COPPER

A PS Audio Publication

Issue 226 • Free Online Magazine

Issue 226 The Listening Chair

A Factory Tour of Audio Manufacturer German Physiks

A Factory Tour of Audio Manufacturer German Physiks

 

Copper has an exchange program with selected magazines, where we share articles between publications. This one, a look at audio manufacturer German Physiks, is from The Listening Chair.

An Unassuming Beginning 

Maintal is a small city that is located roughly 20 minutes west of Frankfurt, Germany. I recently made my way to a rather unassuming building in one of Maintal’s industrial neighborhoods. The building’s exterior had only a small sign stating little more than “German Physiks, High End Technology.” This was a rather modest indication that this is the home of some of the world’s most advanced loudspeakers and electronic components.  


ree

A Warm Welcome

After ringing the doorbell, I was cheerfully welcomed by Harald Knoll, the engineer who is responsible for the design of German Physiks’ speakers. After some small talk, we entered the company’s 540-square foot showroom, which is located on the building’s ground floor. Equipped with several comfortable chairs and stocked with numerous German Physiks speakers and components, the showroom is an inviting place to listen to music and audition the company's gear.

Waiting for me in the showroom was Holger Mueller, German Physiks’ Chief Executive Officer and high-level visionary. When I say that German Physiks is a small company, I am not exaggerating. Other than Knoll and Mueller, the company has only one other employee. While Knoll and that employee assemble and test the company's products, all three help with packing products for shipment and any other miscellaneous tasks.

A Striking Test System

This might be a good place to mention that all the German Physiks' speakers are omnidirectional. This type of speaker, which is relatively rare on the marketplace, radiates sound in a uniform 360-degree pattern.

One objective of an omnidirectional loudspeaker is to recreate a sound field like that which is found in a concert hall. There, most of the sound energy is reflected before it reaches the listener’s ears and you can perceive a stereo image whereever you sit in the room. The sonic images produced by omnidirectional speakers can often sound very three-dimensional without being overly sharp or pinpoint.

In the showroom, I witnessed the final testing of a German Physiks Emperor Mk II speaker ($268,400 to $337,000/pair; all prices USD) prior to its preparation for shipment to a customer. At about 6 feet 7 inches tall, 3 feet 4 inches wide, and nearly 940 pounds per channel in weight, the Emperor Mk II is physically imposing. Yet, as noted below, it will soon be only the company’s second largest speaker.

Each channel of German Physiks’ speakers contains one or more of its proprietary, ultra-wide-bandwidth DDD (Dicks Dipole Drivers) drivers. The Emperor Mk II contains four of them. It was Mueller who in 1985 joined forces with engineer and mathematician Peter Dicks to perfect this driver, which Dicks had already been working on. In 1992, the first speaker with this new driver launched under the German Physiks name.

The DDD driver is almost always supplemented by one or more dynamically driven bass drivers. The Emperor Mk II, for example, contains four six-inch bass drivers, and two 12-inch subwoofers per channel. The sole exception to the use of separate bass drivers is the company’s Unicorn Mk II speaker, which uses a single DDD driver speaker that covers the entire frequency range from 24 kHz down to 40 Hz.  


The Emperor Mk II omnidirectional speaker
The Emperor Mk II omnidirectional speaker.

In use with the Emperor Mk II speaker was an extremely impressive mix of German Physiks Emperor electronics. Featuring impeccably constructed casework, these were nothing short of gorgeous. There was an Emperor integrated amplifier ($48,800), whose preamp and power amp sections were split, with the output of the preamp section feeding an Emperor DSP-X digital active crossover ($31,500). The latter is designed to be used with the top five of the company’s speakers, thus allowing digital signal processing (DSP) that can tailor the speakers’ output to accommodate listening room conditions and/or the customer taste. 

The high frequency output from the DSP-X crossover was feeding the integrated amp’s power amp section, which in turn was driving the Emperor's DDD drivers. The mid-frequency section output of the crossover was feeding a pair of Emperor monoblock power amplifiers ($78,600/pair), which in turn were feeding the Emperor Mk II’s bass drivers. The low-frequency output of the crossover was being sent to a second pair of Emperor mono power amplifiers, which in turn were feeding the Emperor Mk II’s subwoofers. 

 Finally, in the system were German Physiks PION N3 ZF power cables, $620 per meter. The system’s total retail cost was approximately $500,000.

An Emperor mono amplifier

An Emperor mono amplifier.

During my audition, I heard a selection of tracks from a variety of genres. Mueller even invited me to stream my own choice of music over this system, which I happily did. I was very impressed with the Emperor Mk II’s speaker’s exciting sound, large sonic images, low noise floor, and overall clarity. Even at a conversational volume setting, the sound was convincingly real. The system handled even the most demanding tracks with ease and absolute control. Even when I moved to very high volumes, nothing sounded compressed and there was no loss of musicality. Also, the sweet spot, which was surprisingly large, seemingly covered the entire room. 


ree

We Talked Speakers

After the audition, Knoll and Mueller provided me with a little insight into a few of the things that they say sets German Physiks apart from manufacturers of other speakers. Of course, we discussed the DDD driver, which Mueller stated is the only omnidirectional driver on the market with an extremely wide frequency response, in this case about 180 Hz to 22 kHz.

Knoll and Mueller stated that unlike most conventional drivers, the DDD driver operates practically as a point source, releasing sound in all directions much like a musical instrument or a singer’s voice. This, they stated, renders the speakers “invisible” within a room, creating the very large stereo imaging and wide sweet spot that I heard with the Emperor Mk II. In fact, they stated that the DDD driver eliminates the traditional circumscribed listening sweet spot which often confines the listener into a single chair.

Technological nerd topics aside, Knoll and Mueller stated that German Physiks speakers can be individually customized as far as color and veneer.

And Much More

Müller stated that German Physiks is scheduled to get a new, yet unnamed, flagship amplifier line. One of the models in this new line will deliver 3,500 watts per channel and will be kept cool by technology that’s already in use in the company’s current models. As with the company's speakers, the amplifiers will feature customizable aesthetics, with choices of polished and matte surfaces.

During our discussion, I also gained insight into future German Physiks products by viewing a variety of sketches and plans. These products included the upcoming flagship Gaudi Mk III speaker ($382,200 to $468,900/pair depending on finish). Anticipated to launch by the end of the year, it will be the company’s largest, most technologically advanced speaker. Not all German Physiks speakers all cost as much as a supercar, though. The company’s entry-level Unlimited Ultimate speaker, for example, retails for $16,400/pair.

Interestingly, during our discussion Mueller also shared that he also has some ideas for a line of German Physiks source components, including possibly a turntable. We then discussed several other topics, including the future of high-end music reproduction. Mueller stated that there will be more connective audio devices coming into the marketplace. He also noted that all-in-one components will play an increasingly important role in the low- to medium-end market segments.

Movin' On Up

Next, we moved to the building’s second floor, where the company’s offices and factory is located. The walls of Mueller’s office were covered with product design sketches. The factory rooms were clean and filled with specialized machines and tools.

One of the many design sketches on walls of Mueller's offices
One of the many design sketches on walls of Mueller's offices.

It is in the factory rooms where the DDD drivers are manufactured. Among other things, the carbon fiber sheet for the driver’s diaphragms is cut, the drivers are assembled, and the finished units are set in their cages. The crossovers for most of the company's speakers are also built in-house.

DDD drivers being assembled
DDD drivers being assembled.

The housing for the DDD drivers and the speakers’ bass cabinets are manufactured by a third party. The company will only divulge that this party is a highly skilled German cabinet maker. Upon being received from the vendor, the cabinets are internally lined at the German Physiks’ factory with Hawaphon, a sound-damping material from Switzerland. Also at the factory, a layer of felt is then applied over the Hawaphon. German Physiks states that other than a few strategically-placed dampeners, no further reinforcement or damping of the cabinets is needed.

Only the speakers’ DDD housings, bass cabinets, internal cabling, and input terminals are purchased from outside vendors. Out of necessity due to German Physiks’ size, the Emperor electronic components and the PION power cord are manufactured by third parties to German Physiks’ specifications and under its close supervision.

Final Thoughts

I left German Physiks very impressed. It may be small and unassuming, but its products are not. Clearly, the company is brimming with technical innovation, manufacturing skill, and the desire to move the art of music reproduction forward. I appreciated the great sound that I heard during my audition, as well as the welcoming and informative visit.

 

Header image: a German Physiks DDD driver being assembled.

This article originally appeared in the website The Listening Chair, www.thelisteningchair.net. Audio/video industry news, reviews, and feature stories are available on the site and on TLC’s social media ecosystem:

YouTube: https://www.youtube.com/@thelisteningchair;
Facebook page: https://www.facebook.com/profile.php?id=61556741638528;
Facebook group (https://www.facebook.com/groups/217745678009888), where members from around the world show off their gear;
LinkedIn group (https://www.linkedin.com/in/howard-kneller/);
Instagram (www.instagram.com/howardkneller/);
Threads (www.threads.net/@howardkneller),X (www.x.com/HowardKneller);
Substack (https://www.reddit.com/r/TheListeningChair/);
and Reddit (https://www.reddit.com/r/TheListeningChair/)

More from Issue 226

View All Articles in Issue 226

Search Copper Magazine

#231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026 #230 An Outlier in the Rack: A Vintage BIC Beam Box by The Staff at Just Audio May 04, 2026 #230 PS Audio in the News by PS Audio Staff May 04, 2026 #230 A Cautionary Tale by Rich Isaacs May 04, 2026 #230 Reel-to-Reel Roots, Part 33 (Revised): Ken Kessler Reports On the 2026 (British) AudioJumble by Ken Kessler May 04, 2026 #230 Text Messaging by Frank Doris May 04, 2026 #230 The Audiophile Rat Race by Peter Xeni May 04, 2026 #230 On the Rocks by Rich Isaacs May 04, 2026 #229 The Earliest Stars of Country Music, Part Three by Jeff Weiner Apr 06, 2026 #229 The Healing Power of Music and Sound at the Omega Institute by Joe Caplan Apr 06, 2026 #229 CanJam NYC 2026 Show Report: Heady Sound, Part One by Frank Doris Apr 06, 2026 #229 Florida Audio Expo 2026: Warming Up to High-End Audio, Part One by Frank Doris Apr 06, 2026 #229 Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges by Frank Doris Apr 06, 2026 #229 The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle by Rudy Radelic Apr 06, 2026 #229 Harvard Gets a High-End Audio Education by Frank Doris Apr 06, 2026 #229 No Country for Old Knees by B. Jan Montana Apr 06, 2026 #229 How To Play in A Rock Band, 22: Encounters With Famous Musicians, Part 1 by Frank Doris Apr 06, 2026 #229 The Soulful Grooves of Guinea-Bissau by Steve Kindig Apr 06, 2026 #229 Four-Hand Piano Performance at Its Finest by Stephan Haberthür Apr 06, 2026

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: