COPPER

A PS Audio Publication

Issue 227 • Free Online Magazine

Issue 227 The Listening Chair

The Listening Chair: Sleek Style and Sound From the Luxman L3

The Listening Chair: Sleek Style and Sound From the Luxman L3

I’ve posted photos of my vintage system before, although I have never shown one of my vintage components, a Luxman L3 integrated amplifier. I purchased it in the late 1970s while in high school (the L3 was made from 1978 to 1981). The sleek-looking solid-state, 42 watts-per-channel L3 is the little brother of the L5. The L3 operates in Class A mode and has excellent sound compared to its age-appropriate competitors. Total harmonic distortion, a high-profile spec back in the day, was 0.05 percent. Featured include dual tape monitoring and dubbing, a loudness control, multiple AC switched and unswitched convenience outlets, and the ability to drive one or two pairs of speakers simultaneously.

The L3 was pretty expensive when it came out. I likely paid more than a few hundred bucks for it at Harvey Electronics in Long Island, New York. No doubt, I was attracted not only to its sound and the then-exotic Luxman name, but its slim, silver aesthetic as well. These are often paired with the company’s T2 tuner, which has a similar look. One unusual thing about this amp is that its RCA connectors are contained in a bay on its chassis’ bottom plate. That might not work in today’s era of think and unwieldy cables.

 

The Luxman L3's styling was decidedly different than other audio gear of the time, and would be right at home alongside modern components.

 

The L3 offered a wide variety of control functions and connections, but interestingly, the jacks for the signal cables are at the bottom.

 

All images courtesy of Howard Kneller. Howard is the co-founder of The Listening Chair with Howard Kneller, a reviewing and news organization for all things audiophile.

Check out the latest from TLC on the web (www.thelisteningchair.net) and its YouTube channel (https://www.youtube.com/@thelisteningchair_).

Also note TLC’s growing TLC’s social media ecosystem, including its Facebook group (https://www.facebook.com/groups/217745678009888), where members from around the world show off their gear; and LinkedIn group (https://www.linkedin.com/in/howard-kneller/), Instagram (www.instagram.com/howardkneller/), Threads (www.threads.net/@howardkneller) and X (www.x.com/HowardKneller) pages.

More from Issue 227

Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters
Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters
Frank Doris
Passport to Sound: May Anwar’s Audio Learning Experience for Young People
Passport to Sound: May Anwar’s Audio Learning Experience for Young People
Frank Doris
Conjectures on Cosmic Consciousness
Conjectures on Cosmic Consciousness
B. Jan Montana
The Big Takeover Turns 45
The Big Takeover Turns 45
Wayne Robins
Music and Chocolate: On the Sensory Connection
Music and Chocolate: On the Sensory Connection
Joe Caplan
Singer/Songwriter Chris Berardo: Getting Wilder All the Time
Singer/Songwriter Chris Berardo: Getting Wilder All the Time
Ray Chelstowski
View All Articles in Issue 227

Search Copper Magazine

#227 Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters by Frank Doris Feb 02, 2026 #227 Passport to Sound: May Anwar’s Audio Learning Experience for Young People by Frank Doris Feb 02, 2026 #227 Conjectures on Cosmic Consciousness by B. Jan Montana Feb 02, 2026 #227 The Big Takeover Turns 45 by Wayne Robins Feb 02, 2026 #227 Music and Chocolate: On the Sensory Connection by Joe Caplan Feb 02, 2026 #227 Singer/Songwriter Chris Berardo: Getting Wilder All the Time by Ray Chelstowski Feb 02, 2026 #227 The Earliest Stars of Country Music, Part One by Jeff Weiner Feb 02, 2026 #227 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part Two by Rudy Radelic Feb 02, 2026 #227 How to Play in a Rock Band, 20: On the Road With Blood, Sweat & Tears’ Guitarist Gabe Cummins by Frank Doris Feb 02, 2026 #227 From The Audiophile’s Guide: Audio Specs and Measuring by Paul McGowan Feb 02, 2026 #227 Our Brain is Always Listening by Peter Trübner Feb 02, 2026 #227 PS Audio in the News by PS Audio Staff Feb 02, 2026 #227 The Listening Chair: Sleek Style and Sound From the Luxman L3 by Howard Kneller Feb 02, 2026 #227 The Los Angeles and Orange County Audio Society Celebrates Its 32nd Anniversary, Honoring David Wilson and Bernie Grundman by Harris Fogel Feb 02, 2026 #227 Back to My Reel-to-Reel Roots, Part 26: Half Full – Not Half Empty, Redux by Ken Kessler Feb 02, 2026 #227 That's What Puzzles Us... by Frank Doris Feb 02, 2026 #227 Record-Breaking by Peter Xeni Feb 02, 2026 #227 The Long and Winding Road by B. Jan Montana Feb 02, 2026 #226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026 #226 From The Audiophile’s Guide: Active Room Correction and Digital Signal Processing by Paul McGowan Jan 05, 2026 #226 PS Audio in the News by Frank Doris Jan 05, 2026 #226 Back to My Reel-to-Reel Roots, Part 25: Half-Full, Not Empty by Ken Kessler Jan 05, 2026 #226 Happy New Year! by Frank Doris Jan 05, 2026 #226 Turn It Down! by Peter Xeni Jan 05, 2026 #226 Ghost Riders by James Schrimpf Jan 05, 2026 #226 A Factory Tour of Audio Manufacturer German Physiks by Markus "Marsu" Manthey Jan 04, 2026 #225 Capital Audiofest 2025: Must-See Stereo, Part One by Frank Doris Dec 01, 2025 #225 Otis Taylor and the Electrics Delivers a Powerful Set of Hypnotic Modern Blues by Frank Doris Dec 01, 2025 #225 A Christmas Miracle by B. Jan Montana Dec 01, 2025 #225 T.H.E. Show New York 2025, Part Two: Plenty to See, Hear, and Enjoy by Frank Doris Dec 01, 2025 #225 Underappreciated Artists, Part One: Martin Briley by Rich Isaacs Dec 01, 2025 #225 Rock and Roll is Here to Stay by Wayne Robins Dec 01, 2025 #225 A Lifetime of Holiday Record (and CD) Listening by Rudy Radelic Dec 01, 2025 #225 Little Feat: Not Saying Goodbye, Not Yet by Ray Chelstowski Dec 01, 2025 #225 How to Play in a Rock Band, Part 18: Dealing With Burnout by Frank Doris Dec 01, 2025 #225 The People Who Make Audio Happen: CanJam SoCal 2025 by Harris Fogel Dec 01, 2025 #225 Chicago’s Sonic Sanctuaries: Four Hi‑Fi Listening Bars Channeling the Jazz‑Kissa Spirit by Olivier Meunier-Plante Dec 01, 2025

The Listening Chair: Sleek Style and Sound From the Luxman L3

The Listening Chair: Sleek Style and Sound From the Luxman L3

I’ve posted photos of my vintage system before, although I have never shown one of my vintage components, a Luxman L3 integrated amplifier. I purchased it in the late 1970s while in high school (the L3 was made from 1978 to 1981). The sleek-looking solid-state, 42 watts-per-channel L3 is the little brother of the L5. The L3 operates in Class A mode and has excellent sound compared to its age-appropriate competitors. Total harmonic distortion, a high-profile spec back in the day, was 0.05 percent. Featured include dual tape monitoring and dubbing, a loudness control, multiple AC switched and unswitched convenience outlets, and the ability to drive one or two pairs of speakers simultaneously.

The L3 was pretty expensive when it came out. I likely paid more than a few hundred bucks for it at Harvey Electronics in Long Island, New York. No doubt, I was attracted not only to its sound and the then-exotic Luxman name, but its slim, silver aesthetic as well. These are often paired with the company’s T2 tuner, which has a similar look. One unusual thing about this amp is that its RCA connectors are contained in a bay on its chassis’ bottom plate. That might not work in today’s era of think and unwieldy cables.

 

The Luxman L3's styling was decidedly different than other audio gear of the time, and would be right at home alongside modern components.

 

The L3 offered a wide variety of control functions and connections, but interestingly, the jacks for the signal cables are at the bottom.

 

All images courtesy of Howard Kneller. Howard is the co-founder of The Listening Chair with Howard Kneller, a reviewing and news organization for all things audiophile.

Check out the latest from TLC on the web (www.thelisteningchair.net) and its YouTube channel (https://www.youtube.com/@thelisteningchair_).

Also note TLC’s growing TLC’s social media ecosystem, including its Facebook group (https://www.facebook.com/groups/217745678009888), where members from around the world show off their gear; and LinkedIn group (https://www.linkedin.com/in/howard-kneller/), Instagram (www.instagram.com/howardkneller/), Threads (www.threads.net/@howardkneller) and X (www.x.com/HowardKneller) pages.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment: