Copper Magazine · Issue 226 · A free PS Audio publication
Issue 226 The People Who Make Audio Happen

The People Who Make Audio Happen: CanJam SoCal 2025, Part Two

The People Who Make Audio Happen: CanJam SoCal 2025, Part Two

Above: Mori, Adam, and Satoshi Yamamoto from Final Audio show off their in-ear, closed-back and open-back headphones.

 

Harris Fogel spent a lot of time listening to headphones at CanJam SoCal 2025, and hanging out with the manufacturers and people at the show. For more details, read Part One of his CanJam SoCal 2025 reporting in Issue 225. 

Harris states that, “Ostensibly, we attend audio shows to listen to new gear, but I don’t think that’s the real reason. First of all, even the smallest shows have too much gear to listen to, so you have to pick and choose, which tends to bias us toward brands we know. Ironically, this contradicts what we are supposed to be there to do, which is discover new gear and music that we’ve had no exposure to.

I think the real reason we go is summed up with one word: “community,” which is what I think audiophiles need. It’s the reason people gather at openings for artists, why we attend movies in theaters, and so much more. Being an audiophile is admittedly a strange hobby, so events like CanJam bring together attendees where age, backgrounds, types of music, and passions aren’t just buzzwords; it truly is a varied and wide-ranging group of music lovers. Some folks seem to like equipment more than music at times, while others just view the gear as a means to an end, which is listening to music.

The point is, these events overflow with passion, from the manufacturers to the organizers to the participants. The equipment ranges from thirty to $50,000 dollars, so there's room for everyone, especially the dreamers. It will get used on the go, in planes, trains and automobiles, and for probably more than a few folks, while out fishing. Other audio systems probably require their own solar farm and oxygen-free transmission lines to run.

Either, way, seeing old friends, meeting new ones, gathering for a bite to eat or a drink after the show is over for the night, that’s what these shows are about. I for one, am pretty happy for that.”

Here are more photos from the show. (The next CanJams are coming up in Dubai on January 24 – 25, 2026, and in Manhattan on March 7 – 8, 2026.)

 

Dylan Scarzafva from Dekoni Audio was on hand to make sure everyone had upgraded replacement pads and in-ear headphone tips.

I’ve written about the radical new écoute vacuum-tube powered headphones in an earlier issue of Copper, and here are the faces behind the company: Kendal Liddle, Lisa Mahana, and Andy Regan.

 

Tania Ciochina of Meze Audio was there showing off their new models.

Audeze is a hometown favorite at CanJam SoCal 2025, since they're made in nearby Santa Ana.

 

Roger Fortier of Forte Distribution handles a variety of headphone brands as EverSolo, Zidoo, Shanling, Luxsir Audio, and more!

 

Eric and Jason Skubinski offered a superb selection of headphones from Abyss.

 

Jerry Del Colliano was there to report on the show for Future Audiophile.

 

Astell&Kern enjoy a stellar reputation for their no-compromise portable music players. Here Jason Henriques holds one of their latest models.

Kenneth Ball is the founder and president of Campfire Audio, “Nicely Done Earphones from Portland, Oregon!”

Many new products made their debut at CanJam SoCal 2025 including the Fosi Audio SK02 DAC and headphone amp, shown next to its sibling, the SK01. The author is testing the SK02 and finds it to be an amazing value, with smooth, open sound, and the ability to handle just about sampling rate you can throw at it while driving a wide variety of headphones and earphones. All for a suggested cost of $99. Further proof of why we are now in a golden age of audio.

The author has been meeting with bone conduction headphone specialists over the past year, and it was good to see these Shokz headphones with this design that are made for sports and fitness. Here are Dawn Mei, Karl Zhang, Milo Chan, and Rachel Chen.

Another Chinese company with a reputation for quality products with rich feature sets is FiiO. Yellow Huang and Bob Liu showed a wide variety of the company's products.

Alex Chavez of the Los Angeles and Orange County Audio Society was on hand to check out the latest gear.

Steve Boddy of Linear Tube Audio hangs out with with three members of the LAOCAS:  Bob Levi, Alex Chavez, and Garrett Priluck.

The hard-working staff of CanJam SoCal 2025 kept the vibe mellow, easy, and flowing smoothly! Here are James Sun, Joe Cwik, Harold Perez, and Larry D.

Clover, Staffer, Viviar, and Jim from NiceHCK were showing off an interesting variety of earphones, DACs, and headphones.

