Copper Magazine · Issue 110 · A free PS Audio publication
Issue 110 MUSIC'AL NOTES

Binghamton

Binghamton

My first impression of America was Binghamton, New York. With the exception of a few hours’ layover in JFK, (Green Acres was playing on the TV and I seriously considered returning home) this town in western New York was to become my home, not for the three weeks planned, but for the next year. My bride to be, Rita, was waiting at the Greater Binghamton Airport for the delayed arrival of my plane. We had met a few months prior in Scotland where we fell in love and I now I had come to be with her in mid-September 1970.

Our first home was a railroad apartment, shared with two roommates, Miriam and Suzy. To me, starry eyed and besotten, this slum was paradise. The neighborhood consisted of cheap wooden houses with various types of siding. The streets were unkempt and the population looked poor.

The day following my arrival, Rita had to go to school so I explored downtown Binghamton. I found a bar and had my first American beer, Genesee Cream Ale. I recall the name because coming from Scotland where beer has flavor, this beer tasted like watered down cat’s piss. As I wandered the streets that day, I realized that downtown was rundown.

We were evicted from that apartment. Mr. Tesla, our Ukrainian landlord, seemingly disapproved of a man sharing the apartment with his girlfriend (apparently the walls were thin and the sound of our lovemaking distressed him) and he soon gave us our marching orders.

We hired a U-Haul and moved to nearby Conklin Avenue to a house overlooking the Susquehanna River. In contrast to Mr. Tesla, Mrs. Pagano, our new, heavily-accented, Italian landlady, would bring us a tray of home-made lasagna every Sunday afternoon. Sometimes it was ziti but it always tasted the same.

The house had a record player and listening to music was a constant activity. Crosby, Stills and Nash had less than a year prior released their first album. James Taylor had just come out with Sweet Baby James. Elton John’s self-named second album appeared in stores. Judy Collins’ Whales and Nightingales was popular. We played Nashville Skyline from Bob Dylan (remember “Lay Lady Lay?”) I was introduced to Laura Nyro (what a songwriter and that fabulous voice!) and Joni Mitchell. Livingston Taylor, James’s brother, performed at Harpur College and we bought his first album. Two songs come to mind, “Lost in the Love of You” and “Thank You Song.” I also grew fond of Biff Rose, an oddball songwriter/performer whose songs are difficult to describe but one resonates with me, “Just Like a Man,” a poignant, bittersweet lullaby from his first album.

There was music everywhere; and what music. This period, the late sixties, early seventies was, in my opinion, music’s most fertile time since the Great American Songbook era of the 1920 – 1940s. I reveled in it and it became the soundtrack of my new life.

Life in Binghamton was bliss. I was in love, attended classes at Harpur College at SUNY Binghamton and had a locker in the gym. I was, to all intents and purposes a student, albeit unofficially. Security was lax in those days and the guards were probably as stoned as the students. My favorite subjects were “An Appreciation of Classical Music” and a history class with a fabulous professor called Norman Cantor. He was a teacher of medieval history and his eloquent portrayal of those times made the period come alive.

In March of the following year, we traipsed through the snow (Binghamton was in the snow belt) to the courthouse for our wedding. A local judge presided and our two roommates were witnesses. That evening I spent forty of my forty-eight dollars on a lobster dinner to celebrate our marriage which has lasted forty-nine years.

The other day, due to the Coronavirus lockdown we are experiencing as I write, I started to play “Binghamton Music.” I had recently set up one of my best turntables, (the Music Hall MMF9.3 in walnut) and it sounded so good I was inspired to play album after album. Out came Laura and Joni and James and Livingston. But when the needle touched the groove and “Your Song” from Elton John started playing, I was transported back to Conklin Avenue where I sat with my arms around Rita watching the swollen waters of the Susquehanna River flow by.

Header image courtesy of Wikimedia Commons/Andre Carrotflower.

More from Issue 110

View All Articles in Issue 110

Search Copper Magazine

Favorites From T.H.E. Show SoCal 2026 by Cam Martin Oct 05, 2026 #235 Singer/Songwriter John David Schrader: On the Need to Create, Part Two by Joe Caplan Oct 05, 2026 #235 A Life in High-End Audio: The Roy Hall Interview, Part Two by Frank Doris Oct 05, 2026 #235 Grammy-Winning Producer, Songwriter, and Guitarist John Leventhal Goes Instrumental With National Drift by Ray Chelstowski Oct 05, 2026 #235 From Swimming Pool to New Listening Room—to Founding an Accidental Audio Company by Gilles Laferrière Oct 05, 2026 #235 The Vinyl Beat’s Size Matters Edition by Rudy Radelic Oct 05, 2026 #235 The Sublime Complexities of Nature by B. Jan Montana Oct 05, 2026 #235 How to Play In a Rock Band, 28: Growing Older and Dealing With It by Frank Doris Oct 05, 2026 #235 Young Rascals: From Bar Band to Stardom by Wayne Robins Oct 05, 2026 #235 Duncan Sheik: In Memoriam by Ray Chelstowski Oct 05, 2026 #235 From The Listening Chair: The Meze Audio 105 Silva Headphones by Howard Kneller Oct 05, 2026 #235 Checking Out Some NOLA Loudspeakers – and Some Thoughts About Audio Writing by Frank Doris Oct 05, 2026 #235 The Kanazawa Phonograph Museum: Music from a Time Capsule by Sebastian Polcyn Oct 05, 2026 #235 PS Audio in the News by PS Audio Staff Oct 05, 2026 #235 From The Audiophile’s Guide: Making the Most Critical Choice by Paul McGowan Oct 05, 2026 #235 Evolutionary Growth by Frank Doris Oct 05, 2026 #235 Speed Racer by Peter Xeni Oct 05, 2026 #235 Happy Halloween! by James Schrimpf Oct 05, 2026 #234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026 #234 Rags for Solo Piano and a Dog: David Chesky's Ragtime Music for the Modern Age by Frankly Speaking Sep 07, 2026 #234 HIGH END 2026, Vienna: Here to Stay by Carsten Barnbeck Sep 07, 2026 #234 From The Audiophile’s Guide: The Two Main Types of Loudpeakers – Box and Panel by Paul McGowan Sep 07, 2026 #234 Letting it Slide by Frank Doris Sep 07, 2026 #234 PS Audio in the News by PS Audio Staff Sep 07, 2026 #234 Long Playing by Peter Xeni Sep 07, 2026 #234 La Mer by B. Jan Montana Sep 07, 2026 #233 A Report From The Total Hi-Fi Experience Show SoCal 2026 by B. Jan Montana Aug 03, 2026 #233 Bluegrass Meets Country, Folk, Jazz and More in All That We Carried by The Squid City Slingers by Frank Doris Aug 03, 2026 #233 Corey Glover and One Tribe Nation: A Variegated Musical Collective by Ray Chelstowski Aug 03, 2026 #233 Excursions with Clive: The Late Clive Davis, A Personal History by Wayne Robins Aug 03, 2026 #233 AI, Art, and Music: A Conversation With Synthography Art by Joe Caplan Aug 03, 2026 #233 New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work by Frank Doris Aug 03, 2026 #233 The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More by Rudy Radelic Aug 03, 2026 #233 How to Play in a Rock Band, 26: When It's Time to Record Your Music by Frank Doris Aug 03, 2026 #233 More From T.H.E. Show 2026, and the People Who Made it Happen by Harris Fogel Aug 03, 2026 #233 Underappreciated Artists, Part Three: Icehouse by Rich Isaacs Aug 03, 2026 #233 The Surprisingly Rich and Varied Music of Somalia by Steve Kindig Aug 03, 2026

Binghamton

Binghamton

My first impression of America was Binghamton, New York. With the exception of a few hours’ layover in JFK, (Green Acres was playing on the TV and I seriously considered returning home) this town in western New York was to become my home, not for the three weeks planned, but for the next year. My bride to be, Rita, was waiting at the Greater Binghamton Airport for the delayed arrival of my plane. We had met a few months prior in Scotland where we fell in love and I now I had come to be with her in mid-September 1970.

Our first home was a railroad apartment, shared with two roommates, Miriam and Suzy. To me, starry eyed and besotten, this slum was paradise. The neighborhood consisted of cheap wooden houses with various types of siding. The streets were unkempt and the population looked poor.

The day following my arrival, Rita had to go to school so I explored downtown Binghamton. I found a bar and had my first American beer, Genesee Cream Ale. I recall the name because coming from Scotland where beer has flavor, this beer tasted like watered down cat’s piss. As I wandered the streets that day, I realized that downtown was rundown.

We were evicted from that apartment. Mr. Tesla, our Ukrainian landlord, seemingly disapproved of a man sharing the apartment with his girlfriend (apparently the walls were thin and the sound of our lovemaking distressed him) and he soon gave us our marching orders.

We hired a U-Haul and moved to nearby Conklin Avenue to a house overlooking the Susquehanna River. In contrast to Mr. Tesla, Mrs. Pagano, our new, heavily-accented, Italian landlady, would bring us a tray of home-made lasagna every Sunday afternoon. Sometimes it was ziti but it always tasted the same.

The house had a record player and listening to music was a constant activity. Crosby, Stills and Nash had less than a year prior released their first album. James Taylor had just come out with Sweet Baby James. Elton John’s self-named second album appeared in stores. Judy Collins’ Whales and Nightingales was popular. We played Nashville Skyline from Bob Dylan (remember “Lay Lady Lay?”) I was introduced to Laura Nyro (what a songwriter and that fabulous voice!) and Joni Mitchell. Livingston Taylor, James’s brother, performed at Harpur College and we bought his first album. Two songs come to mind, “Lost in the Love of You” and “Thank You Song.” I also grew fond of Biff Rose, an oddball songwriter/performer whose songs are difficult to describe but one resonates with me, “Just Like a Man,” a poignant, bittersweet lullaby from his first album.

There was music everywhere; and what music. This period, the late sixties, early seventies was, in my opinion, music’s most fertile time since the Great American Songbook era of the 1920 – 1940s. I reveled in it and it became the soundtrack of my new life.

Life in Binghamton was bliss. I was in love, attended classes at Harpur College at SUNY Binghamton and had a locker in the gym. I was, to all intents and purposes a student, albeit unofficially. Security was lax in those days and the guards were probably as stoned as the students. My favorite subjects were “An Appreciation of Classical Music” and a history class with a fabulous professor called Norman Cantor. He was a teacher of medieval history and his eloquent portrayal of those times made the period come alive.

In March of the following year, we traipsed through the snow (Binghamton was in the snow belt) to the courthouse for our wedding. A local judge presided and our two roommates were witnesses. That evening I spent forty of my forty-eight dollars on a lobster dinner to celebrate our marriage which has lasted forty-nine years.

The other day, due to the Coronavirus lockdown we are experiencing as I write, I started to play “Binghamton Music.” I had recently set up one of my best turntables, (the Music Hall MMF9.3 in walnut) and it sounded so good I was inspired to play album after album. Out came Laura and Joni and James and Livingston. But when the needle touched the groove and “Your Song” from Elton John started playing, I was transported back to Conklin Avenue where I sat with my arms around Rita watching the swollen waters of the Susquehanna River flow by.

Header image courtesy of Wikimedia Commons/Andre Carrotflower.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: