COPPER

A PS Audio Publication

Issue 153 • Free Online Magazine

Issue 153 Opening Salvo

Issue 153

Issue 153

Happy New Year! I have a perhaps selfish New Year’s wish – that 2022 will be an easier year.

The Grammy Awards are coming up on January 31, 2022. But if it wasn't for the people behind the scenes – the engineers, mixers, tape ops and others – none of the music would happen. Yet they barely get recognized. For example, Jim Anderson, past president of the AES whose recordings have earned 28 Grammy nominations (including the recently-nominated Patricia Barber album Clique! reviewed by Tom Gibbs in Issue 144), told me the Recording Academy didn’t even nominate an award for Best Immersive Audio Album in 2020. (The stated reason was that COVID-19 didn’t allow the judging committee to meet. The winner will be announced this year, along with the 2021 honoree.)

Here’s to the unsung heroes of the audio world. They may not get the wardrobe consultants, makeup artists and airtime, but they are vital in creating the music that’s such an important part of our lives. (In an upcoming issue we’ll be profiling Jim Anderson and his partner in life and music, producer/engineer Ulrike Schwarz, who have more than 60 years of combined experience in audio.)

In this issue: Cliff Chenfeld gives us his favorite songs and albums of 2021. Anne E. Johnson profiles jazz drumming legend Elvin Jones, and pop/country songstress Bobbie Gentry, who walked away from fame at the height of it all. Ray Chelstowski interviews pop songwriting powerhouse Marshall Crenshaw. Tom Gibbs improves the optics of his streaming audio system. Rudy Radelic concludes his epic series on Burt Bacharach. I cover the latest Octave Records release, The Moon Leans In by singer/songwriter Thom LaFond. Tom Methans indulges in a Dirty Weekend – the Zu Audio speaker, that is. Alón Sagee misses a trusted listening companion.

Rich Isaacs finds some mind-blowing YouTube videos, of music…and more. J.I. Agnew provides Part Three of his series on record-cutting lathes. Andy Schaub proffers a parody for vinyl enthusiasts. B. Jan Montana continues his long journey. John Seetoo offers more coverage of AES Show Fall 2021 with a session with St. Vincent and a look at audio archiving. Russ Welton asks: when it comes to speakers, how much power is enough? Adrian Wu goes audio system shopping with two very different customers. Ken Kessler unravels more information about reel-to-reel tape. We kick off 2022 with a New Year’s resolution, the future sound of London, magnetic attraction, and a pleasure dome.

Staff Writers:

J.I. Agnew, Ray Chelstowski, Cliff Chenfeld, Jay Jay French, Tom Gibbs, Roy Hall, Rich Isaacs, Anne E. Johnson, Don Kaplan, Ken Kessler, Don Lindich, Stuart Marvin, Tom Methans, B. Jan Montana, Rudy Radelic, Tim Riley, Wayne Robins, Alón Sagee, Ken Sander, John Seetoo, Dan Schwartz, Russ Welton, WL Woodward, Adrian Wu

Contributing Editors:
Ivan Berger, Steven Bryan Bieler, Jack Flory, Harris Fogel, Robert Heiblim, Steve Kindig, Ed Kwok, Andy Schaub, David Snyder, Bob Wood

Cover:
“Cartoon Bob” D’Amico

Cartoons:
James Whitworth, Peter Xeni

Parting Shots:
James Schrimpf, B. Jan Montana, Rich Isaacs (and others)

Audio Anthropology Photos:
Howard Kneller, Steve Rowell

Editor:
Frank Doris

Publisher:
Paul McGowan

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

 – FD

More from Issue 153

View All Articles in Issue 153

Search Copper Magazine

#231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026 #230 An Outlier in the Rack: A Vintage BIC Beam Box by The Staff at Just Audio May 04, 2026 #230 PS Audio in the News by PS Audio Staff May 04, 2026 #230 A Cautionary Tale by Rich Isaacs May 04, 2026 #230 Reel-to-Reel Roots, Part 33 (Revised): Ken Kessler Reports On the 2026 (British) AudioJumble by Ken Kessler May 04, 2026 #230 Text Messaging by Frank Doris May 04, 2026 #230 The Audiophile Rat Race by Peter Xeni May 04, 2026 #230 On the Rocks by Rich Isaacs May 04, 2026 #229 The Earliest Stars of Country Music, Part Three by Jeff Weiner Apr 06, 2026 #229 The Healing Power of Music and Sound at the Omega Institute by Joe Caplan Apr 06, 2026 #229 CanJam NYC 2026 Show Report: Heady Sound, Part One by Frank Doris Apr 06, 2026 #229 Florida Audio Expo 2026: Warming Up to High-End Audio, Part One by Frank Doris Apr 06, 2026 #229 Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges by Frank Doris Apr 06, 2026 #229 The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle by Rudy Radelic Apr 06, 2026 #229 Harvard Gets a High-End Audio Education by Frank Doris Apr 06, 2026 #229 No Country for Old Knees by B. Jan Montana Apr 06, 2026 #229 How To Play in A Rock Band, 22: Encounters With Famous Musicians, Part 1 by Frank Doris Apr 06, 2026 #229 The Soulful Grooves of Guinea-Bissau by Steve Kindig Apr 06, 2026 #229 Four-Hand Piano Performance at Its Finest by Stephan Haberthür Apr 06, 2026

Issue 153

Issue 153

Happy New Year! I have a perhaps selfish New Year’s wish – that 2022 will be an easier year.

The Grammy Awards are coming up on January 31, 2022. But if it wasn't for the people behind the scenes – the engineers, mixers, tape ops and others – none of the music would happen. Yet they barely get recognized. For example, Jim Anderson, past president of the AES whose recordings have earned 28 Grammy nominations (including the recently-nominated Patricia Barber album Clique! reviewed by Tom Gibbs in Issue 144), told me the Recording Academy didn’t even nominate an award for Best Immersive Audio Album in 2020. (The stated reason was that COVID-19 didn’t allow the judging committee to meet. The winner will be announced this year, along with the 2021 honoree.)

Here’s to the unsung heroes of the audio world. They may not get the wardrobe consultants, makeup artists and airtime, but they are vital in creating the music that’s such an important part of our lives. (In an upcoming issue we’ll be profiling Jim Anderson and his partner in life and music, producer/engineer Ulrike Schwarz, who have more than 60 years of combined experience in audio.)

In this issue: Cliff Chenfeld gives us his favorite songs and albums of 2021. Anne E. Johnson profiles jazz drumming legend Elvin Jones, and pop/country songstress Bobbie Gentry, who walked away from fame at the height of it all. Ray Chelstowski interviews pop songwriting powerhouse Marshall Crenshaw. Tom Gibbs improves the optics of his streaming audio system. Rudy Radelic concludes his epic series on Burt Bacharach. I cover the latest Octave Records release, The Moon Leans In by singer/songwriter Thom LaFond. Tom Methans indulges in a Dirty Weekend – the Zu Audio speaker, that is. Alón Sagee misses a trusted listening companion.

Rich Isaacs finds some mind-blowing YouTube videos, of music…and more. J.I. Agnew provides Part Three of his series on record-cutting lathes. Andy Schaub proffers a parody for vinyl enthusiasts. B. Jan Montana continues his long journey. John Seetoo offers more coverage of AES Show Fall 2021 with a session with St. Vincent and a look at audio archiving. Russ Welton asks: when it comes to speakers, how much power is enough? Adrian Wu goes audio system shopping with two very different customers. Ken Kessler unravels more information about reel-to-reel tape. We kick off 2022 with a New Year’s resolution, the future sound of London, magnetic attraction, and a pleasure dome.

Staff Writers:

J.I. Agnew, Ray Chelstowski, Cliff Chenfeld, Jay Jay French, Tom Gibbs, Roy Hall, Rich Isaacs, Anne E. Johnson, Don Kaplan, Ken Kessler, Don Lindich, Stuart Marvin, Tom Methans, B. Jan Montana, Rudy Radelic, Tim Riley, Wayne Robins, Alón Sagee, Ken Sander, John Seetoo, Dan Schwartz, Russ Welton, WL Woodward, Adrian Wu

Contributing Editors:
Ivan Berger, Steven Bryan Bieler, Jack Flory, Harris Fogel, Robert Heiblim, Steve Kindig, Ed Kwok, Andy Schaub, David Snyder, Bob Wood

Cover:
“Cartoon Bob” D’Amico

Cartoons:
James Whitworth, Peter Xeni

Parting Shots:
James Schrimpf, B. Jan Montana, Rich Isaacs (and others)

Audio Anthropology Photos:
Howard Kneller, Steve Rowell

Editor:
Frank Doris

Publisher:
Paul McGowan

Advertising Sales:
No one. We are free from advertising and subscribing to Copper is free.

 – FD

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: