker’s in-room frequency response and quell those unwanted pesky peaks and dips? Do you understand how equalization (EQ) works but have always...

Ann Wilson: From Heart to Fierce Bliss

Issue 158Disciples of Sound

It is sometimes rare to find established artists who have something new to say, something new to prove, or some new creative impulse they simply have to share. Ann Wilson...

Pilgrimage to Sturgis, Part 16

Issue 158New Vistas

That evening, I related to Melody’s family the story of the interesting dialogue I’d heard from the senior citizens on the beach. Melody’s brother started laughing. “You don’t think they’re...

Back to My Reel-to Reel-Roots, Part 10

Issue 158Natural Born Kessler

In which Ken Kessler makes a discovery linked to his dad. Only the churlish would deny that there’s an element of nostalgia in the Reel-to-Reel Revival, however much the inescapably...

Spring Is in the Airwaves

Issue 158Audio Anthropology

A pair of ultra-rare circa 1970s KA/Kustom Acoustics loudspeakers, model number unknown, spotted at Angry Mom Records in Ithaca, NY. KA was based in Chicago and is not to be...

Speak, Friend, and Enter

Issue 158Parting Shot

A church entrance in Stow-on-the-Wold, England, that our guide said was the inspiration for the entrance to the Mines of Moria from The Lord of the Rings. We were told that J.R.R....

Who's Afraid of the Big Bad Wolf?

Issue 158The Mindful Melophile

Many listeners avoid 20th-century classical music: they associate it with compositions that are aggressive, clamorous, dissonant and, in general, irritating. They don’t like the atonal or 12-tone (dodecaphonic) music that...

Francisco Guerrero: Catching On Again, Five Cen...

Issue 158Something Old / Something New

The Spanish composer Francisco Guerrero (1528 – 1599) might be nearly unknown outside of early-music and choral circles, but his name keeps popping up on albums over the past couple...

Yusuf/Cat Stevens: Soundtrack of the Seventies,...

Issue 158Off the Charts

His folky, insightful songs, brimming with humor and pathos, helped create the soundtrack to the 1970s. And then Cat Stevens left the field, changing his name and devoting himself to...

My First Speakers

Issue 158Speaker Stories

As promised back in my article, “Shop Class” (Issue 151), it was time to build some speakers. I had already built a preamp from a Popular Electronics article, but had no way to really...

John Klemmer, Part Two: The Saxophone Touch

Issue 158Featured

Part One (Issue 157) covered John Klemmer’s early recordings from 1967 – 1970. With five albums at the Cadet and Cadet Concept labels behind him, Klemmer made a move to Impulse!...