COPPER

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Issue 204 • Free Online Magazine

Issue 204 Opening Salvo

Table of Contents – Issue 204

Table of Contents – Issue 204

“Just because I wrote the song doesn’t mean I know what it means.” – Lou Reed

In this issue: I talk with Steve Morris of Streamline HiFi, who hand builds stereo consoles for the modern age. I offer my memories of audio reviewing legend Anthony H. Cordesman. Paul McGowan makes time for music. B. Jan Montana covers the 2024 NAMM Show and Thomas Fogel goes behind the scenes at the 2024 GRAMMY Awards. Octave Records has two new releases. Reason by pianist Erik Deutsch, vocalist Theo Bleckmann and instrumentalist Sly5thAve is a live excursion into adventurous post-modern jazz. Audiophile Masters Volume IX is the latest in Octave’s series of sonic reference discs. Wayne Robins contemplates music for growing minds.

Ken Kessler visits the Warsaw Audio Video Show. I fall in love with Korean TV show soundtracks. Ray Chelstowski interviews New York rocker extraordinaire Steve Conte on his upcoming album, The Concrete Jangle. Jay Jay French relistens to his past with the Youngbloods’ reissue of Elephant Mountain. Ted Shafran has high praise for live music. Ken Sander remembers when Alice Cooper caught a ride hitchhiking. PS Audio wins a bunch of Editor’s Choice awards. We conclude the issue with synesthesia, job opportunities, and winds of change.

Contributors to this issue:
Ray Chelstowski, Frank Doris, Thomas Fogel, Jay Jay French, Ken Kessler, Paul McGowan, B. Jan Montana, Wayne Robins, Ken Sander, Ted Shafran, Peter Xeni

 

Logo Design:
Susan Schwartz-Christian, from a concept by Bob D’Amico

Editor:
Frank Doris

Publisher:
Paul McGowan

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

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Table of Contents – Issue 204

Table of Contents – Issue 204

“Just because I wrote the song doesn’t mean I know what it means.” – Lou Reed

In this issue: I talk with Steve Morris of Streamline HiFi, who hand builds stereo consoles for the modern age. I offer my memories of audio reviewing legend Anthony H. Cordesman. Paul McGowan makes time for music. B. Jan Montana covers the 2024 NAMM Show and Thomas Fogel goes behind the scenes at the 2024 GRAMMY Awards. Octave Records has two new releases. Reason by pianist Erik Deutsch, vocalist Theo Bleckmann and instrumentalist Sly5thAve is a live excursion into adventurous post-modern jazz. Audiophile Masters Volume IX is the latest in Octave’s series of sonic reference discs. Wayne Robins contemplates music for growing minds.

Ken Kessler visits the Warsaw Audio Video Show. I fall in love with Korean TV show soundtracks. Ray Chelstowski interviews New York rocker extraordinaire Steve Conte on his upcoming album, The Concrete Jangle. Jay Jay French relistens to his past with the Youngbloods’ reissue of Elephant Mountain. Ted Shafran has high praise for live music. Ken Sander remembers when Alice Cooper caught a ride hitchhiking. PS Audio wins a bunch of Editor’s Choice awards. We conclude the issue with synesthesia, job opportunities, and winds of change.

Contributors to this issue:
Ray Chelstowski, Frank Doris, Thomas Fogel, Jay Jay French, Ken Kessler, Paul McGowan, B. Jan Montana, Wayne Robins, Ken Sander, Ted Shafran, Peter Xeni

 

Logo Design:
Susan Schwartz-Christian, from a concept by Bob D’Amico

Editor:
Frank Doris

Publisher:
Paul McGowan

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

Copper’s Comments Policy:

Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

 – FD

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