COPPER

A PS Audio Publication

Issue 229 • Free Online Magazine

Issue 229 Table of Contents

Table of Contents – Issue 229

Table of Contents – Issue 229

AXPONA, the biggest audio show in the US, is happening April 10 – 12, and PS Audio will be there. If you’re attending, stop by – we’ll be in the Schaumburg A ballroom at the Renaissance Schaumburg Convention Center Hotel. There will be some surprises!

In this issue: Tis the season for audio shows, and we have reports from Florida Audio Expo and headphones show CanJam NYC. Harvard University gets a high-end audio education. Joe Caplan explores the healing power of sound. Jeff Weiner concludes his series on the earliest stars of country music. Frank Doris has stories about meeting famous rock musicians. B. Jan Montana gets an upgrade. Steve Kindig has a listen to the music of Africa’s Guinea-Bissau. Our latest installment from Paul McGowan’s The Audiophile’s Guide considers the benefits of measurements, and listening. Ray Chelstowski interviews slide guitarist extraordinaire Rick Vito about his new album, Slidemaster.

Wayne Robins goes back in time with Blue Öyster Cult. The Vinyl Beat covers reissues from Frank Sinatra, Stan Getz and more – and has some fresh audio show music suggestions. AAA Magazine’s Stephan Haberthür enjoys some four hand piano virtuosity. Harris Fogel attends the opening of Supreme Acoustic Systems. Frank Doris hears new music from Anne Bisson and Sam Morrison, gets Loaded with the Velvet Underground, and basks in the roar of the Stooges. The cassette strikes back at Ken Kessler. PS Audio gets a rave YouTube review of the PMG Signature Preamplifier. The issue wraps up with odd hospitality, good reception, and a cantina gateway.

******

Contributors to This Issue:
Joe Caplan, Ray Chelstowski, Frank Doris, Harris Fogel, Ken Kessler, Steve Kindig, Stephan Haberthüer, Paul McGowan, B. Jan Montana, Rudy Radelic, Wayne Robins, James Schrimpf, Jeff Weiner, Peter Xeni

Logo Design:
Susan Schwartz-Christian, from a concept by Bob D’Amico

Editor:
Frank Doris

Publisher:
Paul McGowan

Post-publication Nitpicker:
Rich Isaacs

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

 

 

More from Issue 229

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#232 What came first: Art or Music? A Conversation With Artist Jose Acosta by Joe Caplan Jul 06, 2026 #232 Blow By Blow: The Jeff Beck Story: An Insightful Book About a Guitar Icon by Ray Chelstowski Jul 06, 2026 #232 Creed Over Camaraderie? by B. Jan Montana Jul 06, 2026 #232 Chronicles of a Sound Pilgrim at the 2026 Montreal Audiofest by Hugues Morin Jul 06, 2026 #232 The Vinyl Beat: Summer Grooves by Rudy Radelic Jul 06, 2026 #232 Hibbing Hillbilly Dylan's Acoustic Rock by Wayne Robins Jul 06, 2026 #232 Quad Quads and Plasmatronics Tweeters: An Extraordinary System Comes to Life by Frank Doris Jul 06, 2026 #232 In Praise of Live Music, Once Again by Ted Shafran Jul 06, 2026 #232 Allnic Audio’s L-9000 Preamplifier: Design and Engineering Innovation by Howard Kneller Jul 06, 2026 #232 “Best Of” Lists and Rage Bait: Enough Already by Frank Doris Jul 06, 2026 #232 Quick Takes: Bud Shank, Paulo Almeida, Jakob Dreyer, Tim Eriksen and Peter Irvine by Frank Doris Jul 06, 2026 #232 My Impressions of AXPONA 2026, Part 2 by Frank Doris Jul 06, 2026 #232 How to Play in a Rock Band, 25: Encounters With Famous Musicians, Part Three by Frank Doris Jul 06, 2026 #232 Budgets, and Systems From Small to Outrageous by Paul McGowan Jul 06, 2026 #232 PS Audio in the News by PS Audio Staff Jul 06, 2026 #232 Hand It Over by Frank Doris Jul 06, 2026 #232 Difference of Opinion by Peter Xeni Jul 06, 2026 #232 Wabi-sabi Tree by James Schrimpf Jul 06, 2026 #231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026

Table of Contents – Issue 229

Table of Contents – Issue 229

AXPONA, the biggest audio show in the US, is happening April 10 – 12, and PS Audio will be there. If you’re attending, stop by – we’ll be in the Schaumburg A ballroom at the Renaissance Schaumburg Convention Center Hotel. There will be some surprises!

In this issue: Tis the season for audio shows, and we have reports from Florida Audio Expo and headphones show CanJam NYC. Harvard University gets a high-end audio education. Joe Caplan explores the healing power of sound. Jeff Weiner concludes his series on the earliest stars of country music. Frank Doris has stories about meeting famous rock musicians. B. Jan Montana gets an upgrade. Steve Kindig has a listen to the music of Africa’s Guinea-Bissau. Our latest installment from Paul McGowan’s The Audiophile’s Guide considers the benefits of measurements, and listening. Ray Chelstowski interviews slide guitarist extraordinaire Rick Vito about his new album, Slidemaster.

Wayne Robins goes back in time with Blue Öyster Cult. The Vinyl Beat covers reissues from Frank Sinatra, Stan Getz and more – and has some fresh audio show music suggestions. AAA Magazine’s Stephan Haberthür enjoys some four hand piano virtuosity. Harris Fogel attends the opening of Supreme Acoustic Systems. Frank Doris hears new music from Anne Bisson and Sam Morrison, gets Loaded with the Velvet Underground, and basks in the roar of the Stooges. The cassette strikes back at Ken Kessler. PS Audio gets a rave YouTube review of the PMG Signature Preamplifier. The issue wraps up with odd hospitality, good reception, and a cantina gateway.

******

Contributors to This Issue:
Joe Caplan, Ray Chelstowski, Frank Doris, Harris Fogel, Ken Kessler, Steve Kindig, Stephan Haberthüer, Paul McGowan, B. Jan Montana, Rudy Radelic, Wayne Robins, James Schrimpf, Jeff Weiner, Peter Xeni

Logo Design:
Susan Schwartz-Christian, from a concept by Bob D’Amico

Editor:
Frank Doris

Publisher:
Paul McGowan

Post-publication Nitpicker:
Rich Isaacs

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

 

 

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