COPPER

A PS Audio Publication

Issue 26 • Free Online Magazine

Issue 26 FEATURED

Something to Talk About

Something to Talk About

Recently, I was thinking about the many topics that my Get Better Sound audio seminar attendees have liked most over the years.  The list is fairly long, but there has been a general pattern.

It took a while, but I managed to narrow that list down to those that have proven to be the most popular.  It occurred to me that instead of just submitting a topic, perhaps you could choose from those topics that interest you most and post a reply below.  That way we can discuss your favorite.

Here is my list – in no particular order:

If different loudspeaker manufacturers use fundamentally different set-up guides, who is right?

 Could your chair or sofa be damaging your music reproduction?  

 Why an equilateral loudspeaker setup can detract from your musical experience

 Precise Imaging vs. Tone?

 Depth vs. Presence?

 When exotic speaker feet, spikes, isolation devices, etc. can negatively affect your sound.

 Why you should remove unused speakers from your listening or short/cover them  

 Why wide dispersion for loudspeakers might be a bad idea for home audio  

 The one thing that your system must have to be musically satisfying  

 What are audiophile “sound effects” – and how do they affect our listening?  

 Why you shouldn’t place equipment or furniture between your speakers  

 The “around-the-corner” test  

 How to determine the acoustic transparency of a material to be used for room treatments or speaker grille cloths  

 How to know when you’ve gone too far with room treatments  

 The Top Three most important places for room treatments  

 How to avoid the ­worst sounding location for your system electronics and sources

 Fine-tuning your system’s tonal balance and stereo imaging with speaker placement

 How to use toe-in (speaker angle) to make your speakers seem to “disappear” sonically, as well as to affect their tonal balance  

 What happens when you listen at different seating heights ?

 Why you shouldn’t consider speaker placement final until you’ve discovered the correct AC polarity for all components  

 When you should consider trying an asymmetrical speaker/listening positioning for the best bass response  

 When you should consider a 45-degree placement for difficult rooms  

 Why you need to have an audio system “road map”

 The one thing you must do to make sure your vacuum tube electronics perform at or near their peak

 Vertical vs. horizontal bi-amplification  

 Bi-amping with similar amps vs specialized/different amps 

 Can you adjust spectral balance to +/- .5 dB with your electronic crossover?  

 When adjusting bass levels with a bi-amplified system, can you shift the crossover point to compensate for the lower or higher level you just selected?  

 Looking forward to seeing what interests you!

Note: These potential Copper articles will be excerpted and edited from existing Get Better Sound topics, as well as from their accompanying Quarter Notes newsletters.

More from Issue 26

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#234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026 #234 Rags for Solo Piano and a Dog: David Chesky's Ragtime Music for the Modern Age by Frankly Speaking Sep 07, 2026 #234 HIGH END 2026, Vienna: Here to Stay by Carsten Barnbeck Sep 07, 2026 #234 From The Audiophile’s Guide: The Two Main Types of Loudpeakers – Box and Panel by Paul McGowan Sep 07, 2026 #234 Letting it Slide by Frank Doris Sep 07, 2026 #234 PS Audio in the News by PS Audio Staff Sep 07, 2026 #234 Long Playing by Peter Xeni Sep 07, 2026 #234 La Mer by B. Jan Montana Sep 07, 2026 #233 A Report From The Total Hi-Fi Experience Show SoCal 2026 by B. Jan Montana Aug 03, 2026 #233 Bluegrass Meets Country, Folk, Jazz and More in All That We Carried by The Squid City Slingers by Frank Doris Aug 03, 2026 #233 Corey Glover and One Tribe Nation: A Variegated Musical Collective by Ray Chelstowski Aug 03, 2026 #233 Excursions with Clive: The Late Clive Davis, A Personal History by Wayne Robins Aug 03, 2026 #233 AI, Art, and Music: A Conversation With Synthography Art by Joe Caplan Aug 03, 2026 #233 New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work by Frank Doris Aug 03, 2026 #233 The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More by Rudy Radelic Aug 03, 2026 #233 How to Play in a Rock Band, 26: When It's Time to Record Your Music by Frank Doris Aug 03, 2026 #233 More From T.H.E. Show 2026, and the People Who Made it Happen by Harris Fogel Aug 03, 2026 #233 Underappreciated Artists, Part Three: Icehouse by Rich Isaacs Aug 03, 2026 #233 The Surprisingly Rich and Varied Music of Somalia by Steve Kindig Aug 03, 2026 #233 A Remarkable Discographic Legacy: The LP Recordings of the Basel Symphony Orchestra by Stephan Haberthür Aug 03, 2026 #233 From The Audiophile’s Guide: The Importance of Loudspeakers by Paul McGowan Aug 03, 2026 #233 From Swimming Pool to New Listening Room: A Conversation with Norman Varney of AV RoomService by Gilles Laferrière Aug 03, 2026 #233 PS Audio in the News by PS Audio Staff Aug 03, 2026 #233 Audio Jewelry by Peter Xeni Aug 03, 2026 #233 Enrich Your Life by Frank Doris Aug 03, 2026 #233 The Searcher by James Schrimpf Aug 03, 2026 #232 What came first: Art or Music? A Conversation With Artist Jose Acosta by Joe Caplan Jul 06, 2026 #232 Blow By Blow: The Jeff Beck Story: An Insightful Book About a Guitar Icon by Ray Chelstowski Jul 06, 2026 #232 Creed Over Camaraderie? by B. Jan Montana Jul 06, 2026 #232 Chronicles of a Sound Pilgrim at the 2026 Montreal Audiofest by Hugues Morin Jul 06, 2026 #232 The Vinyl Beat: Summer Grooves by Rudy Radelic Jul 06, 2026 #232 Hibbing Hillbilly Dylan's Acoustic Rock by Wayne Robins Jul 06, 2026 #232 Quad Quads and Plasmatronics Tweeters: An Extraordinary System Comes to Life by Frank Doris Jul 06, 2026 #232 In Praise of Live Music, Once Again by Ted Shafran Jul 06, 2026 #232 Allnic Audio’s L-9000 Preamplifier: Design and Engineering Innovation by Howard Kneller Jul 06, 2026 #232 “Best Of” Lists and Rage Bait: Enough Already by Frank Doris Jul 06, 2026 #232 Quick Takes: Bud Shank, Paulo Almeida, Jakob Dreyer, Tim Eriksen and Peter Irvine by Frank Doris Jul 06, 2026

Something to Talk About

Something to Talk About

Recently, I was thinking about the many topics that my Get Better Sound audio seminar attendees have liked most over the years.  The list is fairly long, but there has been a general pattern.

It took a while, but I managed to narrow that list down to those that have proven to be the most popular.  It occurred to me that instead of just submitting a topic, perhaps you could choose from those topics that interest you most and post a reply below.  That way we can discuss your favorite.

Here is my list – in no particular order:

If different loudspeaker manufacturers use fundamentally different set-up guides, who is right?

 Could your chair or sofa be damaging your music reproduction?  

 Why an equilateral loudspeaker setup can detract from your musical experience

 Precise Imaging vs. Tone?

 Depth vs. Presence?

 When exotic speaker feet, spikes, isolation devices, etc. can negatively affect your sound.

 Why you should remove unused speakers from your listening or short/cover them  

 Why wide dispersion for loudspeakers might be a bad idea for home audio  

 The one thing that your system must have to be musically satisfying  

 What are audiophile “sound effects” – and how do they affect our listening?  

 Why you shouldn’t place equipment or furniture between your speakers  

 The “around-the-corner” test  

 How to determine the acoustic transparency of a material to be used for room treatments or speaker grille cloths  

 How to know when you’ve gone too far with room treatments  

 The Top Three most important places for room treatments  

 How to avoid the ­worst sounding location for your system electronics and sources

 Fine-tuning your system’s tonal balance and stereo imaging with speaker placement

 How to use toe-in (speaker angle) to make your speakers seem to “disappear” sonically, as well as to affect their tonal balance  

 What happens when you listen at different seating heights ?

 Why you shouldn’t consider speaker placement final until you’ve discovered the correct AC polarity for all components  

 When you should consider trying an asymmetrical speaker/listening positioning for the best bass response  

 When you should consider a 45-degree placement for difficult rooms  

 Why you need to have an audio system “road map”

 The one thing you must do to make sure your vacuum tube electronics perform at or near their peak

 Vertical vs. horizontal bi-amplification  

 Bi-amping with similar amps vs specialized/different amps 

 Can you adjust spectral balance to +/- .5 dB with your electronic crossover?  

 When adjusting bass levels with a bi-amplified system, can you shift the crossover point to compensate for the lower or higher level you just selected?  

 Looking forward to seeing what interests you!

Note: These potential Copper articles will be excerpted and edited from existing Get Better Sound topics, as well as from their accompanying Quarter Notes newsletters.

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