COPPER

A PS Audio Publication

Issue 207 • Free Online Magazine

Issue 207 Opening Salvo

Table of Contents – Issue 207

Table of Contents – Issue 207

“A composer is a guy who goes around forcing his will on unsuspecting air molecules, often with the assistance of unsuspecting musicians.” – Frank Zappa

In this issue: What if you had to choose just one best Bob Dylan song? Wayne Robins picks his favorite. Paul McGowan ponders an audio chicken-versus-egg question. Octave Records releases Audiophile Masters, Volume X, an album of classic cover songs. We wrap up our AXPONA 2024 show coverage. Jeff Weiner continues his series on all-time great folk singers. Rudy Radelic remembers saxophone legend David Sanborn. Larry Jaffee wonders why he can’t stop collecting 45 RPM singles. B. Jan Montana appreciates vintage automobiles at the La Jolla Concours d’Elegance.

Ray Chelstowski talks with L.A. studio legends The Immediate Family, and veteran rocker Chris Berardo getting Wilder all the Time. Rich Isaacs keeps spinning his series on test records and demo discs. Harris Fogel says better late than never in his CES 2024 show report. Howard Kneller admires the Axxess Forté 1 streamer/integrated amp From The Listening Chair. Ken Kessler revisits his reel-to-reel roots and Beatles affection. We have guest articles from PMA Magazine on the merits of Class D amplification, and from AAA about the career of piano giant Sviatoslav Richter. PS Audio garners accolades for its Aspen FR10 loudspeakers and StellarGold DAC. We round out the issue with birdsong, getting to the point-to-point, and natural lighting. 

 

Contributors to This Issue:
Ray Chelstowski, Frank Doris, Harris Fogel, Rich Isaacs, Larry Jaffee, Anne E. Johnson, Ken Kessler, Howard Kneller, Paul McGowan, Ernst Müller, B. Jan Montana, Rudy Radelic, Wayne Robins, Jeff Weiner, Peter Xeni

Staff Photographer/Contributing Editor:
Harris Fogel

Logo Design:
Susan Schwartz-Christian, from a concept by Bob D’Amico

Editor:
Frank Doris

Publisher:
Paul McGowan

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

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#226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026 #226 From The Audiophile’s Guide: Active Room Correction and Digital Signal Processing by Paul McGowan Jan 05, 2026 #226 PS Audio in the News by Frank Doris Jan 05, 2026 #226 Back to My Reel-to-Reel Roots, Part 25: Half-Full, Not Empty by Ken Kessler Jan 05, 2026 #226 Happy New Year! by Frank Doris Jan 05, 2026 #226 Turn It Down! by Peter Xeni Jan 05, 2026 #226 Ghost Riders by James Schrimpf Jan 05, 2026 #226 A Factory Tour of Audio Manufacturer German Physiks by Markus "Marsu" Manthey Jan 04, 2026 #225 Capital Audiofest 2025: Must-See Stereo, Part One by Frank Doris Dec 01, 2025 #225 Otis Taylor and the Electrics Delivers a Powerful Set of Hypnotic Modern Blues by Frank Doris Dec 01, 2025 #225 A Christmas Miracle by B. Jan Montana Dec 01, 2025 #225 T.H.E. Show New York 2025, Part Two: Plenty to See, Hear, and Enjoy by Frank Doris Dec 01, 2025 #225 Underappreciated Artists, Part One: Martin Briley by Rich Isaacs Dec 01, 2025 #225 Rock and Roll is Here to Stay by Wayne Robins Dec 01, 2025 #225 A Lifetime of Holiday Record (and CD) Listening by Rudy Radelic Dec 01, 2025 #225 Little Feat: Not Saying Goodbye, Not Yet by Ray Chelstowski Dec 01, 2025 #225 How to Play in a Rock Band, Part 18: Dealing With Burnout by Frank Doris Dec 01, 2025 #225 The People Who Make Audio Happen: CanJam SoCal 2025 by Harris Fogel Dec 01, 2025 #225 Chicago’s Sonic Sanctuaries: Four Hi‑Fi Listening Bars Channeling the Jazz‑Kissa Spirit by Olivier Meunier-Plante Dec 01, 2025 #225 From The Audiophile’s Guide: Controlling Bass Frequencies Through Membrane Absorbers (and How to Build Your Own) by Paul McGowan Dec 01, 2025 #225 Your Editor’s Tips for Attending Audio Shows by Frank Doris Dec 01, 2025 #225 PS Audio in the News by Frank Doris Dec 01, 2025 #225 Back to My Reel-to-Reel Roots, Part 24 by Ken Kessler Dec 01, 2025 #225 Holiday Music by Frank Doris Dec 01, 2025 #225 Puppy Prognostication by Peter Xeni Dec 01, 2025 #225 How to Post Comments on Copper by Frank Doris Dec 01, 2025 #225 Living Color by Rudy Radelic Dec 01, 2025 #224 T.H.E. Show New York 2025, Part One: A New Beginning by Frank Doris Nov 03, 2025 #224 Fool’s Leap of Faith is the Extraordinary Octave Records Debut from Singer/Songwriter Tyler Burba and Visit by Frank Doris Nov 03, 2025 #224 The Beatles’ “Aeolian Cadences.” What? by Wayne Robins Nov 03, 2025 #224 Persona Non Grata by B. Jan Montana Nov 03, 2025 #224 Talking With Recording Engineer Barry Diament of Soundkeeper Recordings, Part Two by Frank Doris Nov 03, 2025 #224 B Sides, B Movies, and Beware of Zombies by Rudy Radelic Nov 03, 2025 #224 The Burn-In Chronicles: 1,000 Hours to Sonic Salvation by Olivier Meunier-Plante Nov 03, 2025 #224 A Conversation With Mat Weisfeld of VPI Industries by Joe Caplan Nov 03, 2025 #224 Blues-Rocker Kenny Wayne Shepherd Celebrates 30 Years of Ledbetter Heights by Ray Chelstowski Nov 03, 2025 #224 Playing in a Rock Band, 17: When Good Gigs Go Bad, Part Two by Frank Doris Nov 03, 2025

Table of Contents – Issue 207

Table of Contents – Issue 207

“A composer is a guy who goes around forcing his will on unsuspecting air molecules, often with the assistance of unsuspecting musicians.” – Frank Zappa

In this issue: What if you had to choose just one best Bob Dylan song? Wayne Robins picks his favorite. Paul McGowan ponders an audio chicken-versus-egg question. Octave Records releases Audiophile Masters, Volume X, an album of classic cover songs. We wrap up our AXPONA 2024 show coverage. Jeff Weiner continues his series on all-time great folk singers. Rudy Radelic remembers saxophone legend David Sanborn. Larry Jaffee wonders why he can’t stop collecting 45 RPM singles. B. Jan Montana appreciates vintage automobiles at the La Jolla Concours d’Elegance.

Ray Chelstowski talks with L.A. studio legends The Immediate Family, and veteran rocker Chris Berardo getting Wilder all the Time. Rich Isaacs keeps spinning his series on test records and demo discs. Harris Fogel says better late than never in his CES 2024 show report. Howard Kneller admires the Axxess Forté 1 streamer/integrated amp From The Listening Chair. Ken Kessler revisits his reel-to-reel roots and Beatles affection. We have guest articles from PMA Magazine on the merits of Class D amplification, and from AAA about the career of piano giant Sviatoslav Richter. PS Audio garners accolades for its Aspen FR10 loudspeakers and StellarGold DAC. We round out the issue with birdsong, getting to the point-to-point, and natural lighting. 

 

Contributors to This Issue:
Ray Chelstowski, Frank Doris, Harris Fogel, Rich Isaacs, Larry Jaffee, Anne E. Johnson, Ken Kessler, Howard Kneller, Paul McGowan, Ernst Müller, B. Jan Montana, Rudy Radelic, Wayne Robins, Jeff Weiner, Peter Xeni

Staff Photographer/Contributing Editor:
Harris Fogel

Logo Design:
Susan Schwartz-Christian, from a concept by Bob D’Amico

Editor:
Frank Doris

Publisher:
Paul McGowan

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

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