January 3rd, 2022

    Happy New Year! I have a perhaps selfish New Year’s wish – that 2022 will be an easier year.

    The Grammy Awards are coming up on January 31, 2022. But if it wasn't for the people behind the scenes – the engineers, mixers, tape ops and others – none of the music would happen. Yet they barely get recognized. For example, Jim Anderson, past president of the AES whose recordings have earned 28 Grammy nominations (including the recently-nominated Patricia Barber album Clique! reviewed by Tom Gibbs in Issue 144), told me the Recording Academy didn’t even nominate an award for Best Immersive Audio Album in 2020. (The stated reason was that COVID-19 didn’t allow the judging committee to meet. The winner will be announced this year, along with the 2021 honoree.)

    Here’s to the unsung heroes of the audio world. They may not get the wardrobe consultants, makeup artists and airtime, but they are vital in creating the music that’s such an important part of our lives. (In an upcoming issue we’ll be profiling Jim Anderson and his partner in life and music, producer/engineer Ulrike Schwarz, who have more than 60 years of combined experience in audio.)

    In this issue: Cliff Chenfeld gives us his favorite songs and albums of 2021. Anne E. Johnson profiles jazz drumming legend Elvin Jones, and pop/country songstress Bobbie Gentry, who walked away from fame at the height of it all. Ray Chelstowski interviews pop songwriting powerhouse Marshall Crenshaw. Tom Gibbs improves the optics of his streaming audio system. Rudy Radelic concludes his epic series on Burt Bacharach. I cover the latest Octave Records release, The Moon Leans In by singer/songwriter Thom LaFond. Tom Methans indulges in a Dirty Weekend – the Zu Audio speaker, that is. Alón Sagee misses a trusted listening companion.

    Rich Isaacs finds some mind-blowing YouTube videos, of music…and more. J.I. Agnew provides Part Three of his series on record-cutting lathes. Andy Schaub proffers a parody for vinyl enthusiasts. B. Jan Montana continues his long journey. John Seetoo offers more coverage of AES Show Fall 2021 with a session with St. Vincent and a look at audio archiving. Russ Welton asks: when it comes to speakers, how much power is enough? Adrian Wu goes audio system shopping with two very different customers. Ken Kessler unravels more information about reel-to-reel tape. We kick off 2022 with a New Year’s resolution, the future sound of London, magnetic attraction, and a pleasure dome.

    Staff Writers:

    J.I. Agnew, Ray Chelstowski, Cliff Chenfeld, Jay Jay French, Tom Gibbs, Roy Hall, Rich Isaacs, Anne E. Johnson, Don Kaplan, Ken Kessler, Don Lindich, Stuart Marvin, Tom Methans, B. Jan Montana, Rudy Radelic, Tim Riley, Wayne Robins, Alón Sagee, Ken Sander, John Seetoo, Dan Schwartz, Russ Welton, WL Woodward, Adrian Wu

    Contributing Editors:
    Ivan Berger, Steven Bryan Bieler, Jack Flory, Harris Fogel, Robert Heiblim, Steve Kindig, Ed Kwok, Andy Schaub, David Snyder, Bob Wood

    “Cartoon Bob” D’Amico

    James Whitworth, Peter Xeni

    Parting Shots:
    James Schrimpf, B. Jan Montana, Rich Isaacs (and others)

    Audio Anthropology Photos:
    Howard Kneller, Steve Rowell

    Frank Doris

    Paul McGowan

    Advertising Sales:
    No one. We are free from advertising and subscribing to Copper is free.

     – FD

    Choosing New Speakers: Power-Handling Considerations

    In Part Two of this series (Issue 149), we examined…

    Octave Records Releases The Moon Leans In by Singer/Songwriter Thom LaFond

    Octave Records’ newest release is The Moon Leans In by…

    Marshall Crenshaw: Songwriting Mastery Revisited with #447

    Marshall Crenshaw’s career began in perhaps the most poetic of…

    Top Tracks of 2021

    It’s been a wonderful year for new music, and my…

    The Dirty Weekend is Over

    I never considered it my place to push or review…

    Back to My Reel-to-Reel Roots, Part Six: Rock On (or Not)

    After the last issue’s epic coverage of the Beatles’ Get…

    Burt Bacharach: The Post-Hal David Years

    The Burt Bacharach and Hal David songwriting team was one…

    AES Show Fall 2021 Highlights, Part Three

    In the fourth quarter of 2021, the Audio Engineering Society…

    Pilgrimage to Sturgis. Part 11

    Melody was at my cabin door at 7 am just…

    Bobbie Gentry: Enjoying Fame…and Solitude

    Born in 1942 as Roberta Streeter, country singer Bobbie Gentry…

    Around the World in 80 Lathes, Part Three

    In previous installments (Issue 151 and Issue 152), J.I. Agnew…

    Fun With YouTube

    YouTube is an amazing place. You can see stuff there…

    A Tale of Two Different Systems

    I was recently asked by two friends (independently of one…

    Elvin Jones: Hall of Fame Drummer

    There must have been some great music at home when…


    To the tune of “Royals” by Lorde I’ve never seen…

    The Audiophile’s Cat

    A few days ago, Hobbes, our creamsicle-colored fur-ball of 12…

    Improving Digital Streaming with a Gigabit Ethernet Media Converter System

    I’ve been involved in digital music streaming for around eight…

    The Future Sound of London

    Reeling ‘Em In

    Simple design, good sound: A Dynaco Mark III mono power…

    New Year’s Resolution

    Welcome to the Pleasure Dome

    This streamlined dome lounge car was built for the Atchison,…
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    © 2023 PS Audio, Inc.

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