COPPER

A PS Audio Publication

Issue 55 • Free Online Magazine

Issue 55 TWISTED SYSTEMS

A Very Twisted Tower Tale

A Very Twisted Tower Tale

The response to my tone control/ equalizer article brought out the inner fight in many of you. I would hope that high-end manufacturers are listening, and reading many of your passionate responses.

This next story is really not controversial but, in some ways, very sentimental: It’s about the joy of buying albums, made even more timely by the recent passing of Tower Records owner Russ Solomon.

I didn’t know Russ. Russ came along many years past my golden age of record buying.

My addiction began at a mom and pop record store on 107th St. & Broadway in 1963.

It was at that time that my first exposure to AM radio was via “Hit Radio” WABC in NYC. In February of 1963, as I lay in my sick bed, my mother gave me a transistor radio to while away thehours, and out blared the song “Hey Paula”, by Paul & Paula. As it was number one, it seemed to be played every hour on the hour as did the whole “top 40” which in fact really seemed to be the “Top 10”.

I didn’t really understand what it meant to be number one. Did people vote for it? Was it number one in the whole world?

I thought that WABC was played all over the US so everyone in America at least voted…right?

I asked my mom and she really had no idea what I was talking about.

All I knew was that, for the 4 weeks or so that I was home, sick, “Hey Paula” was number one but other songs changed positions between 2 and 10.

“Hey Paula” eventually got knocked off the charts by the Four Seasons’ “Walk Like A Man”, and I was so crushed I started to cry.

I started to figure out that buying the song at a record shop was a way to get it back to number one.

I asked my mom if there was a record store near our house and she took me to a very small shop (I don’t remember the name) on 107th St. & Broadway, in Manhattan.

I walked into this old dusty and musky emporium and there, on the front desk were copies of official hit radio charts from WABC, WINS, and WMCA.

I really felt like this was my church. This was my religion!

I never even knew there were other radio stations in NYC. That is how loyal I was to WABC with DJ’s like Scott Muni, Cousin Brucie, Dan Ingram, Herb Oscar Anderson, Bob Dayton, Bobaloo (after midnight) etc.

So….I asked this old lady (probably late 30’s— hey I was 10!) and asked if she sold the song “Hey Paula”.

She said yes.

Then I asked the question that led to my addiction of buying records. I said: “If I buy this record, will it go back to number one?”

The woman looked at me (she just couldn’t, wouldn’t or didn’t want to tell me that the whole business of chart position was mob controlled) and said “maybe son, maybe”

That was it. I was done

Over the years the record shops became my social scene, fueled my love for rock n roll and my life changed .

I started going to Sam Goody’s on West 48th Street, down the block from the famed Brill Building (home of all the hit songwriters from Tin Pan Alley days as well as Phil Spector, Cynthia and Barry Weill, Shadow Morton, Carole King, Gerry Goffin, Neil Sedaka, Neil Diamond, Paul Simon, Jerry Leiber & Mike Stoller, just to name a few ).

I also bought records at Liberty Records and Record Mart.

That changed in the late ‘60’s to small boutique import record stores in the East & West Village as I was looking for rare British imports and pressings.

 

More and more small stores opened on the Upper West Side of Manhattan  (See photo taken of me in 1972 walking out of one of these stores, below).

After the band started working in 1973, I had less time to visit record stores until, finally, by 1983, Twisted Sister albums were now on sale in all the record shops around the world.

When I did go record shopping in NYC I found myself going to Tower Records on 66th St. & Broadway in Manhattan mostly to make sure that the Twisted Sister section was always full and highly & visibly represented.

Russ Solomon and Tower Records totally remodeled and revolutionized the entire record buying experience.

When Twisted Sister stopped playing in ’88, I remarried and was entirely out of the music business for several years. I cut my hair and was rarely, if ever, recognized— which was fine by me.

One day, however, during this hiatus from the music business, I was in Tower on Broadway and decided to check on our stock. The aisles were very long, as was the design of the Tower shops, and as I walked down toward the “T” section I noticed a middle aged woman holding what appeared to me was a list (probably given to her by one of her children) and she was pulling many CD’s from one of the bins. I thought to myself that she was probably standing in the ‘U’ section and getting lots of U2 CDs.

As I walked closer to the woman I suddenly realized that she was in the ‘T’ section and was actually selecting just about our entire Twisted Sister catalog.

I got really excited and walked up to her and said. “Hey, this is your lucky day! I’m in Twisted Sister and that’s me in the photos on the various covers and I would be happy to sign them for your kids!”

As I really didn’t look anything like my photos on the covers she looked at me, startled, like I was a crazy person…and dropped all the CDs and ran out of the store.

Ah yes…just another day as a “rock star”.

RIP, Russ & Tower.

More from Issue 55

View All Articles in Issue 55

Search Copper Magazine

#231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026 #230 An Outlier in the Rack: A Vintage BIC Beam Box by The Staff at Just Audio May 04, 2026 #230 PS Audio in the News by PS Audio Staff May 04, 2026 #230 A Cautionary Tale by Rich Isaacs May 04, 2026 #230 Reel-to-Reel Roots, Part 33 (Revised): Ken Kessler Reports On the 2026 (British) AudioJumble by Ken Kessler May 04, 2026 #230 Text Messaging by Frank Doris May 04, 2026 #230 The Audiophile Rat Race by Peter Xeni May 04, 2026 #230 On the Rocks by Rich Isaacs May 04, 2026 #229 The Earliest Stars of Country Music, Part Three by Jeff Weiner Apr 06, 2026 #229 The Healing Power of Music and Sound at the Omega Institute by Joe Caplan Apr 06, 2026 #229 CanJam NYC 2026 Show Report: Heady Sound, Part One by Frank Doris Apr 06, 2026 #229 Florida Audio Expo 2026: Warming Up to High-End Audio, Part One by Frank Doris Apr 06, 2026 #229 Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges by Frank Doris Apr 06, 2026 #229 The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle by Rudy Radelic Apr 06, 2026 #229 Harvard Gets a High-End Audio Education by Frank Doris Apr 06, 2026 #229 No Country for Old Knees by B. Jan Montana Apr 06, 2026 #229 How To Play in A Rock Band, 22: Encounters With Famous Musicians, Part 1 by Frank Doris Apr 06, 2026 #229 The Soulful Grooves of Guinea-Bissau by Steve Kindig Apr 06, 2026 #229 Four-Hand Piano Performance at Its Finest by Stephan Haberthür Apr 06, 2026

A Very Twisted Tower Tale

A Very Twisted Tower Tale

The response to my tone control/ equalizer article brought out the inner fight in many of you. I would hope that high-end manufacturers are listening, and reading many of your passionate responses.

This next story is really not controversial but, in some ways, very sentimental: It’s about the joy of buying albums, made even more timely by the recent passing of Tower Records owner Russ Solomon.

I didn’t know Russ. Russ came along many years past my golden age of record buying.

My addiction began at a mom and pop record store on 107th St. & Broadway in 1963.

It was at that time that my first exposure to AM radio was via “Hit Radio” WABC in NYC. In February of 1963, as I lay in my sick bed, my mother gave me a transistor radio to while away thehours, and out blared the song “Hey Paula”, by Paul & Paula. As it was number one, it seemed to be played every hour on the hour as did the whole “top 40” which in fact really seemed to be the “Top 10”.

I didn’t really understand what it meant to be number one. Did people vote for it? Was it number one in the whole world?

I thought that WABC was played all over the US so everyone in America at least voted…right?

I asked my mom and she really had no idea what I was talking about.

All I knew was that, for the 4 weeks or so that I was home, sick, “Hey Paula” was number one but other songs changed positions between 2 and 10.

“Hey Paula” eventually got knocked off the charts by the Four Seasons’ “Walk Like A Man”, and I was so crushed I started to cry.

I started to figure out that buying the song at a record shop was a way to get it back to number one.

I asked my mom if there was a record store near our house and she took me to a very small shop (I don’t remember the name) on 107th St. & Broadway, in Manhattan.

I walked into this old dusty and musky emporium and there, on the front desk were copies of official hit radio charts from WABC, WINS, and WMCA.

I really felt like this was my church. This was my religion!

I never even knew there were other radio stations in NYC. That is how loyal I was to WABC with DJ’s like Scott Muni, Cousin Brucie, Dan Ingram, Herb Oscar Anderson, Bob Dayton, Bobaloo (after midnight) etc.

So….I asked this old lady (probably late 30’s— hey I was 10!) and asked if she sold the song “Hey Paula”.

She said yes.

Then I asked the question that led to my addiction of buying records. I said: “If I buy this record, will it go back to number one?”

The woman looked at me (she just couldn’t, wouldn’t or didn’t want to tell me that the whole business of chart position was mob controlled) and said “maybe son, maybe”

That was it. I was done

Over the years the record shops became my social scene, fueled my love for rock n roll and my life changed .

I started going to Sam Goody’s on West 48th Street, down the block from the famed Brill Building (home of all the hit songwriters from Tin Pan Alley days as well as Phil Spector, Cynthia and Barry Weill, Shadow Morton, Carole King, Gerry Goffin, Neil Sedaka, Neil Diamond, Paul Simon, Jerry Leiber & Mike Stoller, just to name a few ).

I also bought records at Liberty Records and Record Mart.

That changed in the late ‘60’s to small boutique import record stores in the East & West Village as I was looking for rare British imports and pressings.

 

More and more small stores opened on the Upper West Side of Manhattan  (See photo taken of me in 1972 walking out of one of these stores, below).

After the band started working in 1973, I had less time to visit record stores until, finally, by 1983, Twisted Sister albums were now on sale in all the record shops around the world.

When I did go record shopping in NYC I found myself going to Tower Records on 66th St. & Broadway in Manhattan mostly to make sure that the Twisted Sister section was always full and highly & visibly represented.

Russ Solomon and Tower Records totally remodeled and revolutionized the entire record buying experience.

When Twisted Sister stopped playing in ’88, I remarried and was entirely out of the music business for several years. I cut my hair and was rarely, if ever, recognized— which was fine by me.

One day, however, during this hiatus from the music business, I was in Tower on Broadway and decided to check on our stock. The aisles were very long, as was the design of the Tower shops, and as I walked down toward the “T” section I noticed a middle aged woman holding what appeared to me was a list (probably given to her by one of her children) and she was pulling many CD’s from one of the bins. I thought to myself that she was probably standing in the ‘U’ section and getting lots of U2 CDs.

As I walked closer to the woman I suddenly realized that she was in the ‘T’ section and was actually selecting just about our entire Twisted Sister catalog.

I got really excited and walked up to her and said. “Hey, this is your lucky day! I’m in Twisted Sister and that’s me in the photos on the various covers and I would be happy to sign them for your kids!”

As I really didn’t look anything like my photos on the covers she looked at me, startled, like I was a crazy person…and dropped all the CDs and ran out of the store.

Ah yes…just another day as a “rock star”.

RIP, Russ & Tower.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: