COPPER

A PS Audio Publication

Issue 228 • Free Online Magazine

Issue 228 Opening Salvo

Table of Contents – Issue 228

Table of Contents – Issue 228

On February 24, Manhattan’s West 8th Street was officially co-named Jimi Hendrix Way. It’s where Electric Lady Studios, which began as Hendrix’s personal recording space, is located, and a fitting tribute to the man who changed electric guitar playing forever.

Your editor returned from Florida Audio Expo 2026 right before this issue’s deadline, so a report will appear in the next issue. The show was loads of fun and filled with very interesting gear.

In this issue: Jeff Weiner continues his series on the earliest stars of country music. John Volanski visits NAMM, the world’s biggest music industry trade show. B. Jan Montana shares a story about an unexpected thrill seeker. Your editor has a bone to pick with streaming audio. FIDELITY magazine takes us on a tour of Sweden’s exceptional Marten loudspeaker factory. Wayne Robins has a vinyl love story. Octave Records’ latest, Serita’s Black Rose Duo, offers a funky take on classic 1970s covers and more.

Frank Doris talks with singer/songwriter extraordinaire James Lee Stanley about life on the road, and reviews the new book, Listening to Prestige, about the history of the storied jazz label. Ray Chelstowski blasts off with blues legend Duke Robillard. Rudy Radelic and The Vinyl Beat cover LPs from Donald Byrd, Wes Montgomery, Frank Sinatra, and more. The Listening Chair takes us on an extended visit to the Nagra factory. Paul McGowan looks at the history of stereophonic sound in The Audiophile’s Guide. PS Audio earns 2026 Editors’ Choice awards. Ken Kessler gets back to his reel-to-reel roots with…high-tech reels. We conclude the issue with pure distortion, 90-degree stereo, and the keys to art.

******

Contributors to This Issue:
Ray Chelstowski, Frank Doris, Rich Isaacs, Ken Kessler, Howard Kneller, Markus "Mansu" Manthey, Paul McGowan, B. Jan Montana, Sebastian Polcyn, Rudy Radelic, Wayne Robins, Ingo Schulz, John Volanski, Jeff Weiner, Peter Xeni

Logo Design:
Susan Schwartz-Christian, from a concept by Bob D’Amico

Editor:
Frank Doris

Publisher:
Paul McGowan

Post-publication Nitpicker:
Rich Isaacs

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

 

More from Issue 228

Serita’s Black Rose Duo Shakes Your Soul With a Blend of Funk, Rock, Blues and a Whole Lot More
Serita’s Black Rose Duo Shakes Your Soul With a Blend of Funk, Rock, Blues and a Whole Lot More
Frank Doris
Vinyl, A Love Story
Vinyl, A Love Story
Wayne Robins
Thrill Seeker
Thrill Seeker
B. Jan Montana
The Vinyl Beat: Donald Byrd, Bill Evans, Wes Montgomery, Eddie Palmieri and Frank Sinatra
The Vinyl Beat: Donald Byrd, Bill Evans, Wes Montgomery, Eddie Palmieri and Frank Sinatra
Rudy Radelic
Listening to Prestige: The History of a Vitally Important Jazz Record Label
Listening to Prestige: The History of a Vitally Important Jazz Record Label
Frank Doris
How to Play in a Rock Band, 21: Touring With James Lee Stanley
How to Play in a Rock Band, 21: Touring With James Lee Stanley
Frank Doris
View All Articles in Issue 228

Search Copper Magazine

#229 The Earliest Stars of Country Music, Part Three by Jeff Weiner Apr 06, 2026 #229 The Healing Power of Music and Sound at the Omega Institute by Joe Caplan Apr 06, 2026 #229 CanJam NYC 2026 Show Report: Heady Sound, Part One by Frank Doris Apr 06, 2026 #229 Florida Audio Expo 2026: Warming Up to High-End Audio, Part One by Frank Doris Apr 06, 2026 #229 Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges by Frank Doris Apr 06, 2026 #229 The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle by Rudy Radelic Apr 06, 2026 #229 Harvard Gets a High-End Audio Education by Frank Doris Apr 06, 2026 #229 No Country for Old Knees by B. Jan Montana Apr 06, 2026 #229 How To Play in A Rock Band, 22: Encounters With Famous Musicians, Part 1 by Frank Doris Apr 06, 2026 #229 The Soulful Grooves of Guinea-Bissau by Steve Kindig Apr 06, 2026 #229 Four-Hand Piano Performance at Its Finest by Stephan Haberthür Apr 06, 2026 #229 The People Who Make Audio Happen: Supreme Acoustics Systems’ Las Vegas Grand Opening by Harris Fogel Apr 06, 2026 #229 Blue Öyster Cult: Tyranny and Expectations by Wayne Robins Apr 06, 2026 #229 Guitarist Rick Vito’s Cinematic New Album, Slidemaster by Ray Chelstowski Apr 06, 2026 #229 Measurements and Observational Listening by Paul McGowan Apr 06, 2026 #229 PS Audio in the News by PS Audio Staff Apr 06, 2026 #229 Back to My Reel-to-Reel Roots, Part 28: The Cassette Strikes Back by Ken Kessler Apr 06, 2026 #229 Are You Receiving Me? by Frank Doris Apr 06, 2026 #229 Hospitality by Peter Xeni Apr 06, 2026 #229 Cantina Gateway by James Schrimpf Apr 06, 2026 #228 Serita’s Black Rose Duo Shakes Your Soul With a Blend of Funk, Rock, Blues and a Whole Lot More by Frank Doris Mar 02, 2026 #228 Vinyl, A Love Story by Wayne Robins Mar 02, 2026 #228 Thrill Seeker by B. Jan Montana Mar 02, 2026 #228 The Vinyl Beat: Donald Byrd, Bill Evans, Wes Montgomery, Eddie Palmieri and Frank Sinatra by Rudy Radelic Mar 02, 2026 #228 Listening to Prestige: The History of a Vitally Important Jazz Record Label by Frank Doris Mar 02, 2026 #228 How to Play in a Rock Band, 21: Touring With James Lee Stanley by Frank Doris Mar 02, 2026 #228 The NAMM 2026 Show: The Music Industry’s Premier Event by John Volanski Mar 02, 2026 #228 The Earliest Stars of Country Music, Part Two by Jeff Weiner Mar 02, 2026 #228 From The Audiophile's Guide: A Brief History of Stereophonic Sound by Paul McGowan Mar 02, 2026 #228 A Bone to Pick With Streaming Audio by Frank Doris Mar 02, 2026 #228 Blast Off With Bluesman Duke Robillard by Ray Chelstowski Mar 02, 2026 #228 A Visit to the Marten Loudspeaker Factory in Göteborg, Sweden by Ingo Schulz and Sebastian Polcyn Mar 02, 2026 #228 Pure Distortion by Peter Xeni Mar 02, 2026 #228 A Nagra Factory Tour by Markus "Marsu" Manthey Mar 02, 2026 #228 Back to My Reel-to-Reel Roots, Part 27: Noodge and Ye Shall Receive, Part Two by Ken Kessler Mar 02, 2026 #228 PS Audio in the News by PS Audio Staff Mar 02, 2026 #228 90-Degree Stereo by Frank Doris Mar 02, 2026 #228 The Keys to Art by Rich Isaacs Mar 02, 2026 #227 Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters by Frank Doris Feb 02, 2026 #227 Passport to Sound: May Anwar’s Audio Learning Experience for Young People by Frank Doris Feb 02, 2026 #227 Conjectures on Cosmic Consciousness by B. Jan Montana Feb 02, 2026 #227 The Big Takeover Turns 45 by Wayne Robins Feb 02, 2026 #227 Music and Chocolate: On the Sensory Connection by Joe Caplan Feb 02, 2026 #227 Singer/Songwriter Chris Berardo: Getting Wilder All the Time by Ray Chelstowski Feb 02, 2026 #227 The Earliest Stars of Country Music, Part One by Jeff Weiner Feb 02, 2026 #227 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part Two by Rudy Radelic Feb 02, 2026 #227 How to Play in a Rock Band, 20: On the Road With Blood, Sweat & Tears’ Guitarist Gabe Cummins by Frank Doris Feb 02, 2026

Table of Contents – Issue 228

Table of Contents – Issue 228

On February 24, Manhattan’s West 8th Street was officially co-named Jimi Hendrix Way. It’s where Electric Lady Studios, which began as Hendrix’s personal recording space, is located, and a fitting tribute to the man who changed electric guitar playing forever.

Your editor returned from Florida Audio Expo 2026 right before this issue’s deadline, so a report will appear in the next issue. The show was loads of fun and filled with very interesting gear.

In this issue: Jeff Weiner continues his series on the earliest stars of country music. John Volanski visits NAMM, the world’s biggest music industry trade show. B. Jan Montana shares a story about an unexpected thrill seeker. Your editor has a bone to pick with streaming audio. FIDELITY magazine takes us on a tour of Sweden’s exceptional Marten loudspeaker factory. Wayne Robins has a vinyl love story. Octave Records’ latest, Serita’s Black Rose Duo, offers a funky take on classic 1970s covers and more.

Frank Doris talks with singer/songwriter extraordinaire James Lee Stanley about life on the road, and reviews the new book, Listening to Prestige, about the history of the storied jazz label. Ray Chelstowski blasts off with blues legend Duke Robillard. Rudy Radelic and The Vinyl Beat cover LPs from Donald Byrd, Wes Montgomery, Frank Sinatra, and more. The Listening Chair takes us on an extended visit to the Nagra factory. Paul McGowan looks at the history of stereophonic sound in The Audiophile’s Guide. PS Audio earns 2026 Editors’ Choice awards. Ken Kessler gets back to his reel-to-reel roots with…high-tech reels. We conclude the issue with pure distortion, 90-degree stereo, and the keys to art.

******

Contributors to This Issue:
Ray Chelstowski, Frank Doris, Rich Isaacs, Ken Kessler, Howard Kneller, Markus "Mansu" Manthey, Paul McGowan, B. Jan Montana, Sebastian Polcyn, Rudy Radelic, Wayne Robins, Ingo Schulz, John Volanski, Jeff Weiner, Peter Xeni

Logo Design:
Susan Schwartz-Christian, from a concept by Bob D’Amico

Editor:
Frank Doris

Publisher:
Paul McGowan

Post-publication Nitpicker:
Rich Isaacs

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

 

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