COPPER

A PS Audio Publication

Issue 42 • Free Online Magazine

Issue 42 THE AUDIO CYNIC

Immersion

You’ve probably already figured this out, but I am innately distrustful of fads, buzzwords, and whatevers du jour. I never read a book while it’s on the NYT bestsellers list. If it still holds up after a couple years, maybe I’ll read it then. But not while it’s on that damn list.

One of the buzzwords I distrust is “immersive”. Yes, I’ve used it myself, describing how better audio gear makes for “a more immersive listening experience”—and it’s true, it does indeed. But at the same time: what the hell?

Going back a ways to my Memphis years, the only time I heard the term “immersive” was in reference to baptism—the dunkers versus the sprinklers. If you don’t know what that means, that’s just fine; in fact, count yourself as lucky. But just imagine a swimming pool: when you plop yourself into it, you are immersed in the water—right? Submerged, enclosed, enveloped, covered up. Immersed.

Usage of “immersive” and “immersion” these days is  mostly figurative, meaning to become deeply involved in something: that whole “immersive experience” thing. I guess that’s in contrast to…the lack of engagement that marks everyday life?

See, that’s the part I find disturbing. It says to me that our daily lives are spent in superficial non-involvement with everyone and everything we encounter. Given that the people I meet can barely tear themselves away from their phone screens to acknowledge my presence, much less actually engage in a conversation with me, I would agree that such seems to be the case. That makes me sad, and it pisses me off.

We skate along through life like the puck in an air hockey game, gliding above everything, assiduously avoiding any contact, either  physical or emotional. Anything beyond a carefully-timed handshake is battery, and any too-personal question or comment is assault. God help you if you look someone in the eye for more than a couple seconds.

Are we that fragile? Honestly? I don’t think so.

Another buzzword that has paralleled the rise of “immersion” is “passion”. Every business book, blog, website, whatever, trots out that hoary term to describe any level of interest beyond cursory curiosity. We read of entrepreneurs who proclaim their passion for, oh, reusable diapers. Or organically-grown kale. Or car polish. Pretty much any item you can think of, SOMEbody out there has a passion for it.

My objection with that multiplicity of passions is that, just like immersive everything, it diminishes the meaning of the word. It creates an all-or-nothing world, in which emotions consist only of flattened affect or reality-show rage, with no middle ground. It also encourages trite usage of  the same words over and over, rather than encouraging development of a broader vocabulary. It’s rather like the way that “awesome” has become the all-purpose adjective for any positive experience, event, or item.

Sorry, but not everything is AWESOME. No matter what The Lego Movie says.

As I’ve mentioned before, my daughter Emily is far wiser than I. I suspect this is one of those times when she’d say, “Dad, I think this is more a YOU issue than a THEM issue.” And she would likely be correct.

I tend to obsess over meaning, and lack thereof. I like the fine shades and gradations of meaning that can be created by use of just the right word, and am dismayed by the posterized, polarizing language that dominates common speech in these times. For one who can be horribly crass and in-your-face, I do demand a certain subtlety in communication.

But the problem is mine, really, and not the problem of those immersive, passionate types who dominate our pages and airwaves with their pep-squad prose and relentless fervor.

When I was a kid, I didn’t understand how someone could be, say, a lepidopterist who devoted his life to the study of one particular family of butterflies. In the blue-collar meatpacking town in which I was born, such a person would’ve been viewed with amusement and a little concern, and likely labeled a “weirdo”…the same way that we kids viewed the male neighbor who dressed in full witch’s attire at Halloween. But: while collecting butterflies and pinning them to a board for a school project, I began to understand the appeal of the subject, the allure of order and the understanding of a big picture beyond oneself. Later on, it gave me a little more understanding of one of my high school biology teachers, a PhD who specialized in lepidoptera.

Did we still think he was weird? Yes, but that was due more to his personality than his specialty. After all, most of the kids in the class had parents who were college teachers or researchers; by then, we were well-acquainted with adults with obsessions.

Later, as a college student studying mechanical engineering, I was baffled by the EE students, whose interests seemed so much more ephemeral and theoretical than the pumps and gear-drives and camshafts I studied. I came to realize that for many EE students, as with mathematicians,  that was much of the appeal of the subject. It could be carried with them at all times, worked on and puzzled over…all in their heads.

Convenient. And indicative of a real passion, not the hysterically-hyped infomercial variety, and of a mind truly immersed in its subject.

Now—something like that, I have no problem with.

More from Issue 42

View All Articles in Issue 42

Search Copper Magazine

#234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026 #234 Rags for Solo Piano and a Dog: David Chesky's Ragtime Music for the Modern Age by Frankly Speaking Sep 07, 2026 #234 HIGH END 2026, Vienna: Here to Stay by Carsten Barnbeck Sep 07, 2026 #234 From The Audiophile’s Guide: The Two Main Types of Loudpeakers – Box and Panel by Paul McGowan Sep 07, 2026 #234 Letting it Slide by Frank Doris Sep 07, 2026 #234 PS Audio in the News by PS Audio Staff Sep 07, 2026 #234 Long Playing by Peter Xeni Sep 07, 2026 #234 La Mer by B. Jan Montana Sep 07, 2026 #233 A Report From The Total Hi-Fi Experience Show SoCal 2026 by B. Jan Montana Aug 03, 2026 #233 Bluegrass Meets Country, Folk, Jazz and More in All That We Carried by The Squid City Slingers by Frank Doris Aug 03, 2026 #233 Corey Glover and One Tribe Nation: A Variegated Musical Collective by Ray Chelstowski Aug 03, 2026 #233 Excursions with Clive: The Late Clive Davis, A Personal History by Wayne Robins Aug 03, 2026 #233 AI, Art, and Music: A Conversation With Synthography Art by Joe Caplan Aug 03, 2026 #233 New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work by Frank Doris Aug 03, 2026 #233 The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More by Rudy Radelic Aug 03, 2026 #233 How to Play in a Rock Band, 26: When It's Time to Record Your Music by Frank Doris Aug 03, 2026 #233 More From T.H.E. Show 2026, and the People Who Made it Happen by Harris Fogel Aug 03, 2026 #233 Underappreciated Artists, Part Three: Icehouse by Rich Isaacs Aug 03, 2026 #233 The Surprisingly Rich and Varied Music of Somalia by Steve Kindig Aug 03, 2026 #233 A Remarkable Discographic Legacy: The LP Recordings of the Basel Symphony Orchestra by Stephan Haberthür Aug 03, 2026 #233 From The Audiophile’s Guide: The Importance of Loudspeakers by Paul McGowan Aug 03, 2026 #233 From Swimming Pool to New Listening Room: A Conversation with Norman Varney of AV RoomService by Gilles Laferrière Aug 03, 2026 #233 PS Audio in the News by PS Audio Staff Aug 03, 2026 #233 Audio Jewelry by Peter Xeni Aug 03, 2026 #233 Enrich Your Life by Frank Doris Aug 03, 2026 #233 The Searcher by James Schrimpf Aug 03, 2026 #232 What came first: Art or Music? A Conversation With Artist Jose Acosta by Joe Caplan Jul 06, 2026 #232 Blow By Blow: The Jeff Beck Story: An Insightful Book About a Guitar Icon by Ray Chelstowski Jul 06, 2026 #232 Creed Over Camaraderie? by B. Jan Montana Jul 06, 2026 #232 Chronicles of a Sound Pilgrim at the 2026 Montreal Audiofest by Hugues Morin Jul 06, 2026 #232 The Vinyl Beat: Summer Grooves by Rudy Radelic Jul 06, 2026 #232 Hibbing Hillbilly Dylan's Acoustic Rock by Wayne Robins Jul 06, 2026 #232 Quad Quads and Plasmatronics Tweeters: An Extraordinary System Comes to Life by Frank Doris Jul 06, 2026 #232 In Praise of Live Music, Once Again by Ted Shafran Jul 06, 2026 #232 Allnic Audio’s L-9000 Preamplifier: Design and Engineering Innovation by Howard Kneller Jul 06, 2026 #232 “Best Of” Lists and Rage Bait: Enough Already by Frank Doris Jul 06, 2026 #232 Quick Takes: Bud Shank, Paulo Almeida, Jakob Dreyer, Tim Eriksen and Peter Irvine by Frank Doris Jul 06, 2026

Immersion

You’ve probably already figured this out, but I am innately distrustful of fads, buzzwords, and whatevers du jour. I never read a book while it’s on the NYT bestsellers list. If it still holds up after a couple years, maybe I’ll read it then. But not while it’s on that damn list.

