Copper Magazine · Issue 54 · A free PS Audio publication
Issue 54 Opening Salvo

Happy St. Pat's!

Happy St. Pat's!

Welcome to Copper #54!

Beannachtai Na Feile Padraig Oraibh! ---which is allegedly, "St. Patrick's Day Blessing Upon You!" in Gaelic. My middle name's Moore, and I am of Irish heritage, but I can't vouch for the accuracy of the translation. Yet.

March did indeed come in like a lion in many parts of the country--- I hope you're digging out, and have power. It's a little tough to read Copper without power of some sort!

John Seetoo  concludes his interview with  Bobby Pulhemus, who recorded on Audio Fidelity as “Bobby Palomino”, lead guitarist of The Teemates. Next issue we'll have John's interview with a far better known Audio Fidelity artist---and I think you'll enjoy it. Galen Gareis is back, continuing his series on cable design with a piece on XLR design.

Professor Schenbeck  leads off the regular columns with selections of violin + orchestra; Dan Schwartz writes about Godley & Creme, who recorded a number of amazing albums with 10cc and as a duo, and broke new ground in usic videos and musical instruments; Richard Murison takes a look at the taboo subject of powered speakers ;  Jay Jay French says "hell, yeah" to EQ; Roy Hall sleeps through another cultural event; Anne E. Johnson brings us indie singer/producer/artist Be Steadwell...and I'm a little smitten ; Woody Woodward concludes his two-parter on rockabilly;  Industry News brings news about Spotify, and the death of a well-known figure; and I write about differentiation, and how speakers exhale. Anne is back  with a survey of madrigal recordings in Something Old/Something New---and you may be surprised by some of the composers who have written madrigals.

Copper #54 wraps up with a classic cartoon from Charles Rodrigues that continues my discussion of speakers---sort of.  Our virtual back cover is a Parting Shot of the Italian coast by Paul McGowan.

Erin Go Bragh! ---and we’ll see you next issue.

Cheers, Leebs

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#236 Magic Boy: The Jimi Hendrix Experience, Live and Rediscovered by Frank Doris Nov 02, 2026 #236 The Great Rhythmic Divide: Composer David Chesky Asks, Why Doesn't the Symphony Orchestra Groove? by David Chesky Nov 02, 2026 #236 More Record Reviews: Roni Eytan’s Microtonal Harmonica, Jane Ira Bloom, and a Frank Zappa Freak Out by Frank Doris Nov 02, 2026 #236 An Album of Inviting Beauty: Goodnight Moon from Acoustic Eidolon, And an Interview With the Artists Who Created it by Frank Doris Nov 02, 2026 #236 Never Ignore Your Inner Voice by B. Jan Montana Nov 02, 2026 #236 Composer Joseph Bertolozzi Uses Bridges, Structures and the World as Musical Instruments, Part One by Joe Caplan Nov 02, 2026 #236 Transmission: A Powerful Horn-Loaded Album from the Huntertones by Ray Chelstowski Nov 02, 2026 #236 Les Quatre Saisons du Québec: a New “Four Seasons” on Tour and on ATMA Classique by Robert Schryer Nov 02, 2026 #236 From The Audiophile's Guide: A Glossary of Terms for Today's Audio Systems, A – M by Paul McGowan Nov 02, 2026 #236 From The Listening Chair: An Introduction to Audiophile Tweaks by Howard Kneller Nov 02, 2026 #236 The Vinyl Beat Grew Two Inches Since October! by Rudy Radelic Nov 02, 2026 #236 How to Play in a Rock Band, Part 29: Figuring Out How to Play the Songs by Frank Doris Nov 02, 2026 #236 The Return of the Residents: Eskimo is On the Road by Wayne Robins Nov 02, 2026 #236 PS Audio in the News by PS Audio Staff Nov 02, 2026 #236 The People Who Make Audio Happen – Fun In Las Vegas at…CES 2026? by Harris Fogel Nov 02, 2026 #236 The Forms of Things Unknown by Frank Doris Nov 02, 2026 #236 Prophetic by Peter Xeni Nov 02, 2026 #236 Here's Looking at You, Kid by Rich Isaacs Nov 02, 2026 Favorites From T.H.E. Show SoCal 2026 by Cam Martin Oct 05, 2026 #235 Singer/Songwriter John David Schrader: On the Need to Create, Part Two by Joe Caplan Oct 05, 2026 #235 A Life in High-End Audio: The Roy Hall Interview, Part Two by Frank Doris Oct 05, 2026 #235 Grammy-Winning Producer, Songwriter, and Guitarist John Leventhal Goes Instrumental With National Drift by Ray Chelstowski Oct 05, 2026 #235 From Swimming Pool to New Listening Room—to Founding an Accidental Audio Company by Gilles Laferrière Oct 05, 2026 #235 The Vinyl Beat’s Size Matters Edition by Rudy Radelic Oct 05, 2026 #235 The Sublime Complexities of Nature by B. Jan Montana Oct 05, 2026 #235 How to Play In a Rock Band, 28: Growing Older and Dealing With It by Frank Doris Oct 05, 2026 #235 Young Rascals: From Bar Band to Stardom by Wayne Robins Oct 05, 2026 #235 Duncan Sheik: In Memoriam by Ray Chelstowski Oct 05, 2026 #235 From The Listening Chair: The Meze Audio 105 Silva Headphones by Howard Kneller Oct 05, 2026 #235 Checking Out Some NOLA Loudspeakers – and Some Thoughts About Audio Writing by Frank Doris Oct 05, 2026 #235 The Kanazawa Phonograph Museum: Music from a Time Capsule by Sebastian Polcyn Oct 05, 2026 #235 PS Audio in the News by PS Audio Staff Oct 05, 2026 #235 From The Audiophile’s Guide: Making the Most Critical Choice by Paul McGowan Oct 05, 2026 #235 Evolutionary Growth by Frank Doris Oct 05, 2026 #235 Speed Racer by Peter Xeni Oct 05, 2026 #235 Happy Halloween! by James Schrimpf Oct 05, 2026 #234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026

Happy St. Pat's!

Happy St. Pat's!

Welcome to Copper #54!

Beannachtai Na Feile Padraig Oraibh! ---which is allegedly, "St. Patrick's Day Blessing Upon You!" in Gaelic. My middle name's Moore, and I am of Irish heritage, but I can't vouch for the accuracy of the translation. Yet.

March did indeed come in like a lion in many parts of the country--- I hope you're digging out, and have power. It's a little tough to read Copper without power of some sort!

John Seetoo  concludes his interview with  Bobby Pulhemus, who recorded on Audio Fidelity as “Bobby Palomino”, lead guitarist of The Teemates. Next issue we'll have John's interview with a far better known Audio Fidelity artist---and I think you'll enjoy it. Galen Gareis is back, continuing his series on cable design with a piece on XLR design.

Professor Schenbeck  leads off the regular columns with selections of violin + orchestra; Dan Schwartz writes about Godley & Creme, who recorded a number of amazing albums with 10cc and as a duo, and broke new ground in usic videos and musical instruments; Richard Murison takes a look at the taboo subject of powered speakers ;  Jay Jay French says "hell, yeah" to EQ; Roy Hall sleeps through another cultural event; Anne E. Johnson brings us indie singer/producer/artist Be Steadwell...and I'm a little smitten ; Woody Woodward concludes his two-parter on rockabilly;  Industry News brings news about Spotify, and the death of a well-known figure; and I write about differentiation, and how speakers exhale. Anne is back  with a survey of madrigal recordings in Something Old/Something New---and you may be surprised by some of the composers who have written madrigals.

Copper #54 wraps up with a classic cartoon from Charles Rodrigues that continues my discussion of speakers---sort of.  Our virtual back cover is a Parting Shot of the Italian coast by Paul McGowan.

Erin Go Bragh! ---and we’ll see you next issue.

Cheers, Leebs

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