COPPER

A PS Audio Publication

Issue 96 • Free Online Magazine

Issue 96 THE AUDIO CYNIC

So Long to the Cynic

So Long to the Cynic

Over the last 95 issues of Copper, it’s been mentioned more than once that as a cynic…I might be a bit of a fraud.

I’ll own up to that. “Disappointed idealist” is likely closer to the truth. It may just be a matter of semantics, but semantics are important to me. So: if I’ve disappointed anyone by not being snarky enough—and that would certainly be the first time in my life that such has happened!—I offer my sincere apologies.

At any rate: fraud or no, this is the end of The Audio Cynic. As I mentioned in Opening Salvo, I’m headed elsewhere, and unfortunately, Copper can’t go with me.

What that means is that this is my last chance to rant—and no, I don’t kid myself that Cynic has been anything other than my personal soapbox. Thank you for indulging me, agreeing with me, and on occasion, disagreeing with me, chastising me, and complaining bitterly. That’s all fair.

So, class—what shall we discuss today?

What readily comes to mind is the fact that in the 20-plus years since I discovered the rich vein of audio information and insanity that was available on the internet—the world seems smaller. Much smaller.

Yes, we can communicate with folks all over the world in milliseconds now—that’s almost a cliche’ at this point. I frequently communicate with folks on 3 or 4 continents in the course of my day’s work, and I rarely stop and think about how miraculous that is. Which brings to mind yet another Leebens’ Law, from my pretentious and knowitall youth:

Leebens’ Law of Inverse Availability: The faster that communication can be made, the less-significant the message will be. When I concocted this at age 17, I was thinking of the heartfelt, detailed letters written back hundreds of years ago, which were then transported by ship, camel, horse, and might well take a year to reach the addressee—if ever.

Think of text-messaging: have you ever really, truly poured your heart and soul out into a text, much beyond LOL or TTFN? I may have, once or twice, although I live in fear of being misunderstood via a medium which doesn’t allow for inflection or nuance. That’s why emojis are necessary.

But in general, memes and jokes are the rule of the day. That may be pleasant, but it’s not generally world-changing…unless you consider receiving shopping-list updates while you’re already at Target, world-changing.

To me, that’s more an annoyance than a blessing. As you know, I’m old and cranky.

But I digress.

How else does the world seem smaller? When it comes to the worldwide audio community, these days I rarely encounter the sense of awe, joy, or celebration of sharing that seemed commonplace on the internet back around 1998. I suppose a certain level of blase’ attitude is inevitable, but most of what I see these days is polarization, exchanges of misinformation, and dogmatic defenses of whatever view the poster feels at that moment.

The closest I’ve come recently to the raw astonishment and goofy ebullience of those early internet days was visiting hifideluxe in Munich, the outrider show that takes place at the same time as the Rilly Big Shoe. I encountered companies and designers I’d never heard of, many of whom exhibited really novel, clever technologies and products. Not to sound smug or self-important, but I’m pretty aware of the audio scene worldwide, and just to encounter the unknown—was unusual, and really refreshing for me. hifideluxe reminded me of THE Show in Las Vegas, back in the day, when really brilliant designers who happened to be terrible business people exhibited next to cranks who would show once, never to be seen again. The tired ambiance of the Flamingo also added a soupcon of sleaze that was rather more honest than the pomposity of CES.

Maybe it’s not the internet that’s become blase’. Maybe it’s me. If I had that Munich trip to do over again, I’d spend more time at the little show, and less at the big one.

Maybe I’ll see you there next year. You never know where I might turn up.

Meanwhile: thanks for reading, and thanks for writing. I’ll miss y’all.

…well…MOST of y’all.

I’ve got to take one last shot at being a cynic…right?

[Pardon the self-indulgence of the header pic. If I look even tireder and puffier than usual, it’s because I was recovering from a cold. Give an old guy a break, willya?]

More from Issue 96

View All Articles in Issue 96

Search Copper Magazine

#226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026 #226 From The Audiophile’s Guide: Active Room Correction and Digital Signal Processing by Paul McGowan Jan 05, 2026 #226 PS Audio in the News by Frank Doris Jan 05, 2026 #226 Back to My Reel-to-Reel Roots, Part 25: Half-Full, Not Empty by Ken Kessler Jan 05, 2026 #226 Happy New Year! by Frank Doris Jan 05, 2026 #226 Turn It Down! by Peter Xeni Jan 05, 2026 #226 Ghost Riders by James Schrimpf Jan 05, 2026 #226 A Factory Tour of Audio Manufacturer German Physiks by Markus "Marsu" Manthey Jan 04, 2026 #225 Capital Audiofest 2025: Must-See Stereo, Part One by Frank Doris Dec 01, 2025 #225 Otis Taylor and the Electrics Delivers a Powerful Set of Hypnotic Modern Blues by Frank Doris Dec 01, 2025 #225 A Christmas Miracle by B. Jan Montana Dec 01, 2025 #225 T.H.E. Show New York 2025, Part Two: Plenty to See, Hear, and Enjoy by Frank Doris Dec 01, 2025 #225 Underappreciated Artists, Part One: Martin Briley by Rich Isaacs Dec 01, 2025 #225 Rock and Roll is Here to Stay by Wayne Robins Dec 01, 2025 #225 A Lifetime of Holiday Record (and CD) Listening by Rudy Radelic Dec 01, 2025 #225 Little Feat: Not Saying Goodbye, Not Yet by Ray Chelstowski Dec 01, 2025 #225 How to Play in a Rock Band, Part 18: Dealing With Burnout by Frank Doris Dec 01, 2025 #225 The People Who Make Audio Happen: CanJam SoCal 2025 by Harris Fogel Dec 01, 2025 #225 Chicago’s Sonic Sanctuaries: Four Hi‑Fi Listening Bars Channeling the Jazz‑Kissa Spirit by Olivier Meunier-Plante Dec 01, 2025 #225 From The Audiophile’s Guide: Controlling Bass Frequencies Through Membrane Absorbers (and How to Build Your Own) by Paul McGowan Dec 01, 2025 #225 Your Editor’s Tips for Attending Audio Shows by Frank Doris Dec 01, 2025 #225 PS Audio in the News by Frank Doris Dec 01, 2025 #225 Back to My Reel-to-Reel Roots, Part 24 by Ken Kessler Dec 01, 2025 #225 Holiday Music by Frank Doris Dec 01, 2025 #225 Puppy Prognostication by Peter Xeni Dec 01, 2025 #225 How to Post Comments on Copper by Frank Doris Dec 01, 2025 #225 Living Color by Rudy Radelic Dec 01, 2025 #224 T.H.E. Show New York 2025, Part One: A New Beginning by Frank Doris Nov 03, 2025 #224 Fool’s Leap of Faith is the Extraordinary Octave Records Debut from Singer/Songwriter Tyler Burba and Visit by Frank Doris Nov 03, 2025 #224 The Beatles’ “Aeolian Cadences.” What? by Wayne Robins Nov 03, 2025 #224 Persona Non Grata by B. Jan Montana Nov 03, 2025 #224 Talking With Recording Engineer Barry Diament of Soundkeeper Recordings, Part Two by Frank Doris Nov 03, 2025 #224 B Sides, B Movies, and Beware of Zombies by Rudy Radelic Nov 03, 2025 #224 The Burn-In Chronicles: 1,000 Hours to Sonic Salvation by Olivier Meunier-Plante Nov 03, 2025 #224 A Conversation With Mat Weisfeld of VPI Industries by Joe Caplan Nov 03, 2025 #224 Blues-Rocker Kenny Wayne Shepherd Celebrates 30 Years of Ledbetter Heights by Ray Chelstowski Nov 03, 2025 #224 Playing in a Rock Band, 17: When Good Gigs Go Bad, Part Two by Frank Doris Nov 03, 2025

So Long to the Cynic

So Long to the Cynic

Over the last 95 issues of Copper, it’s been mentioned more than once that as a cynic…I might be a bit of a fraud.

I’ll own up to that. “Disappointed idealist” is likely closer to the truth. It may just be a matter of semantics, but semantics are important to me. So: if I’ve disappointed anyone by not being snarky enough—and that would certainly be the first time in my life that such has happened!—I offer my sincere apologies.

At any rate: fraud or no, this is the end of The Audio Cynic. As I mentioned in Opening Salvo, I’m headed elsewhere, and unfortunately, Copper can’t go with me.

What that means is that this is my last chance to rant—and no, I don’t kid myself that Cynic has been anything other than my personal soapbox. Thank you for indulging me, agreeing with me, and on occasion, disagreeing with me, chastising me, and complaining bitterly. That’s all fair.

So, class—what shall we discuss today?

What readily comes to mind is the fact that in the 20-plus years since I discovered the rich vein of audio information and insanity that was available on the internet—the world seems smaller. Much smaller.

Yes, we can communicate with folks all over the world in milliseconds now—that’s almost a cliche’ at this point. I frequently communicate with folks on 3 or 4 continents in the course of my day’s work, and I rarely stop and think about how miraculous that is. Which brings to mind yet another Leebens’ Law, from my pretentious and knowitall youth:

Leebens’ Law of Inverse Availability: The faster that communication can be made, the less-significant the message will be. When I concocted this at age 17, I was thinking of the heartfelt, detailed letters written back hundreds of years ago, which were then transported by ship, camel, horse, and might well take a year to reach the addressee—if ever.

Think of text-messaging: have you ever really, truly poured your heart and soul out into a text, much beyond LOL or TTFN? I may have, once or twice, although I live in fear of being misunderstood via a medium which doesn’t allow for inflection or nuance. That’s why emojis are necessary.

But in general, memes and jokes are the rule of the day. That may be pleasant, but it’s not generally world-changing…unless you consider receiving shopping-list updates while you’re already at Target, world-changing.

To me, that’s more an annoyance than a blessing. As you know, I’m old and cranky.

But I digress.

How else does the world seem smaller? When it comes to the worldwide audio community, these days I rarely encounter the sense of awe, joy, or celebration of sharing that seemed commonplace on the internet back around 1998. I suppose a certain level of blase’ attitude is inevitable, but most of what I see these days is polarization, exchanges of misinformation, and dogmatic defenses of whatever view the poster feels at that moment.

The closest I’ve come recently to the raw astonishment and goofy ebullience of those early internet days was visiting hifideluxe in Munich, the outrider show that takes place at the same time as the Rilly Big Shoe. I encountered companies and designers I’d never heard of, many of whom exhibited really novel, clever technologies and products. Not to sound smug or self-important, but I’m pretty aware of the audio scene worldwide, and just to encounter the unknown—was unusual, and really refreshing for me. hifideluxe reminded me of THE Show in Las Vegas, back in the day, when really brilliant designers who happened to be terrible business people exhibited next to cranks who would show once, never to be seen again. The tired ambiance of the Flamingo also added a soupcon of sleaze that was rather more honest than the pomposity of CES.

Maybe it’s not the internet that’s become blase’. Maybe it’s me. If I had that Munich trip to do over again, I’d spend more time at the little show, and less at the big one.

Maybe I’ll see you there next year. You never know where I might turn up.

Meanwhile: thanks for reading, and thanks for writing. I’ll miss y’all.

…well…MOST of y’all.

I’ve got to take one last shot at being a cynic…right?

[Pardon the self-indulgence of the header pic. If I look even tireder and puffier than usual, it’s because I was recovering from a cold. Give an old guy a break, willya?]

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment: