Copper Magazine · Issue 154 · A free PS Audio publication
Issue 154 Opening Salvo

Issue 154

Issue 154

The audio world has lost another legend with the passing of Max Townshend at 78. Born in Perth, Australia, he was the head of UK-based Townshend Audio and designer of a wide range of high-end products, including cables, the Seismic series of isolation products, the Allegri preamplifiers, plus loudspeakers and other creations. I had the pleasure of speaking with him one last time about a year ago in conjunction with an article he wrote for Copper Issue 124, “The ‘Sound’ of Speaker Cables: An Analysis,” and as always he was generous with his knowledge, unflinching in his beliefs, and a blast to talk to. RIP to one of the industry’s true titans.

In this issue: Wayne Robins finds the Neil Young Archives to be a very deep resource. I cover Octave Records latest musical sampler, Audiophile Masters, Vol. III. Russ Welton asks: how loud will your speakers go? Don Kaplan chronicles his quest to find his Goldilocks audio system. B. Jan Montana becomes more enlightened on his journey to Sturgis. Ken Sander goes on tour with Wishbone Ash. Jack Flory ponders the power of Ohm’s law. Ray Chelstowski talks with folk-pop artist Eddie Berman about his exceptional new album, Broken English. Don Lindich tells us what CES 2022 was like. Ken Kessler comes clean with reel-to-reel tape hygiene.

I talk with Gordon Stanley of the Spreckels Organ Society about one of the world’s most remarkable musical instruments. J.I. Agnew digs deeper into the world of record-cutting lathes. Andy Schaub has some audiophile plans for the new year. Rudy Radelic checks out a SweetVinyl record-noise reduction system. Anne E. Johnson enlightens us on the music of classical artist Carl Maria von Weber, and Motown pioneer Mary Wells. Tom Gibbs shows off audio demo tracks. John Seetoo pays another virtual visit to AES Fall 2021 and the psychology of hearing, and a listen to some heavyweight producers. Our A/V department caps off the issue with shrink wrap misadventures, a jittery audiophile, space-age audio, and green transportation.

Staff Writers:

J.I. Agnew, Ray Chelstowski, Cliff Chenfeld, Jay Jay French, Tom Gibbs, Roy Hall, Rich Isaacs, Anne E. Johnson, Don Kaplan, Ken Kessler, Don Lindich, Stuart Marvin, Tom Methans, B. Jan Montana, Rudy Radelic, Tim Riley, Wayne Robins, Ken Sander, John Seetoo, Dan Schwartz, Russ Welton, WL Woodward, Adrian Wu

Contributing Editors:
Ivan Berger, Steven Bryan Bieler, Jack Flory, Harris Fogel, Robert Heiblim, Steve Kindig, Ed Kwok, Alón Sagee, Andy Schaub, David Snyder, Bob Wood

Cover:
“Cartoon Bob” D’Amico

Cartoons:
James Whitworth, Peter Xeni

Parting Shots:
James Schrimpf, B. Jan Montana, Rich Isaacs (and others)

Audio Anthropology Photos:
Howard Kneller, Steve Rowell

Editor:
Frank Doris

Publisher:
Paul McGowan

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

 – FD

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#236 Magic Boy: The Jimi Hendrix Experience, Live and Rediscovered by Frank Doris Nov 02, 2026 #236 The Great Rhythmic Divide: Composer David Chesky Asks, Why Doesn't the Symphony Orchestra Groove? by David Chesky Nov 02, 2026 #236 More Record Reviews: Roni Eytan’s Microtonal Harmonica, Jane Ira Bloom, and a Frank Zappa Freak Out by Frank Doris Nov 02, 2026 #236 An Album of Inviting Beauty: Goodnight Moon from Acoustic Eidolon, And an Interview With the Artists Who Created it by Frank Doris Nov 02, 2026 #236 Never Ignore Your Inner Voice by B. Jan Montana Nov 02, 2026 #236 Composer Joseph Bertolozzi Uses Bridges, Structures and the World as Musical Instruments, Part One by Joe Caplan Nov 02, 2026 #236 Transmission: A Powerful Horn-Loaded Album from the Huntertones by Ray Chelstowski Nov 02, 2026 #236 Les Quatre Saisons du Québec: a New “Four Seasons” on Tour and on ATMA Classique by Robert Schryer Nov 02, 2026 #236 From The Audiophile's Guide: A Glossary of Terms for Today's Audio Systems, A – M by Paul McGowan Nov 02, 2026 #236 From The Listening Chair: An Introduction to Audiophile Tweaks by Howard Kneller Nov 02, 2026 #236 The Vinyl Beat Grew Two Inches Since October! by Rudy Radelic Nov 02, 2026 #236 How to Play in a Rock Band, Part 29: Figuring Out How to Play the Songs by Frank Doris Nov 02, 2026 #236 The Return of the Residents: Eskimo is On the Road by Wayne Robins Nov 02, 2026 #236 PS Audio in the News by PS Audio Staff Nov 02, 2026 #236 The People Who Make Audio Happen – Fun In Las Vegas at…CES 2026? by Harris Fogel Nov 02, 2026 #236 The Forms of Things Unknown by Frank Doris Nov 02, 2026 #236 Prophetic by Peter Xeni Nov 02, 2026 #236 Here's Looking at You, Kid by Rich Isaacs Nov 02, 2026 Favorites From T.H.E. Show SoCal 2026 by Cam Martin Oct 05, 2026 #235 Singer/Songwriter John David Schrader: On the Need to Create, Part Two by Joe Caplan Oct 05, 2026 #235 A Life in High-End Audio: The Roy Hall Interview, Part Two by Frank Doris Oct 05, 2026 #235 Grammy-Winning Producer, Songwriter, and Guitarist John Leventhal Goes Instrumental With National Drift by Ray Chelstowski Oct 05, 2026 #235 From Swimming Pool to New Listening Room—to Founding an Accidental Audio Company by Gilles Laferrière Oct 05, 2026 #235 The Vinyl Beat’s Size Matters Edition by Rudy Radelic Oct 05, 2026 #235 The Sublime Complexities of Nature by B. Jan Montana Oct 05, 2026 #235 How to Play In a Rock Band, 28: Growing Older and Dealing With It by Frank Doris Oct 05, 2026 #235 Young Rascals: From Bar Band to Stardom by Wayne Robins Oct 05, 2026 #235 Duncan Sheik: In Memoriam by Ray Chelstowski Oct 05, 2026 #235 From The Listening Chair: The Meze Audio 105 Silva Headphones by Howard Kneller Oct 05, 2026 #235 Checking Out Some NOLA Loudspeakers – and Some Thoughts About Audio Writing by Frank Doris Oct 05, 2026 #235 The Kanazawa Phonograph Museum: Music from a Time Capsule by Sebastian Polcyn Oct 05, 2026 #235 PS Audio in the News by PS Audio Staff Oct 05, 2026 #235 From The Audiophile’s Guide: Making the Most Critical Choice by Paul McGowan Oct 05, 2026 #235 Evolutionary Growth by Frank Doris Oct 05, 2026 #235 Speed Racer by Peter Xeni Oct 05, 2026 #235 Happy Halloween! by James Schrimpf Oct 05, 2026 #234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026

Issue 154

Issue 154

The audio world has lost another legend with the passing of Max Townshend at 78. Born in Perth, Australia, he was the head of UK-based Townshend Audio and designer of a wide range of high-end products, including cables, the Seismic series of isolation products, the Allegri preamplifiers, plus loudspeakers and other creations. I had the pleasure of speaking with him one last time about a year ago in conjunction with an article he wrote for Copper Issue 124, “The ‘Sound’ of Speaker Cables: An Analysis,” and as always he was generous with his knowledge, unflinching in his beliefs, and a blast to talk to. RIP to one of the industry’s true titans.

In this issue: Wayne Robins finds the Neil Young Archives to be a very deep resource. I cover Octave Records latest musical sampler, Audiophile Masters, Vol. III. Russ Welton asks: how loud will your speakers go? Don Kaplan chronicles his quest to find his Goldilocks audio system. B. Jan Montana becomes more enlightened on his journey to Sturgis. Ken Sander goes on tour with Wishbone Ash. Jack Flory ponders the power of Ohm’s law. Ray Chelstowski talks with folk-pop artist Eddie Berman about his exceptional new album, Broken English. Don Lindich tells us what CES 2022 was like. Ken Kessler comes clean with reel-to-reel tape hygiene.

I talk with Gordon Stanley of the Spreckels Organ Society about one of the world’s most remarkable musical instruments. J.I. Agnew digs deeper into the world of record-cutting lathes. Andy Schaub has some audiophile plans for the new year. Rudy Radelic checks out a SweetVinyl record-noise reduction system. Anne E. Johnson enlightens us on the music of classical artist Carl Maria von Weber, and Motown pioneer Mary Wells. Tom Gibbs shows off audio demo tracks. John Seetoo pays another virtual visit to AES Fall 2021 and the psychology of hearing, and a listen to some heavyweight producers. Our A/V department caps off the issue with shrink wrap misadventures, a jittery audiophile, space-age audio, and green transportation.

Staff Writers:

J.I. Agnew, Ray Chelstowski, Cliff Chenfeld, Jay Jay French, Tom Gibbs, Roy Hall, Rich Isaacs, Anne E. Johnson, Don Kaplan, Ken Kessler, Don Lindich, Stuart Marvin, Tom Methans, B. Jan Montana, Rudy Radelic, Tim Riley, Wayne Robins, Ken Sander, John Seetoo, Dan Schwartz, Russ Welton, WL Woodward, Adrian Wu

Contributing Editors:
Ivan Berger, Steven Bryan Bieler, Jack Flory, Harris Fogel, Robert Heiblim, Steve Kindig, Ed Kwok, Alón Sagee, Andy Schaub, David Snyder, Bob Wood

Cover:
“Cartoon Bob” D’Amico

Cartoons:
James Whitworth, Peter Xeni

Parting Shots:
James Schrimpf, B. Jan Montana, Rich Isaacs (and others)

Audio Anthropology Photos:
Howard Kneller, Steve Rowell

Editor:
Frank Doris

Publisher:
Paul McGowan

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

 – FD

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