COPPER

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Issue 227 • Free Online Magazine

Issue 227 Table of Contents

Table of Contents – Issue 227

Table of Contents – Issue 227

“Maybe goin’ on a feelin’, maybe goin’ on a dream, well, I never know.” – sung by Bob Weir, lyrics by John Perry Barlow

In this issue: A children’s book about audio? Passport to Sound is there for the reading, courtesy of May Anwar of M101 audio. Jeff Weiner begins a new series about the earliest stars of country music. Octave Records has a groovin’ new album, Take a Look Around: A Tribute to the Meters. Wayne Robins celebrates the 45th anniversary of rock magazine The Big Takeover. Rudy Radelic concludes his series on the music of Herb Alpert, and the Tijuana Brass. Joe Caplan talks with master chocolatier Håkan Mortenssen about the sensory connection between chocolate…and music. Blood, Sweat & Tears guitarist Gabe Cummins tells us what it’s like to tour in a rock band. Paul McGowan looks at audio specs and measurements in the latest installment of The Audiophile’s Guide.

B. Jan Montana ponders cosmic consciousness. Ray Chelstowski talks with singer/songwriter Chris Berardo about his compelling new album, Wilder all the Time. Germany’s AAA magazine notes that our brains are always listening. Harris Fogel was on the scene at The Los Angeles and Orange County Audio Society's annual gala honoring Wilson Audio's David and Sheryl Lee Wilson and mastering engineer Bernie Grundman. The Listening Chair fondly remembers a Luxman integrated amp. PS Audio earns an Editors’ Choice rating. Ken Kessler revisits his reel-to-reel roots with reasons to be cheerful. We conclude the issue with something puzzling, a broken record, and a long and winding road.

******

Contributors to This Issue:
Joe Caplan, Ray Chelstowski, Frank Doris, Harris Fogel, Ken Kessler, Howard Kneller, Paul McGowan, B. Jan Montana, Rudy Radelic, Wayne Robins, Peter Truebner, Jeff Weiner, Peter Xeni

Logo Design:
Susan Schwartz-Christian, from a concept by Bob D’Amico

Editor:
Frank Doris

Publisher:
Paul McGowan

Post-publication Nitpicker:
Rich Isaacs

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

More from Issue 227

Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters
Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters
Frank Doris
Passport to Sound: May Anwar’s Audio Learning Experience for Young People
Passport to Sound: May Anwar’s Audio Learning Experience for Young People
Frank Doris
Conjectures on Cosmic Consciousness
Conjectures on Cosmic Consciousness
B. Jan Montana
The Big Takeover Turns 45
The Big Takeover Turns 45
Wayne Robins
Music and Chocolate: On the Sensory Connection
Music and Chocolate: On the Sensory Connection
Joe Caplan
Singer/Songwriter Chris Berardo: Getting Wilder All the Time
Singer/Songwriter Chris Berardo: Getting Wilder All the Time
Ray Chelstowski
View All Articles in Issue 227

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#227 Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters by Frank Doris Feb 02, 2026 #227 Passport to Sound: May Anwar’s Audio Learning Experience for Young People by Frank Doris Feb 02, 2026 #227 Conjectures on Cosmic Consciousness by B. Jan Montana Feb 02, 2026 #227 The Big Takeover Turns 45 by Wayne Robins Feb 02, 2026 #227 Music and Chocolate: On the Sensory Connection by Joe Caplan Feb 02, 2026 #227 Singer/Songwriter Chris Berardo: Getting Wilder All the Time by Ray Chelstowski Feb 02, 2026 #227 The Earliest Stars of Country Music, Part One by Jeff Weiner Feb 02, 2026 #227 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part Two by Rudy Radelic Feb 02, 2026 #227 How to Play in a Rock Band, 20: On the Road With Blood, Sweat & Tears’ Guitarist Gabe Cummins by Frank Doris Feb 02, 2026 #227 From The Audiophile’s Guide: Audio Specs and Measuring by Paul McGowan Feb 02, 2026 #227 Our Brain is Always Listening by Peter Trübner Feb 02, 2026 #227 PS Audio in the News by PS Audio Staff Feb 02, 2026 #227 The Listening Chair: Sleek Style and Sound From the Luxman L3 by Howard Kneller Feb 02, 2026 #227 The Los Angeles and Orange County Audio Society Celebrates Its 32nd Anniversary, Honoring David Wilson and Bernie Grundman by Harris Fogel Feb 02, 2026 #227 Back to My Reel-to-Reel Roots, Part 26: Half Full – Not Half Empty, Redux by Ken Kessler Feb 02, 2026 #227 That's What Puzzles Us... by Frank Doris Feb 02, 2026 #227 Record-Breaking by Peter Xeni Feb 02, 2026 #227 The Long and Winding Road by B. Jan Montana Feb 02, 2026 #226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026 #226 From The Audiophile’s Guide: Active Room Correction and Digital Signal Processing by Paul McGowan Jan 05, 2026 #226 PS Audio in the News by Frank Doris Jan 05, 2026 #226 Back to My Reel-to-Reel Roots, Part 25: Half-Full, Not Empty by Ken Kessler Jan 05, 2026 #226 Happy New Year! by Frank Doris Jan 05, 2026 #226 Turn It Down! by Peter Xeni Jan 05, 2026 #226 Ghost Riders by James Schrimpf Jan 05, 2026 #226 A Factory Tour of Audio Manufacturer German Physiks by Markus "Marsu" Manthey Jan 04, 2026 #225 Capital Audiofest 2025: Must-See Stereo, Part One by Frank Doris Dec 01, 2025 #225 Otis Taylor and the Electrics Delivers a Powerful Set of Hypnotic Modern Blues by Frank Doris Dec 01, 2025 #225 A Christmas Miracle by B. Jan Montana Dec 01, 2025 #225 T.H.E. Show New York 2025, Part Two: Plenty to See, Hear, and Enjoy by Frank Doris Dec 01, 2025 #225 Underappreciated Artists, Part One: Martin Briley by Rich Isaacs Dec 01, 2025 #225 Rock and Roll is Here to Stay by Wayne Robins Dec 01, 2025 #225 A Lifetime of Holiday Record (and CD) Listening by Rudy Radelic Dec 01, 2025 #225 Little Feat: Not Saying Goodbye, Not Yet by Ray Chelstowski Dec 01, 2025 #225 How to Play in a Rock Band, Part 18: Dealing With Burnout by Frank Doris Dec 01, 2025 #225 The People Who Make Audio Happen: CanJam SoCal 2025 by Harris Fogel Dec 01, 2025 #225 Chicago’s Sonic Sanctuaries: Four Hi‑Fi Listening Bars Channeling the Jazz‑Kissa Spirit by Olivier Meunier-Plante Dec 01, 2025

Table of Contents – Issue 227

Table of Contents – Issue 227

“Maybe goin’ on a feelin’, maybe goin’ on a dream, well, I never know.” – sung by Bob Weir, lyrics by John Perry Barlow

In this issue: A children’s book about audio? Passport to Sound is there for the reading, courtesy of May Anwar of M101 audio. Jeff Weiner begins a new series about the earliest stars of country music. Octave Records has a groovin’ new album, Take a Look Around: A Tribute to the Meters. Wayne Robins celebrates the 45th anniversary of rock magazine The Big Takeover. Rudy Radelic concludes his series on the music of Herb Alpert, and the Tijuana Brass. Joe Caplan talks with master chocolatier Håkan Mortenssen about the sensory connection between chocolate…and music. Blood, Sweat & Tears guitarist Gabe Cummins tells us what it’s like to tour in a rock band. Paul McGowan looks at audio specs and measurements in the latest installment of The Audiophile’s Guide.

B. Jan Montana ponders cosmic consciousness. Ray Chelstowski talks with singer/songwriter Chris Berardo about his compelling new album, Wilder all the Time. Germany’s AAA magazine notes that our brains are always listening. Harris Fogel was on the scene at The Los Angeles and Orange County Audio Society's annual gala honoring Wilson Audio's David and Sheryl Lee Wilson and mastering engineer Bernie Grundman. The Listening Chair fondly remembers a Luxman integrated amp. PS Audio earns an Editors’ Choice rating. Ken Kessler revisits his reel-to-reel roots with reasons to be cheerful. We conclude the issue with something puzzling, a broken record, and a long and winding road.

******

Contributors to This Issue:
Joe Caplan, Ray Chelstowski, Frank Doris, Harris Fogel, Ken Kessler, Howard Kneller, Paul McGowan, B. Jan Montana, Rudy Radelic, Wayne Robins, Peter Truebner, Jeff Weiner, Peter Xeni

Logo Design:
Susan Schwartz-Christian, from a concept by Bob D’Amico

Editor:
Frank Doris

Publisher:
Paul McGowan

Post-publication Nitpicker:
Rich Isaacs

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

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