Brian Mitchell of eCoustics was everywhere. You can’t keep those hard-bitten press types tied down!

Kris McDougall of American Music and Sound shows off a gorgeous set of ruby red Fostex headphones.

Bevin Mehbach, Tal Daniel Kocen (Dark Matter Audio Labs, Dekoni), and Zach Mehbach (ZMF Headphones) relax as they get ready to tear down their booth at the end of the show.

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Favorites From T.H.E. Show SoCal 2026 by Cam Martin Oct 05, 2026 #235 Singer/Songwriter John David Schrader: On the Need to Create, Part Two by Joe Caplan Oct 05, 2026 #235 A Life in High-End Audio: The Roy Hall Interview, Part Two by Frank Doris Oct 05, 2026 #235 Grammy-Winning Producer, Songwriter, and Guitarist John Leventhal Goes Instrumental With National Drift by Ray Chelstowski Oct 05, 2026 #235 From Swimming Pool to New Listening Room—to Founding an Accidental Audio Company by Gilles Laferrière Oct 05, 2026 #235 The Vinyl Beat’s Size Matters Edition by Rudy Radelic Oct 05, 2026 #235 The Sublime Complexities of Nature by B. Jan Montana Oct 05, 2026 #235 How to Play In a Rock Band, 28: Growing Older and Dealing With It by Frank Doris Oct 05, 2026 #235 Young Rascals: From Bar Band to Stardom by Wayne Robins Oct 05, 2026 #235 Duncan Sheik: In Memoriam by Ray Chelstowski Oct 05, 2026 #235 From The Listening Chair: The Meze Audio 105 Silva Headphones by Howard Kneller Oct 05, 2026 #235 Checking Out Some NOLA Loudspeakers – and Some Thoughts About Audio Writing by Frank Doris Oct 05, 2026 #235 The Kanazawa Phonograph Museum: Music from a Time Capsule by Sebastian Polcyn Oct 05, 2026 #235 PS Audio in the News by PS Audio Staff Oct 05, 2026 #235 From The Audiophile’s Guide: Making the Most Critical Choice by Paul McGowan Oct 05, 2026 #235 Evolutionary Growth by Frank Doris Oct 05, 2026 #235 Speed Racer by Peter Xeni Oct 05, 2026 #235 Happy Halloween! by James Schrimpf Oct 05, 2026 #234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026 #234 Rags for Solo Piano and a Dog: David Chesky's Ragtime Music for the Modern Age by Frankly Speaking Sep 07, 2026 #234 HIGH END 2026, Vienna: Here to Stay by Carsten Barnbeck Sep 07, 2026 #234 From The Audiophile’s Guide: The Two Main Types of Loudpeakers – Box and Panel by Paul McGowan Sep 07, 2026 #234 Letting it Slide by Frank Doris Sep 07, 2026 #234 PS Audio in the News by PS Audio Staff Sep 07, 2026 #234 Long Playing by Peter Xeni Sep 07, 2026 #234 La Mer by B. Jan Montana Sep 07, 2026 #233 A Report From The Total Hi-Fi Experience Show SoCal 2026 by B. Jan Montana Aug 03, 2026 #233 Bluegrass Meets Country, Folk, Jazz and More in All That We Carried by The Squid City Slingers by Frank Doris Aug 03, 2026 #233 Corey Glover and One Tribe Nation: A Variegated Musical Collective by Ray Chelstowski Aug 03, 2026 #233 Excursions with Clive: The Late Clive Davis, A Personal History by Wayne Robins Aug 03, 2026 #233 AI, Art, and Music: A Conversation With Synthography Art by Joe Caplan Aug 03, 2026 #233 New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work by Frank Doris Aug 03, 2026 #233 The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More by Rudy Radelic Aug 03, 2026 #233 How to Play in a Rock Band, 26: When It's Time to Record Your Music by Frank Doris Aug 03, 2026 #233 More From T.H.E. Show 2026, and the People Who Made it Happen by Harris Fogel Aug 03, 2026 #233 Underappreciated Artists, Part Three: Icehouse by Rich Isaacs Aug 03, 2026 #233 The Surprisingly Rich and Varied Music of Somalia by Steve Kindig Aug 03, 2026

The People Who Make Audio Happen: CanJam SoCal 2025, Part Two

The People Who Make Audio Happen: CanJam SoCal 2025, Part Two

Above: Mori, Adam, and Satoshi Yamamoto from Final Audio show off their in-ear, closed-back and open-back headphones.

 

Harris Fogel spent a lot of time listening to headphones at CanJam SoCal 2025, and hanging out with the manufacturers and people at the show. For more details, read Part One of his CanJam SoCal 2025 reporting in Issue 225. 

Harris states that, “Ostensibly, we attend audio shows to listen to new gear, but I don’t think that’s the real reason. First of all, even the smallest shows have too much gear to listen to, so you have to pick and choose, which tends to bias us toward brands we know. Ironically, this contradicts what we are supposed to be there to do, which is discover new gear and music that we’ve had no exposure to.

I think the real reason we go is summed up with one word: “community,” which is what I think audiophiles need. It’s the reason people gather at openings for artists, why we attend movies in theaters, and so much more. Being an audiophile is admittedly a strange hobby, so events like CanJam bring together attendees where age, backgrounds, types of music, and passions aren’t just buzzwords; it truly is a varied and wide-ranging group of music lovers. Some folks seem to like equipment more than music at times, while others just view the gear as a means to an end, which is listening to music.

The point is, these events overflow with passion, from the manufacturers to the organizers to the participants. The equipment ranges from thirty to $50,000 dollars, so there's room for everyone, especially the dreamers. It will get used on the go, in planes, trains and automobiles, and for probably more than a few folks, while out fishing. Other audio systems probably require their own solar farm and oxygen-free transmission lines to run.

Either, way, seeing old friends, meeting new ones, gathering for a bite to eat or a drink after the show is over for the night, that’s what these shows are about. I for one, am pretty happy for that.”

Here are more photos from the show. (The next CanJams are coming up in Dubai on January 24 – 25, 2026, and in Manhattan on March 7 – 8, 2026.)

 

Dylan Scarzafva from Dekoni Audio was on hand to make sure everyone had upgraded replacement pads and in-ear headphone tips.

I’ve written about the radical new écoute vacuum-tube powered headphones in an earlier issue of Copper, and here are the faces behind the company: Kendal Liddle, Lisa Mahana, and Andy Regan.

 

Tania Ciochina of Meze Audio was there showing off their new models.

Audeze is a hometown favorite at CanJam SoCal 2025, since they're made in nearby Santa Ana.

 

Roger Fortier of Forte Distribution handles a variety of headphone brands as EverSolo, Zidoo, Shanling, Luxsir Audio, and more!

 

Eric and Jason Skubinski offered a superb selection of headphones from Abyss.

 

Jerry Del Colliano was there to report on the show for Future Audiophile.

 

Astell&Kern enjoy a stellar reputation for their no-compromise portable music players. Here Jason Henriques holds one of their latest models.

Kenneth Ball is the founder and president of Campfire Audio, “Nicely Done Earphones from Portland, Oregon!”

Many new products made their debut at CanJam SoCal 2025 including the Fosi Audio SK02 DAC and headphone amp, shown next to its sibling, the SK01. The author is testing the SK02 and finds it to be an amazing value, with smooth, open sound, and the ability to handle just about sampling rate you can throw at it while driving a wide variety of headphones and earphones. All for a suggested cost of $99. Further proof of why we are now in a golden age of audio.

The author has been meeting with bone conduction headphone specialists over the past year, and it was good to see these Shokz headphones with this design that are made for sports and fitness. Here are Dawn Mei, Karl Zhang, Milo Chan, and Rachel Chen.

Another Chinese company with a reputation for quality products with rich feature sets is FiiO. Yellow Huang and Bob Liu showed a wide variety of the company's products.

Alex Chavez of the Los Angeles and Orange County Audio Society was on hand to check out the latest gear.

Steve Boddy of Linear Tube Audio hangs out with with three members of the LAOCAS:  Bob Levi, Alex Chavez, and Garrett Priluck.

The hard-working staff of CanJam SoCal 2025 kept the vibe mellow, easy, and flowing smoothly! Here are James Sun, Joe Cwik, Harold Perez, and Larry D.

Clover, Staffer, Viviar, and Jim from NiceHCK were showing off an interesting variety of earphones, DACs, and headphones.

Brian Mitchell of eCoustics was everywhere. You can’t keep those hard-bitten press types tied down!

Kris McDougall of American Music and Sound shows off a gorgeous set of ruby red Fostex headphones.

Bevin Mehbach, Tal Daniel Kocen (Dark Matter Audio Labs, Dekoni), and Zach Mehbach (ZMF Headphones) relax as they get ready to tear down their booth at the end of the show.

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