November 20th, 2022

    Seen on a fortune cookie: “A short pencil is usually better than a long memory any day.” Tell me about it!

    In this issue: Jay Jay French reviews the new Beatles’ Revolver remixes. Ken Kessler takes a break from his reel-to-reel roots series to review Mobile Fidelity’s 40th anniversary LP edition of Michael Jackson’s Thriller. Wayne Robins covers Bob Dylan’s book, The Philosophy of Modern Song. J.I. Agnew goes to France for some cutting lathes and cuisine. John Seetoo is excited about going back to the Audio Engineering Society convention in New York. B. Jan Montana encounters wisdom in his epic pilgrimage to Sturgis. Tom Methans visits the University of Rhode Island Guitar Festival. Ken Sander finds that press junkets aren’t all play. Larry Jaffee is a kid in a candy store at the Philips museum.

    Russ Welton continues his series on taming small-room acoustics. Ray Chelstowski talks with Glen Philips of Toad the Wet Sprocket and solo artist. I conclude my interview with Elliot Goldman of high-end distributor Bending Wave USA. Andrew Daly interviews Nora O’Connor, singer/songwriter and all-around musical secret sauce for the Decemberists, Iron and Wine and others. Rudy Radelic concludes his series on the 60th anniversary of A&M Records. Tom Gibbs makes an unexpected return to the audio dungeon. Anne E. Johnson praises groundbreaking classical composer William Grant Still, and the master of street poetry, Lou Reed. The Copper A/V squad concludes the issue by staying focused, encountering high voltage, getting nowhere, and visiting a city scene.

    Staff Writers:

    J.I. Agnew, Ray Chelstowski, Andrew Daly, Harris Fogel, Jay Jay French, Tom Gibbs, Roy Hall, Rich Isaacs, Anne E. Johnson, Don Kaplan, Ken Kessler, Don Lindich, Stuart Marvin, Tom Methans, B. Jan Montana, Rudy Radelic, Tim Riley, Wayne Robins, Alón Sagee, Ken Sander, John Seetoo, Dan Schwartz, Russ Welton, Adrian Wu

    Contributing Editors:
    Ivan Berger, Steven Bryan Bieler, Jack Flory, Steve Kindig, Ed Kwok, Ted Shafran, David Snyder, Bob Wood

    Cover:
    “Cartoon Bob” D’Amico

    Cartoons:
    James Whitworth, Peter Xeni

    Parting Shots:
    James Schrimpf, B. Jan Montana, Rich Isaacs (and others)

    Audio Anthropology Photos:
    Howard Kneller, Steve Rowell

    Editor:
    Frank Doris

    Publisher:
    Paul McGowan

    Advertising Sales:
    No one. We are free from advertising and subscribing to Copper is free.

    Copper’s Comments Policy:

    Copper’s comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil.

    The editor and Copper’s editorial staff reserve the right to delete comments according to our discretion. This includes: political commentary; posts that are abusive, insulting, demeaning or defamatory; posts that are in violation of someone’s privacy; comments that violate the use of copyrighted information; posts that contain personal information; and comments that contain links to suspect websites (phishing sites or those that contain viruses and so on). Spam will be blocked or deleted.

    Copper is a place to be enthusiastic about music, audio and other topics. It is most especially not a forum for political discussion, trolling, or rude behavior. Thanks for your consideration.

     – FD

    Small-Room Acoustics, Part Two

    In our previous article (Issue 175) we looked at dealing…

    Bob Dylan: The Philosophy of Modern Song

    When Bob Dylan won the Nobel Prize in Literature in…

    Press Events and Junkets: Some Work, Some Play

    How does a manufacturer get their new product noticed? What…

    Talking With Elliot Goldman of Bending Wave USA, Part Two

    Elliot Goldman is a partner in Bending Wave USA, distributor of Göbel…

    Glen Phillips of Toad the Wet Sprocket: There Is So Much Here

    When Toad The Wet Sprocket released their 1994 masterpiece, Dulcinea,…

    Michael Jackson’s Thriller: Mobile Fidelity’s 40th Anniversary Edition LP

    As one who has been reviewing reissues on vinyl and…

    Revolver Returns: Remixed and Reloaded, Part One

    Is Revolver the greatest of all Beatles albums? Every time…

    AES Fall 2022 New York – The Live Event Returns, Part One

    Since the pandemic erupted, many live trade shows and expos…

    Lou Reed: Street Poet

    Lou Reed was a poet. Like Leonard Cohen, Reed just…

    Pilgrimage to Sturgis, Part 34

    Just as the seniors were waddling out to fish at…

    Around the World In 80 Lathes, Part 26

    Our next destination on our lathe journey remains along the…

    William Grant Still: Forging a New American Music

    William Grant Still’s career might be described as good fortune…

    A Visit to The University of Rhode Island Guitar Festival

    I first heard about the University of Rhode Island Guitar…

    The A&M Records Story, Part Nine: CTI Records

    This is a special installment in our A&M 60th Anniversary…

    A Trip to Eindhoven’s Philips Museum: Like a Kid in a Candy Store

    Ever since my grandmother Edna gave me a transistor radio…

    That's The Way I Wanna Rock and Roll

    "I think this audio bargain can handle 'High Voltage' at…

    An Unexpected Return to the Dungeon

    When I last checked in (in Issue 170), most aspects…

    Nora O’Connor: Singing from My Heart

    Singer, guitarist and bassist Nora O'Connor has shared the stages…

    Stay Focused

    From The Audio Classics Collection, here's an absolutely jaw-dropping McIntosh…

    Getting Nowhere

    City Scene

    Dazzling on the outside as well as within: New York's…
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    © 2022 PS Audio, Inc.

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