COPPER

A PS Audio Publication

Issue 111 • Free Online Magazine

Issue 111 Opening Salvo

Imaginations Real

Imaginations Real
(With a tip of the hat to Dave Davies for the title) This issue’s cover: Prince (1958 – 2016). One of the greatest rock songwriters, performers, producers, guitar players and flat-out musical icons ever. Has anyone equaled him since he burst upon the scene? His 2007 Super Bowl XLI performance remains, in the eyes of many, untouchable. Driving down Route 111 – memories of The Hidden Pond diner, Caliguiri’s Restaurant, Beverageland, Hauppauge High School, Dairy Queen...this issue's number is prompting a flashback. Route 111 is the main drag in Hauppauge, NY where I grew up. Sweet memories of the best feta cheese omelets I’ve ever had, 69 cent quarts of Bud, driving my dad’s 1969 Impala Custom and blasting the radio, make out parties...all long gone. I didn’t expect to write such a bittersweet opening, but the past couple of weeks have me reminiscing more than usual with the loss of my audio industry friend Victor Goldstein (75, unconfirmed), Kraftwerk’s Florian Schneider (73), John Prine (73) and Little Richard (87). But memories of them live on, as will their art and influence. And sometimes, memories feel more real than our “real” lives. In this issue: Professor Larry Schenbeck offers the second installment of his multichannel recordings Hall of Fame. WL Woodward has fond memories of John Prine. Rich Isaacs provides an in-depth look at Italian progressive rock band Le Orme. Dan Schwartz tells us what it was like to record with Rosanne Cash. J.I. Agnew restores a vintage Presto record cutting lathe. Ken Sander goes pond hopping with punk rock band the Stranglers. Rudy Radelic tells more tales of being an audio forum moderator. Anne E. Johnson of gives us more than one reason to read about Tracy Chapman and Henry Purcell. I remember audio industry luminary Victor Goldstein and examine the work of Die Mensch-Maschine, Kraftwerk. John Seetoo gives us a behind the scenes look at the art of organ restoration. We conclude the issue with ears in the clouds, Art appreciation and going back to Green River.

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#225 Capital Audiofest 2025: Must-See Stereo, Part One by Frank Doris Dec 01, 2025 #225 Otis Taylor and the Electrics Delivers a Powerful Set of Hypnotic Modern Blues by Frank Doris Dec 01, 2025 #225 A Christmas Miracle by B. Jan Montana Dec 01, 2025 #225 T.H.E. Show New York 2025, Part Two: Plenty to See, Hear, and Enjoy by Frank Doris Dec 01, 2025 #225 Underappreciated Artists, Part One: Martin Briley by Rich Isaacs Dec 01, 2025 #225 Rock and Roll is Here to Stay by Wayne Robins Dec 01, 2025 #225 A Lifetime of Holiday Record (and CD) Listening by Rudy Radelic Dec 01, 2025 #225 Little Feat: Not Saying Goodbye, Not Yet by Ray Chelstowski Dec 01, 2025 #225 How to Play in a Rock Band, Part 18: Dealing With Burnout by Frank Doris Dec 01, 2025 #225 The People Who Make Audio Happen: CanJam SoCal 2025 by Harris Fogel Dec 01, 2025 #225 Chicago’s Sonic Sanctuaries: Four Hi‑Fi Listening Bars Channeling the Jazz‑Kissa Spirit by Olivier Meunier-Plante Dec 01, 2025 #225 From The Audiophile’s Guide: Controlling Bass Frequencies Through Membrane Absorbers (and How to Build Your Own) by Paul McGowan Dec 01, 2025 #225 Your Editor’s Tips for Attending Audio Shows by Frank Doris Dec 01, 2025 #225 PS Audio in the News by Frank Doris Dec 01, 2025 #225 Back to My Reel-to-Reel Roots, Part 24 by Ken Kessler Dec 01, 2025 #225 Holiday Music by Frank Doris Dec 01, 2025 #225 Puppy Prognostication by Peter Xeni Dec 01, 2025 #225 How to Post Comments on Copper by Frank Doris Dec 01, 2025 #225 Living Color by Rudy Radelic Dec 01, 2025 #224 T.H.E. Show New York 2025, Part One: A New Beginning by Frank Doris Nov 03, 2025 #224 Fool’s Leap of Faith is the Extraordinary Octave Records Debut from Singer/Songwriter Tyler Burba and Visit by Frank Doris Nov 03, 2025 #224 The Beatles’ “Aeolian Cadences.” What? by Wayne Robins Nov 03, 2025 #224 Persona Non Grata by B. Jan Montana Nov 03, 2025 #224 Talking With Recording Engineer Barry Diament of Soundkeeper Recordings, Part Two by Frank Doris Nov 03, 2025 #224 B Sides, B Movies, and Beware of Zombies by Rudy Radelic Nov 03, 2025 #224 The Burn-In Chronicles: 1,000 Hours to Sonic Salvation by Olivier Meunier-Plante Nov 03, 2025 #224 A Conversation With Mat Weisfeld of VPI Industries by Joe Caplan Nov 03, 2025 #224 Blues-Rocker Kenny Wayne Shepherd Celebrates 30 Years of Ledbetter Heights by Ray Chelstowski Nov 03, 2025 #224 Playing in a Rock Band, 17: When Good Gigs Go Bad, Part Two by Frank Doris Nov 03, 2025 #224 From The Audiophile’s Guide: Dealing with Odd-Shaped Rooms by Paul McGowan Nov 03, 2025 #224 TEAC’s TN-3B-SE Turntable Plays Bob Dylan by Howard Kneller Nov 03, 2025 #224 PS Audio in the News by Frank Doris Nov 03, 2025 #224 Lost in Translation by Peter Xeni Nov 03, 2025 #224 Reel-to-Reel Roots, Part 23: Better Than Rice Krispies by Ken Kessler Nov 03, 2025 #224 I Bring Joy! by Frank Doris Nov 03, 2025 #224 Screen Test by Rich Isaacs Nov 03, 2025 #224 How to Post Comments on Copper by Frank Doris Nov 03, 2025 #132 Dr. Patrick Gleeson: The Interview, Part Two by Rich Isaacs Oct 07, 2025 #223 World Fusion Meets Flamenco in Gratitude from Steve Mullins and Rim of the Well by Frank Doris Oct 06, 2025 #223 Judging Albums by Their Covers by Rich Isaacs Oct 06, 2025 #223 Recent Arrivals and 12-inch Royalty by Rudy Radelic Oct 06, 2025 #223 Summer of Creem, Part Two by Wayne Robins Oct 06, 2025 #223 Recording Engineer Barry Diament of Soundkeeper Recordings: Striving for Natural Sound by Frank Doris Oct 06, 2025 #223 Tea on the Terrace by B. Jan Montana Oct 06, 2025 #223 How Good Can Car Audio Get? by Joe Caplan Oct 06, 2025 #223 The Advantages of a Dedicated Listening Room by Paul McGowan Oct 06, 2025 #223 1! 2! 3! 4! Surrounded by the Ramones in Dolby Atmos! by Frank Doris Oct 06, 2025

Imaginations Real

Imaginations Real
(With a tip of the hat to Dave Davies for the title) This issue’s cover: Prince (1958 – 2016). One of the greatest rock songwriters, performers, producers, guitar players and flat-out musical icons ever. Has anyone equaled him since he burst upon the scene? His 2007 Super Bowl XLI performance remains, in the eyes of many, untouchable. Driving down Route 111 – memories of The Hidden Pond diner, Caliguiri’s Restaurant, Beverageland, Hauppauge High School, Dairy Queen...this issue's number is prompting a flashback. Route 111 is the main drag in Hauppauge, NY where I grew up. Sweet memories of the best feta cheese omelets I’ve ever had, 69 cent quarts of Bud, driving my dad’s 1969 Impala Custom and blasting the radio, make out parties...all long gone. I didn’t expect to write such a bittersweet opening, but the past couple of weeks have me reminiscing more than usual with the loss of my audio industry friend Victor Goldstein (75, unconfirmed), Kraftwerk’s Florian Schneider (73), John Prine (73) and Little Richard (87). But memories of them live on, as will their art and influence. And sometimes, memories feel more real than our “real” lives. In this issue: Professor Larry Schenbeck offers the second installment of his multichannel recordings Hall of Fame. WL Woodward has fond memories of John Prine. Rich Isaacs provides an in-depth look at Italian progressive rock band Le Orme. Dan Schwartz tells us what it was like to record with Rosanne Cash. J.I. Agnew restores a vintage Presto record cutting lathe. Ken Sander goes pond hopping with punk rock band the Stranglers. Rudy Radelic tells more tales of being an audio forum moderator. Anne E. Johnson of gives us more than one reason to read about Tracy Chapman and Henry Purcell. I remember audio industry luminary Victor Goldstein and examine the work of Die Mensch-Maschine, Kraftwerk. John Seetoo gives us a behind the scenes look at the art of organ restoration. We conclude the issue with ears in the clouds, Art appreciation and going back to Green River.

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