One of the buzzwords I distrust is “immersive”. Yes, I’ve used it myself, describing how better audio gear makes for “a more immersive listening experience”—and it’s true, it does indeed. But at the same time: what the hell?

Going back a ways to my Memphis years, the only time I heard the term “immersive” was in reference to baptism—the dunkers versus the sprinklers. If you don’t know what that means, that’s just fine; in fact, count yourself as lucky. But just imagine a swimming pool: when you plop yourself into it, you are immersed in the water—right? Submerged, enclosed, enveloped, covered up. Immersed.

Usage of “immersive” and “immersion” these days is  mostly figurative, meaning to become deeply involved in something: that whole “immersive experience” thing. I guess that’s in contrast to…the lack of engagement that marks everyday life?

See, that’s the part I find disturbing. It says to me that our daily lives are spent in superficial non-involvement with everyone and everything we encounter. Given that the people I meet can barely tear themselves away from their phone screens to acknowledge my presence, much less actually engage in a conversation with me, I would agree that such seems to be the case. That makes me sad, and it pisses me off.

We skate along through life like the puck in an air hockey game, gliding above everything, assiduously avoiding any contact, either  physical or emotional. Anything beyond a carefully-timed handshake is battery, and any too-personal question or comment is assault. God help you if you look someone in the eye for more than a couple seconds.

Are we that fragile? Honestly? I don’t think so.

Another buzzword that has paralleled the rise of “immersion” is “passion”. Every business book, blog, website, whatever, trots out that hoary term to describe any level of interest beyond cursory curiosity. We read of entrepreneurs who proclaim their passion for, oh, reusable diapers. Or organically-grown kale. Or car polish. Pretty much any item you can think of, SOMEbody out there has a passion for it.

My objection with that multiplicity of passions is that, just like immersive everything, it diminishes the meaning of the word. It creates an all-or-nothing world, in which emotions consist only of flattened affect or reality-show rage, with no middle ground. It also encourages trite usage of  the same words over and over, rather than encouraging development of a broader vocabulary. It’s rather like the way that “awesome” has become the all-purpose adjective for any positive experience, event, or item.

Sorry, but not everything is AWESOME. No matter what The Lego Movie says.

As I’ve mentioned before, my daughter Emily is far wiser than I. I suspect this is one of those times when she’d say, “Dad, I think this is more a YOU issue than a THEM issue.” And she would likely be correct.

I tend to obsess over meaning, and lack thereof. I like the fine shades and gradations of meaning that can be created by use of just the right word, and am dismayed by the posterized, polarizing language that dominates common speech in these times. For one who can be horribly crass and in-your-face, I do demand a certain subtlety in communication.

But the problem is mine, really, and not the problem of those immersive, passionate types who dominate our pages and airwaves with their pep-squad prose and relentless fervor.

When I was a kid, I didn’t understand how someone could be, say, a lepidopterist who devoted his life to the study of one particular family of butterflies. In the blue-collar meatpacking town in which I was born, such a person would’ve been viewed with amusement and a little concern, and likely labeled a “weirdo”…the same way that we kids viewed the male neighbor who dressed in full witch’s attire at Halloween. But: while collecting butterflies and pinning them to a board for a school project, I began to understand the appeal of the subject, the allure of order and the understanding of a big picture beyond oneself. Later on, it gave me a little more understanding of one of my high school biology teachers, a PhD who specialized in lepidoptera.

Did we still think he was weird? Yes, but that was due more to his personality than his specialty. After all, most of the kids in the class had parents who were college teachers or researchers; by then, we were well-acquainted with adults with obsessions.

Later, as a college student studying mechanical engineering, I was baffled by the EE students, whose interests seemed so much more ephemeral and theoretical than the pumps and gear-drives and camshafts I studied. I came to realize that for many EE students, as with mathematicians,  that was much of the appeal of the subject. It could be carried with them at all times, worked on and puzzled over…all in their heads.

Convenient. And indicative of a real passion, not the hysterically-hyped infomercial variety, and of a mind truly immersed in its subject.

Now—something like that, I have no problem with.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: